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Stage
11 August 2024
Observer New Review Q&A
Comedian Phil Wang: ‘The Taskmaster bulge issue only became apparent too late’
The standup on his new Netflix special, falling off a table in front of Timothée Chalamet, and why silly jokes are back
At the fringe with your kids? Edinburgh festival shows for families
Younger audiences can choose from fart jokes, dancing lizards, acrobatic bees and plenty of other monkeying around
Mark Rylance among actors calling on Old Vic to cut links with fossil fuel investor
Paapa Essiedu and Stephen Dillane also sign open letter urging theatre to end Royal Bank of Canada’s support over its shares in fuel and arms
10 August 2024
Precious Cargo review – Vietnam’s ‘operation babylift’ orphans look back
Songs of the Bulbul review – sumptuously scored solo dance is full to bursting with feeling
Luke Rollason review – shock-haired standard bearer of UK clown boom riffs on fairytales
Batshit review – grandma’s moving story highlights pathologisation of women’s mental health
Yurts, a cruise ship, my flat: all the city’s a stage at the Edinburgh fringe
A Letter to Lyndon B Johnson or God: Whoever Reads This First review – scouting out for America
The Q&A
Riverdance creator Michael Flatley: ‘Who would play me in a film of my life? I’d pick John Cleese’
The Chaos That Has Been and Will No Doubt Return review – Luton’s teen spirit
Going out, staying in
From The Instigators to Bludfest: a complete guide to this week’s entertainment
9 August 2024
Walk with ...
Philip Quast: ‘I don’t have anything left to say in theatre, it’s not my turn any more’
The Birthday Party review – Jane Horrocks hosts in a house of horrors
In times of racist violence, loving others can feel like a vulnerable act – but it’s an essential one
Suhaiymah Manzoor-Khan
Comala, Comala review – haunting and hallucinatory musical theatre from Mexico
Margolyes & Dickens: The Best Bits review – the nation’s favourite foul mouth
Weather Girl review – apocalyptic comedy gives chilling forecast for a burning planet
Digested week
Digested week: Liz Truss’s unintentional comedic turn at Edinburgh fringe
Brian Logan
My Mother’s Funeral: The Show review – startling comedy sprung from class war and grief
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