REFLECT AND THINK CRITICALLY
1. Given the opportunity to invite a
foreigner friend in the Philippines,
how would you make him/her
understand, appreciate, and enjoy our
musical and cultural traditions?
REFLECT AND THINK CRITICALLY
2. As a young Filipino student, how would
you and your friends promote our
Contemporary Philippine music and
Traditional Music to street children in Metro
Manila in a way that they will have a great
time listening to and learning about?
CONTEMPORARY
PHILIPPINE MUSIC
(TRADITIONAL)
WHAT IS TRADITIONAL FILIPINO
MUSIC?
•Reflects the way of life, beliefs and
traditions of the rural folks.
•Glorifies the beauty of nature and man’s
strong connection with his environment.
WHAT ARE ITS CHARACTERISTICS?
•Influenced by other cultures (Intercultural
or colonization)
•Usually in “diatonic” (progressing
through tones) scale
ICTNEH UMISC
1. KULINTANG ENSEMBLE
•Composed of eight gongs of graduated
sizes in a row.
•Also includes gandingan (a set of
suspended gongs), agung (a tubular drum)
and a babandil (a small gong)
2. SGNAGA SMBELENE
GANGSA ENSEMBLE
•Gangsa – a single handheld smooth
surfaced gong with a narrow rim.
•Played according to the traditions
GANGSA ENSEMBLE
•Toppaya Style
GANGSA ENSEMBLE
•Pattung Style
INHSIPCA
IUMSC
1. ONLALDRA
RONDALLA
• An ensemble of string instruments with a pick.
• Originated in Spain
• Became popular in Philippine folk music in the
19th century.
• Rondalla (“ronda” - serenade)
RONDALLA
• C:\Users\Admin\Downloads\RONDALLA.MOV
• C:\Users\Admin\Downloads\RONDALLA_1.MO
V
RONDALLA
2. SARSWELA
SARSWELA
• Combination of melo-drama
• The plot of the Philippine Zarzuela is about
Filipino life in both positive and negative aspects
• Family
• Politics
• Feasts
• Values
• corruption of the government etc…
PLNIFIOI IUSMC
1. BALITAW
• A SONG TRADITIONALLY ASSOCIATED
WITH THE VISAYAN REGION
• A DEBATE OR DIALOGUE SONG IN WHICH
A WOMAN AND A MAN COMPETE TO SEE
WHO IS BETTER AT IMPROVISING
ROMANTIC VERSES
2. SIUKMO UMBGONB
MUSIKONG BUMBONG
•A band that uses improvised
instruments made of bamboo
•First bamboo band (1896)
•C:\Users\Admin\Downloads\videopl
ayback (6).mp4
CLASSIFICATIONS OF MUSICAL
INSTRUMENTS
• Instruments that are blown (aerophnes)
• Instruments that are struck (Idiophones and
membranophones)
• Instruments that are plucked (chordophones)
FILIPINO COMPOSERS
OF
CONTEMPORARY MUSIC
FRANCISCO
SANTIAGO
FRANCISCO SANTIAGO (1889-
1947)
•“Father of Kundiman”
•Included in the Triumvirate of Filipino
composers”
•Finished specialization in music at American
Conservatory of Music in Chicago.
FRANCISCO SANTIAGO (1889-
1947)
•Has a romantic style in composing
music.
FRANCISCO SANTIAGO’S
WORKS
•Pakiusap
•Madaling Araw
•Sakali Man
•Ano Kaya ang Kapalaran
NICANOR
ABELARDO
NICANOR ABELARDO(1893-1934)
•Included in the Triumvirate of
Filipino composers”
•Studied in Chicago Music
College (Influence: Schoenberg
and Sravinsky)
NICANOR ABELARDO(1893-1934)
•Has a style combination of
European Romanticism and
Chromaticism
NICANOR ABELARDO ‘S
WORKS
•Mutya ng Pasig
•Nasaan Ka Irog
•Magbalik Ka Hirang
• ..\Downloads\Kundiman Art Song-Nasaan Ka Irog
- Sylvia La Torre.mp4
ANTONIO
JESUS
MOLINA
ANTONIO JESUS MOLINA (1894 – 1980)
•A conductor
•A Concert Soloist
•A professor in UP Conservatory of Music
•First Filipino composer to perform in
Malacañang Palace (Manuel Roxas)
ANTONIO JESUS MOLINA
•One of the Triumvirate of Filipino
Composers
•Remembered as the conductor of the first
televised choral concert in Centro Escolar
University.
ANTONIO JESUS MOLINA
•Claude Debussy of the Philippines
(Impressionism)
•National Artist for Music (1973)
ANTONIO JESUS MOLINA’S
WORKS
•Hatinggabi (Violin)
•Malikmata (Piano)
•Ana Maria (zarzuela)
•Misa Antoniana (Missa)
•Pandangguhan (Vocal Music)
• ..\Downloads\Hatinggabi - Antonio Molina.mp4
LUCRECIA
ROCES
KASILAG
LUCRESIA ROCES KASILAG
(31 AUGUST 1918 – 16 AUGUST 2008)
•Bachelor of arts in English (Education)
•Went to Eastman School of Music in New
York
•Faculty member of UP Conservatory of
Music
LUCRESIA ROCES KASILAG
•Became a Dean of the Philippine
Women’s University College of Music
and Fine Arts
• President of the Cultural Center of the
Philippines during the Marcos years and
special consultant during the Aquino
administration.
LUCRESIA ROCES KASILAG
•Became a Dean of the Philippine
Women’s University College of Music
and Fine Arts
• President of the Cultural Center of the
Philippines during the Marcos years and
special consultant during the Aquino
administration.
LUCRECIA KASILAG’S
WORKS
•April Morning (1941)
•Theme and Variations (1950)
•Legend of Sarimanok(1963)
•Dularawan(1969)
• ..\Downloads\Lucrecia Kasilag
- Toccata for Percussions and Winds (1958).mp4
RYAN
CAYABYAB
RAYMUNDO CIPRIANO PUJANTE CAYABYAB
(MAY 4, 1954- )
•Took Business Administration degree but
shifted in UP college of Music
•Became a professor in Up Diliman for
two decades
RAYMUNDO CIPRIANO PUJANTE
CAYABYAB
QUIZ
1.Jury in Philippine Idol
(2006)
2.His influences are
Schoenberg and Stravinsky
QUIZ
3.Legend of Sarimanok
4.Known as the “Father of
Kundiman”
5. President of the Cultural Center
of the Philippines (Marcos)
QUIZ
6. First Filipino composer to
perform in Malacañang Palace
7. Handler of Smokey Mountain
8. special consultant during the
Aquino administration
QUIZ
9. Claude Debussy of the
Philippines
10. Remembered as the
conductor of the first
televised choral concert
QUIZ
11. Hatinggabi
12. Has a romantic style
in composing music.
13. Dularawan
QUIZ
14. Kailan
15. Nasaan Ka Irog
