Architecture is about more than just designing structures - it is about positively impacting society. The architect has immersed himself in different communities to understand their cultures and ways of life in order to design spaces that are respectful and beneficial. While architecture can be taught, it is through experience and learning from others that one truly learns about architecture. The architect aims to use his skills and knowledge to improve people's lives and communities.
Architecture is about more than just designing structures - it is about positively impacting society. The architect has immersed himself in different communities to understand their cultures and ways of life in order to design spaces that are respectful and beneficial. While architecture can be taught, it is through experience and learning from others that one truly learns about architecture. The architect aims to use his skills and knowledge to improve people's lives and communities.
Architecture is about more than just designing structures - it is about positively impacting society. The architect has immersed himself in different communities to understand their cultures and ways of life in order to design spaces that are respectful and beneficial. While architecture can be taught, it is through experience and learning from others that one truly learns about architecture. The architect aims to use his skills and knowledge to improve people's lives and communities.
Architecture is about more than just designing structures - it is about positively impacting society. The architect has immersed himself in different communities to understand their cultures and ways of life in order to design spaces that are respectful and beneficial. While architecture can be taught, it is through experience and learning from others that one truly learns about architecture. The architect aims to use his skills and knowledge to improve people's lives and communities.
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I believe architecture is more than designing
spaces or structures. Being architects, we
have a major role and responsibility towards society and its development in all forms. We can bring significant impact on our surroundings, life of people and society. I have been trying to immerse myself in different communities to understand their life style, culture and other aspects that define them. I understand, there is always something to learn from people around us, we just have to pay attention to them. We do not know if architecture can be taught, but we know it can be learnt. - Charles Correa.
Ghanashyam.S. oza Objective : I have an ambition to further my education in architecture through a job as an architect in your reputed firm.
Personal Info.
Name : Ghanashyam oza Date of Birth : 23.6.1992 Contact Address : Ganesh Nagar Gimhavane,Tal-Dapoli ,Dist Ratnagiri. Maharashtra
Architecture
Interior
Landscaping Urban Development
School : College :
Bharti Vidyapeeth Univercity,College of Architecture(pune)
5th year ( 60% ), 4th year ( 62% ), 3rd year ( 58% ), 2nd year ( 62% ), 1st yea( 60% ). Alfraid Gadney High school,Dapoli Dist Ratnagiri 12th-2010 ( 70% ), 10th-2008 ( 78% ). Alfraid Gadney High Jr.College ,Dapoli , Dist Ratnagiri
Work Experience Professional Experience :
Ar.Jimmy Mistry ,Della Tecnica (Mumbai)
Project Architect (June 2015 to May (2016) : Della Villas 40 High End Spanish Villas : Della Resort : Della Extreme Adventure Park : Sunil Godhwani House (Delhi)
Architecture Continuous,Bangaluru Trainee Architect, 10 months-2014 : Farm House for Art Of Living : Mr.Bysani Residence,Bangalore : Hindalco Mall,Varanashi : Indian Rayons Community Centre,Baroda. : R.P singh Residence ,Kanpur
Renovation of Gov.Office , Lucknow
Residential Interior for Teejas Dabhole , Khar Ghar (Mumbai) Landscaping for Omkar Shanti Stal, Shree Chindarkar Maharaj Math , Dapoli (Ratnagiri) Chinhat Lake Rejuvenation , Chinhat (Lucknow) Ismailgunj Lake Rejuvenation , Ismailgunj (Lucknow) Jaunpur Lake Rejuvenation, Jaunpur , (Lucknow) Kannauj Lake Rejuvenation , Kannauj , ,(Lucknow)
- Entrance Gate for Exhibition Shortlisted as top 5 entries, Design Master Challenge(2015) -The Great India Market IGBC(2011) Sustainable School. Pune Biennale Landscape Competition - Redesign of Taljai Hill.
Apprenticeship :
Worked with Artist Aboli Kadam (Pune) and Ar.Mayank Barjatiya on Sculpture Saraswa .In Mohor Pune Biennale 2015.
Worked with Artist Rekha Sameer (london) on Sculpture in Mohor Pune Biennale 2015.
Worked on set design of Documentary named NOTHING.(1st Year).
Worked on set design and Acted in A Documentary named GADAR (3rd Year).
Software's Skills
AutoCAD : Google Sketch up : Revit : Adobe Photoshop : corel draw : M.S Office :
ECTURE CONTINUOUS AR.ADITYA KASHYAP ilosophy - ARCHTECTURE IS A BRIDGE BUILT ON THE PIERS OFCREATIVITY, INNOVATION, FLEXIBILITYAND ADAPTABILITYTO CONNECT DREAMS WITH REALITY. Worked on: Complete conceptual faade and Envelope design of the structure . Construction: Ongoing
Green Stack, Residential Apartment
ENT GREEN CITY CONSTRUCTION
CATION BANGALORE NSTRUCTION - ONGOING
The projects iconic form and
luxuriously scaled homes qualify Green Stack as a residence of global standards.
Design Concept -
Evolution of design through different levels of massing
This project aims at a high end 3
BHK apartment, with a design that shall apparently fit in to its cosmopolitan surroundings. A Completely modern and lavish setting achieved through a LESS IS MORE approach The front faade is work out with twisting of masses with beam bottom and slab top cantilever projection to generate Dynamic balconies on front side of the building. The open-air spaces at Green stack Avenue have been rightly described as villas in the sky. They are elevated spaces that optimise viewing from within a private setting. These areas serve as outdoor spaces for residents to relax, entertain, or simply imbibe the tranquility of the surroundings.
sional Practical Training (10 Months)
ECTURE CONTINUOUS AR.ADITYA KASHYAP ilosophy - ARCHTECTURE IS A BRIDGE BUILT ON THE PIERS OFCREATIVITY, INNOVATION, FLEXIBILITYAND ADAPTABILITYTO CONNECT DREAMS WITH REALITY.
Cafeteria,Hindalco Mall.(Varanashi)
LIENT ADITYA-BIRLA GROUP Worked on: Complete concept,
OCATION VARANASI designing with final detailing ONSTRUCTION - ONGOING Construction: Ongoing
The Light Fixture, Conference Hall
CLIENT KRISHNAMUTHY Worked on: Complete concept, designing LOCATION BANGALORE with final detailing till Execution CONSTRUCTION - COMPLETE Construction: Ongoing
digitally printed image on
19mm thk rubber wood
Design Concept The design attempt to play with juctapositioning
of VIBRANT COLORS In a public realm. It sets up a rhythm with its simple geometric rectangular form However , at the same time the space creates an interactive environment with the vertical windows giving it a character
Elevation
Section
Elevation
The light fixture was designed to add character of curiosity for the onlooker. The digital printing on either side of the light fixture adds a lot of character and it gives the designer to display any theme or character that he wishes to portray. The silver paint with the light area brings about a warm light output which adds to a pleasant ambient light. The size and proportion of the light fixture is bold to demand attention and bring about a sense of importance of the space it is positioned in.
sional Practical Training (10 Months)
ECTURE CONTINUOUS AR.ADITYA KASHYAP ilosophy - ARCHTECTURE IS A BRIDGE BUILT ON THE PIERS OFCREATIVITY, INNOVATION, FLEXIBILITYAND ADAPTABILITYTO CONNECT DREAMS WITH REALITY. Worked on: Complete conceptual faade and Envelope design of the structure . Construction: Ongoing
Green CITY UTOPIA
CLIENT GREEN CITY CONSTRUCTION LOCATION BANGALORE CONSTRUCTION - ONGOING Floor Plan Type A
Nitesh Park Avenue, in downtown
Bangalore, is the epitome of urban luxury.
Floor Plan Type B Floor Plan Type C
Floor Plan Type E
Floor Plan Type D
Site Plan
Design Concept The residential tower
accommodating 2 and 3 bhk units are designed with a high end modern approach. The balconies enjoyed by every flat on the front facade, come as blessing from the sky. Landscape design varies from public, recreational space to private garden and deck space. The Public recreational space is concentrated in the triangular central green space, the peripheral edge planting, entrance and tomb area, and some leftover spaces. Site area : 3.9 acres No. of apartments : 146 Total built-up area : 39,000 sq. m.
Evolution of design through different levels of massing
sional Practical Training (10 Months)
ECTURE CONTINUOUS AR.ADITYA KASHYAP ilosophy - ARCHTECTURE IS A BRIDGE BUILT ON THE PIERS OFCREATIVITY, INNOVATION, FLEXIBILITYAND ADAPTABILITYTO CONNECT DREAMS WITH REALITY.
Bysani House,Bangalore
Incubation Center
Worked on: Design Fascia of the building ,working drawing of the
faade ,Planning of House
Location Bangalore
3D View of Incubator Centre
Design Concept -
The design of an envelope for this residential project plays with FERROCRETE In order to achieve dynamism and fliud geometry. Owing to the massing, the faade gets a hint of deconstructivism.
5 13. Muzaffarganj 14. Sadashiv 1 15. Ghorpade 4 7 8 The peths 16. Rasta evolved through a flexible system of development. Peths developed special personalities. 17. Nana 1 PethsGanj grew organically in spite being officially 18. 3 established by an individual at government initiative. The delicate balance of kinship and community networks, the creation of community spaces and the growth of an urbane culture developed of their own volition.
S O M W A R
Location: Pune city started out on the right bank of the Mutha river that formed its western boundary. Pune of the eighteen peths or wards was the creation of the Peshwas. The peth was probably no more than a well-laid out stone-paved main road, with one or two wadas. Soon temples, shrines, a bazaar, orchards, ward offices and police posts appeared. This is how a locality would grow. Lanes and by-lanes were created from leftover spaces between houses. Thus a certain amount of overall planning was combined with impromptu development in the peths.
1 2 18 1 5 S H A N I W A R
R A V I W A R
te Under Consideration
Existing Landmarks In Mandai
Mandai The central market, named after Governor Reay (Mahatma Jyotiba Phule Market and referred to as Mandai) consists of a large octagonal central tower with Victorian features and arms radiating from it. The arms housed the vendors stalls, while the tower was used to house municipal offices. It was Precinct built to dominate Ram Mandir of Peshwa and to show colonial power. Kaware ice-cream parlour Dutta Mandir
The site selected is Mahatma Phule vegetable market (Mandai), and its precinct: situated in Shukrawar peth whose total area is about 30 Acres. The surroundings of Mandai is dotted with heritage structures such as Ram Mandir, Vishrambaug wada, Shanipar, public library and some old wadas of Peshwa time and style. Mandai currently houses fruit and vegetable market and few municipal offices. This area is predominantly a mixed land use with shops on the ground floor and offices and residences on upper floors. Tulsibaug Tulshibaug gets its name from the Tulshibaug Wada located in this area which is a famous temple of Lord Ram, Ganpati and Shankar. It is thePeshwakalin place. It is located in heart ofPuneand is one of the most crowded place in the city. The area has three entrances The market sells goods including traditional Maharashtrian cooking items, cosmetics, jewelry and household goods, as well asPooja items.
EXISTING TRADING MAP OF THE SELECTED
AREA:
Flower hawkers-15 Earthenware's - 9
Kaka Halwai
Agatya Hotel
Dashabhuja Ganpati Mandir
Vishrambaug Wada
Shri Swami Samarth Mandir
Bank of Maharashtra Chitale Bandhu Mithaiwale
Copper and steel
shops - 26
Seasonal hawkers-15
Masjid
Old Mandai
Spice Shops-32 Sharda Ganapati Mandir
Shani Mandir
Jilbya Maruti Shri Krishna Bhavan Mandir
Ram Mandir
Decoratives shops-36
Bamboo Shopes - 32
Tulsi Baug Market - 75
Haldi Kum kum shopes - 29
CURRENT CONDITION AND FESTIVAL
MAPPING
SITE PLAN SITE AREA: 15300 sq.m.
BUILT UNBUILT
BUILDING AGE
BUILDING USE
Mandai currently houses fruit and vegetable market and few municipal offices. The surroundings of Mandai are encroached by hawkers and street vendors. New Mandai building has been constructed to cater to increasing commercial pressure. Tulsibaug is a thriving commercial area near Mandai comprising of a religious precinct surrounded with narrow, congested commercial lanes. This area is predominantly a mixed land use with shops, hawkers, godowns on the ground floor and offices and residences on upper floors. This historic core also serves as a platform and backdrop for celebrations of major festivals like Ganeshotsav, Diwali and Dahi Handi resulting in CULTURAL Hawker state tourism. Ganpati Pendals Dahi handi
CALENDER
s during ganesh festival
Flower and Incense sticks shops
Garment market Spice market Copper and steel Shops Clothing Shops Art, craft and decorations shops Musical Instruments Foot wares Shops Food court Urban space
AIM-TO DESIGN A TRADITIONAL MARKET SPACE AROUND A HERITAGE
STRUCTURE MANDAI THAT WOULD CATER TO THE EXISTING PROBLEMS AND Hawkers during diwali festival THE GROWING NEEDS OF THE AREA. OBJECTIVE:
Route closed after Closed on last day
7th day of ganeshostav
Hawkers during ganesh and diwali
Respect to the heritage: The market designed would compliment the heritage structure in all possible ways without overpowering it in anyway. Senstivity to the people: the market would be designed on an Indian context that would suit the Indian way of shopping. Permanent space for hawkers: all the hawkers of the area are given space her to sell their items, thereby decreasing the crowd and confusion in the existing roads. Meet the growing demand: apart from the shops surrounding the mandai structure that is being relocated here, the market will also have additional no. of shops in order to cater to the growing Hawkers during ganesh festival demands of the market area in this zone therby helping in further development of this area.
A Mahatma Phule Mandai
Flower Market
Entry of market has flower and
incense shops, hence that would create a nice fragrance at the start enhancing shopping experience and giving a traditional feel.
MAIN ENTRANCE --- Through Flower Market
Entry given from either sides of Mandai to prevent excessive pressure during crowd at peak hours. Also, this gives a language of symmetry to the external elevation. PLANNING OF SHOPS: Traditional experience The traditional way of shopping in India is the main concept behind the planning of the permanent shops in the market. Shops on both sides with path in the centre.
Footwear Shop Earthenware shop Art and craft Bazaar
Mahatma Phule Mandai
Craft bazaar and food court
located on 2m high podium to get clear visibility
Foot and Accessories shops located 1.5
the ground level. so Person entering from Manadi get clear visibility of the market
3D Cross section Through Market (Section At AA)
Plan
Food Court
South Side Elevation A
Space given for occasional markets below the existing permanents shops of the market. This space is easily accessible from the roadside, hence one does not have to enter the market for buying festive products during occasions like ganapati festival, diwali, etc. Seasonal market is located on south side of the market facing main road (12m wide) .So Seasonal items like cracker on diwaali,Colors in Holi,Haldi kum-kum in Navratra,Flowers and decorative items in ganesh utsova.Can be easily accessible from
This is 125 year old Colonial
Structure. Mahatma phule mandai Mandai.
Footwear Market A person entering to market has getting clear visibility of market.
Decorative items and
Seasonal Market Space for Hawker craft bazaar
CROSS SECTION THROUGH MARKET - Showing trading pattern with existing photographs of select areas
PATHWAYS: Two types of pathways are planned in each shopping lane. Continuous verandah in front of the sops in the lane is designed where all the shopping crowds are going to gather and buy. A separate lane is isegregated in front of the verandahs which is the main circulation path the. market onthroughout Through Shopping lanes (Section At CC) Such an arrangement would decrease over-crowding n front of shops.
SHOPPING LANES AT VARIOUS LEVELS:
enhancing visibility and experience The existing heritage structure Mandai and the designed traditional market has been connected by giving separate entries to the market from the lanes of mandai. Steps leading to this area can also be used as pause spaces for resting.
To Enhance heritage feel of shopping and
to retain Tulshi baugs Contectx,the PATLI GALLIS were created Ladies Accessory shops
The traditional way of shopping in India
is the main concept behind the planning of the permanent shops in the market.
Earthen wear shops
section Through Earthenware and accessory Market (Section At CC)
Mandai.
The roofing of all the structures in the market are same as that of Mandai to complement the heritage of the space and not to overpower it in any way. The market is a low rise structure so that the importance and respect for heritage in this area is not altered in any way.
B Footwear Market
PAUSE SPACES:
After every cluster of shops, pause spaces are given in
the form of seating around trees, which acts informal interactive spaces.
Space for Hawker
EDGE CONDITIONS:
Use of colonial clock at all the
entrances , height of which is same as that of Mandai.
Space for Hawker
The southern end of the market ,
adjacent to the road is higher than all other market area. The space below the shops in this zone is utilized to create permanent spaces for the hawkers. A continuous shade in front of these small storage spaces under shops would serve as the selling area for the hawkers.
12 m Wide Road WEST SIDE EDGE OF MARKET Urban spaces have been developed along the periphery of market The dead wall coming on the main road side of the market has been created into an urban space for people to rest after shopping. The temporary food stall hawkers of the area are also relocated in this area. Hence this space can become a linear patch of food lane.
Section At BB
BIO CLIMATIC OFFICE TOWER
Possible next step of urban development in polluted megalopolises. Respect for Energy & Natural Resources (Conservation Principle) Respect for people (Creating user health and well-being ) Respect for place (Ecosystem Principle, restoring ecological value) Respect for future (Utilizing renewable energy) Applying life-cycle thinking, assessment and costing. CONVENTIO NAL PRACTICES Doing Harm
SUSTAINABLE DESIGN
RESTORATIVE REGENERATIVE DESIGN DESIGN Doing Better Doing Less HarmDoing No Harm Doing Good -Contributing It works like this: To Nature Survey the climate at the proposed building location. This should include temperature, relative humidity, solar radiation and wind. Evaluate the climate and assess the relevant importance of each of various elements. Propose a technical solution to solve each o f the climate-comfort problems. The technical solutions should include site selection, site orientation, shading calculation, building form and shapes, air movement and indoor temperaturebalance. The first three stages should be incorporated into the architectural solution. GREEN DESIGN
Why bio-climatic_ Nearly two million residential building are built annually in India apart from the offices , commercial and industrial buildings and with demand and supply which is increasing year by year.It is essential to conserve the conventional energy by developing energy the efficient buildings. In India, the residential and commercial sectors consume 25% of the total electricity usage of the country, and a major portion of this is utilized in buildings. Most buildings that are presently being designed and used are far from being ecofriendly or sustainable. Their energy consumption and imposition on nature resources is massive. Hence the design and development of new buildings based on sound concepts of bio-climatic architecture could substantially improve energy-use efficiency in the building sector, with an associated reduction in both local as well as global emissions.
JANA Village Settlement Study (Himachal Pradesh) 2nd Year
As part of a settlement study we visited Jana village near Manali, Himachal Pradesh and documented the entire village over a period of 2 weeks. Measured drawings were made of the two main temples and 5 houses.It was a rare opportunity to understand & observe a very different culture & lifestyle along with a vernacular construction technique- KATKUNI.
A mesh of interlocking horizontal cedar (locally, deodar) sleepers is created
and in this dressed or raw stone is packed. A singular characteristic is the absence of vertical members. With inherent elasticity, the design has an enormous seismic response - there have been instances Vertical Transact Of Jana Village when tremors have dislodged the stones from the frame,
later, have been hammered back into the
intact mesh of wood houses and temples in the style are present in the districts of Shimla, Kullu & Kinnaur
Documentation of typical house
Elevation
Plan Transact Of Jana Village
Cross section of house showing Kath-Kuni wall d
And Roofing details.
HORIZOTAL TRANSACT OF JANA VILLAGE
UNDERSTANDING GAINED BY SEEIN FORM IN PHYSICAL SPACE IS
MORE THAN JUST IMAGINING A SPACE
THE MEDIATOR OF THE INEXPRESSIBLE IS THE WORK OF ART
