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FUNTIME FREDDY ......................... 52
FUNTIME-FOXY vis nad. scgaaii ag 54
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TWISTED FOXY 22 oocccccccccsssseeee 60
HELLO? HELLO?
While these animatronics are often seen in dynamic, action-filled poses, don’t worry:
if you follow the step-by-step guides closely, you will be able to draw them in no time.
These instructions will take you from rough stick figures to fully detailed drawings of all
your favorite cast members.
Take care when drawing these characters. They don’t often look at you head-on. They like
to stand at angles. This will challenge what artists call “perspective.” It means some body
parts that are tilted away from you will look smaller than those parts that are closer to you.
This might take a bit of practice to get right, so be patient and keep trying.
Every animatronic can be broken down into simple shapes. Try warming up by sketching
rectangles, circles, cubes, and cylinders. And remember: keep your pencil lines light. That
way, it’s easy to erase any rough workings to get your drawings just right.
Smooth plain paper, a good hard black pencil, and an eraser are essential tools for getting
started. Soft black pencils are great for shading, but don’t worry if you don’t have a variety
of pencils. Just one pencil can create a huge range of tones by varying the pressure
applied. Keep a ruler and pencil sharpener on standby.
Finally, the instructions provided in this book are a guide to help you. Don’t be afraid to
experiment with the animatronics and peated them in different poses. Just don’t get too
close when night falls.
Have fun—and don’t give up!
 FRE
Drawing Freddy Fazbear
is easy! Keep his features
soft and friendly. Don’t
forget to add a bright
shine to his eyes.

ho Add shape to his body, leaving space

= 2 between your frame and outline to
%,°,
Ss Se 7
capture his broad limbs.
° ° °
Sketch his
ate", bow tie, muzzle, and microphone.
%
—
af
2

Begin by lightly sketching Freddy’s

framework, keeping his stance wide.
Add guidelines for his facial features,
noting the tilted angle of his face.
 <=y—=*

Use simple shapes to add his top hat,

eyes, and ears. Curl his fingers
around the microphone and use
curved lines to outline his toes.

Start adding detail to your drawing,

defining the shape of Freddy’s jaw.
Mark the animatronic joints on his
body at his ears, knees, and elbows.

Firm up your outline and erase any Darkly shade Freddy’s accessories
guidelines. Mark sections of and the mechanical bends on his
highlights where the spotlight will hit body. Add a few soft lines to your
Freddy’s top hat and bow tie. ‘ drawing to create a rough texture.
 ESET OA a Ooo a “ .
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= ELE OE
AT etTe ROE NOTTS TI eae iii:

eee

This “hare”-raisin’ rabbit loves to

rock out on his guitar. Take care
when drawing his fingers to
make sure he hits the right notes!

Create Bonnie’s Begin adding

framework. He’s form to your
a confident framework.
performer, so Although parts
keep his stance of Bonnie will be
wide and covered in the
emphasize the final drawing, it
bends at the is useful to
elbows, ready to sketch his full
hold his guitar. body to ensure
proportions are
correct.

Outline Bonnie’s Pencil in the guitar’s

eyes, muzzle, frame. Start with a
bow tie, hands, long straight line for
and ears. His the neck, topping
articulated ears it with a triangle.
are raised A rhomboid
slightly above | creates the
his head, so body’s main
remember to shape.
leave a small
gap for the
hinges.
 Start adding
detail to
Bonnie’s face.
Draw his
rounded teeth
and use small
circles for his
big, bright
pupils. Add
shape to his
fingers and
details to his
guitar.

Continue building the guitar’s shape,

curling Bonnie’s fingers around the
neck. Add a curl to the tip of his ears
and open his jaw. Outline his toes.

Finish by shading
the darkest areas
of your drawing,
keeping Bonnie’s
body and the
colorful parts
of his guitar
a bright
white.

Firm up your outline and erase any

rough line work. Add strings to the
guitar and lightly shade Bonnie’s
eyes, jaw, and hinges on his body.
 Chica is the bird who _
_ likes to eat! She is never |
without Mr. Cupcake.

Add shape to
Sketch Chica’s
Chica’s body,
frame, with a
curving the
round head and
outline away
wide pelvis. As from her
her left arm is | i
stretched high, inte
ant ta
the lines forming / on thaetd in
her raised arm her torso to
will be slightly
shorter than show eee
those on the 5 upward tilt in
right Se her stance.

Draw a circle for the shape of

Mr. Cupcake, with smaller circles :
within for his eyes. Add a candle, E
Carefully use and a thin plate on Chica’s hand.
your guidelines | (\
to add her
facial features.
Mark a tuft of
feathers on
her head,
falling in
curved
sections,
and outline
her hands.
 Decorate Chica’s bib with bubble
letters. Draw both characters’ teeth,
leaving a gap in Chica’s grin. Use
Place Chica’s circles to add a glint to their eyes.
bib on her
torso,
following the
shape of her
body. Sketch
her fingers
and talons.
Draw her
eyebrows
and large
pupils,
keeping the
angle of her
head in mind.

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7 oe eo

Ja®™ Semicircles with %g

Fa” lightly curved bases
ae_ create Chica’s talons.
Practice drawing

Erase any Firm up your

remaining linework and
guidelines. Add use thick blacks
a few short lines to shade Chica’s
to Chica’s body eyebrows and
to capture her mechanical
worn texture. hinges, and the
Define Mr. characters’
Cupcake’s sockets.
dripping icing
with a wavy
a line.
 Le. ra a asill S
eT Te lca caaa vs
vey
NearerAes i a acs cecal

This stealthy pirate moves

quickly. Identify his lines of
A action before you start drawing
fm to bring his running pose fo life.

Pencil in Foxy’s © Flesh out the

framework. plated areas
Exaggerate his of his body,
stance, with his a ; leaving his
limbs bending AF lower legs
dramatically, to = oe bare. Foxy’s
create a sense a5 torso is squarer
of movement in 7 < than the other
your drawing. animatronics’.
.

Mark his facial

Use curved lines
features, with
for his hair and
his snout just
below his
the rough metal
on his shoulders.
eyeline. Outline
his ears. Pencil
Mark his fingers
in his hook, slim and refine his
calves, and
hook. Turn his
raised foot into
rectangular feet.
a cuboid to
create a 3D look.
 i ae)
HZ Draw Foxy’s eyes and eyebrows.
Give him sharp cone-shaped teeth,
leaving small gaps between those
on his bottom jaw. Define his inner
ear and his robotic fingers.

Outline his damaged areas and

raised eye patch. Finish shaping his
feet, breaking the sections down into
squares and rectangles.

Erase any remaining guidelines. Add

short lines to his hook, giving it a 3D
look. Begin adding value to the
darkest areas of your drawing.

hi SSS ¢
@” The direction ofa *%g
3 character’s gaze can "s
a help to convey @
B.‘ movement.
:
Ensure
. a
,@
Foxy islooking »@@

Refirie your pencil work and darkly

shade Foxy’s tears. Leave thin white
highlights on his nose and eye patch
to emphasize their curved shape.
 |

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Z pee aT Se ei ra ne ee

Drawing Baby may look hard,

but don’t let her trick you. Take
your time with her outline and
the rest will fall into place.

Pencil in Add shape to her

vies :
Circus Baby’s limbs, drawing
framework. Her / ovals for her
pose will challenge | arms and legs,
perspective: Notice ne — with the curves
the light curve in [ | tapering around
her spine and the her joints to
tilt of her head as emphasize the
she looks toward bend in her right
her audience. knee. Use small
circles for her
kneecaps.

Curl the toes of Curved lines

her shoes to create her
resemble jester fingers and
boots. Place her eyelashes. Draw
facial features, small circles for
with her nose |
| her rosy cheeks,
slightly curved at the bells on her
the tip. Sketch
shoes, the fan in
two large circles
to place her her stomach, and
the pins in her s
pigtails, and limbs. Add her
outline the palms frilly skirt and
of her hands. sleeves.
 cd

Draw her pigtails, following the

curve of the circles closely. Add
her bangs and her small, square
teeth. Two circles and a long
rectangle form her microphone.

Sketch the panels on Circus Baby’s

limbs, and curved lines for the soles
of her boots. Stack cylinders to form
her fingers and add her small fan.

Erase any remaining guidelines and Contrast a thick outline with light
tidy your line work. Add light lines lines within Circus Baby’s body to
around her skirt to give the metal a highlight her segmented plates.
softer, fabric-like appearance.
 Mangle is made of many
different pieces. Try using
a ruler when sketching his
framework to capture the
's
<a
ea
Yel al stiff, mechanical angles of
SE we
, &
his body.

Sketch Mangle’s frame. His heads are Begin adding form to your drawing.
very different shapes: the Foxy-style Instead of ovals, his body is made
head is bottle shaped and the exposed up of straight lines, with large circles
endoskeleton head is a thick T shape. around his major joints.
Sketch two
teardrop shapes to
create Mangle’s
ears, then use your
guidelines to
outline his hands
and feet. Notice
that his exposed
endoskeleton foot
is square in shape,
while his other
feet are rounded.

Stack cylinders to
form Mangle’s
fingers. Draw a
small, neat circle
for his tail and
connect it to his
robotic leg. Mark
the shape of his
snout, jaw, and fur
on the Foxy-style
face, and a wide
eye and rounded
teeth on the
exposed face.
Don’t forget his
bow tie!
 Outline Mangle’s
| eyes, noses, and
br es lipstick. Pointed
a= 4Y cones create his
RT Roe sharp teeth. His
=) endoskeleton can
be tricky to draw.
Carefully pencil in
rectangles, cubes,
and circles around
his frame, curving
the shapes with
the angle of his
limbs.

Wavy lines
create Mangle’s
loose wires.
Carefully mark : L LEY
their placement, ae HK COY
then firm up im ae
your lines when
you’re happy
with how they
look. Add
eyelids and
red cheeks.
 Solidify your
outline and erase
any remaining
guidelines. It
should look as if
Mangle is reaching
toward you.
Remember: fingers
aren’t perfectly
straight: they
curve and bend
around the
knuckles.

See
o¢ oOo
ee” ART TIP “osh
ee eh
a” Mangle may bea *s¥
a” damaged mess of “s
B, parts, but his robotic “af
8, body is precise, so
$, keep your lines
\g

Darkly shade
Mangle’s wires,
ankle joints, eye an yy,
sockets, and open 5| ae ey aS
ey
mouth. Add a wi SOT TT DO
series of short, Sy)gan ae
sharp lines to 5
your drawing to
capture his shiny
but dented metal
structure.
Pencil in Springtrap’s frame. His Flesh out his body. His wedge-
body is badly damaged, so his
shaped feet are positioned at
head should droop down and different angles. This causes one
his stance should be wide to
to look wider and thicker, while
show the weight of his limbs. the other is long and thin.
 Mark Springtrap’s
fingers. Unlike the
other animatronics,
he has five fingers.
Position his ears
and outline the
shape of his snout.

Og at ~X
¢
oe . >?
@¢ ART TIP “es
Follow your
© construction lines. For ©
these characters, the
Use your B, eyeline should pass
A®, through the center »
guides to of the eye.
continue
adding detail.
A thin crescent
creates his
wide, menacing
grin. Short,
sharp lines
create his
eyelids.
 Add detail to your drawing. Three
long triangles define his toes. Add his
exposed wires, curling out of his right
ear and body where the suit splits
open. Draw his square teeth.

Outline the tattered areas of

Springtrap’s body using random
shapes. Curved lines create the
knotted wires around his ankles.
@
oe
as” A
@®
a Although
a” Springtrap’s body is
g_ tattered, use the rips
sparingly. Less is
 Finish shading. Springtrap’s eyes
look more human than the other cast
members’. Take care when shading
around them to create a sense of
depth in the suit.

Erase any rough lines. Shade the

darkest areas of your drawing.
Because Springtrap’s suit has
deteriorated, don’t worry about
keeping your lines neat.
 ey nen vee
er ne a
CARDS ue ars ie

Z|

To give this curious animatronic

his balloon-like shape, the stripes
on his shirt should closely follow
the curve of his body.
Zea ROIS URE Sai

Pencil in | |. Add shape to

Balloon Boy’s , BB’s body.
framework. His ~ |) We’re looking
head is large 4) - up athim
and his body is : / here, so the
small. Notice | soles of his
how his legs aC 4 ) feet are large
are bent and ‘S / \| 4 and flat, his
his right arm is Y | torso round,
stretched high. |) and his legs
es | short and
squat.

ee
a” Usingacompass *g
a” will help to give BB’s “a
= = round body and "us
By balloons a smooth _@
e and precise look. ot

$.
Draw three large
circles. Stretch lines
from each balloon’s
center to BB’s hand.
Use a rectangle for
his sign.

Sketch large eyes, rosy cheeks, and

a cone nose. Mark the base of his
cap and two buttons on his shirt.
 ie oy 5 ié
Begin to
{ define BB’s
\ bright eyes
; and draw his
~ <) wide, square
Z \ teeth. Add
™ D\ stripes to his
° \¢ at hat and shirt,
: a ON and detail his
ADS" buttons.

( oa © ~
j ©

Continue adding shape to the

balloons and sign. Teardrop shapes
create his hat’s propeller. Pencil in
his hair and draw his wide grin.

gy i
7 i

Neatly write “Balloons!” on BB’s Outline BB, keeping the curved lines
sign and add curved lines to the on his hat and shirt light. Thick black
balloons. Shade the darkest areas around his eyes and in his mouth will
and erase any remaining guidelines. make his expression pop!
 i a lai

MARIONE TIE
The Marionette (also known as the Puppet)
is slender and much taller than the other
animatronics. No matter the figure’s build,
heir base skeleton remains the same.

Pencilinthe —~— . _ Add shape to

Marionette’s — your drawing.
framework. 7 To capture his
Use long lines e slender build,
for his tall ae keep the
figure, with outline close to
a slim pelvic his frame. The
shape and Marionette
raised left leg. doesn’t have
His head isn’t feet, so his legs
a perfect circle. should come
to thin points.

Define the shape of his mask and

draw his upper eyelids and broad
grin. Pencil the buttons on his chest.

Add three long,

curled fingers to
each hand. Draw
a series of tightly
curved lines on his
limbs. Finish shaping
his eyes and add a
circle for his cheek.
Continue adding @ The Marionette’s
detail to his face, black costume
outlining his lips ae reflects light. Add
and purple ; a few lines to his
stripes. Using mask, torso, and
genguidel
your guidelines, A Somat . aa rollgyyng
sketch the long, o¢ oon the shape of his
plump fingers &»ag ART TIP +3 . body to capture
with a slight bend @® When a character’s © this shiny look.
; oes m- face is at an angle,
in each digit. w_ the eye farthest from
view will appear
narrower than
the other.

t~’

Erase any Finish by defining }4 fy

ini
remaining he
the Marionett
Ma e FY
Y)
guidelines and with bold lines. ay)
Darkly shade his |
firm up your
outline. The open mouth and A
eyes, leavingthe |
crescent of a skull
should be visible tiny irises a bright \j
behind the mask, white. \
and his waist
tightly tapered.
 sr
ean ese

Nightmare Bonnie is much

taller than the original
Bonnie. In this drawing,
his hunched stance will
help to show his height.

Sketch Nightmare Bonnie’s framework. Add shape to your frame using wide
Emphasize the curve in his spine and ovals for his limbs. Notice that his feet
bent knees to portray his bulky build. are different shapes, with a wedge
forming his exposed left foot.
 Kgphtie:
os a

72° ART TIP “os\

ye? ¢
Ja" A few well-placed *¢
a” lines can completely ®
f change a drawing.
aay) \ ssJust two simple lines "
ax A€, create the bend in
ee Se
Ate Bonnie’s right
;
Start detailing his face. Draw rows of
cones for his teeth. Mark circles for his
pupils and whisker placement. Sketch
his neat bow tie. Add shape to his
fingers, coming to sharp points.

Ee Use long lines with sharp bends to

mark his finger placement. Outline
his ears, eyes, nose, and muzzle.
Continue adding shape to his feet.
 =) w ® > ) = i z.)5 w 0 ) 2 By C iS o w ° Ww a o
es — Vv <=
h is vis ible endoskeleton, includ ing
his spine and knees. Draw loose
wires, wiry w hiskers, and light
lines on his eyes.

Have fun outl ining the deter iorated

areas on Nightmare Bonnie’s suit,
using ran dom, lagge d lines. He has
a large tear in his torso and
damage around his eyes.
 Add thick, dark shading to your
drawing. Finalize your pencil work,
keeping your outline rough to give
him a damaged appearance.

(esTH
(q
We

Define his mechanical fingers and

sharp nails. Erase any remaining
guidelines and begin shading the rips
and tears on Bonnie’s body.
 Rare

Nightmare Chica’s beak

is much larger than |
original Chica’s: all the
bettertto eat with a

Lightly pencil in Nightmare Chica’s Add shape to her body. Although

frame. Notice how she is slouched Nightmare Chica has a broad build,
forward. Keep her head long and slim. her body isn’t as round as her original
This will help to place her open beak. counterpart’s.
 Outline Chica’s rounded torso.
Use your guidelines to place her
facial features, curving her
puffy cheeks outward. Mark
her fingers and the shape of her
toes. Draw three slim ovals to
create her tuft of hair.

a” Chica’s upper and lower ®,'

m jaw. Her upper beak has g
B, agradual curve with
8, sharp points, extending
8g from her cheeks. The
@¢ lower half is a wide, @@
\ OF flat oval. ay

Add a plate to Chica’s hand.

Sketch Nightmare Cupcake,
beginning with a large circle for
his head. Add his base, two
eyes, and a lit candle.
Detail their faces, adding
sharp teeth and large
pupils. Add tears to their
bodies, emphasizing the
rips around their eyes.
Sketch Chica’s torn bib
and add shape to her
clawed hands.

Continue marking areas of

damage to Chica. Use rectangles
to outline the endoskeleton in
her legs. Add loose wires,
extending from her head and
hips. Some of her curved talons
have chipped away to reveal
rectangular toes.
 Begin adding value to the
darkest areas of Chica and
Nightmare Cupcake. This will
add depth to your drawing,
giving it a 3D look.

AS" ART TIP SN

Sg BE r De® N
oe ON

@” Try blending your

a shading to give the dark @
m shadows a smooth look. g
wp But be careful: rubbing
Bg too much can blur your
Bg line work and remove
@@ the sense of depth. 9@ f

Continue darkly shading your

drawing. Notice that one of her
pupils is darker than the other,
capturing her mismatched eyes.
Nightmare Chica is ready for
her midnight snack!
 Without his top hat and bow tie, this
Fredbear would be unrecognizable!
Use clean lines for his accessories to
contrast his scary damaged figure.

ed Create Nightmare Fredbear’s Begin adding shape to his body,

. frame. He is looking straight at us. using squat circles and ovals. Since
Curve his arms outward and keep we will see his exposed ankles,
his stance wide to support his large the ovals forming his calves don’t
build. stretch all the way to his feet.
 Outline Fredbear’s
top hat and ears.
Use your guidelines
to add his muzzle.
Emphasize the
shape of his cheeks
and draw his
gaping jaw. Mark
the placement of his
Y % : long fingers.

Continue adding
shape to his body,
with your lines
tapering in tightly
around his joints.
Large crescents
form his fingers.
Outline his belly
| and sketch his
bow tie and
\ buttons. Draw
two small eyes.
 Draw two rows of
long, sharp teeth
in Fredbear’s open
mouth. Add a
further row along x
his belly. Sketch a
. ea exposed wires oe

spares
efaun
N “J around his face iN

bg and ears. Use your ae |

= &_ ART
. TIP
: o¢o¢ tbase tline
framework
hi / Ce 2 i
yi :

[YRjaw. The AEEEEESD endoskeleton. : anal 12

bigger the A | \ ie
head is in proportion to TAKS KINA
the body, the more > (//\ ~ ; W

VA \ A

Pencil in the rips

on his fur. There
are distinct tears
around his eyes
and mouth,
exposing his dark
gums. Add light
lines around his
eyes to create a
bloodshot effect.
 Thicken the loose
as wires around his
‘i
— =
<i <
head. Add a row
of small circles to ~
create the screws
along his gums. —
Define the sections
of his fingers using.
cylinders and
sharp-tipped cones.

Solidify your
outline, capturing
Fredbear’s furry
texture. Add dark
shading to the rips
on his body. Keep
the detail lines on
his face light. This
contrast between
light and heavy
lines will create
more impact.
 Keep an eye on Nightmare Foxy.
He’s always ready fo strike.
Follow the guides closely to
capture his crouched pose.

Begin by lightly sketching Nightmare ee Add shape to his body and wedge-
Foxy’s framework. Notice that his shaped feet. Take your time: getting
upper right arm appears much his shape and proportions correct
shorter than his upper left arm. This now is better than reworking your
is due to perspective. finished drawing.
 Outline Foxy’s
ears, square nose,
and tongue.
A long semicircle
forms his cheek
and muzzle. Sketch
his cylindrical
lower legs and his
hooked hand.

Continue fleshing
out Foxy’s face.
Sketch the wide
tears in the
material above
his eyes. Mark the
placement of his
fingers, paying
attention to how
they bend.
 Ouse
7
Si

LP
yON
6s;

Begin detailing your

drawing, sketching
the tattered sections
of Foxy’s plates.
Stack curved lines to
form his bare
endoskeleton legs.
Draw cones for his
claws and teeth.

Use short, jagged pa =

lines to create )
Foxy’s loose ed
wires. Pencil in Yi NS
the metal frame RaLhe
sl NyI
on his muzzle,
curving the lines A]
with the shape of
his snout. Add
definition to his
mechanical feet
and fingers.
 Z 2
¢ me
r Cras @¢ ie9
! p 'e® $
Y, @” Perspective impacts the “
UN Ly; @ sections of Foxy’s legs.
{ 2 Fp \A Wy They are squarer than ial
{ \ 4 (i,(X the typical endoskeleton ae
| i Os eg cylinders. The sections a
| on his right leg will &
appear slimmer than
those on his left.

Erase any rough

line work and
refine your
outline. Add final
details, including
the lines on the
base of his hook
and rips on his
hand, then begin
shading.

Finish by adding
thick black shading
ey
to the darkest areas ¥

of your drawing.
Gripping the pencil
close to its tip will
create heavy
strokes. Contrasting
the black of his eye
sockets with the
clean white of his
eyes will help create
) his menacing stare.
Coch ianee
BALL This drawing will challenge perspective
and proportions as he reaches up
toward you. Take care not to gettoo _
close when adging his razor-sharp teeth a

a
E
a

|
|

Sketch the framework. Keep his ee Add shape to your sketch,

limbs short to create the illusion ba overlapping ovals to create his arms
that he is looking up. Draw a long | and legs. Draw his eyes, a cone nose,
oval for his head to capture his || and a curved line for his upper lip.
open jaw.
LLL CNP
ss TTT RT RRR I
——-S—
io
faa ~ AREER GETS ——— 7 ae — a
a
Draw long lines with sharp angles to |] Flesh out his fingers. Circles create his
form his bony fingers. Use your own buttons, eyes, and cheeks. Outline
hand as a reference, looking at how the curve of his cap and add the
fingers bend and stretch. ha propeller using teardrop shapes.

SS
. : TS

. ©),O)C aaN
) SN
 It’s time to add his teeth! Sketch a
series of cones around the semicircle,
adding another curved row of teeth
in the center of the mouth.

Add stripes to his outfit, the lines

curving with the shape of his body
and head. Pencil in his hair and a
large semicircle in his open jaw.

Draw his pants, emphasizing the Erase any remaining guidelines then
bend in his knees. Add detail to his firm up your linework. Shade the
buttons. Add another circle to his inside of his mouth and buttons using
eyes, making them wide and scary. heavy pencil strokes.
 Keep your closet door tightly shut:
it’s where Nightmare Mangle likes
to hide! Experiment with the
placement of his reaching limbs.
» @,

Sketch a large rectangle to outline the

closet door, using a ruler to keep your Sketch Mangle’s visible framework,
lines straight. The door is at an angle, his limbs stretching in different
with the bottom line at a slight diagonal. directions. Add shape to the limbs,
varying their length but keeping the
width consistent to create depth.
 2° ART TIP °3)\
fa! a®
o¢ De

a” if youare struggling Og
@ with proportions, itcan @
m@ be helpful to think about =
mw theunseenpartsofa gf
By drawing. Consider what »®
Sg Mangle’s body looks
like behind the

Thicken the doorframe. Mark his

fingers, with one hand wrapping
around the door. Pencil in joints and
a U shape in his open mouth for his
second row of teeth.

Continue adding shape to your

drawing, penciling in Mangle’s
square hands and foot. Sketch
his muzzle and ears. Outline each
head’s gaping jaw.
 SST
e_ ~~

Cones and triangles form both sets of

teeth. Part of his snout is torn away:
follow the shape of his muzzle with
= curved lines to form his metal skeleton.

Continue placing Mangle’s facial

features. Use curved lines, cubes, and
rectangles to form his endoskeleton,
with sharp cones for his claws.

Add detail to
Mangle’s second
face, including his
eye, triangle nose,
and pointed teeth.
Mark the knuckles
on his fingers.
Pencil in a mess
of wires, using a
mix of short, rough
lines and longer,
looping lines.
 ¢
23°
cE.
(Op ox
ee A
-” ¢
@” There are lots of fine Og
g lines on Mangle’s Ll
m robotic body. Be sureto
ws make your drawing big: ae
B the smaller your
¢. character, the harder
@@ itis to add detail.

Begin firming up
your drawing and
erase any rough
ESOS work. Add light
Se 4 KF detail lines io his
endoskeleton,
keeping them neat
and aligned. Mark
the areas you will
be shading.

EE
E
BE

Finish with heavy

shading. Contrast
the darkness of the EN Ml )
doorway with the = y fo)
shiny metal of 4 WW,
Mangle’s body.
Begin shading at the
top and work your
way down to avoid
smudging pencil
onto the clean areas
of your drawing.

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—=hi};
 ALLORA
Ballora loves to dance!
Keep your lines loose in
this drawing to reflect her
flowing ballerina’s pose. _

Create EE
SES
SER
SEE Flesh out your
Ballora’s : drawing, using
outstretched | . | slim ovals.
frame. Her ay S |. Outline
upper body eer ee vv __Ballora’s chest,
bends softly <= | following the
while her right PS |. curve of her
knee has a _. Spine as she
sharp bend. |. looks up
Her left leg toward the sky.
should be long
and straight. (] |
\ |
BE
LR RISES ISLES ESI sR Rr ee er

Define her cheeks

and then pencil in Use soft, wavy
her eyes, mouth, lines to create
ear, and hairline. her short tutu.
Mark her long Lightly sketch
fingers with slight crosshatched
curves at their lines on her
tips. Add calves and
her stomach pencil the
plates. shape of her
shoes, closely
following the
arch of her
foot.
 Circles form her
pearl earrings and Use light lines to
gold orbs around highlight the panels
on Ballora’s face
her skirt. Add
and body. Draw
sharp nails to her
small triangles for
fingertips. Contour
her sharp teeth
her lips and add
and a series of
long lashes to her
‘circles for her tiara.
closed eyes.

Define the sections Add dark shading

of her stretched to the mechanic
fingers. Use your joints and open
_ guidelines to draw mouth. Her form
the thick crisscross should be soft,
of lace on her following the
calves, curving curves of her
around her legs. graceful pose.
 =
= wader
a nen si

Don’t
Cc
let Funtime Chica and Mr. Cupcake |
7 fool you: there’s a vicious bite beneath _
their grins, Triangles create sharp feet

Draw Funtime Add a series of

Chica’s frame. ovals to flesh out .
Notice the curve your figure. =
in her spine as Although her
she tilts forward right arm will be
and that her toes covered by her
point inward. torso, it’s useful
Keep her arms to sketch the
angled and full limb to
outstretched to correctly capture
hold Mr. Cupcake. the proportions.

SSE AS SBR LPI ER OIE A a ERE ASE ERENT

Sketch an oval to .
create a plate. Draw
Mr. Cupcake’s outline, “yrs |
starting with a large
circle. Add the lit L
Firm up your
outline. Funtime candle and eyes. ey ()
Chica’s figure is
more humanlike
than her original
counterpart, Q SZ
with her face
and torso being
slimmer and
curvier. Shape
her eyes, beak,
ep
5
[)//
ye OA
4
—_
and feather tuft.
Start detailing Continue highlighting
your drawing. Add the mechanical
lipstick to Chica’s sections on Chica’s
beak, and large hands, face, and
needle teeth to the body. Draw her long
characters’ mouths. eyelashes and rosy
Lightly mark her cheeks. Add stripes
paneling, joints, to Mr. Cupcake’s tS)
and speaker. candle. M as

Tidy your line work Finish your drawing

and erase any with thick black
guidelines. Begin lines. Keep the
adding value to the interior panel and
darkest areas of hinge lines light
your drawing, and crisp for a
using short strokes clean robotic look.
to layer on the Funtime Chica is
shading. ready for her
close-up!
Pencil Funtime Build upon
Freddy’s frame. your frame,
Exaggerate the adding shape
bends in his to Freddy’s
arms, carefully body: ovals for
marking his his limbs and
joints. Add circles for his
guidelines to elbows and
his face, knees. Notice
keeping the that his feet are
direction of his at slightly
gaze in mind. different
angles.

Using your
guidelines,
add Freddy’s
facial features
and top hat.
Outline his
bow tie and Add the
the speaker microphone to
on his chest. Freddy’s left hand.
Place his Sketch Bon-Bon’s
fingers, as if
framework where
curled around Freddy’s right hand
something. would be.
 (]
Add shape to ae Use light lines to V3
Bon-Bon’s arms create Freddy’s 2
and ears, and paneling. Add ye-d3
sketch his facial g | detail to both ( "|
features. Add 7 = characters,
detail to Freddy’s including big,
face and buttons toothy smiles.
to his shirt. Draw Draw a spiked
four cylinders on line where ee xu
each foot for his Bon-Bon bops EE
toes and flesh _, ee, Freddy’s nose.
out his fingers. CGree

Tidy up your Solidify your

linework.
ack Erase black outline,
any rough emphasizing
markings. as the burst
Begin shading by Freddy’s
your drawing, ee nose. Keep the
adding bright rest of your
highlights to drawing bright
Freddy’s hat white to create
and buttons. a shiny metallic
look.
 us Pero
73
LASER ill

The Funtime crew are in better

condition than their original
counterparts. Avoid scuffing
_ their plates by using an eraser
. to keep your drawing clean!

Sketch Funtime Keep your

Foxy’s frame, ovals close to
carefully Foxy’s outline
following the to portray their
reference to slim build.
capture the Although their
angled pose. legs are
Keep your straight, there
pencil strokes should still be a
light as you slight indent
draw a long, around the
wide S shape knees.
for Foxy's tail.

Use two tear Define Foxy’s jaw,

shapes for adding a small
Foxy’s ears i os eee rectangular nese: ,
andacurved «--- /~) Draw a small tuft o
rectangle for Se hair between the
their long - ears. Add shape to
snout. Sketch the fingers.
the bow tie,
speaker, and
fingers. Follow
your guideline
to draw their
bushy tail.
Add light lines Sketch cone-
to portray shaped teeth in
Foxy’s plated Foxy’s mouth.
sections. Add Use small dots (
cylindrical toes to create (
to each foot, whiskers, mark ( ve
and sharp
claws to their
their lipstick,
and draw their <<
BS SBRE
fingers. eyes, holding ra
our gaze.

Erase any Gradually

remaining layer thick
guidelines and black onto the
firm up your line darkest areas
work. Add to add depth to
shading to your drawing,
Foxy’s joints giving the
and robotic shadows a
features. smooth look.
 Twisted Freddy is truly frightening!
Contrast the soft bubbles of his
boils with the sharp points of his
claws and many sets of teeth.
we «

Begin by sketching Twisted Freddy’s Use squat circles and ovals to add shape
framework, capturing his leaning pose.
to his body. The right side of his torso
The base shape for this Freddy’s head is
curves out more than the left due to his
a neat, round circle.
twisted stance.
 Use your guides to
place Freddy’s
muzzle and ears.
Extend the outline
of his jaw down,
overlapping his
torso. Mark his
long fingers and
add shape to his
feet.

Outline his huge

eyes and draw his
top hat. Add his
teeth, then continue
using cones to add
shape to his fingers
and clawed feet.
Mark zigzag lines
in the center of his
stomach.
 Layer circles to create
his cold gaze. When
sketching his teeth, vary
the size and direction of
each cone to create a
rough, jagged look. Use
random lines to create
tears around his mouth,
revealing his gums.

ysl
he . z ae

a” HUES AT
dl |
a ‘|

Les J

a i
eM “
es
He Be By i
e 2 @ % -
nd bse. ei . ° °
ose agers | Add the boils to his
es * ~ <) body. Vary the circles
ee ae aah, e

> in size and shape.

eee The clusters of boils
should follow
Freddy’s outline
around his right
shoulder and cheek.
Add round screws to
the exposed metal
around his stomach.

‘ ¢
oe
a¢
‘a®
a” Twisted Freddy is Bs
@ covered in boils, but you Ll
m don’t need to draw lots
gp of them. Drawing small
8, patches of boilsisa =»
be more effective way to a
@@ create the look.
 ij
Begin firming up
your line work.
Add light, curved
lines to a handful of
the boils to make
them appear as if
they are filled with
fluid.

Solidify your
outline. Three
simple lines will
give his top hat a
3D look. Darkly
shade around
| Freddy’s eyes,
\ mouth, exposed
kneecap, and
sharp-toothed hole
in his belly.
 Even when stuck in the
ground, Foxy is dangerous.
His outstretched arms make
it seem as if he is trying the
heave himself out of the dirt.

Sketch Twisted Foxy’s framework. Use Use ovals to form the shape of his
-a large oval for his face and place the | arms and circles to mark his
eyeline high on his head. His limbs are | shoulders. Although his chest is
long: As his legs are buried, a semicircle [7 wide, his stomach should curve
forms his pelvic outline. inward to capture his slim build.
Mark Foxy’s hook and his
wide, square fingers on his left
hand. Using your guides,
outline his open jaw. Sketch his
nose and ears, with a small
gap between his left ear and
his head. Use straight, sharp
lines to outline the ground
around him.

Add shape to his hook,

using wavy lines
around its base. Curved
lines create his cheek
and extended brow.
Connect his ear to his
head. A cylinder forms
his left arm.

ee a&®

4¢° ART TIP +9N

o¢ oe

a” Exaggerate the curved Og

@ lines of Twisted Foxy’s
claws to give them a
frightening look. They g
By are hooked, unlike the »@
other animatronics’ a
cone-shaped
 Shape his claws. Begin
adding detail, sketching
small bumps on his
body. Draw the rips on
his face, sketching lines
at the edge of his open
mouth. Shape the dirt
around him with some |
pieces of earth in the
air to create the illusion
he has just burst out of
the ground.

Draw his visible eye

and sketch his teeth.
Pencil in the wires
around his head and
shoulders. Continue
adding rough circles to
form the fungal growth
on his body. Add light
lines to his chest and
stomach, emphasizing
his scrawny build.
 Foxy’s face is really
grotesque. His teeth
curve inward and he has
a fleshy appearance.
Thin strips of skin
connect his upper and
lower jaw, and material
drips from his ear.

To enhance Foxy’s cruel is|

snarl, use curved lines
., on his snout to create a
= bumpy look, rather than
g asimple long line, which »@
be creates the appearance a
$e of smooth metal.

Firm up your pencil

| work and erase any
_ guidelines. Add dark
oe shading to Foxy’s rips,
eye sockets, and
mouth. Lightly pencil in
random lines on the
dirt to give it an uneven
texture.
 a. SEN
aaa ia Y
Mpa gs all

FF etree
2 - ofLAN). Pe oe CHICA
(Tee |
eee)
a
| Twisted Chica is on the hunt. There
Th
FARO,
om
|
| are lots of overlapping lines in this
drawing. Take your time to ensure :|
(yy. i4 her proportions are correct.

i
aes

Sketch Twisted Chica’s frame. As she Begin adding shape to her body. Her
is leaning forward to roar, her head stomping stance will challenge
should be large and egg shaped. Draw perspective. Pay close attention to the
a circle for Twisted Cupcake, connecting [i reference drawing to help ensure the
to Chica’s head and shoulder. - angles are right.
 se
,
ed
®
7 @® twisted Chica’s feet are La {/,
f,™ similar to those ofareal ©
m chicken. It can be helpful
to think of talons like
regular fingers: consider
their joint placement
and how they bend.

| ay)

Continue shaping her

| body. Though her limbs
] are broad, they should
4 taper in around her
, joints. Draw a teardrop
shape to outline the
] main portion of her
: beak. Sketch a rough
| semicircle on her hip
| and draw candles on
: both Cupcakes.

SEES

Mark her curled fingers

and outline her right
kneecap. Build the
shape of her upper jaw
around her beak and
add her thick tufts of
hair. Draw the upper
Cupcake’s jagged
outline and add flames
to both candles, which
are more exaggerated
than their other
counterparts.
 Begin refining Chica’s
shape. Outline her
bottom jaw and eye
sockets. Define the i
shape of her hands and —
feet, tipped with talons. {
Mark Cupcake’s facial
features.

Se
ad
ae
& \
@® Although Chica’s eyes Og)
are obscured by her @
m beak, it canbe helpful gf
B to draw them fully.No g@ E
8, matter the shape of the g@f
Sg sockets, the eye is
@q@ alwaysasphere g@@f
shape.

Add clusters of round warts

to Chica’s body. She has
lots of teeth: add them to
= her open mouth, the gaping
jaw in her belly, and
around her shoulders and
elbows. Contrast the sharp
teeth with three curled
lashes on each eyelid.
 Begin refining your
line work. Detail
your drawing,
adding curved lines
to her arms and
legs, as well as her
talons and the
teeth in her belly.
This is a simple way
to create a textured
look. Define
Cupcake’s facial
features.

Add a thick outline

and darkly shade
Twisted Chica’s
open mouths. Take
care with the lines
around Twisted
Cupcake on her
shoulder. It should
look as if it has
merged with her
body.
Lightly draw Twisted Wolf’s framework. Begin fleshing out your drawing.
Capture his open, howling pose keeping Although he is part wolf, his body’s
his stance wide, arms angled, and face proportions are similar to those of a
tilted upward. Don’t forget a curved line
human. Notice the exaggerated curve
for his tail! in his right ankle.
 Son

2°’ ART TIP *33

¢ &
a® $
La Although made of 8g
different materials, the 8
7. proportions of each side
|a of the Wolf’s body
A®, should be the same.
At, Watch out for limbs
becoming overly
slim or short.
Continue adding
shape to his body,
cutlining his feet and
tail. Mark his curled
fingers. Sketch his
ear and open jowls.
A diagonal line from
the top of his head
to the top of his
shoulder creates
his long neck.

Pencil in his robotic

elements: triangular
spikes on his arm,
rows of cone-shaped
teeth, the panels on
his leg, and exposed
endoskeleton.
Contrast a robotic left
hand and foot with a
clawed wolfish right
hand and foot.
 Continue adding
detail to the Wolf’s
body. Add an angry
eye to the triangular
socket. Draw his fur
in sections, falling in
different directions to
give it a realistic
look. Rough circles
and lines add texture
to his robotic limbs.

Lightly draw a series

of rectangles around
the Wolf’s body, with
a few of them
overlapping. These
lines do not have to
be neat to capture
their glitchy look.
 Erase any rough line
work and begin
firming up your
outline. Contrast
loose, rough strokes
for the Wolf’s fur
with neat, clean lines
for his mechanical
body parts. :

Shade the darkest

areas of your
drawing, ensuring his
teeth are a bright
white to give them a
vicious look against
the dark background.
Twisted Wolf is ready
to do your bidding.
 Glamrock Chica isthe star _
of the show with her guitar! when
__- drawin an A shape
Begin gwitha five-po int st ar

Start by sketching her Ss | _ Flesh out the figure.

frame. Take care when) Z _ As her'legs are at an
placing her limbs: the ‘e ; |. angle, use wide
proportions might 5 ovals for her lower
appear warped due to limbs. Add a line to
her seated position. : | mark her guitar’s
placement. —_

\
\

Start adding detail.

Triangles form the Draw the
basis of Chica’s bow, guitar’s star-
earrings, toes, and shaped body,
shoulder pads. Leave a long rectangle
her beak wide open. for the neck, and
a rough triangle
for the head.
Use a ruler for
clean lines. ——_
Simple shapes create Continue adding detail:
the guitar’s detail. six round teeth, strokes 4
Draw a small layer of of blusher, long lashes, x
fabric on each side of and big eyes. Draw her
her bow, and give the feathered hair, falling in
earrings a 3D effect. curved sections.

Begin shading your Firm up your line work

drawing. A pattern can and use heavy shading
make clothing more around Chica’s eyes,
dynamic. Have fun mouth, and pants.
decorating Chica’s pants You’re ready to rock!
with spots and stripes!
 ne
eee .
al a

Glamrock Freddy is giving a

killer performance. Start with
his central line to capture his
strong one-legged stance.

Sketch Glamrock Freddy’s framework.

He’s ready to put on a show, so his | Flesh out your drawing. Glamrock
pose is really dynamic with dramatic el Freddy is slightly slimmer than the other
bends in his limbs. Freddy animatronics. Keep your ovals
long and slim. The angle of his left arm
will make the limbs appear shorter.
 Using your base
sketch, start
defining Freddy’s
shape. His open jaw
ae
is almost a mirror
image of the top
half of his head.
ee
igsere
Pencil in his bow tie
and shoulder pads.

A cube with rounded ye2* ART TIP

Ay

@® Freddy’s hand forms

corners forms Freddy’s
@ arock ‘n’ roll gesture.
top hat. Draw a long, m Practice drawing hands
slim cylinder to create 24%, in different poses. No
his microphone stand, A®, matter the hand’s
with his left hand HAS, position, finger sizes
always stay the
wrapping around it.
The microphone is also
made of cylinders.
 Add detail to Freddy’s face,
open in a wide smile. Shape
his bracelets and decorate
with small circles to form studs
and add an earring. Mark his
claws and the pads on his
raised foot. Stack cylinders to
form his fingers.

Sharp-tipped triangles form his teeth and fingernails.

Outline his face paint and sketch the lightning bolt on his
chest. Pencil in panels on his leg and torso.
 Draw an oval
to create the
microphone
stand’s base.
Erase your rough
linework. You
should now have
a clear drawing
of Glamrock

bk
ae
@ Contrasting light line $3) ‘
a work for detail with a |
m_ thick outline and dark
2 shading will add depth
Bg to your drawing. Move
Sg ‘your pencil in an
AP even motion when
shading.

Before Freddy
takes to the
stage, solidify
your drawing
with heavy
blacks and
darkly shade his
mechanic joints
and microphone.
 NNE-
RY OLF
Roxanne Wolf is always ready
to rock out on stage! Contrast
\
rs
=
her curvy pose with the hard,
\\ straight angles of her keytar.

Draw Roxanne Wolf’s framework,

Add shape to her body, using slim
paying close attention to her pose.
cylinders for her arms and curved
Notice that her knees turn inward
teardrop shapes for her legs.
and her head is slightly tilted. —
 The keytar looks very angular, but
can be broken down into simple
cuboids and rectangles. Use a ruler
to keep your lines neat.

Pencil in Roxanne’s hair and tail. Be

sure to draw their full shape. Place
her facial features and ear. Draw the
central line for her keytar.
 Sketch her accessories while also
marking her panels and articulated
joints by her ear and left arm. Add
shape to her hair, falling in sections
rather than individual strands.

Begin firming up her outline, adding

her belt and shoulder pads. Draw
her mouth in a wide friendly grin. A |
simple line across her left eye will
show it is shut in a wink.
oyWhos<< ikea
a?ee>
@®
2s ART TIP “ssis
@® When wrapping a |
@ designaroundabody &
m part, such as Roxanne’s g
p belt or stripes, begin by gH
8, identifying the base a
Bg curve of the pattern af
before adding @@
detail.
9s >
 Use thick blacks to shade the darkest
areas of your drawing. Ensure there’s
a bright sparkle in her open eye to
capture her mischievous nature.

Erase any rough line work. Use light

lines to add sections to Roxanne’s
hair, giving it a textured look. Add
value to the pattern on her clothing
and keytar, as well as her stripes.
Pencil in Montgomery Gator’s frame.
His shoulders are close to his chin and Add shape to his limbs, with
his body long, ready to hold his bass
large circles defining his shoulders.
guitar. His tail has a light curve. Notice that his legs flair out around
the ankles.
 Draw Montgomery’s star glasses. Use
a ruler to lightly pencil in the shape of
his guitar. It can be broken down into
a series of interlinked rectangles, with
a sharp indent at the base of its body.

Sketch the guitar’s central line, curling

his fingers around it. Use simple shapes
to add his shoulder pads and Mohawk.
Flesh out his tail and sketch his jawline.

S &® .

fee ART TIP “+ee

O90" oe
a
we” When drawing a e
@ symmetrical shape like @
= Montgomery’s guitar,
wit can help to tilt the a.
By drawing away from _@
Bg you to see if your lines @&
are askew. oF
 Continue detailing your drawing.
Add his lightning-bolt face paint,
wide eyes, and sharp teeth. Lightly
mark patches of scales across his
body. Add strings to his guitar.

Mark his joints and add shape to

his fingers. Outline his bracelets and
sketch buttons on his guitar. Define
the shape of his snout with a long,
thin smile and pencil in his eyelids.
 Before Montgomery takes to the
stage, add dark shading to your
drawing. Contrasting thick blacks
with clean white will give your
drawing a sharp snap!

Refine your pencil work and erase

any remaining guidelines. Use rough
lines to create sections of hair in his
Mohawk. Shade his claws and eye

When shading claws, 6

move your pencil in the
- direction of their curve
es and leave a white .
® highlight. This will show &
\a their contoured
Lightly sketch Flesh out your
Happy Frog’s drawing. The
framework. outline of her
Her pose is face should be
bashful, with slightly wider
her shoulders than the
low and hands guideline. A
behind her wide M shape
back. Draw a forms her
large oval for brow. Keep the
her head. curves soft.

Mark her belly Keep adding

and toes. Pencil detail to her
in her facial face. She has
features. Her long lashes and
eye sockets big eyes. As
aren’t perfectly her head is
round. Two tilted, the eye
short curved farthest from
lines form her you will not be
nose. Draw a a full circle.
small circle Add her large
above her square teeth.
head.
Draw Happy Identify her
Frog’s pupils articulated
and connect the joints, using an
orb to her oval and small
head. Create a cylinder to
ribbed effect on visibly connect
her belly by her shoulder to
drawing a her torso. Use
series of lines, thin, curved
curving gently lines to clearly
with the shape mark the joints
of her body. around her esas
Define the hips and ee e
shape of her ankles. . ae
feet. at

Erase any Polish your

rough marks. line work and
Thicken the darkly shade
antenna and Happy Frog’s
begin shading joints, eyes, and
the darkest mouth. Firm up
areas of your her eyelashes
drawing. Add and antenna.
short, light lines Happy Frog is
to create a ready to hop
worn look. onstage!
 MR. HIPPO
Mr. Hippo’ s expressive face is.
@@? made up of lots of circles. Let’s
Sl? begin before he starts telling,,
- one ofhis long-winded stones!

Sketch Mr. ah _.__Layer a series

Hippo’s laa ; |. of ovals to add
framework. His Y _ , shape to his
body is ata | __ body. Outline
slight angle. a | _ his head,
Draw sharp | 3 |. +—+-extending
bends in the i |. away from
elbows to '. your guides
capture his _ | toward the
open-armed bottom to
pose. '_—s create a wide,
; ' ~+«~square jaw.

Add facial features. His nostrils Form his top hat on the center of his
overlap with his eye sockets. Marka | head. Draw a flower on his chest,
cross in each ear to find their central =| _ with slim ovals forming the petals.
point. i.
 oy
Add shape to his hands, feet, and Using your guides, draw two small
body, beginning to highlight the circles in the center of his ears.
mechanic joints. Draw his eyes, with Sketch his muzzle and square teeth.
droopy upper eyelids.

Begin shading, keeping a bright

highlight on his hat to create a 3D
look. Add a few scuffs to his body
by penciling in some small lines.

Erase any remaining guidelines and

finish shading the darkest areas of
your drawing, highlighting the
gleam in his eyes and on his buttons.
 bid Patch
Pe loves tooe banjo
riffs. Positioning his feet helps |
to create his leaning stance.
Take your time getting their
| base anges rights - :

Create Pig Add shape to

Patch’s his body,
framework. ensuring his
Because his torso follows
head is tilted the curve of his
upward, use spine. Closely
a long oval for follow your
his face and guidelines to
place the draw the curve
eyeline high of his toes,
on his head. capturing his
leaning stance.
cetantte emcee teem fi tee ee See
Doh coalt uiugie aad REET enon re ce EE ET

Pig Patch’s The banjo can be

body should broken down into
now have clear simple shapes.
mechanical Two large circles
sections. Pencil form the body,
in his facial rectangles form
features, the bridge, and
drawing his parallel lines
eyes and snout. connect to a
Add two large rounded
tear shapes for hexagon for
his ears. the neck and
head.
 Draw two large squares for his teeth. Refine Pig Patch’s features, sketching
“= He is looking at a downward angle, his eyes, nostrils, and inner ears.
so his eyes should sit in lower part of Mark scuffs on his body and add an
the sockets, as if crossed. X to the center of his belly button.

Finish by
darkly shading
your drawing
and firming up
your outline.
Erase any remaining guidelines. Pig Patch is
Begin shading the darkest areas of ready for his
your drawing. Use short dashes to big banjo solo.
create the banjo’s bracket hooks.
 Me

Nedd Bear might be a bit goofy, but

the lines on his tie and electric box are
neat, straight, and evenly spaced.

Sketch Nedd
Bear’s frame.
Lightly mark
his joints. This Use ovals to
will help to add shape to his
capture his body. His torso
waving pose. should stretch all
Carefully place the way to the
the construction top of his pelvic
lines on his outline, capturing
face. his small build
and round
stomach.

Clearly define
the plated
sections of his
body. Add two
round ears and Begin outlining
muzzle. Mark his facial
the placement features and
of his fingers add eight square
and shape his teeth to his open
feet. Sketch a mouth. Draw a long
cuboid behind tie and his small top
his left foot. hat on top of a short
zigzag line.
 Oz e

Add whiskers
Draw his brows and his eyes:
and eyeballs. his irises and
His left eye is a pupils are not
_ lemon shape perfectly
~_and his right aligned. Add
_ eye is circular. shape to his
Connect him to wrists and

LU
the electric box hip joints.
with wavy Thicken the
pace creating = Ww lines around - a. )
the spring Ce:
on his head. C See

Outline his tie’s Solidify your

pattern with outline with
crosshatching. thick blacks.
Add value to Firmly shade
the darkest Fi his eye sockets,
areas of your — et, joints, and
drawing. ; mouth. Use
Lightly mark / your lines to
scratches on create the
Nedd Bear’s_ . ean Vegy ae | diamond
body. od ZL Lr pattern on
ne j A) “s his tie.
 ee pe
al
om ileal

It’s Orville’s time to shine.

A magician never reveals his
_ tricks, but holding your pencil -
_close to the lege
ae give

Pencil in Flesh out your

Orville’s drawing.
framework, Notice how the
extending his ovals forming
right arm high his bent arm
and tilting his appear shorter
head up to and rounder
capture his than those on
enthusiastic his extended
pose. arm. This is due
to an artist
trick called
foreshortening.

Continue
adding shape
to Orville’s It’s time to
body. Mark the add some magic
to your drawing.
De,
position of his
joints. Sketch A tall cylinder
his ears and forms the top \
long trunk, hat’s crown, with
which is a big lines curving
S shape. around it for the
brim. A thin
cylinder creates
his wand.
Start adding Pencil in his
detail to your teeth and mark
drawing. Mark lines around
his eyebrows the curve of his
and eyes. trunk to create
Define the a wrinkled
shape of his look. Sketch a
feet and outline flower on his
his toenails chest, partially
with wide hidden by
ovals. his jaw.

Firm up your Shade the

line work and darkest
erase any areas of your
remaining drawing. Include
guidelines. Use a sparkle in his
short, sharp eyes, capturing
lines to begin Orville’s
adding depth eagerness to
to Orville’s show off his
joints, eyes, next trick!
and mouth.
 Copyright © 2022 Scott Cawthon. All rights reserved.

All rights reserved. Published by Scholastic Inc.,

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business establishments, events, or locales is entirely coincidental.

ISBN 978-1-338-80472-0

1098765432 22) 239 24525, 26

Printed in the U.S.A. 40

First printing 2022

Step-by-step illustrations by Mike Collins and Gethin Wyn Jones

Written by Kirsten Murray
_ Book design by Amazing15
 s a — — a hea

FILLED WITH ALL YOUR FAVORITE CHARACTERS FROM THE BESTSELLING

HORROR VIDEO GAME SERIES FIVE NIGHTS AT FREDDY’S, THIS HOW TO
j DRAW 1S PACKED WITH STEP-BY-STEP INSTRUCTIONS TO CREATE YOUR OWN
a. ARTWORK OF THESE TERRIFYING CREATIONS. THE GANG IS ALL HERE,
a FROM MAINSTAYS LIKE FREDDY AND CHICA TO THE TWISTED AND GLAMROCK
.) ANIMATRONICS, WITH 96 PAGES OF DRAWING FUN PERFECT FOR
ANY FREDDY FAZBEAR’S PIZZA SUPERFAN. iY
Witt
".

© 2022 by Scott Cawthon. All rights reserved

Cover design by Jeff Shake & Amazing15

$12.99 US Lhe 2ay
$16.99 CAN i fi
scholastic.com £8.99 UK 8"804
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