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BCE613AMOD2

The document outlines the Module 2 notes for 'Multimedia Communication' at Akshaya Institute of Technology, focusing on information representation, digitization principles, and various media types including text, images, audio, and video. It details course objectives, teaching strategies, assessment methods, and learning resources. Additionally, it covers technical aspects such as signal encoding, sampling, quantization, and the characteristics of multimedia formats.

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0% found this document useful (0 votes)
24 views21 pages

BCE613AMOD2

The document outlines the Module 2 notes for 'Multimedia Communication' at Akshaya Institute of Technology, focusing on information representation, digitization principles, and various media types including text, images, audio, and video. It details course objectives, teaching strategies, assessment methods, and learning resources. Additionally, it covers technical aspects such as signal encoding, sampling, quantization, and the characteristics of multimedia formats.

Uploaded by

jimmjamm678
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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AKSHAYA INSTITUTE OF TECHNOLOGY,TUMKUR

Department of Electronics & Communication Engineering

Module 2 Notes for


“Multimedia Communication”
[BCE613A]

Prepared by:
Mrs.Arshiya Ruheen

Assistant Professor

Department of ECE.

Akshaya Institute of Technology

Tumakuru
MultimediaCommunication Semester 6
CourseCode BCE613A CIEMarks 50
TeachingHours/Week(L:T:P:S) 3:0:0 SEEMarks 50
TotalHoursofPedagogy 40 TotalMarks 100
Credits 03 ExamHours
Examinationtype(SEE) Theory
Courseobjectives:
● Gainfundamentalknowledgeinunderstandingthebasicsofdifferentmultimedia
Networks and applications.
● Understanddigitizationprincipletechniquesrequiredtoanalyzedifferentmedia
Types.
● Analyzecompressiontechniquesrequiredtocompresstextandimageandgain
Knowledge of DMS.
● Analyzecompressiontechniquesrequiredtocompressaudioandvideo.
● Gainfundamentalknowledgeaboutmultimediacommunicationacrossdifferent
Networks.

Teaching-LearningProcess(GeneralInstructions)
ThesearesampleStrategies,whichteacherscanusetoacceleratetheattainmentofthevariouscourseoutcomes.
1. Lecturemethod(L)doesnotmeanonlythetraditionallecturemethod,butadifferenttypeofteachin
gmethodmaybeadoptedtodeveloptheoutcomes.
2. ShowVideo/animationfilmstoexplainthefunctioningofvarioustechniques.
3. Encouragecollaborative(Group)Learningintheclass.
4. AskatleastthreeHOTS(Higher-
orderThinking)questionsintheclass,whichpromotescriticalthinking
5. Topicswillbeintroducedinmultiplerepresentations.
6. Discusshoweveryconceptcanbeappliedtotherealworld-andwhenthat'spossible,ithelpsimprove the
students' understanding.

Module-1
MultimediaCommunications:Introduction,Multimediainformationrepresentation,Multimedianetwork
s,multimediaapplications,Applicationandnetworkingterminology.
(Chapter1ofText1)
Module-2
InformationRepresentation:Introduction,Digitizationprinciples,Text,Images,AudioandVideo.(Chapter
2ofText1
Module-3
TextandImageCompression:Introduction,Compressionprinciples,textcompression,imageCompression.
(Chapter 3 of Text 1 )

Module-4
Audioandvideocompression:Introduction,Audiocompression,videocompression,videocompression principles,
video compression. (Chapter 4 of Text 1)
Module-5
MultimediaInformationNetworks: Introduction, LANs, Ethernet, Token ring, Bridges, FDDI (Chapter 8.1
to8.6of Text 1).
Courseoutcome(CourseSkillSet)
Attheendofthecourse,thestudentwillbeableto:
1. UnderstandthebasicsofmultimediaCommunicationandapplications
2. Analyzemediatypestorepresentthemindigitalform.
3. Applythecompressiontechniquesontext,images,audioandvideo.
4. Understandmultimediainformationnetworks.

AssessmentDetails(bothCIEandSEE)
TheweightageofContinuousInternalEvaluation(CIE)is50%andforSemesterEndExam(SEE)is50%.Th
eminimumpassingmarkfortheCIEis40%ofthemaximummarks(20marksoutof50)andfortheSEEmini
mumpassingmarkis35%ofthemaximummarks(18outof50marks).Astudentshallbedeemedtohavesat
isfiedtheacademicrequirementsandearnedthecreditsallottedtoeachsubject/courseifthestudentsecur
esaminimumof40%(40marksoutof100)inthesumtotaloftheCIE(ContinuousInternalEvaluation)and
SEE(SemesterEndExamination)takentogether.

ContinuousInternalEvaluation:
● FortheAssignmentcomponentoftheCIE,thereare25marksandfortheInternalAssessmentTestco
mponent,thereare25marks.
● Thefirsttestwillbeadministeredafter40-
50%ofthesyllabushasbeencovered,andthesecondtestwillbeadministeredafter85-
90%ofthesyllabushasbeencovered
● Anytwoassignmentmethodsmentionedinthe22OB2.4,ifanassignmentisproject-
basedthenonlyoneassignmentforthecourseshallbeplanned.Theteachershouldnotconducttwoa
ssignmentsattheendofthesemesteriftwoassignmentsareplanned.
● Forthecourse,CIEmarkswillbebasedonascaled-
downsumoftwotestsandothermethodsofassessment.
InternalAssessmentTestquestionpaperisdesignedtoattainthedifferentlevelsofBloom’staxonomyasperth
eoutcomedefinedforthecourse.

Semester-EndExamination:
TheorySEEwillbeconductedbyUniversityasperthescheduledtimetable,withcommonquestionpapersforthecourse
(duration03hours).
1. Thequestionpaperwillhavetenquestions.Eachquestionissetfor20marks.
2. Therewillbe2questionsfromeachmodule.Eachofthetwoquestionsunderamodule(withamaximumof3sub-
questions),shouldhaveamixoftopicsunderthatmodule.
3. Thestudentshavetoanswer5fullquestions,selectingonefullquestionfromeachmodule.
4. Marksscoredshallbeproportionallyreducedto50marks

SuggestedLearningResources:
Textbooks:
MultimediaCommunications–FredHalsall,PearsonEducation,2001,ISBN-978813170994
ReferenceBooks:
1.Multimedia:Computing,CommunicationsandApplications-RaifSteinmetz,KlaraNahrstedt,Pearson
Education, 2002, ISBN-978817758
2. FundamentalsofMultimedia–Ze-NianLi,MarkSDrew,andJiangchuanLiu.
WeblinksandVideoLectures(e-Resources):

ImplementationofcompressionalgorithmsusingMATLAB/anyopensourcetools(Python,Scilab,etc.)
ActivityBasedLearning(SuggestedActivitiesinClass)/PracticalBasedlearning
● https://www.slideshare.net
NPTELVideoLectures
● https://archive.nptel.ac.in/courses/117/105/117105083/
● MultimediaComputinglecture:Communications&Networking–YouTube
Module 2:Information Representation
Introduction
 Theconversionofananalogsignalintoadigitalform

 Signalencoder,sampling, signaldecoder.

 Fourier analysis can be used to show that any time-varying analog signal is
made up of a possibly infinite number of single-frequency sinusoidal signals
whose amplitude and phase vary continuously with time relative to each
other

 Signalbandwidth

 Fig2.1

 The bandwidth of the transmission channel should be equal to or greater than


thebandwidthofthesignal─bandlimitingchannel
Encoderdesign
 Abandlimitingfilterandananalog-to-
digitalconverter(ADC),thelattercomprising a sample-and-hold and a
quantizer
 Fig2.2
 Removeselectedhigher-frequencycomponentsfromthesourcesignal(A)
 (B)isthenfedtothesample-and-holdcircuit
 Sampletheamplitudeofthefilteredsignalatregulartimeintervals(C)and
holdthesample amplitudeconstant between samples(D)
 Quantizercircuit which converts each sample amplitude into a binaryvalue
known as a codeword (E)
 The signal to be sampled at a rate which is higher than the maximum rate of
change of the signal amplitude
 Thenumberofdifferentquantizationlevelsusedtobeaslargeaspossible
 Nyquist sampling theorem states that: in order to obtain an accurate
representationofatime-varinganalogsignal,itsamplitudemustbesampled at a
minimum rate that is equal to or greater than twice the highest sinusoidal
frequency component that is present in the signal
 Nyquistrate:samplespersecond(sps)
 ThedistortioncausedbysamplingasignalataratelowerthantheNyquist rate
 Fig2.3
 Aliassignals:theyreplacethecorrespondingoriginalsignals

Figure2.3Aliassignalgenerationduetoundersampling.

 Quantizationintervals
 A finite number of digits is used, each sample can only be represented by a
corresponding number of discrete levels
 Fig2.4
 If Vmax is the maximum positive and negative signal amplitude and n is the
numberofbinarybitsused,thenthemagnitudeofeachquantizationinterval, q
 Eachcodewordcorrespondstoanominalamplitudelevelwhichisatthe center of the
corresponding quantization interval
 Thedifferencebetweentheactualsignalamplitudeandthecorresponding
nominalamplitudeiscalledthequantizationerror(Quantizationnoise)
 Theratioofthepeakamplitudeofasignaltoitsminimumamplitudeisknown as the
dynamic range of the signal, D (decibels or dB)
 Vmax  dB
D20log  V 


10 min 

 It is necessary to ensure that the level of quantization noise relative to the


smallest signal amplitude is acceptable
 Example2.2

Decoderdesign
 Fig2.5
 Reproduce the original signal, the output of the DAC is passed through a low-
pass filter which only passes those frequency components that made up the
original filtered signal (C)
 Audio/videoencoder-decoderor audio/videocodec
Text
 Threetypesoftext
 Unformattedtext
 Formattedtext
 hypertext
Unformattedtext
 AmericanStandardCodeforInformationInterchange(ASCIIcharacterset)
 Fig2.6
 Mosaiccharacterscreaterelativelysimplegraphicalimages
Formattedtext
 Producedbymostwordprocessingpackages
 Each with different headings and with tables, graphics, and pictures inserted
at appropriate points
 Fig2.8
 WYSIWYG:anacronymforwhat-you-see-is-what-you-get

Figure2.8 Formatted text:(a) anexampleformattedtextstring;(b) printed version of the


string.

Hypertext
 Formattedtextthatenablesarelatedsetofdocuments─normallyreferredto as
pages─to be created which have defined linkage points─referred to as
hyperlinks ─between each other
 Fig2.9
Images
 Image are displayed in the form of a two-dimensional matrix of individual
picture elements─known as pixels or pels
Graphics
 Fig2.10
 Twoformsofrepresentationofacomputergraphic:ahigh-levelversion
(similartothesourcecodeofahigh-levelprogram)andtheactualpixel- image of the
graphic (similar to the byte-string corresponding to the low-level machine
code─bit-map format)
 Standardized forms of representation such as GIF (graphical interchange
format) and TIFF (tagged image file format)

Digitizeddocuments
 Fig2.11
 A single binary digit to represent each pel, a 0 for a white pel and a 1 for a
black pel
Digitizedpictures
 Colorprinciples
 Awhole spectrumofcolors─known asacolorgamut─can beproducedby using
different proportions of red(R), green(G), and blue (B)
 Fig2.12
 Additive colormixingproducingacolorimage onablacksurface
 Subtractivecolormixingforproducingacolorimageonawhitesurface
 Fig2.13

2.4.3Digitizedpictures
 Raster-scanprinciples
 Progressivescanning
 Eachcompletesetofhorizontalscaniscalledaframe
 Thenumberofbitsperpixelisknownasthepixeldepthanddeterminesthe range of
different colors
 Aspectratio
 Boththenumberofpixelsperscannedlineandthenumberoflinesperframe
 Theratioofthescreenwidthtothescreenheight
 National Television Standards Committee (NTSC), PAL(UK),
CCIR(Germany), SECAM (France)
 Table2.1

 Digitalcamerasandscanners
 Animageiscapturedwithinthecamera/scannerusinganimagesensor
 Atwo-dimensionalgridoflight-sensitivecellscalledphotosites
 Awidely-usedimagesensorisacharge-coupleddevice(CCD)
 Fig2.16

2.4.3Digitizedpictures
 Raster-scanprinciples
 Progressivescanning
 Eachcompletesetofhorizontalscaniscalledaframe
 Thenumberofbitsperpixelisknownasthepixeldepthanddeterminesthe range of
different colors
 Aspectratio
 Boththenumberofpixelsperscannedlineandthenumberoflinesperframe
 Theratioofthescreenwidthtothescreenheight
 National Television Standards Committee (NTSC), PAL(UK),
CCIR(Germany), SECAM (France)
 Table2.1

 Digitalcamerasandscanners
 Animageiscapturedwithinthecamera/scannerusinganimagesensor
 Atwo-dimensionalgridoflight-sensitivecellscalledphotosites
 Awidely-usedimagesensorisacharge-coupleddevice(CCD)
 Fig2.16

Audio
 Thebandwidthofatypicalspeechsignalisfrom50Hzthroughto10kHz; music
signal from 15 Hz through to 20kHz
 Thesamplingrate:20ksps(2*10kHz)forspeechand40ksps(2*20kHz)for music
 Music stereophonic (stereo) results in a bit rate double that of a
monaural(mono) signal
 Example2.4
2.5.2 CD-quality audio
 Bitrateperchannel =sa4m4p.1lin g r3at1e6*bit7s0p5e.6rksbapmsple
10
 Totalbitrate=2*705.6=1.411Mbps
 Example2.5

Video
Broadcasttelevision
 Scanningsequence
 Itisnecessarytouseaminimumrefreshrateof50timespersecondtoavoid flicker
 Arefreshrateof25timespersecondissufficient
 Field:thefirstcomprisingonlytheoddscanlinesandthesecondtheeven scan lines
 Thetwofieldarethenintegratedtogetherinthetelevisionreceiverusinga technique
known as interlaced scanning
 Fig2.19
 Thethreemainpropertiesofacolorsource
 Brightness
 Hue:thisrepresentstheactualcolorofthesource
 Saturation:thisrepresentsthestrengthorvividnessofthecolor
 Thetermluminanceisusedtorefertothebrightnessofasource
 Thehueandsaturationarereferredtoasitschrominance
Ys0.299Rs0.587G s0.144Bs

 Where Ys is the amplitude of the luminance signal and Rs,Gs and Bs are
themagnitudes of the three color component signals

 Thebluechrominance(Cb),andtheredchrominance(Cr)arethenusedto represent
hue and saturation
 Thetwocolordifferencesignals:

C bBsYs CrRsYs

 InthePALsystem,CbandCrarereferredtoasUandVrespectively
PAL:Y0.299R0.587G0.114B U
0.493(B Y)

V0.877(RY)

 TheNTSCsystemformtwodifferentsignalsreferredtoasIandQ

NTSC:Y0.299R0.587G0.114B I
0.74(R Y)0.27(B Y)

Q0.48(RY)0.41(BY)

Digitalvideo
 Eyehaveshownthattheresolutionoftheeyeislesssensitiveforcolorthanit is for
luminance
 4:2:2format
 TheoriginaldigitizationformatusedinRecommendationCCIR-601
 Alinesamplingrateof13.5MHzforluminanceand6.75MHzforthetwo chrominance
signals
 Thenumberofsamplesperlineisincreasedto720
 Thecorrespondingnumberofsamplesforeachofthetwochrominance signals is 360
samples per active line
 Thisresultsin4Ysamplesforevery2Cb,and2Crsamples
 Thenumbers480and576beingthenumberofactive(visible)linesinthe respective
system
 Fig.2.21
 Example2.7
MultimediaCommunications BCE613A

Figure2.21Samplepositionswith4:2:2digitizationformat.

 4:2:0formatisusedindigitalvideobroadcastapplications
 Interlacedscanningisusedandtheabsenceofchrominancesamplesinalternative
lines
 Thesameluminanceresolutionbuthalfthechrominanceresolution
 Fig2.22
Figure2.22Samplepositionsin4:2:0digitizationformat.

525-linesystem
Y720480
CbCr360240

625-linesystem
Y720480
CbCr360288

SJBIT/ECE  
13.510 82 3.3751068 162Mbps
6

Page 31
MultimediaCommunications BCE613A

 HDTVformats:theresolutiontothenewer16/9wide-
screentubescanbeup to 1920*1152 pixels
 Thesourceintermediateformat(SIF)giveapicturequalitycom
parablewith video recorders(VCRs)
 Thecommonintermediateformat(CIF)foruseinvideoconfere
ncing applications
 Fig2.23
 ThequarterCIF(QCIF)foruseinvideotelephony applications
 Fig2.24
 Table2.2
Figure 2.23 Sample positions for
SIF and CIF. Figure 2.24 Sample
positions for QCIF.
MultimediaCommunications BCE613A

RECOMENDDEDQUESTIONS:

1. Expalincodeword,analogsignal,signalencoder,signaldecoder?[06]
2. Define―bandwidth‖?explain―bandlimitingchannel‖?[05]
3. Explainnyquistsamplingtheorem&nyquistrate?[04]
4. Definethemeaningoftermquantizationinterval&howth
isinfluencesthe accuracy of the sampling process of
an analog signal? [06]
5. Explain a)unformatted/plaintext.
b) formatted/richtext.
c) Hypertext. [06]
6. Differentiateformattedtext&unformattedtext?Explaino
rigintheacronym WYSIWYG? [05]
7. Explainbriefly:visualobject,freeformobject,clipart,3-Dobjects.[04]
8. Explainscanning,pels,digitizationprincipleswrftofascimilemachines?[0
8]
9. Definetheaspectratioofadisplayscreen.givetwoexamplesfo
rcurrentwidely used screen sizes? [05]
10. Derivethe timetotransmitan image with
eachtypeofdisplayassuming a bitrate of 56 kbps,
1.5Mbps?[06]
11. Definetext&image.[03]
12. Defineaudio&video.[03]
13. Compareformatted&unformattedtext.[08]
14. Whatisrendering&clipart?[02]
15. Whatisflicker&framerefreshrate?[04]
16. WhatisNTSC&PAL?[10]
17. Whatissample&hold,Quantizer?[06]
18. Defineaspectratio&pixeldepth.[06]

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