Scientific Decodation of Sri Yantra (श्रीयंत्र)

The term yantra, which literally means an instrument for holding or restraining,
may be used to denote a variety of linear diagrams which play a significant role
in the meditative practices of Tantric Hinduism. Yantras may be simple designs
such as the cross, triangle, square, circle or lotus pattern, symbolizing basic
concepts, or may be more complex combinations of such elements in figures
representing in abstract form the particular creative forces in the cosmos which
are called divinities.
The Sri Yantra is an ancient Indian symbol depicting the vibrational form (a form
of mystical diagram) that rishis saw during mediations using the tone OMM. The
Sri Yantra (sacred instrument) or Sri Chakra (sacred wheel) or Mahameru (3D) is
a yantra formed by nine interlocking triangles that surround and radiate out
from the central (bindu) point, the junction point between the physical universe
and its unmanifest source.
It represents the Goddess in her form of Shri Lalita the beauty of the three
worlds (Heaven, Earth, Hell). The shapes of five elements, found in Sri-yantra
are; Air/ wood : Rectangular, Fire : Triangular, Earth : Square, Space / Metal :
Round and Water element : Wavy form. They are closely related to the
mandalas used by both Hindu and Buddhist Tantrism, in which geometric design
is supplemented by elaborate symbolic images of the deities which by their
various forms and attributes indicate different aspects of the hidden order of
reality.
As the yantra is ‘the linear paradigm of the mandala’, expressing the same
principles in geometric form. Like mandalas, yantras are used in the context of
meditation and worship as visual-aids to concentration of the mind leading to
realization of abstract principle which is the inner meaning of the visible
representation. The best known and geometrically the most complex yantra is
the Sri-yantra, also known as the Sri- chakra. The structure of this yantra is
enigmatically described in the Saundarya-lahari (the Wave of Beauty) a lengthy
poem praising the great goddess whose dwelling place the Sri-yantra is said to
be.
By reason of the four Srikanthas (srikantha is an epithet of Shiva) and the five
damsels of Shiva (which have the nature of Shakti), which are penetrated by
Sambhu (i.e. bindu- the dot in the centre) and constitute the nine fundamental
natures, the 43 (or 44) angles of your dwelling place are evolved, along with the
8-petalled (Ashta Prakriti) and 16-petalled lotuses(16 Phases of Moon, the circles
and the three lines (TriGunas ; Satva Rajo Tamo).
When the inquisitive Sati addressed her curiosity regarding the functioning of
the universe to Lord Shiva, he gave her a detailed pictorial explanation by
connecting a number of lines. These lines proceeded to interlace themselves to
form 43 triangles within a circle. It is composed of nine triangles, it is known as
the Navayoni Chakra. These nine triangles are of various sizes and intersect with
one another. This circle was further surrounded by layers of petals contained in
three additional circles which were finally encompassed in three more sharp
layers.
Sri Yantra is a circuit showing chakras of the body. Each chakra of the yantra is
a symbol of chakra of the human body. In the middle is the power point (bindu),
visualizing the highest, the invisible, elusive centre from which the entire figure
and the cosmos expand. The triangles are enclosed by two rows of (8 and 16)
petals, representing the lotus of creation and reproductive vital force. The
chakras present in the body represent superimposition of 4 triangles and 5
triangles in an upward position and downward position respectively.
These interlocking of upward and downward triangle lead to the formation of 43
smaller triangles in the Sri Yantra. The downward pointing triangle is a way of
representing Shakti which is the female principle. On the other hand, the
triangles pointing upwards are representing Shiva, male principle. The broken
lines of the outer frame denote the figure to be a sanctuary with four openings
to the regions of the universe.
The different parts or petals and lines of the yantra are usually arranged in
concentric circles (mandalas) and contain rays or sub-limbs of devi. The Shri
Yantra has nine of these mandals, each filled with various aspects of the Devi. In
Shri Yantra there are 111 aspects. The Shri Yantra is said to be a geometric form
of the human body, which implies that goddess as Macrocosm is one with
human being as Microcosm.
According to Tantra, the creation of the world begins with an act of division of
the opposites that are united in the deity. From their splitting arises, in an
explosion of energy, the multiplicity of the world. Starting from pure unity
(Shiva), the world is continuous unfolding (energized by the power of Shakti),
until a state is reached when the process must reverse and involute back to the
very beginning. Multiplicity must once again become unity. Yantras are symbolic
representations of this process of evolution and involution.
In its three-dimensional forms, Sri Yantra is said to represent Mount Meru, the
cosmic mountain at the center of the universe. The Sri Yantra is conceived as a
place of spiritual pilgrimage. It is a representation of the cosmos at the
macrocosmic level and of the human body at the microcosmic level (each of the
circuits corresponds to a chakra of the body). The human being is a miniature
universe. All that is found in the cosmos can be found within each individual,
and the same principles that apply to the universe apply in the case of the
individual being.
For human beings, the body is considered the most perfect and powerful of all
yantras and is seen as a tool for inner awareness. Formation of these 43
triangles is happening by the intersection of circles, starting from a central point
- Bindu this central point expanding as a circle, then in the same measurement
four circles creating further intersections by repeating this process fractals are
formed.
Fractals are infinitely complex patterns that are self-similar across different
scales. They are created by repeating a simple process over and over in an
ongoing feedback loop, the central part of the Sri Yantra is 43 triangles out of
circular fractals, after the fractal formation connecting the appropriate
intersections 43 triangles, Sri Yanta is formed.
This formation will tell the secret of how the human body evolved in Karana
(Causal) Sookshma (Subtle) level with the flow of Prana. Bodies are mere
conceptions in the lower order of beings and they are not to the point in the
case of God. Therefore, be wise, and worship the one pure, unblemished
Transcendence. If unable to comprehend this pure state, one should worship
God in the concrete form which is most agreeable to him; in this way, too, one is
sure to reach the goal, though gradually. Though one attempted it in millions of
births, one would not advance except in one of these two ways.
The main structural pieces in the Sri Yantra to start opening you to see
multidimensionally beyond the simple lines and shapes. The Sri Yantra are
surrounded by a square with four “T” shapes jutting out on each of its four sides.
These “T” shapes are referred to as the gates of Bhuper, a reference to the
earth (bhu). Each of these gates has a mystical significance beyond the
representation of the four directions on the Earth plane (North, East, South &
West). The square itself including the “T” gates form the foundation of the Sri
Yantra and stabilize all energy within it for manifestation.
This square contains the earth (bhu) energy and when activated, the “T”s are
the gates that control energetic access in the more Earthbound planes of the
resident Divine energy for that specific Yantra (there are different types of
Yantras with different Divine beings associated with them). Specific mantras are
the keys to unlock or lock these gates. Looking inside the sacred geometry of
this square you will find:
Circles which generally symbolize the Water element
Vertical Lines which are understood as containing the Fire element,
Diagonal Lines represent the Air element
Horizontal Lines which represent Ether element
Remember the Square itself is the Earth element
Looking at the center shapes of the Sri Yantra pay attention to the triangles:
Triangles, when pointed up, contain the Divine Masculine, as well as the Fire
nature.
Triangles that are pointed downward, they contain Water element and the
Divine Feminine.
For thousands of years, sages in India and other parts of the world meditated to
discover sacred (self organising) life principles, how to enhance happiness and
reduce misery in life. Sri Chakra arose in their visions. It combined geometry,
sounds and life to channel the nameless, formless powers of God.
It is the king of yantras with nine layers of Shaktis (powers) covering the light of
God in the forms of stars, lotuses and squares containing powers, passions and
beauties. Their unmasked beauty and razor sharp intellects earned them a
nickname- khadgamala- a garland of swords. They cut off and pierce through all
limiting ideas of I and mine to release your unbounded bliss of God.
Learn the secret teachings of Sa-maya (Shakti’s happiness) Dakshina (Shiva’s
happiness) or Kaula (Both happiness’s) and Vama (offering self in fire) acharas,
and finally Ananda Bhairavis of devotees forming into a self empowering
mandalas of Sri Chakras. The Guru at the center of such a circle is called Maha
Mandaleswara.
Layers of coverings in Sri Chakra:
1. Square- 10 siddhis, 8 passions, 10 gestures. Use them to enjoy astral powers.
2. Lotus of 16 petals. Time is divided into 16 lunar days, each day bringing a
special dream gift.
3. Lotus of 8 petals. Let go of inhibitions. Offer fruits of all your actions to
Goddess.
4. Star of 14. Powers ruling the worlds place their riches at your feet.
5. Outer star of 10. These airy spirits blow away poverty.
6. Inner star of 10. They defend you from enemies.
7. Star of 8. They eliminate diseases.
8. Triangle. They teach secrets of controlling lust, enhancing wisdom and
manifesting visions.
9. Circle or point. Take you to unending powers beyond mind. Merge with infinite
peace, bliss and light of union with Shiva-Shakti.
The typical Sri Yantra with its central point (bindu) and concentric circles of
petals and other geometries are conceived of as a sacred dwelling in which the
presiding deity and their entourage take up residence. The bindu represents the
location of the highest manifestation of the deity as well as the focal point
through which the deity transcends the relative plane, with its form and
structure to merge into the formless consciousness.
To help visually understand, the bindu is the center of the Sri Yantra and the dot
is the symbol of AUM it represents the piercing, breaking or bursting through
(bindu vedhana) and it is the final stage.
'यद् पिण्डे तद् ब्रह्माण्डे' Sri Yantra is a geometrical representation of the
Human body as well as the Universe. Fractals are infinitely complex patterns
that are self-similar across different scales. They are created by repeating a
simple process over and over in an ongoing feedback loop, the central part of
the Sri Yantra is 43 triangles out of circular fractals, after the fractal formation
connecting the appropriate intersections 43 triangles, Sri Yanta is formed, this
formation will tell the secret of how the human body evolved in Karana (Causal)
Sookshma (Subtle) level with the flow of Prana.
This is the very same formless consciousness in which the devotee merges with
the highest truth. The Sri Yantra is then fully activated in its Divine nature and
reveals the true potential and nature of the devotee in this merging and loving
relationship with the Divine as the divine.
Vidya means knowledge, specifically female knowledge, or the Goddess, and in
this context relates to her aspect called Shri, Lalita or Tripurasundari whose
magical diagram is called the Shri Yantra. She is a red flower, so her diagram is
a flower too. Lalita means She Who Plays. All creation, manifestation and
dissolution is considered to be a play of Devi or the goddess. Mahatripurasundari
is her name as transcendent beauty of the three cities, a description of the
goddess as conqueror of the three cities of the demons, or as the triple city
(Tripura), but really a metaphor for a human being.
Sri Yantra is usually translated as a machine, but in the special sense of the
tantrik tradition refers to the Devi in her linear or geometrical form. Yantras, by
the way, are always used flat. They may be two-dimensional or three-
dimensional. Every aspect of Devi has her own mantra and yantra. The yantra of
Devi Lalita is Shri Yantra. The divinity of the yantra always occupies the centre
or apex.
Sri Vidya (worship of the Supreme Being as Goddess) has a very holy tradition
traced to the Vedas. The methods and intention for the worship of Sri Vidya has
been extensively mentioned in the book Tripura Rahasya. Sri Tripura Rahasya,
otherwise known as Haritaayana Samhitaa, begins with "OM Namaha"
("Salutations to Aum") and ends with "Shri Tripuraiva Hrim" ("Tripura is only
Hrim"). Even Adi Shankara has used the story of Samvarta as found in Tripura
Rahasya in his Brahma Sutra Bhasya. The book says that one should worship
Tripura, the soul-sorceress, the all-hearted Vasini, the Siva and the Parameswari
as the Satguru in the heart.
The seventh chapter of the book ends with the following: He is pure intelligence
and His consciousness is absolute and transcendental. Such is the
consciousness-intelligence in purity, Absolute Being, the One Queen,
Parameswari (Transcendental Goddess) overwhelming the three states and
hence called Tripura. Though She is undivided whole the universe manifests in
all its variety in Her, being reflected as it were, in a self-luminous mirror. The
reflection cannot be apart from the mirror and is therefore one with it. Such
being the case, there cannot be difference in degrees (e.g., Siva, or Vishnu
being superior to each other).
In its three dimensional forms Sri Yantra is said to represent Mount Meru, the
cosmic mountain at the center of the universe. The Sri Yantra representation of
the cosmos at the macrocosmic level and of the human body at the microcosmic
level (each of the circuits correspond to a chakra or vortex of the body).
The Sri Yantra is a configuration of nine interlocking triangles ( 9×9 grid or gross
body ), surrounded by two circles of lotus petals with the whole encased within a
gated frame, called the “earth citadel”. The nine interlocking triangles centered
around the bindu (8×8 grid the central point of the yantra or microabode or
subtle body ) are drawn by the superimposition of five downward pointing
triangles, representing Shakti ; the female principle and four upright triangles,
representing Shiva ; the male principle.
The nine interlocking triangles form forty three small triangles each housing a
presiding deity associated with particular aspects of existence. Man’s spiritual
journey from the stage of material existence to ultimate enlightenment is
mapped on the Sri Yantra. The spiritual journey is taken as a pilgrimage in which
every step is an ascent to the center (8×8) , a movement beyond one’s limited
existence, and every level is nearer to the goal.
Such a journey is mapped in stages, and each of these stages corresponds with
one of the circuits of which the Sri Yantra is composed from the outer plane
( 9×9 ) to the bindu ( 8×8 ) in the center. The Sri Yantra is a tool to give a vision
of the totality of existence, so that the adept may internalize its symbols for the
ultimate realization of his unity with the cosmos. The goal of contemplating the
Sri Yantra is that the adept can rediscover his primordial sources. The circuits
symbolically indicate the successive phases in the process of becoming.
The Sri Yantra is composed of a central figure that is surrounded by two circular
rows of petals and then by a rectangular enclosure called the bhupura. Here, we
will be focusing mainly on the central figure which is composed of nine
overlapping triangles and a bindu point. Four of the triangles point up, the other
five point down. In the most popular configuration the two biggest triangles
touch the outer circle on all three points.
When looking at the figure we notice that there is a high degree of
interconnectedness between the nine triangles. This means that every triangle
is connected to one or more of the other triangles via common points and they
do not criss cross. Where the triple intersection points are located. These are the
points that lock together the triangles. You can’t move one without also moving
the others. This interconnections scale up to infinite small (Planck length a unit
of length) protons etc. ) to infinite big ( cosmos, universe ). This is the principle
of cosmic entanglement.
Notice also that the two biggest triangles are touching the outside circle on
three points and that the apex of every triangle is connected to the base of
another triangle. The up and down triangles when overlapped give a pentacle
(पंचकोण जो तंत्र में प्रयुक्त होता है). Thus Sri Yantra is a geometry with
five degrees of freedom. Pentadic scale of cosmic regulation is called
panchmahabhuta in Hinduism and 5 energies in Chinese occult , which means
that up to five different criterion can be used to define it. This is why we have to
decide on the location of five lines when drawing the figure.
Five degrees of freedom is not a lot considering that there is a total of nine
triangles. This is because of the high degree of interconnectedness between the
triangles. This effectively limits the possibilities and variations that can be
achieved. Lets now take a look at the bindu point; the small point located in the
central triangle. It should be located in the center of the innermost triangle. This
can be achieved precisely by placing the bindu at the center of a circle that fits
inside this triangle. This is known in mathematics as the incenter of a triangle.
To achieve a perfectly centered figure however, the bindu should also be
located at the center of the outer circle.
The equilateral (समभुज) triangle is a perfect and minimal structure. It is the
simplest, strongest and most fundamental structure in geometry and computer
graphics. It has the highest degree of tensegrity (the characteristic property of a
stable three-dimensional structure ) for a minimum amount of structural
elements. This is also why the geodesic domea structure or building shaped like
half a ball, made up of many parts that form triangles and other shapes with
several sides ) a spherical structure composed of small triangles is the only
man-made structure that becomes proportionally stronger as it increases in size.
The Sri Yantra symbolizes, among other things the unfoldment of creation. The
bindu represents the unmanifest ( 8×8 grid of subtle body ), the silent state. The
next level in the expression of the Universe is represented by the innermost
triangle. This level represents the trinity of rishi, devata, chanda, or the
observer, the process of observation and the object being observed.
At this point the symmetry of creation is still intact and will be broken when it
reaches the next level which represent the grosser aspects of the relative. This
reflects the unfoldment from unity or singularity to trinity as expounded (explain
the meaning ) in the Vedic literature. According to the Veda the Universe
becomes manifest when unbounded awareness becomes aware of itself.
The spark of self awareness ignites creation. At this point Unity divides into the
trinity of rishi (the observer), devata (process of knowing) and chanda (the
object of perception). The same idea is also found in the bible as the principle of
the holy trinity. The central triangle is the central lens of the Sri Yantra. If as
some suggest, this pattern is capable of emitting a significant amount of subtle
energy, the importance of having a well balanced and centered figure becomes
obvious. For these reasons the central triangle should be equilateral in an
optimal . For this to happen the highest down pointing primary triangle must
have an angle of 60 degrees .
The Centre of Mass (a point 'Bindu' representing the mean position of the matter
in a body or system). Another measure of overall balance of a structure is the
center of mass. This is the point in the geometry where it would balance if it was
a solid object.
The central triangle of Sri Yantras shows a configuration/arrangement where
only concurrency/agreement is achieved. In this case the bindu, the center of
the outer circle and the center of mass are not aligned( arrange in a straight
line). The central figure shows a Sri Yantra that achieves concurrency and
concentricity. As a result the bindu and the center of the outer circle overlap
nicely. The center of mass still doesn’t overlap however.
The three criterion that we have suggested (concurrency, concentricity and
equilateral central triangle), the three centers overlap and we have a perfectly
centered and balanced figure where the bindu is well centered and more
importantly the centermost triangle has an angle very close to 60 degrees. This
is called perfect balance or harmony with the source of all existence .
Since the Sri Yantra is based on triangles it is very appropriate that there are
currently three main ways to represent this figure. The first and probably the
most common is the plane form, which is what we have been looking at so far.
The second is the pyramidal form called Meru in India. Mount Meru is a mythical
mountain. So named because of the mountain shape of the figure.
The third and rarest form is the spherical form or Kurma. Kurma was the second
incarnation of Vishnu, the turtle incarnation.
This refers to the similarity between this form and the shell of a turtle. Ever
wondered why the shell of a turtle is so robust. It is interesting to note that there
seems to be some confusion with the use of these two terms. The pyramidal
form is often wrongly referred to as Kurma.
A hymn from Atharvaveda is dedicated to an object that closely resembles this.
The sriyantra (‘great object’) belongs to a class of devices used in meditation,
mainly by those belonging to the Hindu tantric tradition. The diagram consists of
nine interwoven isosceles triangles four point upwards, representing Shakti, the
primordial female essence of dynamic energy, and five point downwards,
representing Shiva, the primordial male essence of static wisdom.
The triangles are arranged in such a way that they produce 43 subsidiary
triangles, at the centre of the smallest of which there is a big dot (known as the
bindu). These smaller triangles are supposed to form the abodes of different
gods, whose names are sometimes entered in their respective places.
In common with many depictions of the Sriyantra they have outer rings
consisting of an eight-petalled lotus, enclosed by a sixteen petalled lotus,
girdled in turn by three circles, all enclosed in a square with four doors, one on
each side. The square represents the boundaries within which the deities reside,
protected from the chaos and disorder of the outside world.
Tantric tradition suggests that there are two ways of using the sriyantra for
meditation. In the outward approach one begins by contemplating the bindu and
proceeds outwards by stages to take in the smallest triangle in which it is
enclosed, then the next two triangles, and so on, slowly expanding outwards
through a sequence of shapes to the outer shapes in which the whole object is
contained.
This outward contemplation is associated with an evolutionary view of the
development of the universe where, starting with primordial matter represented
by the dot, the meditator concentrates on increasingly complex organisms, as
indicated by increasingly complex shapes, until reaching the very boundaries of
the universe from where escape is possible only through one of the four doors
into chaos.
The ‘inward’ approach to meditation, which starts from a circle and then moves
inwards, is known in tantric literature as the process of destruction ( a falling
blackhole and emerging by big bang in a new universe ). The mathematical
interest in the Sriyantra lies in the construction of the central nine triangles,
which is a more difficult problem than might first appear. A line here may have
three, four, five or six intersections with other lines.
The problem is to construct a sriyantra in which all the intersections are correct
and the vertices of the largest triangles fall on the circumference of the
enclosing circle. There is, however, a curious fact about all the correctly
constructed sriyantras, whether enclosed in circles or in squares. In all such
cases the base angle of the largest triangles is about 51.
The interpenetration of the nine basic triangles gives rise to a number of
subsidiary triangles (43 including the central triangle enclosing the bindu) which
form the abodes of the deities, representing the particularization of the original
creative forces into more concrete manifestations. Sometimes the names of
deities and Sanskrit syllables are written into these triangles, or images of the
deities are placed in them.
In most versions of the yantra this central design is enclosed by two circular
lotus-patterns with eight and sixteen petals, a girdle of three concentric circles,
and finally a square arrangement of straight line with four openings ( Dharma
Artha Kama Moksha). Dharma is duty, Artha means wealth, Kama is desire and
Moksha means liberation.This square outline, which is common also to
mandalas, symbolizes the royal palace in which the deities reside – an area of
sacred space protected from the disintegrating forces of chaos.
In general, the Sri-yantra is a ‘cosmogram’ a graphic representation of the
universal processes of emanation and reabsorption reduced to their essential
outline. The yantra is an expression in terms of linear symbolism of the cosmic
manifestations, beginning with the primordial unity.
The basis of Sri Chakra is its mantra; the fifteen lettered mantra in three groups:
a e i la hrim; ha sa ka ha la hrim; sa ka la hrim. The sixteenth letter “srim” is
present in a subtle form. Sri Chakra is basically a triad; and, is also related to
number nine .
The triangle which is primary to the chakra has three angles and the deity
residing in it is Tripura. The mantra of each of the nine enclosures of Sri Chakra
is three lettered; the Mother Goddess is worshiped in her three forms; the
Kundalini energy in the individual is threefold, and the phenomenal processes
arising out of the union of Shiva and Shakthi are also three.
The Chakra design represents Tripura or Tripura Sundari; while her manifest
powers (yogini) are nine. There are also three dimensions of the Sri-chakra
corresponding to the three sections (kuta) of the mantra; and, each of these
dimensions has a further division into three units. Each of these nine units are
called as chakras that are encased in Sri Chakra.
All its other interpretations are also in terms of three and nine. The three groups
that constitute the mantra are called Kuta (peaks) or Khanda (segments). They
are interpreted variously in sets of three as:
1-Agni (fire), Surya (sun) and Chandra (moon);
2-srishti (creation), Shtithi (preservation) and laya (dissolution) ;
3-Iccha ( will), jnana (knowledge) and kriya (action);
4-Sattva, Rajas and Tamas;
5-Jagrat (wakefulness) ;swapna (dream state) and sushupthi (deep sleep);
6-Jnatra (the knower), jnana (the knowledge) and jneya ( the known) ;
7- Atma (individual self), Antaratma (inner being) and Paramatma (supreme
self);
8- Past , present and future
Om Shree Matre Namah.

Scientific De-codation of Sri Yantra (श्रीयंत्र) Part II

The Sri Yantra is possibly the world’s most powerful symbol. Sri Yantra
represents the Goddess in her divine energy form; of Shri Lalita the beauty of
the three worlds (Heaven, Earth, Hell). The creation process itself is a
meditation.
This ancient symbol is sometimes referred to as the Mother of Sacred Geometry.
Sri Yantra reveals universal patterns of energy. These patterns are a clear path
towards spiritual acceleration. Sri Yantra is a visual map of the spiritual path.
The shapes of five elements, found in Sri-yantra are; Air/ wood : Rectangular,
Fire : Triangular, Earth : Square, Space / Metal : Round and Water element :
Wavy form. The Sri Yantra is the visual equivalent of the sound AUM. Each
yantra has a specific sound and potential spiritual power.
They are closely related to the mandalas used by both Hindu and Buddhist
Tantrism, in which geometric design is supplemented by elaborate symbolic
images of the deities which by their various forms and attributes indicate
different aspects of the hidden order of reality.
As the yantra is ‘the linear paradigm of the mandala’, expressing the same
principles in geometric form. Like mandalas, yantras are used in the context of
meditation and worship as visual-aids to concentration of the mind leading to
realization of abstract principle which is the inner meaning of the visible
representation.
The best known and geometrically the most complex yantra is the Sri-yantra,
also known as Yantraraj / the Srichakra. Each yantra has a specific sound and
potential spiritual power. This amazing geometric design functions on multiple
levels.
The structure of this yantra is enigmatically described in the Saundarya-lahari
(the Wave of Beauty) a lengthy poem praising the great goddess whose dwelling
place the Sri-yantra is said to be.
By reason of the four Srikanthas (srikantha is an epithet of Shiva) and the five
damsels of Shiva (which have the nature of Shakti), which are penetrated by
Sambhu (i.e. bindu- the dot in the centre) and constitute the nine fundamental
natures, the 43 (or 44) angles of your dwelling place are evolved, along with the
8-petalled (Ashta Prakriti) and 16-petalled lotuses(16 Phases of Moon, the circles
and the three lines (TriGunas ; Satva Rajo Tamo).
A traditional yantra is actually a three dimensional form. This form creates a
type of pyramid. Sculptures and bas relief carvings of yantras are also popular.
These are made from many different materials: metal, stone, wood. The three
dimensional forms may be converted to drawings to extend their uses.
The Sri yantra stimulates the pineal gland, creating electrical currents in the
body. This helps to raise the kundalini energy. Raising the kundalini energy is
the goal of many spiritual practices. The kundalini energy is coiled in the root
chakra and moves to the crown when enlightenment is realized.
The sum total of the energy and symbolism of the Sri Yantra creates a story of
the soul’s journey. To follow the circuits of spiritual energy embedded in the Sri
Yantra, we begin in the outermost square. We travel towards the middle, ending
with the dot or bindu in the center.

Outer Circle of 16 Lotus Petals

The outer circle of 16 petals in the Sri Yantra symbolize the ten organs of
perception (ears, skin, eyes, tongue, nose, mouth, feet, hands, arms, genitals)
and the five Vedic elements (earth, fire, water, space and air). The final petal
symbolizes the mind’s ability to integrate all of these elements.

Forms of Sensory Knowing

This outer lotus has the name Sarvasaa Paripuraka in Sanskrit. These elements
are actually considered to be a form of false knowing since they are purely
sensory. However, they are necessary at the beginning of the spiritual journey.
Eventually they are replaced by “all knowing” through inner experience.

Meaning of Each Outer Lotus Petal

In Sanskrit, these outer petals are Kama (Desire), Budhya (Intellect), Ahamkara
(Ego), Sabda (Sound), Sparsa (Touch), Rupa (Form), Rasa (Taste), Gandha
(Smell), Citta (Mind), Dhairya (Fortitude), Smritya (Memory), Nama (Name),
Bijha (Seed), Atma (Soul), Amrita (Immortality) and Sarira (Body).

Inner Circle of 8 Lotus Petals

The Sanskrit name for the inner circle of lotus petals is Sarva Samkshobahana.
The inner ring of eight lotus petals in the Sri Yantra each have their own
symbolism. The petals represent siddhis or yogic powers. Specific deities
embody each of these powers. These are sometimes viewed as specific human
activities: speech, motion, grasping, revulsion, enjoyment, attraction,
equanimity and excretion.

This inner circle is referred to as the “Agitator of All.” Mastering the qualities of
each petal through meditation, self-observation and individual effort can grant
both worldly and spiritual success. The specific meaning of the petals can be
outlined as

ANIMA means smallness or vulnerability. The siddhi or power conveyed is closely

related to honesty with yourself and others. This is the ability to connect to
yourself internally.

LAGHIMA means bigness in the sense of taking the maximum amount of

responsibility in your own life. This also conveys a connection to the largest self
or the universe.

GARIMA means heaviness, grounding, an anchor or a weight. This is a positive

sense of being rooted to the earth, being unmoved by circumstances and
sticking to your purpose.

MAHIMA means creativity. This yogic power is a direct connection to a free flow
of ideas and the resulting accomplishments.

EASATVA means godliness and purity. This is the power of courage and
confidence that comes from knowing you are pursuing your own highest calling
in wisdom and love.

VASATVA means subjugation, bringing under control and conquering the self.
This is the ability to overcome obstacles in life versus utilizing violence or
overcoming others.

PRAAKAMYA means fulfilling the objective. This involves creating a strategy and
a sense of conviction so strong that you feel that all that is necessary has
already happened.

The Outer Circuit of 14 Triangles

The outer fourteen triangles formed by the nine overlapping triangles

correspond with fourteen energy channels known as etheric nerves. Six of these
etheric nerves run along the right side of the body and meet at the center of the
forehead. Four etheric nerves are on the left side of the body and the other four
run along the subtle body’s axis.

Each triangle also corresponds to an deity who embodies those subtle essences
and is associated with that aspect of the physical body. The Sanskrit name for
this outer circuit of triangles is Sarva Saubhagyadayaka. Yantras may be
associated with a single deity or hundreds of deities. The connection between
the Goddess Lakshmi (Wealth and Abundance) and the Sri Yantra is strong.

Ved tells us that Light passes ( Shiv ) through the Torus shape ( SOMA / Narayan
) to create Matter ( Bramha ). It all encompasses a dodecahedron or 12 sided
Pentagons. The 12 are the Zodiac ( as per past Karma or Prarabdh) and the
pentagon is of the five elements earth, water, fire, air, and space.

The 12 zodiac have the 27 Nakshatras, each divided into 4 pada. 27*4 = 108.
The dodecahedron has the Sri Yantra ( Soma ) shape, where each step is
associated with a Nitya Devi. 15 Nitya Devi is the waning and waxing phases of
Moon. And the Bindu or centre is Sri Lalita Tripura Sundari.
The Inner Circuits of 10 Triangles

The next two circuits of ten triangles symbolize the ten circuits of pranic energy
and the ten forms of digestive fire. Energy is mobilized through each of these
circuits.

Next level - Inner Circuits of 10 Triangles

The next two circuits of ten triangles symbolize the ten circuits of pranic energy
and the ten forms of digestive fire. Energy is mobilized through each of these
circuits.

The Fifth Circuit of Triangles

The first set of ten triangles is the fifth circuit. The ten triangles represent the
five vital currents which draw life-force into the body. The first five triangles are
the vital currents: prana, apana, vyana, samana, and udana. The next five
triangles represent the five medial currents: naga, kurma, krkara, devadatta,
and dhananjaya.

The Sixth Circuit of Triangles

The second ring of ten triangles is called Sarva Rakshakara in Sanskrit. This set
of ten triangles relates to the relationships between the ten types of pranic fire
and the ten types of digestive fire. Again, each has a name for the specific
vibration or personification of the divine.

The Inner Circuit of 8 Triangles

The innermost circuit of eight triangles near the bindu or center point relates to
the principles of material nature and creation. The inner circle of eight triangles
is called Sarva Roghahara in Sankrit.

Circle Meaning in the Sri Yantra

The three concentric circles in the Sri Yantra bring focus to the visual form. This,
in turn, focuses the mind of the viewer. A circle is a primordial form that cannot
be further reduced. At the smallest size, the circle in the center of the yantra
becomes a point or the bindu.

Sri Yantra Circle and the Bindu; This is the same name given to the traditional,
decorative dot placed between the eyebrows. The bindu marks the place of the
third eye chakra.

The circle symbolizes infinite space and expansiveness. This is the Vedic
element of space or akasha. The circle also represents the cycles of nature at all
levels from the atom to astronomy. The central quest of spirituality is to
experience the Oneness of these realms.

The Hindu vision of the universe is a set of concentric circles. A metaphorical

spider sits in the center, both spinning and reabsorbing the threads of reality.
The circle represents the One force that both creates and unifies all things. The
circle contains the notion that there is no end and no beginning to time. The
numeric equivalent of the circle is zero.

The importance of the number three is prominent in both Western and Eastern
religious philosophies. The Western trinity is the Father, Son and Holy Spirit. The
Hindu Trinity is Brahma (Creator), Vishnu (Preserver), and Shiva (Destroyer). The
all-pervasive Divine Mother or shakti is the force animating the three persons of
the Hindu trinity.

Lotus Flower Meaning in the Sri Yantra

The lotus symbolizes purity, enlightenment and transcendence. In a yantra, the

lotus is usually viewed from the top, with the petals extending out on the rim of
a circle. Metaphorically, the lotus illustrates the unfolding of the divine essence
within.

The lotus is like the navel of creation. In fact, the lotus is sometimes depicted as
springing from the navel of Vishnu and giving birth to Brahma, two of the gods
in the Hindu trinity. The lotus is equated with beauty, prosperity and the eternal.

The lotus is also a symbol of the heart, especially the inner or secret chamber of
the heart. This is sometimes called Brahma’s cave or the city of Brahma in the
East or the inner castle in the West. This is the core of being that remains
untouched by everyday living.

The Sri Yantra features two rings of lotus petals. The inner ring has eight petals.
The outer ring has sixteen petals. Interestingly, the throat chakra symbol also
features a lotus with sixteen petals. Learn more about the throat chakra symbol
in Chakra Symbols.

Lotus and the Power of Duplication; The lotus petals represent creation and life
force. The duplication of the petals from eight to sixteen exemplifies this
principle. Each petal has its own siddhi or power. Let’s take a look at the
meaning of each lotus petal in the Sri Yantra.

Center of the Sri Yantra: The Bindu

The focus for meditation on the Sri Yantra is the center point known as the
bindu. As noted above, the bindu is also the name of the dot painted on the face
between the eyebrows. In this usage, the bindu symbolizes the third eye or
center of spiritual vision. When used in the center of the Sri Yantra or other
yantras, the bindu is a symbol of the Oneness of the universe. The bindu is
surrounded by one small triangle called the Sarva Siddhiprada.
The bindu is a tool for harnessing concentration. The bindu symbolizes the
source or deity for the yantra. The bindu is the gathering of the two fundamental
forces in life: feminine (Shakti) and masculine (Shiva). This central dot also can
be viewed as a symbol of the cosmos or as a simplified version of the yin-yang
symbol where masculine and feminine are perfectly balanced.

The Bindu and the Divine

The bindu is the smallest possible circle, the “world-seed” or visva-bija. The
bindu is also called the Sarva Anandamaya. The universe originates from this
point. This is the metaphysical point of both origin and union with the Divine.
The bindu exists both in time and in timelessness. The numerical counterpart of
the bindu is zero.

The Bindu and the Third Eye

The center of a yantra radiates energy out as well as absorbs energy into itself.
Ultimately the yantra is a focus for visualization, one of the fundamental powers
of consciousness. This is a reflection of the development of spiritual vision
associated with the third eye.

The combination of mantra and yantra creates an energy field for a specific
purpose. Using the sacred geometry of yantras combined with the formulas of
sacred sound known as mantras is a very powerful practice.

Square Meaning of Sri Yantra

Sri Yantra meaning begins with the outer square representing stability. This
creates a solid foundation for the yantra. The square is a symbol of
condensation and manifestation in the world. The square also creates a
boundary around the inner world. The Sanskrit name for this outer square is
Trailokya Mohana.

Square Symbolism; Most yantras have a square as their fundamental form. The
numerical equivalent, of course, is four. The square connects to the earth
element in the Vedic tradition. The square is also the base for the root chakra
symbol.

Gates Into the Sri Yantra; On each side of the yantra are gates that open up to
invite the viewer into the center of the yantra. There are four doorways or gates
protruding from the square at the circumference of the Sri Yantra. These gates
are thresholds between the inner and outer worlds. The Sri Yantra can be
viewed as a map of man’s spiritual journey from the outer to the inner along
designated circuits.

Sri Yantra Triangles and the Energy Body

When the limitations of the physical body and its attractions represented by the
two rings of lotus petals have been overcome, a greater understanding of the
subtle or energy body is the next stage of spiritual progress. Again, the Sri
Yantra is a key tool revealing this knowledge.

Energy Channel Symbolism

The energy body is sometimes called the psychic body or the finer body. This
body is composed of subtle nerves, energy channels, and the vital energy or
prana. This energy gives life to the physical body. Each of the overlapping
triangles in the Sri Yantra is associated with a particular aspect of the energy
body.

Sri Yantra Energy Circuits

There are four circuits of overlapping triangles. The first contains 14 triangles.
The next two circuits contain 10 triangles each. The innermost circle contains
eight triangles.

The most basic Sri Yantra meaning is the union of the divine masculine and
feminine. This is symbolized by the nine interlaced triangles. The upward
triangles meet the downward triangles in a kind of star tetrahedron. As
mentioned above, there are four upward triangles and five downward triangles.

Forces Represented by Triangles

Each triangle contains within itself three points. These represent the three basic
forces in the universe: creation (sattva), preservation (rajas) and dissolution
(tamas). These points and processes relate to the Hindu Trinity of Brahma,
Vishnu and Shiva. The Divine Mother (Shakti) is the force behind each of these
that enlivens them and gives them power. The symbolism of the trinity is
repeated in the three concentric circles of the Sri Yantra.

Nine Stages of the Sri Yantra

The Sri Yantra is sometimes called the Yantra of Nine Triangles (Nava-Yoni
Chakra). The spiritual journey depicted in the Sri Yantra occurs in nine stages.
Each stage corresponds to one energy circuit in the yantra.

Intersecting Triangles in the Sri Yantra

There are forty-three intersecting triangles created from the nine interlaced
triangles. These are organized in concentric levels radiating out from the central
bindu point. The triangle is the primary form that can enclose space within
straight lines. Thus the triangle is the first form to emerge from chaos and
create order or structure.

A downward triangle is a symbol of the divine feminine. Downward triangles are

connected to the water element. The easiest way to remember this is to think of
a waterfall. In addition, water is related to the emotions. The word “emotion”
can be interpreted as “energy in motion.”

Downward Triangles and the Divine Feminine

Like water, feminine energy is free flowing and powerful. This energy is referred
to as “shakti.” Downward triangles are specifically related to the Mata Kali
(Goddess of Time and Death), Mata Parvati (Goddess of Fertility), Mata Lalita
(Goddess of Beauty), and Mata Lakshmi (Goddess of Wealth).

Upward Triangles in the Sri Yantra

An upward triangle represents masculine energy and the element of fire. This
shape can be seen in form of a campfire. In the Hindu tradition, an upward
triangle is particularly associated with Shiva. The masculine force provides a
counterpart and a container for the free flowing feminine energy. In the Sri
Yantra, there are four triangles pointing up and five triangles pointing down.

Triangles and Planes of Existence

When numerous triangles are interlocked in the center of a yantra, each triangle
represents a different plane of existence. The upward and downward triangles
are symbolic of the repeating cycle of spirit into matter and matter into spirit. In
the Sri Yantra, each of the nine triangles also symbolize circuits in the subtle
energy body.

Specific Yantra in Hinduism

The Vedic system uses five elements of water, earth, and fire, the fourth and
fifth elements in the Vedic system are space and air (rather than wood and
metal in Chinese system).

Many traditional cultures categorize various aspects of life according to a

system of natural elements. Natural element systems describe the relationship
between different energies and phenomena in the world around us. Finding your
natural element compatibility can help you to choose the mantras that are the
most supportive and healing for you.

Determining Your Five Element Affinity

Each of the five elements have characteristics that can be identified as

personality types. If you are predominantly one type, you may want to
emphasize mantras that help to balance your approach to life. As you go
through life, your compatibility with one or more elements can shift.

According to some psychological studies which includes physical, emotional and

psychological traits typical of each of the five elements. Note that you may be a
mix of more than one although one usually predominates.

Fire Element Personalities

Fire energy is characterized by its ability to give off warmth and attract others.
Predominately “fire” types place a great deal of emphasis on interpersonal
relationships. Accordingly, they are romantic and idealistic, enthusiastic, and
emotional. The danger of too much fire is an excess of anger or passion.

Earth Element Personalities

The earth element can absorb excesses of the other elements. Earth
personalities are forgiving and compassionate. Earth types are wonderful friends
and great listeners. The main concern with being an earth type is the tendency
to take on the burdens of others to a degree that is detrimental to yourself.

Water Element Personalities

Water can change effortlessly without losing its essential nature. Water types
are resourceful and single-minded, flowing over problems like a river. Water
types can also store or “pool” their resources to be in a position of strength
when opportunities arise. On the other hand, if a person has too much water,
they may become overly emotional or stagnant.

Air Element Personalities

Air personalities are often highly intelligent, analyzing life at every turn. They
literally breeze through life, moving quickly and making decisions easily.
Something to watch out for as an air personality is unpredictability or
detachment.

Space or Ether Element Personalities

The element of space is the most subtle and has the least defining
characteristics. Space or ether is close to the concept of “emptiness.” In
Sanskrit, this element is called akasha. This means the background against
which everything is perceived. A person with this predominant element is
someone who focuses on the eternal. Staying tethered to this world might be an
issue for space (ether) personalities.

Finding Your Five Element Mantra

In the Vedic system, there are deities associated with each element. When your
sensitivity to others is highly developed, and you often sense what others are
thinking and feeling, sometimes even before they do!

In turn, each deity has mantras and sounds that represent their unique energy.
There are also typical interactions between the five elements.
Simplified examples of these interactions would be the fire element heating
water; the earth element absorbing water; the water element putting out fire;
the air element feeding fire; and the space or ether element supporting the
earth. The list of deities associated with the five elements below will help you
create more balance in your life!

FIRE ELEMENT CHARACTERISTICS

Natural Materials: leather, wool

Gems & Minerals: ruby, garnet, carnelian
Shape: triangle, pyramid, cone, radiant patterns
Artwork: animals, people, fire, lightning, sunshine, candles, fireplaces,
campfires, wood stoves
Symbols: flames, animals
Quality: very yang
Colors: red, orange, yellow
Deities: Durga, Kali, Rama, Skanda

EARTH ELEMENT CHARACTERISTICS

Natural Materials: soil, adobe, ceramics, tile, stucco, brick, wood, earthenware,
rocks
Gems & Minerals: lapis, amber, jade, emerald, agate, diamond, bronze, gold,
copper, silver
Shape: square, rectangle, plaid patterns, floral prints, stripes, scallops
Artwork: landscapes, mountains, hills, gardens, fruit, plants, flowers, herbs,
trees, fields
Symbols: mountain, tree, lotus, goat, elephant
Quality: balanced
Colors: orange, brown, yellow, earth tones, purple
Deities: Ganesha, Murugan, Indra

ETHER OR SPACE ELEMENT

Natural Materials: lace, veils

Gems & Minerals: pearl
Shape: sphere, dome, unbounded patterns
Artwork: angels, stars, fairies, spiritual beings, astronomy, galaxies, universe
Symbols: stars, mythical or celestial beings
Quality: extremely yin
Colors: white, golden colors, rose
Deities: Isana

WATER ELEMENT CHARACTERISTICS

Natural Materials: glass, crystals, sand, pebbles

Gems & Minerals: quartz, aquamarine, sapphire, turquoise
Shape: asymmetrical, free-flowing, curved, smooth, wave-like, circle, oval,
ellipse
Artwork: rivers, rain, waterfalls, oceans, streams, lakes, ponds, water basins,
mirrors, birdbaths
Symbols: turtles, water lilies
Quality: very yin
Colors: turquoise, aqua, blue, green, black
Deities: Lakshmi, Sundari, Vishnu, Jagannath, Ram, Krishna

AIR ELEMENT CHARACTERISTICS

Natural Materials: fabric

Gems & Minerals: opal
Shape: amorphous, swirled patterns
Artwork: flags, kites, sailboats, tents
Symbols: birds
Quality: cool air/yin, hot air/yang
Colors: grey, dark blue, dark red
Deities: Hanuman, Shiva

Outer Circle of 16 Lotus Petals

The outer circle of 16 petals in the Sri Yantra symbolize the ten organs of
perception (ears, skin, eyes, tongue, nose, mouth, feet, hands, arms, genitals)
and the five Vedic elements (earth, fire, water, space and air). The final petal
symbolizes the mind’s ability to integrate all of these elements.

Forms of Sensory Knowing

This outer lotus has the name Sarvasaa Paripuraka in Sanskrit. These elements
are actually considered to be a form of false knowing since they are purely
sensory. However, they are necessary at the beginning of the spiritual journey.
Eventually they are replaced by “all knowing” through inner experience.

Meaning of Each Outer Lotus Petal

In Sanskrit, these outer petals are Kama (Desire), Budhya (Intellect), Ahamkara
(Ego), Sabda (Sound), Sparsa (Touch), Rupa (Form), Rasa (Taste), Gandha
(Smell), Citta (Mind), Dhairya (Fortitude), Smritya (Memory), Nama (Name),
Bijha (Seed), Atma (Soul), Amrita (Immortality) and Sarira (Body).