Welcome aboard our 6th Annual Online Summit for Face Painters, where we dive deep into

the colorful world of face painting with a splash of purpose! Get ready to make waves at this
year’s sensational Summit: Painting Hope for Reefs — a Summit for Conservation.

Over four days you’ll access fourteen in-depth classes, taught by 15 industry leaders making
a splash in the industry today. These workshops are brimming with valuable tips for your
success as well as step-by-step instructions you can pause and replay.

You are now part of a diverse crew of beginners, professionals, and top artists from around
the globe. We encourage you to engage, ask questions, and share insights to maximize your
learning experience. You deserve this time to invest in yourself and your business!

Gather your supplies and dive into our curated designs and engaging workshops. This
Workbook is your treasure map to success, packed with class handouts, materials, design
photos, and dedicated sections for your personal notes and sketches. This is your chance to
capture inspiration in its entirety and make a splash with your creativity!

Participating in this year’s Summit isn't just about unleashing your creativity and skills; it's
about making a real difference for our coral reefs and oceans. You'll not only elevate your
artistry but also contribute to ocean awareness and conservation efforts via our donations to
the Coral Restoration Foundation.

This is a monumental moment for face painting and ocean conservation alike, and we're
thrilled to have you on board. Let's make waves and paint hope for our reefs together!

Ol a Mur

Event proudly supported by:

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"Under th Se : Marvelou Mask an Magnificen Mermaid " by Elodie Ternois

"5 Classi Design wit Origina Ocea Twist " by Tamar David

"5 Bol Bo Design t Blow Your Min " by Frida Haas

" oti Animal : Prett Peacoc , Fab F & Slic Snak " by Susy Amaro

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"Beneat th Wave : Incredibl se creature brough t lif " by Acacia Clair Tanner

"Four Super Fu Caribbea Marin Look " by Cécile Baeriswyl

" Power of Simpl Flora Design " by Monique Fusco-Vugts

"Fantasti Flora Crow Design for your n Princes Part " by Myla Kotova

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"Floral , Fairie an Butterflie : Elegan & Enchante Magica Mask " by Elisa Marley

"Top p t Brin th Wow Factor OTJ " by Taylor Courter

"Beauti Bell Paintin : Breathin color int new lif " by Serena Dalla Torre

"Terrifi Triba Design yo nee t know! ⫷⫸" by Mai Park

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"Bod Paintin 101: Everythin yo nee t know t creat impact bod design ”
by Myrthe Heydenrijk

"Settin up Success Fac Paintin Busines " by Santiago Massano & Anna
Wilinski

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 Elodie Ternois
"Under th Se : Marvelou Mask an Magnificen Mermaid "

Dear Face Painter,

I hope you will thoroughly enjoy every moment and every bubble in this class. I had a
blast creating these face paintings just for you!

My ultimate aim is to share my love for face painting with you, using all my experience
and knowledge to help you make the best possible progress in your artistic career.

This handout will greatly enhance your ability to master designs. I've even included
practice sheets so you can easily follow along with each design!

Remember, take your time to practice! No storms are in sight, the sun is shining, and
you can catch a glimpse of mermaids in the distance, cheering you on. You've got
this!

I'm thrilled to see all the beautiful creations you'll come up with, so don't be afraid to
let your creativity shine.

Thank you for your unwavering support and love!

Bisous from France,

Elodie

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1. Never forget focal points in face painting!

What exactly is a focal point, you ask?

Well, it's a special point on the face that naturally catches our attention and holds
significance. These focal points are like landmarks on the face; they're the areas our
eyes are naturally drawn to without even realizing it.

The purpose of these focal points is to help us achieve balance and harmony in our
face paintings. They serve as a connection between the various elements of a design.
By understanding where these points are and how to utilize them, we can greatly
enhance the quality of our work. So, mastering the art of using focal points is key to
improving our face painting skills.

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2. Mermaid Princess Mask.

● To achieve beautiful white drops, you need to obtain a creamy consistency of

the paint, so you will obtain an opaque and intense white! Do you get the same
result as me? Yes? Perfect! No — still activate the paint until you get a bubble
of cream. You'll get there, take your time!
● Look closely at the direction of each drop and arabesque in the photo, can you
see the focal points used? Yes? So, name them out loud and trace their
connection. It’s a memo- technical way to get used to using focal points. It
creates successful and thoughtful face painting!

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 ● You can practice practicing the lines of the design by layering a transparent
practice board on top. Let’s Go!

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3. Magic Dolphin Mask.

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 ● Always curves lines and never forget white dots inside the eye!

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 ● You can practice practicing the lines of the design by layering a transparent
practice board on top. Let’s Go!

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4. Cute Mermaid Mask.

● To create a nice outline, I advise you to take a round brush of size 0 or 1. The
finer you take a brush, the more you will have to control the pressure of your
hand on the brush. Which leaves you no choice but to apply yourself and
concentrate! If you make irregular lines, this will allow you to correct yourself
and relieve your pressure. This is a great exercise to do!
● Of course, you can decide to make a contour line or not! Just the visual result
will not be the same. Also a piece of advice for a successful outline: do not cut
out all the drops or arabesques entirely, this risks making the design heavier or
making stops too marked. Stop your line halfway through the drop and stay well
outside of it so as not to change its shape.

The result is much softer and pastel. The result is much more defined. The
The mermaid is more highlighted. mermaid and the drop mask form more
of a whole.

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 ● You can practice practicing the lines of the design by layering a transparent
practice board on top. Let’s Go!

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Materials used:

Design 1: Mermaid Princess Mask

Construction/focal points:

● Glycerin White - Aquacolor 070 Kryolan

● Round Brush 3 Kingart Company

Mermaid tail bling:

● Bling Mania - instagram: @blingmaniabling

Background colors:

● Sponge
● Pastel Blue and Purple - Fusion
● Glycerin Blue 8 and Yellow 509 Aquacolor Kryolan

Stencil:

● Shell - instagram: @airbrushbodyart

● Pastel Yellow - Fusion with Dauber Finger

Teardrops white:

● Paraffin White - Fusion

● Round Brush 3 series 7950 Kingart Company

Teardrops yellow:

● Pastel Yellow from Elodie’s Pastel Delight Palette - Fusion

● Round Brush 2 series 7950 Kingart Company

Glitter:

● Loose Holographic glitter - no specific brand

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Design 2: Magic Dolphin Mask

Construction/focal points:

● Glycerin White - Aquacolor 070 Kryolan

● Round Brush 3 Kingart Company

Background colors:

● Sponge
● Glycerin Pink R22 - Aquacolor Kryolan

Dolphin body:

● Split Cake “Cloud Puff” from Lodie UP’ Rainbow Ponies Palette - Fusion
● Angle Brush 1/2 - Sparkling Faces

Dolphin belly:

● Paraffin White - Fusion

● Filbert Brush “Little Drop” Paint Pall Sillyfarm

Dolphin light:

● Glycerin White - Aquacolor 070 Kryolan

● Filbert Brush “Little Drop” Paint Pall Sillyfarm

Dolphin eye:

● Strong Black - Fusion

● Round Brush 0 or 1 Kingart Company
● Ziva Blue Shimmer - Superstar
● paraffin white for dots in eye

Blush:

● Eyeshadow powder - “Pink flamingo” - Elisa Griffith

Teardrops pink:

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 ● Pastel Pink from Elodie’s Pastel Delight Palette - Fusion
● Round Brush 3 series 7950 Kingart Company

Outline:

● Strong Black - Fusion

● Round Brush 0 series 7950 Kingart Company

Dots:

● Pastel Yellow from Elodie’s Pastel Delight Palette - Fusion

● Round Brush 3 series 7950 Kingart Company

Glitter:

● “Pixie Kiss” from Gala Sparkles Glitter Cream Palette - Fusion + Holographic
Loose Glitter
● Silicon Brush

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Design 3: Cute Mermaid Mask

Construction/focal points:

● Glycerin White - Aquacolor 070 Kryolan

● Round Brush 3 Kingart Company

Background colors:

● Sponge
● Glycerin Dark Blue B5 - Aquacolor Kryolan

Mermaid face:

● Glycerin color 521 - Aquacolor Kryolan

● Filbert Brush “Little Drop” Paint Pall Sillyfarm

Mermaid tail:

● Glycerin Green 42- Aquacolor Kryolan

● Neon Green - Fusion
● Filbert Brush “Big Drop” Paint Pall Sillyfarm

Mermaid fin:

● Split Cake “Pastel Mint” from Lodie UP’ Collection - Fusion

● Filbert Brush “Big Drop” Paint Pall Sillyfarm

Mermaid hair:

● Red Cardinal and Neon Pink - Fusion - Glycéerin White - Aquacolor 070
Kryolan
● Filbert Brush “Little Drop” Paint Pall Sillyfarm

Blush:

● Eyeshadow powder - “Pink flamingo” - Elisa Griffith

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Shell:

● Deep Magenta - Fusion

Teardrops:

● Pastel Blue and Green from Elodie’s Pastel Delight Palette - Fusion
● Round Brush 3 series 7950 Kingart Company

Stencil:

● Sea Stars C13 - Ooh Stencils

Outline:

● Strong Black - Fusion

● Round Brush 0 series 7950 Kingart Company

Glitter:

● “Ocean Dive” from Gala Sparkles Glitter Cream Palette - Fusion + Blue
Diamonds Holographic Blue Glitter - Fusion
● Silicon Brush

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 Tamar David
"5 Classi Design wit Origina Ocea Twist "

Ocean Tiger

Step 1: Create the outer shape of the tiger with a #2 round brush loaded with the
white color.

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Step 2: Use a blue and white one-stroke of any kind with a half-inch angle brush to fill
it up (leaving only the muzzle area clean of color).

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Step 3: Use white face paint, I used DFX, to fill in the area of the muzzle.

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Step 4: Fill in some teal tiger lines to get ocean depth and texture.

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Step 5: Use a #3 round brush loaded with a dark teal to outline the muzzle. Paint the
nose and add some tiger lines within for more texture.

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Step 6: Use a Filbert brush loaded with almost dry white paint and in a tapping motion
tap and dab with the tip of the brush on the upper side of the wave. Do the same in
the inner waves following the tiger lines creating the foam of the waves.

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Materials used:

● Superstar Face Paint Petrol Blue

● Diamond FX Face Paint Essential

● Fusion Body Art Face Paint Split Cake, Frozen Queen

● Graftobian Pro Face Paint - Tropic Teal

● Round Brushes #2, #3 filbert brush, Angle brush #½ inch

● 1/2" Long Rake Brush - Art Factory Studio

● 1/2" Long Rake Brush - Art Factory Studio

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Sunset Ocean Butterfly

Step 1: We will use a rainbow cake that has colors like the sunset and load the color
well on a petal sponge, then we will create the upper pair of wings.

Step 2: Use a half-inch angle brush loaded with light blue and purple (the extremes in
the rainbow cake) and outline the butterfly using the flat part of the brush.

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Step 3: Use the tip of the brush to draw lines from the edges of the butterfly to the
starting point of the eyebrow and also to the corner of the eye.

Step 4: Use a ¾ inch angle brush to create the lower wing in 2 graduated strokes.

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Step 5: Using a Filbert brush, apply a white paint that is almost dry and slightly sticky.
Pat on the lower pair of wings, on the inner layer.

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Step 6: Using a half-inch flat brush loaded with yellow and orange paint, create a
semi-circle on the bridge of the nose that will look like the setting sun. With a half-inch
angle brush loaded with light blue and white, we will create the continuation of the
butterfly's body like an ocean.

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Step 7: With a liner brush loaded with black paint, we will add a silhouette of a boat,
palm trees, and seagulls.

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Materials used:

● Fusion Body Art | Leanne's Happy Pixie Petal Palette Refill - Beach Baby 25gr

● Spectrum Face Painting Palette | Leanne's Pretty Rainbow

● Diamond FX Face Paint Essential - Black

● Loew Cornell American Painter Brush, Flat 1/2 Inch

● Anna Wistrich ½ premium leaf

● Premium line dolphin filbert by Anna Wistrich

● Anna Wistrich 2 premium line

● Princeton, Series 3750, Filbert Grainer, 1/4 Inch

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Coral Reef Eye Design

Step 1: Using a petal sponge and a rainbow cake with blue and purple colors, apply
on the eyelid area (I think that metallic colors would even be nicer).

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Step 2: With a ¾ inch angle brush loaded with a one-stroke in the shades of purple,
pink, and white, create a roll in the same technique that we used to create a rosebud
(first a U and then an N). I create several rolls that together look like a cluster of
corals.

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Step 3: Create another cluster of corals with a different one-stroke, but this time use a
half-inch angled brush to shorten their size.

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Step 4: Draw a shell and seaweed.

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Step 5: Add some dots and starbursts.

Materials used:

● Spectrum Face Painting Palette | Leanne's Pretty Rainbow

● Fusion Body Art | Petal Palette - (No UV Neon) | Leanne's HAPPY PIXIE

● EZ STROKES by Susy Amaro | 1 Stroke Painting Palette | MERMAID Palette

● ½ Inch angle brush Anna Wistrich

● #2 liner Anna Wistrich

● Splash Face Painting Sponge by Jest Paint

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Ocean Flower Wave

Step 1: Using a sponge, apply a rainbow on the eyelid area using soft colors of blues
and light purples (you can also use metallic shimmer colors, it will be beautiful).

Step 2: With a half-inch angle brush we will paint a wave shape, this will help us
maintain symmetry and also let our flower design look like a wave.

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Step 3: First we will start with the main flowers and place them symmetrically on both
sides of the face. We will start with the outer leaves and let them dry and return to
create the inner petals with an emphasis on renewing the white color at the end of the
brush.

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Step 4: We will add flowers to the entire length of the wave, we will try to work
symmetrically.

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Step 5: We will use a flower brush to create small flowers using the technique of
double loading, which will fill the areas and also help us finish the wave on both sides
of the design.

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Step 6: My favorite part (-; is adding lots of dots in different sizes and spreading them
around wherever we need to hide some imperfections.

Materials used:

● Flower Face Painting Brush of any kind

● Fusion Body Art | Leanne's Happy Pixie Petal Palette Refill b

● Anna Wistrich premium line rose

● Anna Wistrich ½ premium leaf

● 3/4 Anna Wistrich 2 premium line

● Diamond FX Face Paint Essential

● Superstar Face Paint Petrol Blue

● EZ STROKES by Susy Amaro | 1 Stroke Painting Palette | MERMAID Palette

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Graffiti Splash

Step 1: Using a Filbert brush, write a word. You should start small because the design
will grow as we progress with the design. Place the word above the eyebrow in a
semicircle.

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Step 2: With a Filbert brush we will add the color purple to create a colored gradation
of the word. With a round brush, we will add a drop of color at the bottom of the word
to create a dripping effect.

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Step 3: Create the shape of a wave with a half-inch angle brush around the eyes
(partial number 8).

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Step 4: Outline the word with a #2 round brush loaded with black paint, including the
inner spaces of the letters.

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Step 5: Using a Filbert brush, apply an almost dry/sticky white color to the wave and
create the foam.

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Step 6: Use a #2 round brush to outline the word in neon pink.

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Step 7: We will outline our word with a #3 round brush, loaded with a dark blue color.
We will outline it again with light blue and then again we will outline it with a white
color and create a splash shape around the word.

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Materials used:

● Fusion Body Art Face Painting Palette | Tropical Collection by Leanne Courtney
(Non Neon)

● Brushes: filbert, ½ inch Angle brush, #2 or #3 round brush.

● Diamond FX Face Paint Essential - White 30gr

● Diamond FX Face Paint Essential - Black 30gr

● Diamond FX Paint - Neon Magenta 30gr (SFX - Non Cosmetic)

● Superstar Face Paint | Light Blue 112

● Superstar Face Paint | Minty 215 - 45g

● Superstar Face Paint | Bright Blue

● Superstar Face Paint | Lala Land Purple 237

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 Frida Haas
"5 Bol Bo Design t Blow Your Min "

We all know there is no such thing as

boy and girl designs as all kids should
have the freedom to choose what they
want to be. That said there are
certainly designs that tend to be more
popular with the boys.

One way to create more impactful

designs and toughen them up is to
use a sharper line and more edges in
your linework. In these few examples,
we can see the differences in attitude
when using a rounder line vs sharper
edges and angles.

We can take any design and give it

more edginess by using linework to our advantage. Reversely we can make a
design less scary and more cute and friendly by using rounder, softer linework.

When painting eyes the pupil can make a big difference. A large pupil will make for a
friendlier look than a small pupil, as seen in the two snakes. I will often omit the pupil
altogether as in the dragon in the lower right corner. The lack of a pupil gives this
dragon an extra menacing feel.

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Non-digital visual artists typically use the RYB color wheel that has Red, Yellow, and
Blue as its primary colors. The primary colors are the colors that cannot be created by
mixing other colors together.

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Color harmonies are combinations of colors that are pleasing to the eye. We can use
color theory and the color wheel to help us choose color combinations that work well
together.

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Examples of color harmonies

Monochromatic: Shades, tones, and

tints of one base color. Provides a
subtle and conservative color
combination. This is a versatile color
combination that is easy to apply to
design projects for a harmonious look.

Complimentary: The design is

created using colors opposite each
other on the color wheel, together with
shades and tints of the two hues. This
combination provides a high contrast
and high impact color combination –
together, these colors will appear
brighter and more prominent.

Analogous: The design is created using 3 adjacent colors on the color wheel
(sometimes it can include 4-5 colors but no more than 2 primary colors)

Split complementary: Color composition consists of one primary hue accented with
two colors adjacent to its complimentary color.

Primary Color Green – Accents Red/Orange and Red/Violet (Magenta).

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RYB Color Wheel – Red Yellow Blue Primaries

RGB Color wheel– Red Green Blue Primaries

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Materials used:

Dino

● Small/Medium Filbert brush

● #1 round liner brush
● #3 Luxe swirl brush
● ¾” flat brush
● FAB Orange
● FAB Yellow
● FAB Blue
● DfxWhite
● Dfx Black
● Global onestroke “ Sea Creatures”
● Holographic White Glitter Cream

Angler Fish

● ½” Filbert brush
● #4 Round Brush, Mark Reid
● #3 Luxe Swirl brush
● ¾” Flat brush
● Fab Seafoam green
● Dfx light green
● FAB blue
● FAB yellow
● Kraze “Hibiscus” onestroke from their flora palette.
● Dfx black
● Dfx White

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Snake

● Dfx light green

● Global onstroke “Sea Creatures”
● Fab orange
● Fab magenta
● Dfx White
● Dfx Black

Zombie

● Sponge
● #4 Mark Reid Round brush
● #4 Filbert brush
● ½” Filber brush
● Dfx light green
● Dfx blue
● Fab red, rage
● Fab yellow
● Kraze onestroke “Hibiscus”, flora palette
● Dfx black
● Dfx White

Dragon

● ½ flat brush
● #1 Round Brush
● #3 luxe swirl brush
● #4 filbert brush, blazing brush
● White/yellow/orange/brown Onestroke
● Blue Bonnet Rainbow cake, I accidentally said Blue Bell in the video
● Dfx black
● Dfx White
● Holographic gold glitter cream

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 Susy Amaro
" oti Animal : Prett Peacoc , Fab F & Slic Snak "

Welcome to my class!

I chose these designs because I want you, the viewer, to be able to create them
quickly and easily. To ultimately be able to incorporate them as one of your designs
on your very own menu. Extremely elaborate designs are amazing, but sometimes
they cannot be a part of a birthday party or corporate event if they take too long to
create. Every single one of these designs is created to be painted elaborately or much
faster, by removing a few steps. Below are descriptions of each design.

Flamingo design

This flamingo design is very popular amongst girls at my gigs. I have it as part of my
menu list. It is very easy to master since it has the same wings you would use on a
butterfly design. Skip painting a wing for a faster flamingo. I hope you enjoy painting
it!

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Materials used:

● FAB black and white

● EZStrokes’ Flamingo pink
● Your favorite rainbow one stroke
● ¾-inch flat brush
● Blazinbrushes: Flora flat 6 and Filbert XL
● Blending brush

Step by step:

Step1: Begin by painting the flamingo wings with your ¾-inch flat brush. Begin at an
angle and continue around the eyebrow area until the wing is complete. It will look like
top butterfly wings.

Step 2: Grab your favorite rainbow one-stroke and paint a rainbow in between the
wings, just like the picture shown above.

Step 3: In the center of the design and under the rainbow, you will paint the
flamingo’s face and long neck. After you paint the silhouette, add shadows with the
flamingo pink one-stroke.

Step 4: Grab your flora flat or favorite petal brush to create the flowers around the
design, as shown in the image. Then add leaves, swirls, and teardrops around the
design.

Step 5: Add the glitter in the middle of the flowers and cheekbones.

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Rattlesnake design

Boys AND Girls love this rattlesnake design. Paint it in any color! Girls have asked for
purple or pink rattlesnakes, and they turn out great. Make a faster snake by skipping
the rattle and the yellow belly. The shape of the face will determine how big your
snake will be. Enjoy!

Materials used:

● FAB Black and White & your favorite Red

● EZStrokes’ Mermaid Palette’s green one-stroke
● EZStrokes’ Pineapple Yellow
● Blazinbrushes: 5/8-inch long angled & #2 Filbert XL
● Animal print stencil
● Ultra point #2 brush

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Step by step:

Step 1: Begin by painting the center of the snake as shown in the image with a long
angled 5/8-inch brush. Then paint the head and tail on each cheek. Make sure the
darkest color is at the bottom of your design to resemble shadows.

Step 2: Using your favorite animal print stencil along with a blending brush or dauber,
apply a dark red or your favorite dark color on the top areas of the snake, as shown in
the image.

Step 3: (Optional) With the #2 Filbert XL Blazinbrush, apply EZStroke’s pineapple

yellow at the bottom of the snake to resemble the snake’s belly.

Step 4: Paint the rattle with a combination of white and teal.

Step 5: Outline the snake with your ultra point #2 and the color black. Paint the eye in
yellow, then outline as well. Paint the tongue in red, outline, then paint the fangs in
white.

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Peacock design

I have been painting this peacock for many years and it never leaves my menu list,
because it’s different and so cute! Like the flamingo design, the peacock also uses the
same wings as a butterfly. You can also save time by only painting it with one wing.

Materials used:

● FAB Black and White

● EZStrokes’ Mermaid Palette’s teal and purple one strokes
● Any neon orange for the beak and any neon pink for the final details
● Shimmer teal and purple for the eyelids
● Blazinbrushes: 5/8-inch long angled
● ¾” Flat brush
● Blending makeup brush
● Ultra point #2 brush
● Gleam Blazin Unicorn Glitter

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Step by step:

Step 1: Begin by painting the peacock’s head and neck with a 5/8-inch long angled
Blazinbrush and the purple one-stroke on your EZStrokes Mermaid Palette.

Step 2: Paint butterfly-style wings over the eyebrow area with the same purple
one-stroke and a ¾-inch flat brush.

Step 3: Apply shimmer purple and teal to eyelids with a blending brush.

Step 4: With the teal one stroke and a 5/8-inch long angled brush, paint on top of the
peacock’s head, under the wings, and other details as shown in the image. Paint the
peacock’s beak with neon orange.

Step 5: Paint eyes as shown in the video with teal. Outline with black then add hot
pint details around the design.

Step 6: Add Gleam blazing unicorn glitter.

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Fox design

This is a new and fast way to paint a cute fox smelling flowers. I have recently added
it to my menu, and it’s become very popular. A great alternative to a full-face fox
design. Enjoy!

Materials used:

● FAB Black and White

● EZStrokes’ Mermaid Palette’s orange one stroke
● Neon pink, yellow, and navy blue
● EZStrokes’ Flamingo Pink
● Blending makeup brush
● Shimmer pink and purple for the eyelids
● Blazinbrushes: 5/8-inch long angled & flora flat 6
● Ultra point #2 brush

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Step by step:

Step 1: With EZStrokes Pumpkin orange paint part of the fox’s face and tail. Then
with white paint the eye area and tip of the fox’s tail. Add a shadow effect by outlining
white areas with EZStrokes Unicorn white.

Step 2: With EZStrokes Flamingo pink and a flora flat 6 paint the inside of the fox’s
ears.

Step 3: With the flora flat 6 Blazinbrush double-dip the brush with first white, then hot
pink and navy blue, then apply the petals around the face as shown in the image.
Then add small leaves in green with the same or a smaller flora flat.

Step 4: Use shimmer pink and purple to apply eye shadow on eyelids with a blending
brush.

Step 5: Outline lightly and paint the fox's closed eyes and nose. Add swirls,
teardrops, and yellow dots in the middle of each flower.

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 Acacia Clair Tanner
"Beneat th Wave : Incredibl se creature brough t lif "

Mermaid Mask Design

Step 1: Load a wet sponge with Fusion Neon Orange and put it in the middle of the
nose and on the sides of the eyes. With the opposite side of the sponge apply Tag
Neon Magenta to the eyelids and blend into the orange areas.

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Step 2: With Fusion Berry Pretty one-stroke cake load up a 5/8 inch Enchanted angle
brush with the dark color on the tip. Then starting from the center of the forehead
apply u-shaped strokes to create fins. Do this same technique on the side of the face
by the eyes.

Step 3: Load a finger dauber with Tag White making sure it is on the dry side and
using a stencil add a texture over the eye sockets.

Step 4: Load up a #3 round Enchanted brush in Tag White to create small circles and
flick the brush out to create a thin teardrop shape on each of the tips of the fins.

Step 5: Load up a #3 brush and use it to create teardrop shapes, starting with the
tear duct and flicking to blend into the stencil design on the eyelids. Add teardrops on
the side of the eyes, by the side eye fins. You can also do a center pearl with
teardrops coming off it to create a shell shape.

Step 6: Add bling and glitter to the design if you wish. My favorite is Gleam glitter
because I can put it right over my painted design

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Otter Mask Design

Step 1: Take Tag Light Brown and add some white to create a light tan. Load up a #3
brush and create a football-shaped head and a jelly bean-shaped body connecting to
both corners of the eye.

Step 2: Load up a damp sponge with Tag Pearl Teal to create patches of water
around the otter.

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Step 3: Using the darker part of the Tag Brown split-cake load a #3 brush to make the
top of the head, the arms, the leg, and the tail.

Step 4: Using Fusion Yellow load a #3 brush and create a line for your kelp strands.
Once those are drawn create balls with stalks for the kelp leaves. Use Madelyn Greco
UV Purple to draw a ball in between the hands and make spikes to create a sea
urchin. Load Tag White into Light Brown to make a light tan and create an
upside-down jelly bean to make a muzzle for the otter.

Step 5: Outline the otter, then make the eyes and nose/mouth with a #3 brush, loaded
with Tag Black.

Step 6: Using a ½ inch Enchanted angle brush load up Winter Leaf Green from the
Flower Bouquet Kraze FX Palette by Linnea Novak and create kelp leaves. Load a #3
brush with Tag White, add highlights to the eyes, nose, and urchin, then create
bubbles. Add glitter if wanted.

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Seas Turtle Eye Design

Step 1: Load up a 1-inch angle brush with Winter Leaf one-stroke from Kraze FX
Flower Bouquet Palette. Create the head higher up and centered by the forehead.
Add the neck, then create the turtle shell over the eyebrow and connect it to the
corner of the eye.

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Step 2: Load up an angle brush again and create the fins of the turtle. Then using a
#3 brush load up brown paint and create the underpart of the turtle's belly. Add eyes
on the turtle’s head.

Step 3: Load a 1/2-inch angle brush in Ziva Blue and add chunks of blue around the
turtle’s body to create water.

Step 4: Outline the turtle in Tag Black, adding a pattern to the shell. Then do rough
lines around the fins since fins are naturally lumpy. Add pupils to the eyes and draw
the mouth. Take a 1/2-inch angle brush, load with Bluebonnet one-stroke cake, and
line the edge of the turtle shell.

Step 5: Using a #3 Enchanted Liner brush load with Fusion Yellow and add
rough-shaped dots and shapes to the turtle’s fins and top of the head. Take yellow
and add a spiral shape to match the shapes inside of the turtle’s shell. Add Tag Neon
Magenta into the mouth for the tongue.

Step 6: Load up a #3 brush with Tag White and add highlights to the eyes and
tongue. Then add round bubbles and dots around the turtle's body.

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Octopus/ Kraken Design

Step 1: Load up a 1/2-inch Enchanted angle brush with Autumn Leaf one-stroke cake
from the Kraze FX Flower Bouquet Palette. Create a swoop with a rounded shape to
create the eye, then take the brush and make an oval shape to create the head.

Step 2: Load up 1/2-inch angle brush in the Autumn Leaf and create tentacles around
the eyes. Add them in varying sizes and blend them into the center of the octopus.

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Make sure not to make the tentacles too big to leave room for the bottom of the
tentacles and suckers.

Step 3: With a #3 Enchanted brush load with Fusion Yellow paint and add the
undersides to the edges of the tentacles, making sure to go thinner near the tip of the
tentacle. Add dots and lightly touch with a finger to blend in and texture the head.

Step 4: Load up a #3 brush with Fusion Yellow add Tag White to create a lighter
yellow. Gently press the tip to create oval shape suckers on all the yellow parts of
tentacles, making them smaller as they go to the tips.

Step 5: Load a #3 with Tag Black. Then outline the eye, add a pupil, and add black to
certain areas on the head and on tentacles. Don’t outline the whole body.

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Angler Fish Design

Step 1: Load a #3 brush with Tag Pearl Teal and do a long teardrop to create the top
lip of the fish. Then, do a swoop up and create a hump for the large eyeball. Add a
triangle on the back for the back end of the fish.

Step 2: Load a #3 brush with Tag Neon Magenta and create a large eyeball and add
a pink tongue in the corner of the mouth. While wet add paradise red and blend into
the tongue and eye.

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Step 3: Load a 1/2-inch angle brush with Kraze FX 25 gm Glow one-stroke cake, be
sure it is neon so it glows under UV light! Create a jawline and create u-shaped fins.
Make sure they have sharp points to make them more scary. Load a #3 brush with UV
Neon Magenta and create a belly and side.

Step 4: Load a #3 brush in Tag Pearl Teal, fill in the body, and add bubbles around
the fish. Step 5: Load a #3 brush and outline the fish and add shadows under the top
lip and pupil.

Step 6: Using Superstar Peacock load a #3 brush and do a teardrop where you press
and flick out the brush on each section of the fin to create spines. Add some shadow
under and around the eye. Add an angler rod on top of the fish head.

Step 7: Load a #3 brush with Tag White and add an angler light. Highlight the eye and
around the bubbles. Press and pull outwards making tiny teardrops inside the fish’s
mouth to create teeth.

Step 8: Load a #3 brush with Fusion Yellow and add around the angler fish light.
Create highlights on the fish’s face and eye, then add dots along the side of the fish.

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Materials used:

Kraze FX flower Bouquet pallete by Linnea Novak.

To purchase use discount code ACACIA15 at checkout to get 15% off of your
palette at Facepaint.com

● Winter leaf and autumn leaf used

● Kraze fx: glow onestroke cake
● To purchase bling from my etsy shop follow this link:
https://www.etsy.com/shop/Fancifulfacebling
● Enchanted brushes: www.facebook.com/so.nevfacepaints
● Paint supply list
● TAG facepaint: White, black, neon magenta, pearl teal,
● Fusion: berry pretty onestroke, fusion yellow
● Paradise: red
● Chameleon: Madelyn Greco UV purple
● Paty de leon bluebonnet cake
● Superstar: peacock, ziva blue

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Mermaid mask

● fusion berry pretty onestroke

● fusion neon orange
● tag neon magenta
● tag white

Sea otter

● tag brown splitcake

● tag pearl teal
● tag black
● tag white
● fusion yellow
● winter leaf from kraze fx flower bouquetpalette
● madelyn Greco uv purple.

Turtle

● winter leaf onestroke from Kraze fx flower bouquet palette

● Tag white
● fusion yellow
● Tagblack
● blue bonnet party de leononestrokecake
● ziva blue
● tag neon magenta.

Octopus

● fusion yellow
● tag black
● tag white
● autumn leaf onestroke from Kraze Fx flower bouquet palette

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Angler fish

● tag pearl teal

● tag black
● tag white
● tag neon magenta
● UV Madelyn Grecopurple
● superstar peacock,
● paradise red
● krazedome cake glow one stroke

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 Cécile Baeriswyl
"Four Super Fu Caribbea Marin Look "

Shark Design

Important focal points for the Shark Design

For a balanced design with a nice flow, these

focal points are important:

1. Central Forehead FP, where the head

of the shark is placed.
2. FPs in the middle of the temple area.
The white teardrops are pointing to the left FP
and the shark’s body is going through the right
FP.
3. Cheekbone FP. The tail of the shark is
on this FP.

Tip: I use different brush sets to paint with black, white and colours. This way, I keep
my colors crisp.

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Flow of the Shark Design

The shape of the shark’s body and the

teardrops on the left are on a rounded
flow.

The size of the fish is going from big to

small and contributes to this movement.

The teardrops have the same invisible

origin point.

Tip: The Filbert brush is great for

painting rounded shapes

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Hungry Tropical Fish

Flow of the Tropical Fish design

This design has a rounded flow between the Central Forehead FP (1) and the Chin
FP (2). The longer part of the tail is slightly rounded to point in this direction.

Tip: When the child blinks, the fish starts to chomp.

Doesn't it remind you vaguely of someone?

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Happy Crab

Flow of the Crab Design

The crab is placed slightly above the eyebrows to have enough space for its legs. If
you trace a 45 angle from the inner corner of the eyes, you can see that the legs get
longer at the back. Don’t forget to leave enough space above the shell to stick googly
eyes (or paint them if you prefer). Also, leave enough space between the claws.

Optional steps: No need to outline the googly eyes, if you’re in a hurry.

Tip: Googly eyes have various colors and sizes, they even have eyelashes.

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Pirate’s Skull

Here is a picture of a real skull to help you with the drawing. My skull was intended to
look more like a cartoon character, so it’s not 100% realistic of course.

Flow of the Pirate Design

The lower jaw of the skull is at the height

of the mouth and it has a L-shape.

The folds are all pointing in the same

direction and they are equidistant from
each other

Tips:

This design can bring a lot of fun when

the child moves his/her face.

To go faster replace the golden tooth with

a regular one and don’t paint the earring.

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Materials used:

In 2023, I developed a full range of face painting brushes that I use during the course.
They are made of birchwood, with synthetic firm bristles and blue lacquered handles:

● Round brushes N. 1, 2, 3, 4
● Petal brushes N. 4, 6
● Flora brushes N. 2, 6 Filbert brush N. 4
● Flat brushes ½ and ¾ Angle brushes ½ and ¾

Available at www.face-makeup.ch* and on www.couleurcameleon.ch

* 5% discount code available during the Summit: Caméléon-5-05.2024

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Shark design

● Flesh-coloured eye pencil

● Couleur Cameleon Filbert brush #4
● Diamond FX White
● Global Colours Fresh Blue
● Finger daubers
● Global Colours Pearl Peacock Blue
● Couleur Cameleon Round brush #1
● Diamond FX Essential Red
● Global Colours Teal
● Bad Ass stencils Dots 1206
● Couleur Cameleon Round brush #2
● Diamond FX Black
● Couleur Cameleon Round brush #4
● Baby wet wipes
● Cameleon Blender brush
● Y-Body light iridescent blue glitter
● Silicone brush
● Blue chunky glitter such as Essential Glitter Balm or Vivid Glitter

Tropical fish design

● Flesh-coloured eye pencil

● Couleur Cameleon Filbert brush #4
● Fusion Body Art One stroke cake « Fire Flames »
● Silly Farm Filbert brush « Big Drop »
● Diamond FX White
● Global Colours « Yellow »
● Couleur Cameleon Round brush #2
● Global Colours one stroke cake «Taupo »
● Couleur Cameleon Angle brush 3/4

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 ● Global Colours Fresh Blue
● Global Colours Teal
● Finger daubers
● Global Colours Neon Green
● Diamond FX Blood Red
● Silly farm Filbert brush « BigDrop »
● Bubble stencils such as Topaz stencils « Bubbles Texture (0234) »
● Diamond FX Black
● Cameleon Blender brush
● Baby wet wipes
● Couleur Cameleon Round brush #1

Funny crab design

● Flesh-coloured color eye pencil

● Silly farm rainbow cake “Rainbow Tango”
● Petal sponge
● Fusion Body Art Split cake “Fire Flames”
● SillyFarm Filbert Brush “Big Drop”
● Couleur Cameleon Round brush #4
● Global Colours Baby Blue
● Half-round sponge
● Couleur Cameleon Filbert Brush 4
● Dauber sponges
● Global Colours Neon Orange
● BadAss stencils Dots 1206
● Global Colours Lime green
● Global Colours Pearl Emerald Green
● Global Colours Brown
● Global Colours Orange
● Couleur Cameleon Round brush #2

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 ● Diamond FX Black
● Superstar Light Orange
● Global Colours Teal
● Googly eyes stickers
● Diamond FX White
● Couleur Cameleon Round brush #1
● Y-Body iridescent red glitter

Pirate skull design

● Couleur Cameleon Flat Brush 1/2

● Tag one stroke Cake « Magpie »
● Finger daubers
● Diamond FX White
● Mehron Brush Wide Chisel Filbert #816
● Diamond FX Essential Red
● Half round sponge
● Diamond FX Blood red
● Diamond FX Metallic Gold
● Bad Ass stencils Heart Swirl 1305
● Couleur Cameleon Petal Brush #4
● Diamond FX Black
● Diamond FX Yellow
● Couleur Cameleon Round brush #4
● Superstar Light Orange
● StarBlend Powder - Black
● Cameleon Blending brush
● Couleur Cameleon Round brush #2
● Couleur Cameleon Round brush #1
● Global Colours Pearl Deep Blue
● Y-Body light iridescent Glitter: Blue / Red / Yellow

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 Monique Vugts
" Power of Simpl Flora Design "

Calla Lily design

Teardrops point to focal points.

Tears go from big to small.

The base follows a 45 degree

angle.

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 The two calla lilies on the cheeks
are placed at the focal point of
the cheekbone (photo with eye
open).

The two calla lilies above the eye

point towards the inner eye focus
and follow the 45 degree angle
(photo with eyes closed).

For an extra subtle highlight, I

used a stencil with white metallic.

Elements go from large to small

to help with flow.

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Blue Rose desing

The large rose is placed at the central focal point

and all the leaves wrap around the rose in the
shape of a fan.

The ‘swooshes’ point to the top focal point.

Roses under the eye are placed on the outer

focal point of the eye.

I used analogous color theory in my design for a

calm and balanced result. I used a white metallic
stencil detail to lighten the dark colors on the
eyes and tie the design together.

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 The base of the eyes respects an angle of 45
degrees and the inner corners of the eyes are
extended downwards for an extra lifted effect.

The base of the eyes respects an angle of 45

degrees and the inner corners of the eyes are
extended downwards for an extra lifted effect.
Temple focal points are used to determine the
height of the design. The base of the design goes
no lower than the focal points of the cheeks, for a
balanced and lifted effect.

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Rainbow Butterfly design

The focal point on the inside of

the eye closest to the nose is
used for both the upper and lower
wings.

The focal points of the temple are

used to determine the height of
the rainbow. Note that the
rainbow is actually a little too high
in this case.

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 The flower on the lower wing is
placed on the outer focal point of
the eye. The flowers on the upper
wing respect the shape of the
forehead and change direction
accordingly.

The upper wing is larger than the

lower wing and the lower wing
does not go lower than the nose.
The upper wing goes from wide
to narrow, stopping at the brow
bone and then wrapping around
the eye and ending at the outer
focal point of the eye.

Want to keep on learning? Follow me on @Smile Creators for more tips and tricks!

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Materials used:

Calla lily

● Aliyah ½ inch angle brush

● Sparkling faces liner 1
● Petal sponge
● BAM stencil 1410
● Homemade Splitcake with white, neon, pink and magenta
● Homemade Splitcake with metallic light green, teal and dark teal
● Homemade Rainbowcake with teal and metallic light blue
● PXP white

Blue rose

● Aliyah angle ½ inch

● Sparkling faces liner 1
● Natalee Davies small kabuki
● Natalee Davies ⅝ angle
● Stencil Milena P11
● Splitcake Leanne’s Indigo princess
● Nat’s nature palette teal purple combo
● Homemade Splitcake white, light blue, dark purple
● Rainbowcake metallic teal, dark blue, purple
● PXP white
● Metallic white
● Kryolan white

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Rainbow butterfly

● Natalee Davies ¾ flat brush

● Aliyah 1/ inch angle
● Petal sponge
● Kryolan white
● PXP white
● Diamond FX Rainbowcake - Pink Passion (with some dark purple added on the
edge)
● Star Stencil - Couleur Cameleon Grimage
● Homemade splitcake with white, neon, and magenta
● Splitcake Nature palette Natalee Davies - white, teal, dark teal
● Splitcake Island girl Fusion with Neon

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 Lyudmyla Kotova
"Fantasti Flora Crow Design for your n Princes Part "

The most important factor in princess designs is the symmetry. The elements on the
two sides of the face must be equal distance from the center and be on the same
angle (or as much to exact as you can get).

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3 Minute Princess Design

These elements first point towards the OUTER corner of the eye, but going under the
eyes they change the direction and point towards the INSIDE corner of the eye.

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6 Minute Princess Design

The elements in the middle part have to grow from the central focal point of the face.
Other elements must open up in a fan shape and change the direction.

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12 Minute Princess Design

The elements of the lateral part of the eye must grow from the focal point, which is the
outer corner of the eye going upwards, following the eyebrows.

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Materials used:

First princess

● Fusion Berry Butterfly

● PXP White by Peter Tronser
● Silly Farm Tear Drop§
● Liner 1 by Svetlana Keller

Second princess

● Fusion Leanne's Flower Fairy

● Homemade split cake
● PXP White by Peter Tronser
● Silly Farm Tear Drop
● Liner 1 by Svetlana Keller
● Angle brush size 1/2 Svetlana Keller
● Angle brush size 3/8 Svetlana Keller

Third princess

● Homemade rainbow cake

● Homemade split cake
● Homemade split cake
● Homemade split cake
● PXP White by Peter Tronser
● Stencil Bams 1410
● Liner 1 by Svetlana Keller
● Angle brush size 1/2 Svetlana Keller
● Angle brush size 3/8 Svetlana Keller
● PXP Round sponge

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 Elisa Marley
"Floral , Fairie an Butterflie : Elegan & Enchante Magica
Mask "

Structure shape of the butterfly:

The basic butterfly shape consists of two main structures, one above and one under
the eye, which are divided into three smaller sections each. The upper wing should be
at least double the size of the lower one. The structure of each wing is built up using
the main focal points of the face, from the eye corners, through the eyebrows, to the
connection points between the nostrils and the middle of the ears.

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Butterfly wings flow:

Once you’ve learned how to build the basic butterfly shape, you can play with your
flow and find many different combinations for your wing sections. You can use
whatever technique you prefer, whether it’s a teardrop or a one stroke.

The structure remains the same. When you change the flow, you change the style
and the feeling it gives to the observer. A more pointy, sharp flow gives a completely
different sense than a curly, round one.

Play with these kinds of variations to create different designs based on the type of
person you’re painting, or on the specific kind of butterfly people request.

Here are some of my exercise examples you can practice with.

Don’t worry about trying new things, there’s not just one correct way to build up your
butterflies. It’s always up to you, in order to find your own personal style!

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Decor elements and color combinations:

Fairy designs combine butterfly theory with ornamental elements which should give a
sense of a flowy, magical, natural vibe. When you need to build up a character design
you need to figure out which are its main features that allow people to recognize
immediately.

You can reach this skill by starting to analyze how colors and the composition of the
overall elements can affect the general sense people feel while watching you paint. If
you combine the wrong colors, or if you don’t play with decor variations and details,
you could create something which is not recognizable at first sight.

Here you can see some examples of central decor compositions you can add to your
fairy masks. Your teardrops should have some kind of leafy, flowery wave, as fairies
are connected to the natural elements.

Play with curves and different line figures such as wiggly petals or pointed leaf-like
shapes. Use and combine swirls, spirals, height variations, doubled lines, and dots.
Try to create a magical, woodsy atmosphere.

The same goes for side eye compositions and general color shades.

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Main features of fairy designs:

As we saw before, other than wings, ornamental decors, and color combinations, the
main classic features of fairy masks are the natural elements. Flowers, leaves,
branches, tiny mushrooms, single petals, and everything that can be linked to the
forest, the woods, and wild nature places in general.

The more you diversify, the better you get. I suggest you practice different elements,
and also different kinds and variations of the same subject. There’s no such as one
kind of flower, or one kind of leaf. There’s an infinite variety you can play with.

You can also change the techniques, using just one, two, or three in the same design;
combining for example double dip, one stroke, and filbert teardrops flowers! Here
below you have an example of a simple but effective fairy design you can practice on
paper before, and then on faces.

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I’m leaving you with some pictures of the complete designs we saw together in the
lesson.

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 “I’m a fairy myself” cit.

Much love, Elisa <3

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Materials used:

Mask 1

● Petal sponge
● White
● Flesh pink
● Bright pink
● Shimmer purple
● Shimmer wine purple
● Pink glitters (or white;gold)
● Petal sponge
● Bright yellow
● Shimmer aquamarine
● Grass green
● Green glitters (or white;gold)
● Round brush n.5 Maayke Superstar for line work
● Line white
● Round brush n. 2 or 3 Maayke Superstar for outlining
● Filbert brush of your choice for lipstick
● Chunky glitters

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Mask 2

● Petal sponge
● Gold
● Shimmer light pink
● Bright pink
● Shimmer bronze
● Gold glitters
● Warm rose shade split cake+line white
● Angled brush 1\2 Ksenia Superstar
● Bright green shade split cake+line white
● (same one stroke brush)
● Round brush n.5 Maayke Superstar
● Line white
● Bright yellow (dots)
● Bright warm pink and Magenta for lipstick, filbert brush of your choice
● Additional glitters

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Mask 3

● Petal sponge 1
● Bright yellow
● Bright green
● Shimmer aquamarine
● Lilac
● Bright pink
● Magenta
● Petal sponge 2
● White
● Shimmer light pink
● Warm pink
● Magenta
● White or gold glitters
● Little rose split cake Superstar+line white
● Angled brush 3\4 Ksenia Superstar
● Angled brush 1\2 Ksenia Superstar (line white on the tip)
● Bright pink and magenta for lipstick, filbert brush of your choice

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 Taylor Courter
"Top p t Brin th Wow Factor OTJ "
Floral Design – Step by Step

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Butterfly Design – Step by Step

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 ‘Wow-Factor’ Key Elements

Sponging:

● Good loading (enough to last a full design, use

edges and tips of sponge)
● Good application (rapid dabbing, moving sponge
position)
● Face coverage (large amount in a short time,
minimise sponge changes, use the same color on
multiple areas)
● Shapes/proportions to guide design (pinching
+ manipulating sponge, intentional application)

Paint:

● Neons/UV paint (vibrance, both alone and within

non-neon cakes, effective directly next to white)
● White factor (adds brightness to sponging and
one-strokes, highlights, pre-loading white onto
petal sponge tip)
● One-stokes with contrast (from light to dark in
close proximity)
● Dark pigments (solid colours for linework and
double-dipped petals)

One-strokes:

● Clean loading (keeping colors separated,

preloading white before loading rainbows)
● Placement (leave blank areas for one stroke,
minimise muddying of colour on background,
pairing heel of brush colour with butterfly outer
edge sponging)
● Contrast (highest contrast on outer edges of
design)
● Minimise brush changes (using the same colour on multiple areas)

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Colour Selection:

● Contrast (warm vs cool, light vs dark)

● Colour themes and pairing (2-3 main colours in
design, sequential on colour spectrum aka
analogous vs contrast aka complementary)

Highlights/Details:

● Intentional (is this adding something to the design?)

● Colour (white/pastel/bright colours)
● Positioning (overlay onto darker colour
background, maximum contrast, attention to focal
points)
● Effective dots (alternative to linework/teardrops,
varying size/number, thickened paint consistency,
organic appearance)
● Lipstick/eye shadow
● Glitter

Focal Points:

● Feature elements (flowers, gemstones, stencils)

● Flow (connecting elements between focal points)

Photography:

● Lighting (position near a light source, natural

light vs studio)
● Camera quality

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Materials used:

1st Design — Floral Design (Blue)

Sponges:

● Fusion Petal Sponge (Black)

Brushes:

● Sparkling Faces by Svetlana Angled Brush Size 12 (1/2”)

● Sparkling Faces by Svetlana Round Size 2
● PaintPal Pretty Petal Brush

Paints:

● Amy Grigg Collection – “Berry Shortcake” One Stroke

● Custom Split Cake (Magenta/Blue/Green Gradient) using the following– FPA -
‘Essential White’, Global - ‘Neon Green’, Superstar - ‘Blue Shimmer’, Global -
‘Neon Blue’, Superstar - ‘Berry Wine’
● Face Paints Australia – ‘Essential White’
● Global Colours – ‘Neon Green’
● Fusion Body Art – ‘Prime Deep Teal’
● Cameleon Colors – ‘Ink Heart’

Glitter:

● TAG – Holographic White Puffer Bottle Glitter

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2nd Design — Butterfly (Pink)

Sponges:

● Fusion Petal Sponge (Black)

Brushes:

● Sparkling Faces by Svetlana Angled Brush Size 12 (1/2”)

● Sparkling Faces by Svetlana Round Size 2
● PaintPal Pretty Petal Brush

Paints:

● Amy Grigg Collection – “Charli” One Stroke

● Fairy Brooke’s Collection – “Bella Beauty” One Stroke
● Custom Split Cake (Pink/Orange Gradient) – FPA - ‘Essential White’, Global -
‘Neon Orange’, Global ‘Neon Coral Red’, Global ‘Neon Pink’, Mehron Paradise
Makeup AQ - ‘Dark Pink’, Superstar - ‘Berry Wine’
● Face Paints Australia – ‘Essential White’
● Global Colours – ‘Neon Green’
● Fusion Body Art – ‘Prime Deep Teal’
● Cameleon Colors – ‘Ink Heart’

Glitter:

● TAG – Holographic White Puffer Bottle Glitter

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 Serena Dalla Torre
"Beauti Bell Paintin : Breathin color int new lif "

“Take care of the PLANET as you care for a new LIFE.”

Hi painters, I propose here a Belly Painting centered on love for our poor planet. I
thought of a child holding a ball which symbolizes the planet, surrounded by all the
elements of nature such as water, earth, air, fauna, and flora.

In the photo: Haley and her first daughter Emily.

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What do you need?

Colors: Brushes:

● white ● Angled Brushes

● black ● Blender
● grey ● Some Cat tongue
● warm colors like pink, magenta, ● Fine liners (for the initial drawing
plum, orange, yellow. ● and details)
● cold colors like light/dark green,
light/dark blue, aqua marine.
● skin tones (at least 4 shades
from almond to dark brown)

The sketch

Making the preparatory sketch is not necessary if you have practice, however, it can
be useful to know exactly where to place the elements you decide on together with
the mom.

Drawing on paper first helps the hand to memorize the movements that you will then
have to do on the belly. Always remember that drawing on flat paper is different from
a round belly.

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P.S.: On the last page I leave you the empty sketch if you want to use it for your
projects.

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Main steps:

First of all, I recommend designing the drawing while the mom is standing otherwise
the proportions will not be correct.

Place the mother’s hands under the belly, as you see in the photo, to understand the
area you have available.

You can design by free hand, use stencils or ectographic charts for tattoos.

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Here are the main steps:

P.S.: Sorry for the fourth photo but I had to take it with mum sitting down because she
wasn’t feeling well.

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And the final photo

You can modify every design adapting them to the mother’s requests, your style, and
your level of technique.

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Tips, Tricks & Advice:

● STYLE: The main difference between the cartoon and the realistic style is the
black or white border that outlines the object. The illustrative style is a mix
between the two.
● SHADES: When you are blending try to keep the brush dry enough. As you can
see in the video, I often use my finger or brush handle directly to blend. If the
brush is too wet the color doesn’t blend well a stain is created and the
underlying color is removed.
● COLORS: The colors of the Superstar brand require little water so, sometimes,
you do not even need to spray the water on the color.
● LIGHTS AND SHADOWS: As a general rule I suggest predicting that the light
comes from above to create the shadow under the objects. Alternatively, the
light is expected to come from the left to the top and consequently, the shadow
will be painted at the bottom right.

Thank you and let’s keep on painting!!

Serena

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Materials used:

Colors:

● White and black PXP Professional colors or Diamond FX

● Light Grey Superstar 071
● Pink powder ES 1037 DFX
● Bugambilia Maquillaje PK
● Plum Superstar 127
● Light orange Superstar 047
● Almond Superstar
● Machiatto Cameleon BL3024
● Chestnut Superstar 030
● Chocolate Superstar 024
● Espresso Cameleon BL3023
● Light green ES1057 DFX
● Dark green Verde bosque Bodyart México
● Aqua Marine Bodyart México

Brushes:

● Blender Cameleon
● Fine liner and angled from Sparking Faces by Svetlana
● Cat tongue Matteo Arfanotti for Superstar

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 Mai Park
"Terrifi Triba Design yo nee t know! ⫷⫸"

Tribal lines

1. Tribal stroke: Taper the strokes from thin to thick to thin.

2. Stroke type: S, C, T strokes.

‘S’

‘C’

‘T’

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3. Flow between strokes.
Adding a stroke to follow the flow of the first stroke:

4. Connecting strokes.
Both strokes share a common line:

5. Basic tribal shapes: Bridge, Spike, Blade…

- Bridge - Blade

- Spike

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6. Tribal cluster varieties

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Materials used:

Paint:

● Diamond Fx black
● Fab Shimmer Swirl Palette

Brush:

● Bananagum round #2

Sponge:

● 1/4 size from a round sponge

Board:

● Sally Anne, A2 clear practice board

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 Myrthe Heydenrijk
"Bod Paintin 101: Everythin yo nee t know t creat
impact bod design "

Introduction:

Hey there, I'm Myrthe Heydenrijk, a seasoned special

effects makeup artist and body painter hailing from
Wellington, New Zealand. With a family deeply rooted in
the art of body painting, I'm excited to share my expertise
garnered through years of experience, competitions, and
teaching.

Choosing Your Drawing Template:

When it comes to selecting your canvas, it's essential to

get it right. I always go for proportions that mimic real body
shapes and ensure practicality for my designs. Tracing
models' bodies or photos of the model, are my go-to for
accurate outlines. Understanding body shapes and
contours is key for crafting visually stunning designs.

A good body paint template is attached to this workbook.

Design Layout and Planning:

My design process starts with gathering a variety of

reference images to inspire my theme-based body
paint creations. I focus on specific body areas for
placement, avoiding regions prone to smudging during
painting. It's crucial to consider body contours to
achieve seamless and visually appealing results.
Pinterest is your friend!

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Contouring and Shading:

Elevating my body paint designs involves strategic

contouring and shading. I often use darker shades for
contouring, even in single-color paints, to prevent a flat
appearance. Targeting specific areas for shading adds
depth and realism to your design.

Be inspired by other artists!

Check out what your favorite body painters have done

in the past… it might really help! It’s not stealing if you
don’t copy the design. Being inspired by other artists
helps art grow!

Choosing Undergarments:

Maintaining color consistency in body paint starts with

selecting skin-colored undergarments. I recommend
considering stick-on G-strings for their convenience
and realistic skin texture mimicking.

Adding Intricate Details:

While smaller details like fish are cute… they might not
stand out from a distance. Instead, opt for larger
elements for better visibility.

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Preparation and Color Selection:

Outline your chosen colors to streamline the painting

process and ensure easy access during application.
Utilize pigment powders like eyeshadows for shading
and stencilling, as they blend seamlessly and offer
vibrant colors.

Model Preparation:

Prep the model with necessary cover-ups like foam

latex nipple covers, applied with appropriate adhesive
for comfort and stability.

Painting Techniques:

Begin painting with lighter colors first, gradually building

up to darker shades for depth and dimension. Use a
Kabuki brush for smooth application, ensuring
seamless blending between colors.

Check in on your model!

Remember to prioritize the model's comfort by

checking in regularly and allowing breaks if needed.

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Outlining Design Elements:

Outline the main elements of your design, such as

octopus shapes, using a round brush and white paint
for easy removal if you make a mistake.

Strategic Stencilling:

Incorporate stencils strategically for added texture and

detail, ensuring consistency across the entire design.

Mixing Colours:

I'm all about experimenting and finding new shades by

mixing different paints. It's like being a mad scientist but
with colors! Want that perfect purple for your octopus?
Mix some magenta with dark blue, and voilà! You've got
a vibrant purple that's totally unique. It's all about
getting those custom colors that make your design
stand out and pop.

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Mehron Gold Metallic Powder:

In my demo, I talked about the awesome Mehron Gold

Metallic Powders I love using. They're super pigmented
and shiny, perfect for making designs pop. Mix them
with Mehron Mixing Liquid, and bam, you've got a
stunning gold paint! I used them to highlight cool details
like the antique key.

Adding Finishing Touches:

Experiment with adding small details like suckers and

eye highlights to enhance realism and visual interest.
Incorporate metallic paint for standout elements like
keys, enhancing their visual impact against the
background. Finish the makeup and add a wig or
headpiece to finish the look!

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Materials used:

Base

● BODYFX Kabuki Brush

● Superstar Soft Green
● Superstar Magic Blue
● Superstar Yellow
● Superstar Bright Orange
● Fusion Neon Pink
● TAG White
● Bad Ass Stencil “Endangered”
● BODYFX Plain nipple covers with Pros-aide Cream Adhesive
● BODYFX Face Gems - Tui Goddess

Octopus

● Purple = Mix of Superstar Ink Blue and Fusion Prime Deep Magenta
● Bad Ass Stencil “Endangered” and TAG White for highlights
● TAG Black
● Superstar Yellow
● Superstar Bright Orange
● Fusion Neon Pink
● Fusion Prime Deep Teal
● BODYFX Vibrant Mastery Palette

Key

● TAG Black
● Mehron Metallic Gold Powder and Mixing Liquid

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Face

● Superstar Yellow
● Superstar Bright Orange
● Fusion Neon Pink
● TAG White
● Bad Ass Stencil “Endangered”
● BODYFX Vibrant Mastery Palette
● BODYFX Galaxy Lashes - Cassiopeia
● BODYFX Clear Lip Gloss

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 JestPaint
"Settin up Success Fac Paintin Busines "

In the dynamic landscape of entrepreneurship, the path to a successful business

requires a well-defined roadmap and a strategic approach. It all begins with
understanding what success means to you and then crafting a detailed plan to
achieve it.

This class will delve into the essential components of building a thriving business,
covering everything from goal setting and organizational strategies to client
management and growth initiatives.

I. Defining Success: Setting Clear Goals and Milestones

To embark on a successful business journey, the first step is to clearly define what
success means to you. Establishing realistic and achievable goals is crucial for
steering your business in the right direction. Whether your objectives are short-term or
long-term, creating a roadmap with detailed tasks and a timeframe is essential.

1.1 Setting Clear Goals:

Define your short-term and long-term goals. Short-term goals act as checkpoints,
enabling you to measure progress and make necessary adjustments. Long-term
goals provide a broader perspective, guiding your overall vision for the business.

1.2 Creating a Roadmap:

Develop a strategic plan outlining the steps required to achieve your goals. Break
down the plan into specific tasks, assigning responsibilities and deadlines. This
roadmap serves as a blueprint for your business journey, helping you stay focused
and organized.

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II. Streamlining Client Interaction: From Hiring to Reviews

Ensuring a smooth process from client acquisition to post-service follow-up is integral

to building a positive reputation and fostering long-term relationships. This section will
cover the key elements of client management, including website development,
communication strategies, and review solicitation.

2.1 Professional Website Development:

A well-designed and informative website is the face of your business in the digital
realm. Provide detailed information about your company, services offered, and contact
details. Ensure that the website is user-friendly and reflects the professionalism of
your business.

2.2 Effective Communication Strategies:

Establish clear communication channels with clients. Define how you will respond to
inquiries, handle project updates, and address concerns. Consistent and transparent
communication builds trust and enhances the client experience.

2.3 Comprehensive Contracts:

Craft detailed contracts that clearly outline the scope of work, deliverables, timelines,
and payment terms. A well-structured contract protects both parties and minimizes
misunderstandings. Regularly review and update contracts to adapt to evolving
business needs. Click here to open a contract sample.

2.4 Payment Processes and Follow-up:

Clearly define your payment structure and schedule. Implement a systematic

follow-up process, including the creation of an email list of past clients for review
requests and future engagement reminders. Timely and transparent payment
procedures contribute to client satisfaction and trust.

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III. Organizing Your Business: Infrastructure and Financial Management

To ensure the smooth operation of your business, it's essential to organize key
aspects such as insurance, supplies, and financial goals. This section will provide
insights into efficient business organization strategies.

3.1 Insurance:

Protect your business and assets by investing in the right insurance coverage.
Research and choose insurance policies that align with the nature of your business,
providing financial security in case of unforeseen events. Click here and here to read
more about insurance.

3.2 Supply Management:

Keep meticulous track of your supplies, including detailed ingredient lists and Material
Safety Data Sheets (MSDS). This information is crucial for compliance and
transparency, especially when clients or authorities inquire about the products and
services you use.

3.3 Financial Goal Setting:

Establish clear financial goals for your business. Determine how much revenue you
aim to generate and outline the steps to achieve this target. Regularly review your
financial performance and adjust strategies as needed to stay on track.

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IV. Growth Strategies: Marketing, Customer Outreach, and Diversification

As your business stabilizes, growth becomes the next objective. This section will
explore effective marketing strategies, customer outreach initiatives, and methods for
expanding your business by offering new services.

4.1 Marketing Strategies:

Craft a comprehensive marketing plan that includes Search Engine Optimization

(SEO), paid advertising, and social media engagement. Leverage these tools to
increase your business's online visibility and attract a wider audience. Click here to
read more about marketing for your business.

4.2 Customer Outreach:

Develop strategies to reach prospective customers. Utilize targeted outreach

campaigns, networking events, and collaborations to expand your client base.
Building relationships with your audience is key to sustained success.

4.3 Business Expansion:

Consider diversifying your services to meet evolving market demands. Analyze

industry trends and customer needs to identify opportunities for expansion.
Introducing new services or products can open doors to additional revenue streams.

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Conclusion:

Building a successful business is a multifaceted journey that requires careful

planning, strategic execution, and continuous adaptation. By defining your goals,
streamlining client interactions, organizing your business, and implementing growth
strategies, you lay a solid foundation for long-term success. Stay agile, embrace
change, and persistently evaluate and refine your strategies to ensure your business
not only survives but thrives in the competitive business landscape.

Visit our site for blog posts related to the business side of face painting, including our
comprehensive guide on how to Start and Run a Face Painting Business.

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