WESTERN
CLASSICAL ART
  TRADITION
    Daughter
Breastfeeding Her
      Father
      PRE HISTORIC ERA
Includes all human existence before the
emergence of writing. Their work of art is of
interest not only to the art historians but also
to archeologist and anthropologist, for whom
the art is the only one clue- along with fossils,
pollens and other archeological discoveries
that lead to an understanding of early human
life and culture.
        3 PERIODS OF
      PRE-HISTORIC ART
1.Paleolithic Era (Old Stone)
2.Mesolithic Era (Middle Stone Age)
3.Neolithic Era (New Stone Age)
Paleolithic Era
  (Old Stone)
  Mesolithic Era
(Middle Stone Age)
 Neolithic Era
(New Stone Age)
       PAINTINGS FROM THE
        PRE-HISTORIC ERA
Paintings during the pre-historic era were found inside caves which
may have been the pre-historic people’s way of communicating with
each other. It may also be for religious or ceremonial.
These symbols for these people paintings may be considered more an
artifact of archeological evidence than a true picture of human’s first
created art.
Pre-historic drawings of animals were usually correct in proportion.
PAINTINGS FROM THE
 PRE-HISTORIC ERA
The dominant features in the painting were large animals
native in the region. It was discovered on 12th of September
1940, and was given a statutory historic monument
protection. It was discovered by 18 year old Marcel Ravidat.
Ravidat returned to the scene with three friends, Jacques
Marsal, Georges Agnel, and Simon Coencas, and entered
the cave via a long shaft. The teenagers discovered that
the cave walls were covered with depictions of animals.
SIX SECTIONS IDENTIFIED IN THE CAVE:
1.The Great Hall of the Bulls
2.The Lateral Passage
3.The Shaft of the Dead Man
4.The Chamber of Engraving
5.The Painted Gallery
6.The Chamber of Feliness
The cave complex was opened to the public in
1948. by 1955, the Carbon Dioxide, heat,
humidity, and other contaminants produced by
1,200 visitors per day had visibly damaged the
paintings and introduced lichen on the walls.
The cave was closed to the public in 1963 to
preserve the art. After the cave was closed, the
paintings were restored to their original state
and were monitored daily.
PAINTINGS FROM
 ANCIENT EGYPT
  PAINTINGS FROM
CLASSICAL GREEK ERA
Paintings from the Classical
Greek Era were commonly found
in vases, panels and tomb.
      -FRESCO-
  method of painting
water-based pigments
 on a freshly applied
 plaster usually on a
    wall surfaces.
     -ENCAUSTIC-
   developed to use by
Greek ship builders, who
 used the hot wax to fill
  the crack of the ship.
 Soon pigments (colors)
 was added and used to
    paint a wax haul
      VASE PAINTING
             KERCH STYLE- is also referred to as Kerch
             Vases are red-figured pottery named after
             the place where it was found
                    Lekanis
                  -low bowl-                       Krater
                                                -bowl use for
                                                 mixing wine
                                                 and water-
  Pelike
                              Lebes Gamikos
  -wine
                        -with high handles and lid
container-
                           to carry bridal bath-
       PANEL PAINTING
                  PITSA PANEL
    (Archaic Period between 540 and 530 B.C.E.)
(Image from treasures of the World, 1961 CCP Library)
        PANEL PAINTING
              TOMB OF THE DIVER
                (Paestrum 480 BCE)
(Image from treasures of the World, 1961 CCP Library)
    PAINTINGS FROM THE
       ROMANTIC ERA
• Most of the paintings in this era were copied
  or imitated from Hellenic Greek paintings.
  Fresco technique was used in brightly
  colored backgrounds.
• Roman paintings have a wide variety of
  subjects, animals, everyday life, still life,
  mythological subjects, portraits and
  landscapes.
• The development of Landscape painting is
  the main innovation of Roman painting from
  Greek painting
    MOSAIC
                           • An Art process
                             where an
                             image is
                             created using
                             an assemblage
 HEAD OF ALEXANDER           of small pieces
-Image from treasures of     of colored
   the World, 1961 CCP
        Library-             glass, stones,
                             or other
                             materials.
                                       MOSAIC
                                     • An Art process
                                       where an
                                       image is
                                       created using
                                       an assemblage
                                       of small pieces
                                       of colored
                                       glass, stones,
                                       or other
                                       materials.
FRESCO FROM THE VILLA OF MYSTERIES
           Pompeii 80 bc
                          MOSAIC
                        • An Art process
                          where an
                          image is
                          created using
                          an assemblage
                          of small pieces
                          of colored
                          glass, stones,
                          or other
                          materials.
BOSCOTRECASE, POMPEII
BYZANTINE PAINTING
THE COURT OF EMPRESS THEODORA
  (6TH Century AD San Vitale, Ravena)
   BYZANTINE PAINTING
                 THEODORA
-Asian Queen with Dark eyes and hair with fierce
                 expression-
ROMANESQUE PAINTING
                                                   • These are
                                                     largely placed
                                                     mosaics on
                                                     the walls of
                                                     the churches
                                                     that follows a
                                                     strict frontal
                                                     pose
             CHRIST IN MAJESTY
-Asian Queen with Dark eyes and hair with fierce
                 expression-
PAINTINGS FROM THE GOTHIC ERA
     LADY AND THE UNICORN TAPESTRY
                1506-1513
PAINTINGS FROM THE GOTHIC ERA
                ROSE WINDOWS FROM
                THE NORTH TRANSCRIPT
                      About 1230
PAINTINGS FROM THE GOTHIC ERA
             THE SHEPHERD DAVID
              13TH Century, Gothic
             manuscript illustration
SCULPTURES FROM THE
     EARLY AGE
         PRE- HISTORIC SCULPTURES
 Materials used in sculptures vary accordingly to
  region and locality. Archeologist believed that
 their sculpture is a result of natural erosion and
              not of human artistry.
   VENUS OF WILLENDORF                               VENUS OF BRASSEMPOUY
-it is carved from limestone with excessively   -sculpture of a lady with the hood. It is a fragmentary
 heavy breast and abdomen used as charm           ivory figurine from the Upper Paleolithic era that
                to ensure fertility             realistically represents the human face and hairstyle
SCULPTURES FROM THE
   Egyptian era
Symbolic elements were widely used such
   as forms, hieroglyphics, relative size,
  location, materials, color, actions and
 gestures. Their tombs required the most
        extensive used of sculpture.
Characteristics of Sculpture:
1. Symbolisms were heavily used to represent the
   gods.
2. Most of the time the gods were shown larger
   than humans, the kings larger than their
   followers, the dead larger than the living
3. Empty space were filled with figures or
   hieroglyphics
        QUEEN NEFERTITI                         THE MENKAURE AND HIS QUEEN
-queen, refers to the Great Royal wife of the   -an example of portraits presented in rigid postures ,
             Egyptian Pharoah                   and were simple and powerful with very little show or
                                                                 private emotion.
SCULPTURES FROM THE
  classical period
Early Greek sculptures were tense and stiff, their
bodies were hidden within enfolding robes. One
     of the most popular styles of the Greek
       sculptures was the Hellenistic style.
        MYRON;
    THE DISCOBULUS
  -Shows an attitude of maximum
tension, full of compressed energy,
  and about to explode an action
    ROMAN SCULPTURE
      Most Roman sculptures are made of
  monumental terra-cotta. They did not attempt
 to complete with the free standing Greek works
     of history or mythology but rather they
  produced reliefs in the Great Roman triumphal
columns with continuous narrative reliefs around
    THE PORTONACIO
     SARCOPHAGUS
-The best known and most elaborate
of all “sarcophagus” (It is a box liked
 funeral receptacle for a dead body
 (SARX- Greek word means “Flesh”
      PHAGEIN- means “to eat”)
  SARCOPHAGUS from
      cervetiri, c.
  -a husband and wife are shown
reclining comfortably, as if they were
             on a couch
byzantine SCULPTURE
 The dominant themes in Byzantine sculptures
  are religious, everyday life scenes, and motifs
                    from nature.
   Animals were used as symbols (dove, deer,
peafowl) while some had acrostic signs (form of
writing in which taking the first letter; syllable or
word of different lines putting them together it
 can be read a message) that contained a great
              theological significance
THE BARBERINI DIPTYCH
-an early example of Byzantine Ivory
               work
Romanesque
 SCULPTURE
Small individual works
of art were generally
made of costly materials
for royal and aristocratic
patrons
                                           LAST JUDGEMENT
                             -tympanum (an architectural element with in the arch of
                                                  pediment)
   gothic
 SCULPTURE
They have a greater
freedom of style. They
no longer lay closely
against the wall, but
begun     to    project
outward.
                          RESURRECTION OF THE VIRGIN
       ARCHITECTURE FROM
         THE EARLY AGE
PRE HISTORIC ARCHITECTURE
      Man has developed a form of architecture
based on Megaliths (a big rock) from the Greek
word Lithos (stone) and Megas (Big). This
architecture is made of huge stone blocks
which were probably intended for burial.
      Megalithic monuments have always
ignited man’s imagination. It provided plenty of
legends and superstition. During this Era,
stones and rocks were associated with divinity,
3 MAIN TYPES OF
MEGALITH STONE
    MENHIR
A     huge      stone
standing    vertically
on    the    ground,
usually standing in
the middle of the
field or arranged in
rows.
     dolmens
Originated from the
expression taol, which
means “stone table”.
These structures are in a
form of table consisting
of two huge standing
stones supporting a
horizontal giant stone.
 CROMLECH
a Brythonic word
where “crom” means
bent or curved and
“llech” which means
slab or flagstones.
Literary it is a circle
of standing stones.
 STONEHENGE
Best preserved
megalithic site in
Europe, a group of
stones arranged in
concentric circles with
large external circle of
triliths.
EGYPTIAN ARCHITECTURE
PYRAMIDS
     It is the most substantial ancient
structure of the world. The three
pyramids are the funerary structures
of the three kings of the fourth
dynasty (2575 to 2465 BC) namely:
EGYPTIAN ARCHITECTURE
KHUFU (Cheops)
   - whom the Great Pyramid was
   attributed
KHAFA (Chepren)
   - whom the Pyramid next to the
   great pyramid is attributed
KAURA (Mycerinus)
   - the smallest is attributed to men
   MASTABA
A type of Egyptian
tomb in the form of
a flat roofed,
rectangular structure
with outward
sloping sides. It was
made of mud bricks
or stone
GREEK ARCHITECTURE
PARTHENON
 The Greatest
Classical temple
   ROMAN
ARCHITECTURE
   THE
COLOSSEUM
The emperors
erected huge
halls and arenas
for public
games, baths
and procession.
 BYZANTINE
ARCHITECTURE
Mosaic decoration
was perfected by
the Byzantines, as
was the use of
clerestory o bring
light in from high
windows.
                     HAGIA SOPHIA
ROMANESQUE
ARCHITECTURE
The doorways of
Romanesque’s
churches are often
grand sculptured
portals. Wood or
metal doors are
surrounded by
elaborate stone
sculpture arranged
in zones to fit
architectural        The groin-vaulted crypt of
elements               Worcester Cathedral
   GOTHIC
ARCHITECTURE
This design
included two new
devices: pointed
arch which enabled
builders to
construct much
higher ceiling
vaults and stone
vaulting borne on a
network of stone
ribs supported by
piers and clustered
pillars                Cathedral of Chartres
                      (Notre Dame Cathedral)
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