0 ratings0% found this document useful (0 votes) 141 views25 pagesBand Foliobook 1 Sax Baritono
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, 
claim it here.
Available Formats
Download as PDF or read online on Scribd
Baritone Saxophone
BandFolio
Band Method
Book 1
To the student:
Congratulations on your decision to join the band, I am sure that you will find ita rewarding and fun
experience, and it may lead to a life-long love of playing music. If you listen carefully and follow the
recommendati and having a lot of fun ina
   
 
ns of your band director, you will be making beautiful mus
very short time.
 
The key to getting a good start in band is practice. Your band director will recommend how much time
you should practice cach day. In order to get the most out of your practice sessions you should:
 
+ Warm up. your band director will recommend a procedure for preparing your body and your
instrument to play
+ Set a goal for each practice session.
+ Practice the hard sections first, and break them down into smaller parts, Then put the parts
together.
* Play something fun at the end of each practice session
* Practice every day.
 
By working together with your band director and your classmates, band will become the high point of
your school day, and will lead to years of musical enjoyment.
Gi
Jim Evans.
 
nd {folio.com
Music Education Resources
© 2000 Jim Evans
BandFolio.com. Reference Pa;
Baritone Saxophone Renee EAE
‘The Musical Alphabet Stat Bass Cle Treble Clee
ABCDER&G. D eres Sicoone
Then oes ope over and ver os
 
coded. As you go through the laters,
the note sound higher
 
925 (and four spaces)
vn hich musi is writen
Look up notes you don’t know on the Grand Staff.
Pitches on the Grand Staff
 
 
 
 
 
 
 
 
os
Treble (G) Cler zg =o -0-%
o see |=
EFGABCDEFGABC|IDEFGABCDEFGA
oe
: -9-0.0 | © =
Bass (Fy Clet { “DE = oo
ooo"
 
 
* Note that go above nd slow the mal are writen on cerns,
Lines & Spaces
Many people have memorized the notes ofthe st sway.
Does ine
: sitar
= Gorm
6 Somes Fa ton cone
= = Good
 
Basic rhythm concepts
Meter
  
ture Quarter note Quarter rest Measures & Burlines
AS Sen Desierto flnEMEASUTES bk
the music between barnes
iscalled a measureBaritone Saxophone
Basic Fingering Chart
Memorize all notes, fingerings, amd staff positions on this pageBaritone Saxophone
Final Barline
1. Our First Pitch, the end of a piece)
“
    
comrr 2H IAGA LHIHIKIH LKIKIKGH LEIA HLE
2, Our Second Piteh
 
com & 2K IAIA LHIKIKRAK LHIKIKGH LKIAIHIE
3. Our Third Pitch
 
com1 & 2k IK FH LHPHIRAK LHPAITRAK LHPRIBAE
4. Think Fast!
 
com & PRI RAR LKIHIHAH LKIHIKGR LKIAIHIE
5. Going Down,
 
comet & 2H THF A LKIHIKG HR LHIKIKGA THIGH IE
6.Up & Down
 
com 2 RIKER LKIRIKAR LRIKIKGR LKRIKIHIAEBaritone Saxophone
7.Mary'sSong Write in the Counts Go t0 the next line!
 
count:
8. Reading Music
 
count:
9. Skill Builder
 
count:
10, Stepping Out
 
count
11, More Stepping Out
 
count:Key Signature (Bs Concert)
 
Halton Your Key of G
reccives two beats
. nail meter ignarice
Baritone Saxophone 6
Tat Rest
Sa receives to beats of
tile in 4/4 mete signature Tells whether notes ane
flat, sharp, oF nataral.
 
12. A New Note
 
13, Another New Note
 
14. Go for Two!
 
Take Five
 
 
16, Mix and Match
breath mark 4
    
Lines 16 & 17 may be played together.
17, Putting it TogetherCommon Time
i ance a of tn
Baritone Saxophone b Bray: rfarieiire|
Whole Note Whole Rest Repeat Sian
SS revives four eats
© receives four Beas ee eink
Ample ignite meter signature
 
   
 
beginning an play
the selection agin
 
18. The Whole Thing,
 
19, Whole & Half Hint: A whole rest fills up a whole measur.
 
20, Play it Again, Sam!
  
  
 
21. Claire de Lune
 
22, Up & Down Again
 
23. Skipping Around
    
Rhythm Review
‘Dea line from the musical symbol is ume,
J d ° 2 -
hole rest half est quarter rest whole note halt note ‘arte neBaritone Saxophone
24. Count It Out
 
25, Bar None! Draw in the barlines before you play.
 
26, Note Review Write in he names of the notes.
es s 5 = =
27. Ode to Joy Ludwig van BeethovenD.C.alFine Fine
New Note
E Govwikioite Theat
ri beglning and
: 2g tthe Fine
Baritone Saxophone oo 3 net
3
28. A New Note
 
29, Take it Easy.
 
30, Make it Count
 
31, Twinkle, Twinkle Fine
 
D.C. al Fine
   
32. Aura LeeFighth Notes|
Tho eiahth notes
receive ome bet inthe
4/4 meter signature
Baritone Saxophone
33, Rhythm Study.
Clap Write in the Counts
eT, Fi, FL oa
count
34. Hot Cross Buns
 
35. Farm Out!
 
36, Eighth Note Challenge
 
37. Asked & AngeredSpecial Holiday Concert Page
Te
Connect 0 Harmany
, J. J Soe Soe
Baritone Saxophone ——* one sound. ro
38. Jingle Bel
 
   
rere sera
——
 
39, Jolly Old St.
 
olay
 
40. Up On the HousetopMeter Signature Dotted Half Note
3 beats in a measure receives thre beats in 344
reecivesone beat @*_ oF4 meter signature
New Note FH ob
Baritone Saxophone 4
41, Skip To My Lou
 
 
 
 
 
 
 
42. Long, Long Ago
 
43. The Dotted Half Note
 
TR PRIKRAH LRIKIRAK LKRIKIHIR LHRIPRIBDA
44. Oh, Dear, What Can the Matter Be?Key Signature Pick-up Notes
‘oles that came bere the
New Note ist fall mesure of «piece
ro e Pt Seon ng
Baritone Saxophone 6 y e
Key of Concer, ———<————
ke ay wo the repeat sgn then a0
Your Key of C yk the boginning. Wien you
seit tho fist ending kip overt
se ANer Nite fn goto the second ending
 
 
 
 
46, There's a Hole in the Bucket Where's the third bea?
  
pick-up notes
47. The Man on the Flying Trapeze
 
pick-up note
48. Johnny Has Gone
 
49. When Jesus Wept Wiliam Billings
\ 2 adapted 3New Nate 6
r
Baritone Saxophone o Fermata AN Dynamics Note
Hold notes under a PP! 1 yes are always
fermata longer than ff fime-loud atthe director's
drecoreusyouot® ‘seston
 
 
a
 
51. A New Note
 
‘52. Christmas Greetings (A Four Part Round)
1 2 3 4
   
 
 
   
 
St
53. Red River Valley
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
P f StBaritone Saxophone
— a
mp mokusins Sg Trev bt
 
——
    
nf
56. Oranges, Lemons
 
58. Simple Gifts
 
59, Slur Study
    
St mp
4Artiulaton
Baritone Saxophone Hows nates played
 
Accent Legato Staccato
Smoothly ‘Shon
| J Epic Tee evar: tae J Pay im a detached
69, Articulation Study _mitomascentmerk @ jets rfl glue, 9 Tate le
- >>> >
 
mp
61, Surprise! Franz Josef Haydn
adapted
    
 
663. Pictures At an Exhibition Modest Mussorgsky
Majesticaily ‘adapted
2 > >New Note FE Gb
a
Baritone Saxophone
d, Muerte koe
Mote 1 & Andante Siow waiktng speed!
Moderato,
r
 
 
‘Tempo ov fstor sow a plece
bs plosed
hth Note & Hehih Rest Apagey pon
    
 
   
=
65. A New Note
Moderato
SS > o>
 
 
 
 
 
 
nf
66, March Madness
Allegro
 
 
 
 
   
 
ro! re
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
67. Morning
Andante Rdvard Grieg
ac .
ee ee ee 1
-
68, A Mighty Fortress is Our God
Andante
ze > p,> > 3 > > > >
 
SfBaritone Saxophone
 
Tempo Dotted Quarter Note Eighth Note
Largo ery stow d d _ |
69. Bs Concert Seale 1&2 e& 1 82 &
Moderato
   
   
   
nf
70, Rhythm Study
 
com d PRI HAR LKIKRIRAH LKIKIRIM LHIGDAIA
71. Theme from Symphony No. 9
Largo Antonin Dvorak
       
 
P
72. Kum Bah Yah,
Andante
   
 
73. Finale (from The Firebird Suite)
Largo Igor Stravinsky
   
   
PBaritone Saxophone
 
 
Meter Senate Sinteuth Note Coobinatins
Cue
Gor
74. Rhythm Study sires be betotca& 1 &a
Moderato
  
        
  
 
coun Lk IRI eR AAA LAPERILAK [RaIRFCRIR 1RPCRHIKIA
nf
78, Button, You Must Wander
Allegro,
   
 
  
nf
76. Bright Eyes Will Find You
isaee
=, — I ee 1
oo -
SS a
f° Compare this piece tomumber 75. How are they alike? How are th
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
—
ey different?
 
77. Ten Little Indians Write in the Counts
Moderato
 
78. Name That Tune Wri in the Courts
Mogerato
Circe Ceriperretietres
mf
Compare this piece to number 77, How are they alike? How are they different?
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
79, Skip To My Lou Revisited
Moderato‘Compound Meter
4 merin ih
Bed LIONS,
: thee
1
gee ise
Taa578
Baritone Saxophone
‘80. When the Saints Go Marching In
Allegro
   
 
  
f
 
81, Blow the Man Down
Allegeo in one
   
 
 
  
mf f
 
of t
82, For He’s a Jolly Good Fellow
Allegro frone
   
 
  
nf
 
83. Yankee DoodleSyneopation Dotted ighth Note & Sixteenth Note
gee dog hl bald
Pere 1&2a le@a
When longer antes fall on weak (ort ou tome)
Baritone Saxophone ‘or unexpested bea ty inh note
84. Row, Row, Row Your Boat (a four-part round) lea&e
Moderato in one
' 2
 
mf’
     
Compare this piece to munber 84. How are they alike? How are they different?
Sf
86. Do, LordBaritone Saxophone
‘84. London Bridge
Moderato
  
    
 
mf
85, Bridal Chorus
Moderato
Sf
 
86, Can-Can
Allegro
   
 
    
  
>
f
87. Seale Study
Start stows; then speed the tempo as, you improve.
eee
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
aMajor Scales
Baritone Saxophone
‘Make sure that you re playing the exact pte that shoven, the
soe nmi dt nina shar (hy oat tin mani
Scale Arpeggio:
GABC DEFFG FRREDC BAG GBFG DBG
B Concert
Your Key of G
  
Scale Arpesgio
CDEF GABC BAGF EDC CEBC GEC
 
 
  
Es Concert
‘Your Key of ¢
Stale Arpeggio
DerRG ABCcHD chBAG FRED ODFHCHD AFKD
F Concert
Your Key oD =
cae Arpeggio
ABCHD EFHGHA Gtrte D chHB A AcHGEHA ECHA
© Concert
Your Key of A
 
Seale Arpeggio
FGABCDEF EDCBR AGE FAEF CAF
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
mn ceerle tt ftrel do lier treed
 
 
2tes
Rhythm Challenge
as you cam without stopping, then work on problem rhythms
Jody diss, ys
dy diy yg dy a ly
 
pu fy ud po yy
LAL nj nny
AAJ n,n ni, a,
Mutu yA i
 
Ju J myRhythm Challenge
peoodidi poi ny ny
 
HAS, A) BAL BL,
eed sy Jy] a,
et ly db
 
ep Ovrom oo.
 
gpMOCRi eo, ay bd
 
go. Joammmom os
4