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Stella A 1

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Stella Adler - Tool for Actors

Overall, the technique is based around the actors ability to


imagine the world as the character would. Adler’s objective for
the actor, was for the actor to expand their understanding of the
characters world - they have to immerse themselves with sensory
elements of everyday life; to create a realistic mental image, and
project that on stage. The performance wouldn’t be a lie.
Imagination is the main component of the technique, the others
are:

Discipline - Stella Adler required actors to keep in good health,


mentally and physically. For instance: any weak points of their
body - like a sore throat, and thus a poor voice - one would have
to perfect this.

Text Analysis - The actor has to search the text for indications of
the characters nature - pick this apart, apply it to the
performance. As well as this, the actor must complete a contextual
analysis of their given piece - explore the historical/social
background. Expand their knowledge on the time period,
geographical location, possible monarch/religious influence.

Action - It’s simple, an action that a character does to another


character, in order to get a reaction. The actor, has to project the
plays given circumstances through an action. The actions that the
actor composes have to display what the character has observed
from life.

When implicating this technique in my performance I found it


beneficial, in the sense that I was able to produce a stand out
performance, visually for the audience. One of my targets was to
compose a piece of performance where the stage portrays the
setting the of the character, convincingly. I can apply this
technique to my upcoming Krays piece, which should, hopefully,
present some realistic footage. Historically, the Krays bared arms
in WW2, so would be somewhat disciplined and respected. The
film is set in the 1950s, so they were generally better well spoken.
Socially, they were both feared and respected in the community,
as they were violent and accustomed to prison environment. I can
bring this knowledge into my performance, remember to speak
with clarity - articulate all of my words, keeping in my mind that
they wouldn’t of had a Received Pronunciation accent; it would of
been more East London sounding. They must of had some sort of
military training, so I assume they would hold good posture and
be generally fit. Having said that, smoking was normal, so they’re
lung capacity would of been minimal. After I have recited my
piece in the desired location - a bar that resembles the original. I
can gain feedback from my peers, identify the weaker aspects, and
redo my performance until I’ve worked all the negatives out.

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