Welcome!

I’m glad you decided to learn the secrets of face analysis. 
 
This course is very much “hands on” – I do not waste your time with 
theory or “filler” material. Every single page of the book contains hard 
facts relating to face analysis – you can start anywhere you like but it 
may be best to just read from the beginning. 
 
We’ll start with celebrity faces you may be familiar with in order to 
make things easier, then jump into more detailed illustrations showing 
specific traits to watch for before closing with the Face Reading Index. 
 
I want to hear your face reading stories!  Let me know how this book 
has helped you – email me at elitesocialcontrol@gmail.com 
 
Best of luck, 
 
Hamilton Miller 
 
 Nicole Kidman

Her low‐set eyebrows and stunning eyes indicate that Ms Kidman is not 
opposed  to  saying  what  is  on  her  mind  –  even  if  it  might  offend 
someone. 
 
Her lips are rather pouty, so she probably enjoys whining occasionally, 
and because they are often pursed she may be repressed emotionally. 
 
The  high‐set,  upturned  nose  points  to  her  being  rather  social.    Strong 
jaw‐line shows tenacity, persistence. 
 
 Gwyneth Paltrow

 
She  seems  to  have  a  “glow”  about  her  but  people  with  this  “glow” 
often tend to exhibit an obsessive personality. 
 
Her  temples  are  set  deep  and  this  gives  her  face  a  “diamond”  shape.  
This  results  in  her  being  unhappy  in  relationships  and  projecting  that 
unhappiness onto her partner. 
 
 
 Paris Hilton

If there existed a “Rosetta Stone” of face analysis, Paris Hilton would be 
it. 
 
Her nose and cheeks are strong, with the long nose showing a tendency 
to  hedonism.    Full  lips  make  contact  with  her  cheek  lines  when  she 
smiles, indicating a love of partying.  The strong under tip of her nose 
shows a calculating nature.  This girl is trouble and it is written all over 
her face. 
 
 
 
 Hugh Grant
 

 
 
His asymmetrical eyes and very low eyebrows show poor judgment in 
choosing his associates.  
 
His particular sort of “brooding” face usually indicates someone who is 
“wishy‐washy” and has difficulty being happy. 
 
 
 
 
 
 
 
 George Clooney

His  long  face  shows  he  can  be  interested  in  money,  people,  power, 
recognition, and security. They like to win. They are often sly, cunning, 
belligerent,  practical,  successful,  good  organizers,  dominant,  self‐
centered, competitive, aggressive, and active. 
 
His  low  forehead  and  hairline  hampers  his  ability  to  think  logically 
under pressure.  The straight angle indicates he thinks in a logical, step‐
by‐step process, and has trouble taking in information if it is presented 
out  of  sequence  or  too  fast.    He  needs  time  to  digest  information. 
Because  of  this  he  doesn’t  perform  well  under  pressure.    Two 
horizontal lines crossing the forehead indicate middle level government 
positions, and above average power.   The brow ridge shows he likes to 
stay  within  known  policies  and  standards.    His  indented  temples 
indicate he is tactful.     
 
His low set eyebrows show he wants to get the job done and do it now.  
He is quick minded yet easy‐going, informal, and friendly.  He just needs 
to practice more patience.   The bushy brows indicate he is a non‐stop 
thinker,  full  of  ideas  and  thoughts.  He  has  a  powerful  intellect,  and 
enjoys  good  health.  He  is  stubborn,  proud,  and  tough.        The  straight 
brows  means  he  is  direct,  factual,  and  logical.    He  needs  all  the  facts 
before accepting something as true. 
 
The large eyes are emotional and close to his family.  He is a very visual 
person, and needs to respond emotionally.  No upper eyelid is visible.  
This means he is analytical and needs his own space.  The lower lid sags 
showing  his  strong  sexual appetite.    The  deep‐set  eyes  are  observant, 
cautious, reflective, and reserved.   The puffs under the eyes show he is 
impatient and critical.      
 
The long and straight nose wants control at work.  And he is logical, and 
a long‐range planner.  The closed wings indicate he is independent, self‐
made  and  self‐sufficient.    Usually  he  can  pull  himself  up,  and receives 
little  support  from  others.    The  round  tip  indicates  he  is  creative, 
resourceful, self‐sacrificing, and work towards security.  His thin nostrils 
are conservative and a spendthrift.  He knows the value of money.   The 
flat  groove  under  his  nose  indicates  he  has  a  diminishing  life  force  in 
later life. 
 
His large mouth means he is an extroverted, outgoing, talkative, and is 
confident.  He has a dip in the lip meaning he is romantic, dreamy, and 
creative  in  love.    The  crooked/lopsided  mouth  indicates  he  is  can  be 
deceitful.    His thin lips means he guards his feelings and emotions.  He 
has a cool calculating disposition, and he mistrusts flattery.  The thicker 
lower lip shows he has the gift of gab and can be very persuasive.  He 
focuses on the outcome, the doing of it. 
 
The large ears are open, kind, and receptive.  The tops of his ears are 
equal  or  higher  than  his  eyes.  He  gathers  information  quickly.  His 
approach is “do it now”. He wants to see results right away.     The ears 
sit  tight  to  the  head  to  the  head.    He  prefers  to  conform  to  social 
standards.    He  is  good  at  what  most  people  think.    He  doesn’t  like  to 
appear  too  different  from  other  people.    The  inner  rim  is  prominent 
indicating he goes by instinct and focuses on his inner world.   The large 
notch and ear hole means he can be argumentative and generous. 
 
His  strong  jaw  shows  he  is  stubborn.  His  long  chin  is  well  grounded, 
innate physical powers.  His High bony cheekbones show he is  tempted 
to use authority for personal gain. 
 
The left side of his face (personal life) appears happy and relaxed.  The 
right side of his face (professional life) appears somber and guarded. 
 
 
 
 Reese Witherspoon

Her well‐balanced features and radiant eyes helped make her a success 
in Hollywood, and her smile indicates someone who is full of life. 
 
Her  broad  nose  shows  a  willingness  to  do  hard  work  and  that  she  is 
idealistic.    The  deeply‐carved  cheek  lines  are  what  the  Chinese  face 
readers call “Fa Ling” and show that she should live a long and healthy 
life. 
 
The extremely prominent chin indicate that she may get involved in the 
problems of other people and even be seen as a “meddler” at times. 
 
The  well‐formed  earlobes  (nicknamed  “money  bags”  in  face  analysis) 
show a desire for wealth and “the good life.” 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 Tom Cruise

The  square  face  is  frank,  direct,  to  the  point.    He  is  tough,  persistent, 
and selfish. 
 
The  hairline  is  angular  showing  he  is  career  minded,  practical, 
methodical,  orderly.    The  hair  in  the  temples  indicates  he  has  trouble 
thinking under pressure and has to work hard. 
 
The  thick  eyebrows  are  low  and  very  close  together.    He  is  informal, 
easygoing,  intolerant,  energetic,  impatient,  and  jealous.    He  gets 
depressed easily and takes offense easily. 
 
The  king’s  eyes  have  charisma,  courage,  leadership.    He  is  ambitious 
and doesn’t like people opposing him.  His lids show he is analytical and 
critical.  The dark blue irises mean he is affectionate, friendly, moody. 
 
The long nose is crooked with a pointed tip.  He is proud and likes the 
good  life.    He  likes  to  use  people  and  is  selfish.    The  triangular  nostril 
shows he likes to take risks and adventures. 
 
The large mouth has a wavy lip line.  He is close to his family, optimistic, 
and likes to talk a lot.   He is also reliable, but suspicious.  The thin lips 
indicate he likes to fight his own battles. 
 
The  groove  under  the  nose  is  short  and  wide  meaning  he  can  have 
many children, but his life may be shortened. 
 
The ears are radiant and even with his brows.  He will have success and 
popularity.  No ear lobe shows he has a strong sexual drive. 
 
The  jaw  and  chin  are  firm  and  strong  meaning  strength  and 
stubbornness.  The square chin indicates leadership abilities. 
 
 
 
 
 
 
 Christina Aguilera

Christina’s slightly pouting lips speak of her scorn for tradition and 
conventional ways of living.  
 
Christina’s eyes are animated and her pupils are large indicating a 
vivacious and exciting approach to life. Her tapering chin an 
aggressively independent and free thinking spirit who questions others’ 
motives. 
 
Christina’s eyebrows are a little too sparse in relation to the other 
features on her face and can indicate health weaknesses in her early to 
mid 30s as well as conflicts with family members. Her rather large nose 
tells of an underlying playful and fun loving side which is part of her 
hedonistic streak. 
 
Her eyelids are slightly developed which reflect an intuitive flip side to 
her creative being but that she needs heed those intuitive promptings 
just a little more in the future. 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 Heidi Klum

 
Heidi's straightforward face could be a little too much for some to 
handle. Heidi's nose reveals her sometimes forthright and blunt 
approach to dealing with others but shows a constant seeking to 
understand others, which gives her a natural psychological edge. 
 
Her low set eyebrows tell us she's impatient and a little intolerant of 
others and likes to get things done quickly. Heidi's face exhibits 
considerable angularity, particularly in the chin and jaw area, indicating 
her love of sports and outdoors. 
 
Heidi excels at activities that give her ample movement to express her 
repressed emotions. In contrast to these harsher personality traits, her 
eyes exhibit a softness and idealism in love. Because this part of Heidi's 
face relates to her mid‐thirties, it's a time she can explore and begin to 
fully appreciate her potential in relationships. 
 
Heidi's lips tell us she's not your typical model, but has an intellectual 
and progressive attitude with a leaning towards self knowledge.  
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 Jack Nicholson

Jack Nicholson has a complex and unusual looking face. Jack’s impish 
face mixes animal magnetism and intelligence of a high order and a zest 
for life that may ultimately prove his undoing. This is seen by the very 
strong single crease on his forehead. 
 
Jack’s dramatic nature and love of humour and dry sarcasm can be seen 
in his highly arched and wedged eyebrows. Jack has an enormous 
sexual drive and this will not abate even into old age. How do we know 
this? Look carefully into his eyes the next time you see him on screen or 
in an interview. You'll observe a rather sultry look. The single crease at 
the end of Jack’s nose indicates that he is not all that easy to live with. 
  
 
 
 
  
 
 
 
 
 
 
  
 
  
 
  
 
  
 
  
 
  
 
  
 
  
 
  
 
  
 
  
 
  
 
  
 
  
 
  
 
  
 
  
 
  
 
  
 
  
 
  
 
  
 
  
 
  
 
  
 
  
 
  
 
  
 
 
 

 
 
 
 

 
 
 
 

 
 
  
 
  
 
  
 
  
 
  
 
  
 
  
 
  
 
  
 
  
 
  
 
  
 
  
 
  
 
  
 
  
 
  
 
  
 
  
 
  
 
  
 
  
 
  
 
  
 
  
 
  
 
  
 
  
 
  
 
 
 

 
 
 
 

 
 
  
 
  
 
  
 
  
 
  
 
  
 
 
 
  
 
 

Face Reading Dictionary

A.
Ability — Large, clear, blue eyes, that when seen in profile appear
almost transparent. Gray eyes are also a mark of ability.

Accuracy — Wrinkles and folds in the upper eyelid denote a great

love of accuracy, especially in historical facts. Mathematical
accuracy is shown by eyes that are full underneath and wrinkled.

Acquisitiveness—Projecting teeth denote a grasping disposition,

especially when great breadth is seen at the upper part of the nose
next the cheek.

Activity—Nostrils which are both long and narrow.

Acuteness — A very sharp chin combines craft and acuteness.

Adhesiveness — This quality, which promises a steadfast friend, is

found with lips which present a wrinkled appearance. Smooth lips
are not characteristic of constancy in friendship.

Affectation — A lipless mouth, which tends to turn upward at the

corners.

Affection— (See Love).

Aggressiveness — A strongly defined ridge or prominence at the

base of the nose near the bridge.
 Ambition — Recognized in women by eyes that appear to roll as
they move in their sockets. Also by a wrinkled, relaxed skin, with an
arched nose, restless mouth, well-rounded forehead and a
conspicuous chin.

Analogy — Nostrils that have an inward curve at their base.

Analysis — A talent for analyzing and inventing is shown when the

fleshy part of the nose that divides the nostrils droops down below
the nostrils.

Application —The upper lip curving to a point in the middle.

Approbation — Desire for admiration and approbation is shown in

the upper lip when it rises in the centre and displays the front teeth.

Argument — A love of argument and controversy accompanies a

pronounced ridge at the root of the nose, near the bridge, more
especially where there is great fullness under the eyes. This quality is
always present when the ridge of the eyebrows projects downward
beyond the outer corner of the eye.

Artistic Taste — Gently curved eyebrows, describing an arch

above the brows, generally found in subjects with long, pale ears
lying close to the head, and nostrils that readily dilate.

Asperity — Asperity of character is displayed by a harsh, high

perpendicular, knotted forehead, the outline of which in profile is
rectilinear. In such a face the nostrils would be wide, with deeply fur-
rowed, long linaments of the cheek.

Authority — This quality is indicated by two or three short trans-

versed lines at the root of the nose.

Avarice —The under lip projecting so far that it appears to

measure half the breath of the mouth when seen in profile with a
flat chin. A thick bridge to the nose and thin lips bear the same
signification.

B.
Belief—When the hairs at the outer extremity of the left eyebrow
stand up the subject is likely to believe in creeds and dogmas; this
will certainly be the case when the hairs of the right eyebrow do the
same.

Benevolence—The crown of the head raised and well-developed

and the upper lip wide at the corners of the mouth, the under lip
being full, are signs of benevolence and a philanthropic character.
This is further accentuated by three or four horizontal lines above the
eyebrows.
Bravery — Upright ears, large nostrils and a strong chin, the mouth
being firmly closed, but neither sharp nor constrained when seen in
profile, are all characteristics of courage.

Broad - Mindedness — Great breadth between the eye, with a

broad forehead and a long upper lip. The latter trait gives
comprehension, the faculty of taking in everything.
C.
Carelessness—The nose wide at the tip, with arched eyebrows,
varying high above the eyes, the forehead being smooth and
sloping backward.

Caution — Nostrils that lie flat to the face and the nose terminating
in a thin, pointed tip.

Character (ignoble) — The head very prominent close behind the

ear, with a narrow forehead, and only a short space between the
outer corners of the eyes and the ears. A long nose, when
accompanied by a sharp- pointed chin, is also an unfavorable
indication.

Character (noble) — A prominent upper lip is a distinctive feature,

and is generallv found in persons of superior merit. The three sections
of the face—forehead, nose and chin — will be of equal length in
such a face.

Chastity — A high forehead, as long, if not longer, than the length

of the nose, with small, closed nostrils and the lower lip compressed
against the upper in the centre. A face in form rather oval than
broad, with the above characteristics, is indelibly stamped with the
mark of purity.

Cheerfulness — A turned-up snub nose. If the lower lip is curved in

the centre, the subject will also be whimsical.

Cleverness (natural) — A low and wide forehead.

Coarseness — Broad nostrils which extend right up the front of the

nose.

Coldness — A flat chin with thin lips and very small ears.

Common Sense — When the outline of the forehead presents no

marked contours, but is equally developed in the upper, central and
lower sections so that it appears almost straight in outline, and the
nose is square at the tip, a practical turn of mind is shown.

Comparison — Lends a thickness to the lower part of the nose,

which will be straight in the upper part.

Compassion—A merciful, compassionate nature is characterized

by nostrils that lie far apart.

Comprehension — The faculty which usually betokens a broad,

sympathetic nature is found with a long upper lip.

Conceit — The skin of the forehead having a tight appearance,

without any wrinkles, and a projecting under lip. (The lips curling up-
ward at the corners of the mouth.)
 Concentration — A wide forehead, having a massive appearance,
with the upper lip converging to a point in the centre.

Congeniality — Prominence of chin in the middle.

Conscientiousness — Four or five perpendicular lines between the

eyes.

Constancy — Breadth of upper part of the cheek and deep, wide

chin. A square, high, broad forehead.

Contentment — A Greek nose indicates a contented disposition,

but these noses lack the ambition and energy which bring success.

Contest (love of) —This quality, generally found in ambitious

natures, is seen when the eyebrows slope down so far as almost to
meet the eye at its outer extremity.

Courage — Ears which, instead of sloping backward, stand upright

and close to the head.

Cowardice — A flat forehead and sunken eyes are generally

recognized signs of cowardice. A pointed nose is the common sign
of a womanish and fearful character.

Craft — An oblique mouth, with a pointed chin. When the corner

of the eye ends in a point (as in the stag) the sense of hearing is very
acute and craftiness is present.

Criticism — A forehead prominent in the centre and a nose which,

forming a straight line, is seen to thicken at the tip.

Cruelty — Large ears that stand out very far from the head, and
thin, compressed lips.
 D.
Deceit — Eyes that are obliquely set close together. Eyebrows that
meet or which droop down to the roots of the nose.

Decision — A square chin, with an indentation on the bony part.

Firm, straight eyebrows placed close to the eyes.

Despotism — Ears projecting very far from the head, with a

heavy chin.

Detail (love of) — One deep perpendicular line between the

eyes. This love of detail often passes for stinginess in the eyes of
others.

Diligence — Perpendicular wrinkles which are natural to the

forehead and not the result of frowning.

Discretion — An angular chin.

Docility — Broad, large nostrils which turn up, as seen in the

horse, are said to denote docility.

Dogmatism — A dogmatic person has a high, but narrow,

forehead, with a slightly projecting under lip, and often a turned-
up nose.

Dullness — A forehead which projects greatly in the upper

portion when accompanied by large, round eyes, like those of
the owl, the upper eyelids of which are soft and fleshy and the
contours not sharply defined, announces dullness of intellect. A
narrow, weak forehead, with massive jaws, giving the lower part
of the face a heavy appearance, bears the same signification.

Duplicity — Unduly high cheek bones.

 E.
Economy — Long, drooping eyebrows, with the upper part of the
nose broad.

Egotism — The jaws and lower part of the face larger than the
upper, with a flat chin and prominent cheek bones. Selfishness is also
found with a head so shaped as to present a flat appearance at
the back, and a long chin measuring downward from the centre,
more especially if the chin be pointed.

Eloquence — Eyes that are full underneath, so as to give the eyes a

prominent appearance, give a command of words and a facility for
acquiring languages.

Endurance — A firmly closed mouth, with a long upper lip. A

Grecian nose also denotes passive endurance.

Energy — The root of the nose bony and broad. Long, narrow nos-
trils, an aquiline nose, and that part of the cheek lying between the
nose and the cheek bone very prominent.

Enjoyment (great love of) — Much space between the eyebrow

and the eye at the outer corner.

Enthusiasm (exaggerated) — A perpendicular forehead with an

arched nose and projecting chin.

Evasion — Downright projection of the inner line of the eyebrows

so that they slope off to the root of the nose.

Even Disposition — Eyebrows that lie wide apart. They must not
present a ruffled appearance to bear this interpretation.

Extravagance — A very thin bridge to the nose, unless counter-

balanced by long, drooping eyebrows.
 F.
Faithfulness — Breadth of the upper part of the cheek and a deep,
wide chin. A square, high, broad forehead.

Faithlessness—A narrow, square chin. This shows a desire to love,

but implies fickleness.

Fanaticism — The upper lip hollowed out in its centre, with an

angular chin.

Firmness — Eyebrows lying close to the eyes, compressed, and

close, with the hairs running parallel. An angular, knotted forehead
and well-
delineated, firm mouth, the outline of the lips being sharply defined.

Flippancy—The tip of the nose broad and tilting upward, and lips
that have a tendency to curve up at the corners.

Folly — A forehead projecting in the lower portion, retreating in the

upper, combined with a long, arched brow, the horizontal line of
which is two-thirds shorter than its height. A head which has a
conical-pointed appearance when seen from the back has the
same signification.

G.
Generosity—A very thin bridge tc the nose. Full lips, which at the
corners are pressed together, imply the same quality.

Geniality — A slightly projecting under lip. But the lower lip must not
project far, or the signification is unfavorable.

Genius—Two or three lines on either side of the forehead, which

slant down to a point in the centre.
 Good Nature—Lips which describe the curve termed Cupid's bow
denote childlike amiability. Good nature is also shown by an
overhanging upper lip.

Goodness—The under arch of the upper eyelids circular in form,

and the upper lip larger than the lower.

Gratitude — When the hairs of the right eyebrow near the root of
the nose turn up a grateful spirit is shown.

H.
Heartlessness—A high forehead, with a conspicuously rounded
brow, while the lower portion is very flat. A flat chin, with an aperture
in the centre of the mouth, which shows the teeth even when the
mouth is closed.

Hopefulness—Three undulating lines traveling the forehead

horizontally.

Hospitality — Upright furrows in the cheeks on either side of the

mouth.

Hypocrisy — Feeble and ill-defined traits, with eyebrows that meet.

I.
Idealism — The upper portion of the face strongly developed
above the temples and the lower part proportionately small.

Imagination — The crown of the head high, viz. : the distance from
the tip of the ear to the crown long.

Imagination (want of) — A forehead very perpendicular in outline

denotes absence of imagination, especially if the forehead be
smooth and unwrinkled. Such a person will be very practical, taking
a matter-of- fact view of things.
 Imbecility — A forehead whose fundamental line is two-thirds
shorter than its perpendicular height, is that of an idiot. When the
under lip is very soft, thin, and projects much beyond the other, no
intelligence is present.

Imitation — An upward turn of the inner line of the nostrils gives a

faculty for imitation. The same is found with elongated nostrils, which
slope down on to the cheek, and with a very wide mouth, the face
being narrow.

Impressionability — Flat, snub nostrils. These also indicate careless-

ness.

Imprudence — Weak eyebrows arching high above the eye. A

long interval between the nose and the mouth is the indication of
want of prudence and precipitation.

Impulsiveness — Fullness in the cheeks by the side of the mouth.

The lower portion of the forehead projecting, and the upper
receding, gives perception, but lack of wise thought.

Inconstancy — An oblique mouth. Inconstancy in men is found

with a small nose, unless the chin be well- developed.

Indecision — A long, flat chin with the upper lip hanging down.
Inordinately large ears, which are most strongly curved at the upper
part. A mouth, which is always a little open, points to indecision and
weakness.

Independence — The forehead having a raised full form between

the two eyebrows above the ridge of the nose, and neck long.

Inquiring Mind—Upward turn of the point of the nose.

Inquisitiveness—Eyebrows which slope close to the eyes near the

temples, then curve over the eye. A nose that has great length with
an inclination to tilt upward. A pointed nose accentuates the
indications.

Intellectuality— A wide space between the tip of the ear and the
outer corner of the eye. The greater the space the more intellectual
the subject will be. Large pupils are also indicative of intellect.
Ruffled, irregular eyebrows, that are well-pronounced, and not far
from the eyes, give intellectuality and irritability, a not unusual
combination.

Intelligence — The borders of the ear only slightly folded over. A

forehead in exact proportion to the rest of the face, being oval or
nearly square across the brows, the upper part retreating slightly, but
very full above the eyebrows, with one deep perpendicular line
between them.

Intelligence (lack of)—A short ear, with a rough, low forehead.

Round ears with ill-developed curves and rims.

J.
Jealousy — Oblique fullness at the side of chin just below the
upper lip.

Judgment (quick) — Large, clear, transparent eyes, which move

incessantly, the eyelids being sharply delineated. A nose whose
ridge is broad and which turns up at the tip, announces judgment
and natural wit.

Justice — Two upright lines planted between the eyes denote love
of justice.

L.
Labor (love of) — A sharply delineated mouth, with the lips inclin-
ing slightly upward at the corners under an arched lip. The nose will
also be well-pronounced, and not of the Grecian type.

Laziness — A perpendicular forehead, with a nose which sinks

Down at its root.
 Lethargy — Weak eyebrows high above the eyes, and a mouth
which displays the upper gum when speaking.

Love (ardent)—The lower part of the face at the side of the chin
full. The chin will be round and broad and recede very much in the
upper portion, but project in the lower.

Love (desire for) — An indentation or dimple in the centre of the

chin announces one more anxious to receive love than to bestow
the same. The upper lip is often raised in such subjects, showing the
middle teeth. A chin which is both narrow and square also
indicates a desire for affection, but will not give constancy in love.

Love of the Opposite Sex—Eyes that are very round, large, full and
clear.

Luxuriousness — A nose much sunk at the root and slightly turned

up at the tip, with fleshy lips and a perpendicular forehead.

M.
Magnanimity — A round nose, the bridge of which is broad.

Malevolence—The under lip projecting so as to measure half the

breadth of the mouth when seen in profile.

Mathematical Aptitude — The eyebrows curving upward near the

temples.

Meanness — A forehead disproportionately long and covered by

a tight, unwrinkled skin, the under lip projecting and the upper
arched from the nose, when seen in profile, denote a mean,
contemptible nature.

Melancholy — Great width at the root of the nose, more especially

if it be sunken at the root. Many incisions and lines on the nose which
become visible at the slightest motion.
 Memory (good) — Protruding eyes and a forehead raised and
convex in the centre.

Modesty — When the upper eyelids are long and droop

perceptibly innate modesty is shown.

Observation — Overhanging eyebrows and the lower part of the

forehead full.

Obstinacy — A short and thick nape of the neck is the sign of an

inflexible spirit. Obstinacy is also expressed by a long chin, when the
upper part of the forehead—where the reflective faculties are
situated— recedes. If the forehead be well- formed and in
proportion, such a chin would only signify determination.

Originality — The cartilage of the nose descending below the

nostrils. A rounded chin, the lower, bony part of which protrudes,
and which has a deep depression beneath the lip.

Ostentation (love of) — Full lips, with the upper one turning
outward.

P.
Passion — Eyes which display the whole iris. A broad chin with un-
even surface denotes violent passion.

Perception (quick) — A broad, conspicuously arched forehead,

with sparkling eyes under strong eyebrows. Eyes which have a firm,
round look owing to the eyelids being widely extended. The lower
portion of the forehead projecting also implies discernment.

Perseverance — An angular, knotty forehead, or a perpendicular

forehead, with the nose curving in at the root and somewhat turned
up at the point. A Roman nose generally announces perseverance,
and the lower jaw full at the side of the neck has the same
indication.

Poetry (love of) — A small lump at the base of the nose, with great
length from the tip of the ear to the crown of the head.

Pride — Nostrils which have a distinct upward curl, and which

readily dilate and contract. Another sign of pride is a curved line
running from the corner of the nostril to the corner of the upper lip.

Pride (noble) —Large, clear, transparent eyes which have a rapid

movement, and sharply delineated eyebrows.

Prudence — A square forehead with broad temples and firm eye-

brows, well-delineated lips, both the same size, and firmly closed. An
angular, projecting chin, and an arched, prominent forehead, with
one or two disconnected wrinkles lying between the eyebrows.

Purity — The lips closely compressed together in the centre.

R.
Reason — Great width across the front of the forehead in the
centre and the wing of the nostrils long.

Refinement — A nose of the Grecian type, long and straight in

profile. Cheeks which form a straight or gently curved line from the
eyes to the chin when the face is viewed half in profile.

Reflection — A forehead which is prominent near the brow, with a

few indentations between the eyebrows. Narrow eyes give intensity
of thought, in contrast to open, round eyes, which see much, but
reflect little. Reflection is further shown by a nose the ridge of which
appears broad when viewed full face.

Reserve—Lips that are gently but firmly closed, and a long nose
that droops at the tip.
 Resistance — The moral force which gives strength to resist temp-
tations is found with eyebrows which describe an angular curve
outward.
Resolution —To be expected when the jawbone is developed in
the centre, producing fullness there. The eyebrows must not arch
high above the eyes, as this is always a sign of weak will.

Restlessness —The whites of the eyes visible above and below the
pupil.

Revenge—A revengeful spirit is indicated by ears that are very high

up in the head, as is the case with monkeys, or when the eyebrows
jut downward"* in the centre, forming a curve.

Romance — A ridge in the centre of the nose. When this lump is

quite close to the bridge of the nose, or near the tip, it has a
different signification. The eyebrows of a romantic person are
generally somewhat arched, and seldom describe a straight line.

S.
Scorn — An upward curve to the upper lip, with a slight crease or
fold under the lower lip.

Secretiveness —When the nostrils lie flat to the face secretiveness is

shown. Great breadth across the nostrils is another sign.

Self-Confidence—The lower portion of the nose broad.

Self-Control — A mouth that is firmly closed with the lips drawn

backward.

Self-Defense — A lump at the end of the nose, giving it a thick

appearance just above the tip.
 Self - Depreciation—The upper lip hollowed out below the nose.
The more this portion of the face curves in the greater the want of
self-appreciation.

Self-Esteem—The upper lip is full and stiff in the middle.

Selfishness—Very smooth lips.

Self-Justification — A desire to justify one's actions in the eyes of

others is found when the lower eyelids are very wide.

Sensitiveness—An oval forehead, with nostrils which readily dilate

and contract. A narrow, cramped forehead, which curves inward at
the temples, often shows a morbid sensitiveness, but the most striking
characteristic of this trait is found with thick, drooping eyelids of a
transparent appearance, the veins showing through. The lashes will
be soft and lighter than the hair. A nose which is thick at the tip
accentuates the sensitiveness.

Sensuality—Full, fleshy lips, with the nose inclining to the mouth,

and the nostrils running up the side of the nose in a slanting
direction. Wrinkled appearance of muscles at the outer corners of
the eyes.

Sentiment — Small ears lying close to the head, the back of which
is well-developed.

Spirituality — A forehead that is high in the crown, owing to great

length from the tips of the ears to the crown.

Stupidity — When the eyes are far removed from each other,
thoughtlessness and stupidity are shown. We see this strikingly
demonstrated in the animal world in the head of the cow. Stupidity,
combined with obstinacy, is shown by large ears, the upper part of
which are particularly broad and high.
 Subtlety — A mouth which readily dilates and contracts, especially
if the line of the mouth be somewhat oblique when seen in profile.

Superior Merit—The eyebrows well-defined and firmly arched, and

the forehead cut by one or two deep perpendicular lines between
the eyebrows.

Suspicion — The nose pointing downward and very long,

measuring from the lips outward.

T.
Talent—Gray eyes, and a low, broad forehead.

Talent (diplomatic) — A pointed nose and chin with a well-formed

forehead.

Talent for Acquiring Knowledge — A high forehead, when well-

formed, shows a love of study and a facility for acquiring
knowledge, but not the knowledge that is obtained from
observation.

Talkativeness — Width at the tip of the nose denotes a love of

talking over matters, and of confiding one's love affairs to others.

Taste (good)—Eyebrows that curve high above the root of the

nose and then slope obliquely to the temples.

Temper (bad) — Large, distended nostrils. The more oblique the

outline of a face appears the worse will be the temper. The hair of
the eyebrows, when naturally very short, has the same bearing.

Temper (captious) -—Hazel eyes, with very arched eyebrows, the

hairs of which have a ruffled appearance.
Temper (even) A forehead which takes an arched form in the upper
sphere, with even eyebrows, the hairs of which are long, and close-
lying ears.

Temper (irascible) —Noses which are thin and particularly slender

at the tip.

Temper (passionate) —The ears rising higher than the eyes. Violent
temper is more common with eyes of a brown shade than those of
the blue type.

Temper (quarrelsome) —The skin between the eyebrows and

eyelids relaxed and drooping down so as almost to touch the
eyelashes.

Tenderness—A forehead which, when seen in profile, has a curved

appearance, the under arch of the upper eyelids taking a circular
form. The ears will lie close to the head.

Thoughtfulness — The upper part of the forehead projecting, as

the reflective faculty are located there.
_____ .
Thoughtlessness — The head much developed close to the ears,
and the eyebrows far from the eyes.

Timidity — Small ears, which slope backward greatly, and small

nostrils, rather narrow.

Truthfulness — A square forehead, rather high and broad. The

muscles under the eyes full, and wrinkles at the outer angle of the
eye.
.
Understanding (dull) — Large heads, with flat foreheads, the head
sloping away at the back. A mouth which is twice as broad as the
eye, and a square, wrinkleless breadth between the eyebrows,
which remain smooth when the rest of the forehead is lined.
 Understanding (good) — Regular parallel wrinkles on forehead,
with well-defined eyebrows not far from the eyes, and a high
forehead with spherical knots in the upper portion.

Unreasonableness — Excessively small, pink ears. The well-propor-

tioned ear averages the nose in length.

Unreliability — Eyes of a grayish tint, with a wrinkled and knotted

forehead, the wrinkles lying in short, undulating lines, not deeply
marked.

Unselfishness — The borders or rims of the ears only slightly curved

over.

Untruth — Eyebrows that meet, which slant down in an oblique line

to the root of the nose.
V.
Vanity — Small nostrils, with circular, arched forehead, the lips
being thin and inclining up at the corners and a fullness of flesh
under the eyes.

Voluptuousness — Lips which are more fleshy at one side than

the other betoken voluptuousness, and a mouth the corners of
which droop, the lips being thick, shows sensuality.
w.
Watchfulness — Prominence of the upper part of the cheek bones.

Weakness of Character—Eyebrows that are lighter than the hair

and far from the eyes.

Wickedness or Great Folly is shown when the lower lip is much

larger than the upper and projects very far.

Will (firm) — Eyebrows lying close to the eyes, and a nose which
is arched from the root, the chin being prominent and indented.
 Will (steadfast)—The upper lip slightly projecting and both
meeting in a bold, full, noble form.

Will (weak)—A semi-spherical shaped forehead with a nose sunken

at its root and a poorly developed chin.

Wisdom—Four transverse lines crossing the forehead above the

reasoning faculties. Regular, compact eyebrows, the hairs of which
are smooth and run in the same direction.

Wit — A thin, sharply defined angular nose, pointed at the tip and
slanting toward the lips, with the upper part of the forehead sloping
gently backward. One often finds three short lines on the nose which
denote wit.
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
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