The Birds
The Birds
The Birds
she goes after a potential love interest- Mitch Brenner (Rod Taylor) and finds herself in a small town
called Bodega Bay. Birds start attacking the people of Bodega Bay, starting with Melanie herself
when a seagull swoops down at her. There are soon swarms of birds that keep attacking the town,
including an attack on the school children, one of whom is Mitch’s little sister Cathy (Veronica
Cartwright). Then people start getting brutally murdered including Mitch’s ex-lover and school
teacher Annie Hayworth (Suzanne Pleshette). Mitch’s mother, Lydia Brenner (Jessica Tandy) is
absolutely terrified of the birds and when the attacks get worse they barricade themselves inside the
house. The film ends when Melanie gets attacked by birds in the attic of the house and becomes
completely traumatised. The family manages to escape the house between bird attacks and drive
away from a then completely deserted town.
In The Birds Alfred Hitchcock’s use of suspense and confusion drives the story forward as the
audience hopes that there will be a final explanation for the sudden onset of brutal bird attacks.
However, the audience finds themselves to be disappointed as no such explanation is given as
mentioned in the film: “’I don’t know why,’ says harried Melanie Daniels (Hedern). ‘Wish I could say,’
blurts bemused Mitch Brenner (Rod Taylor). Everyone is confused, ruffled, on the brink of flight.
Here is a film that provides no answers and no escape. Chaos reigns from top to tail.” (Brooks, 2012).
Fig 3. Lovebirds
Either way no one knows the concrete answer, as quite possibly there isn’t one and the film is just
left open for personal interpretation. “The Birds seems to be a film which functions as a Rorschach
test, in which every critic sees something different, and of which virtually anything can be said.”
(Derry, unknown) A Rorschach test is a psychological test where subjects’ perceptions of inkblots are
recorded and then analysed. It could be said that this sort of test could be compared to The Birds as
every audience member might have a slightly different perception on the film and therefore if we
were to analyse the data we could interpret it in a psychological way.
Another way in which the film could be interpreted is how the bird attacks are due to birds or even
other species in general taking revenge on the human race: “I think it’s fair to say that Hitchcock’s
The Birds follows a hint in du Maurier’s short story and shows birds avenging themselves on humans
for millennia of ill treatment.” (Mogg, 2009) This suggests that due to the fact that bird have been
somewhat mistreated by humans for thousands of years then this story is about birds finally getting
their revenge.
In summary, The Birds is extremely open to individual interpretation and the perception of the film
depends on the audience member and how they perceive the various factors of the film.
Illustration List
Figure 2 Melanie Daniels and Mitch Brenner (1963) [film still} At:
https://fictionmachine.files.wordpress.com/2016/04/birds14.jpg (Accessed on 30/01/18)
Figure 4 Birds attack the school children (1963) [film still] At: http://1.bp.blogspot.com/-Lq91eXqAS-
o/TwfjFBgTG9I/AAAAAAAAD3M/LX-h0Q529zY/s1600/The+Birds+6.jpg (Accessed on 30/01/18)
Bibliography
Brooks, X (2012) ‘My favourite Hitchcock: The Birds’ In: The Guardian [online] At:
https://www.theguardian.com/film/filmblog/2012/jul/31/my-favourite-hitchcock-the-birds
(Accessed on 30/01/18)
Derry, C (unknown) ‘The Birds- Film (Movie) Plot and Review’ In: Film Reference [online] At:
http://www.filmreference.com/Films-Bh-Bo/The-Birds.html (Accessed on 30/01/18)
Mogg, K (2009) ‘The Day of the Claw: A Synoptic Account of Alfred Hitchcock’s The Birds’ In: Senses
of Cinema [online] At: http://sensesofcinema.com/2009/towards-an-ecology-of-cinema/hitchcock-
birds-synoptic-account/ (Accessed on 30/01/18)