Chandela Stone Sculpture in Central India
Chandela Stone Sculpture in Central India
Chandela Stone Sculpture in Central India
The Rajput clan of the Chandelas ruled the Bundelkhand region of central India between
the 10th and the 13th centuries. Chandela culture is best-known for the nagarastyle architecture and erotic stone sculpture at the temples of Khajuraho - now a
UNESCO world heritage site. Mostly erected between 950 and 1050, the Khajuraho
complex consists of 85 Hindu and Jain temples spread over 2.5 square miles, southeast
of Jhansi, in Madhya Pradesh. Made from sandstone on a granite foundation, the
Khajuraho temples were actively used by worshippers until the establishment of the
Delhi Sultanates of the 13th century. Under Muslim rule, most of Khajuraho's
monuments were destroyed or left to fall into ruin. Of the 20 or so surviving temples,
perhaps the best-known are the Khandarya Mahadeva temple(1029) dedicated to Shiva,
and the Lakshana Temple (939) dedicated to Vaikuntha Vishnu. Khandarya Mahadeva is
the largest Hindu temple and is decorated with over 640 statues. Lakshana is famous for
its three-headed, four-armed statue of Vaikuntha Vishnu, and its eight armed, elephantheaded image of Lord Ganesha, the Hindu Lord of letters and learning. Most (90 percent)
of the thousands of Khajuraho statues and reliefs are concerned with daily life, as well as
mythical stories and symbolic values. But around 10 percent of both the interior and
exterior carvings are erotic images featuring female nudes cavorting with naked males.
The exact meaning and purpose of this so-called art remains a matter of debate, but
there can be no doubt as to its importance to the Hindu and Jain faiths, not least
because it involved the creative efforts of hundreds of highly trained sculptors.
See also: How to Appreciate Sculpture (c.30,000 BCE - 1900 CE).
Chola Bronze Sculpture of South India, Sri Lanka (9th-13th century)
From the late 9th century to the late 13th century the Chola dynasty ruled much of
south India, Sri Lanka and the Maldive Islands from their base near Thanjavur on the
southeastern coast. Chola kings were active patrons of the arts, and during their reign
they built a number of large stone temple complexes decorated throughout with stone
carvings of Hindu deities. However, Chola art is best-known for its temple bronze
sculpture of Hindu gods and goddesses, many of which were designed to be carried in
local processions during temple festivals. Cast using the lost-wax method, Chola bronzes
were admired for their sensuous figures as well as the detail of their clothing and
jewellery. It is worth remembering that when these images were worshipped in the
temple or during processional events, they were lavishly adorned with silk cloth,
garlands, and jewels. The Chola style of sculpture was greatly admired for its elegance
and grace, but especially for its vitality - an attribute conveyed through facial
expression, posture and movement. Even though bronze sculpture was well established
in south India before the Cholas, a much greater number of bronze statues were created
during the Chola period. Chola Hindu sculpture features countless figures of Shiva, often
accompanied by his consort Parvati; Vishnu and his consort Lakshmi; the Nayanmars,
other Saiva saints and many other Hindu divinities.