PP Getting It Right in Camera
PP Getting It Right in Camera
PP Getting It Right in Camera
things:
1. High ISO: the higher the ISO, the more noise
2. Underexposed images: pictures that are not exposed correctly
in camera, but later improved in post-processing, will have
noise in them, due to the underexposure.
Aperture
Aperture is how wide the opening of your lens is at the time of the picture.
A smaller f number (like 1.8) means your lens is wide open, allowing in
lots and lots of light.
A larger f number (like f16) means the lens is more closed down, allowing in much less light.
Narrow/closed down (large f numbers) have smaller openings, preventing much light from entering in.
Wide open (small f numbers) give you a shallow depth of field, meaning just the subject is going to be in focus and most everything else behind it will be blurry.
Shutter Speed
Shutter speed is how long your shutter is open.
In your view finder it will just be a number: 200 (for 1/200th) or 1400
for 1/1400th or 20 for 1/20th of a second.
Fast shutter speed can freeze action, like water spraying or jumping
kids.
Slow shutter speed is one of the main contributors to out of focus images.
If you have a slow shutter speed and you are hand-holding the camera
or having a busy subject, you are likely to have some motion blur
which will prevent the image from being sharp.
Helpful tip: To ensure sharp pictures, keep your shutter speed at twice the
focal length of your lens.
Metering
Metering is getting your image properly exposed by balancing the ISO, aperture and shutter speed.
Types of metering:
Spot metering is taken from one particular, chosen area (use focal
points to pick your spot).
Matrix or Evaluative reads the light over the several different spots
in image.
I almost always use spot metering, but there are times matrix and center
weighted work better.
Landscapes matrix / Group portraits center weighted
the camera
Know where to place the focus
More focus falls back than forward, so.
Focus on the eye closest to you
If a group, focus on the person closest to you
Distance to subject(s)
The closer you are to your subject, the shallower your depth of
field gets