[go: up one dir, main page]

0% found this document useful (0 votes)
211 views4 pages

Unit Plan Lesson 2

Uploaded by

api-252182609
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as DOC, PDF, TXT or read online on Scribd
0% found this document useful (0 votes)
211 views4 pages

Unit Plan Lesson 2

Uploaded by

api-252182609
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as DOC, PDF, TXT or read online on Scribd
You are on page 1/ 4

Lesson Planning Form for Accessible Instruction Calvin College Education Program

Teacher Ashley Weesies Date 4/14/11 Subject/ Topic/ Theme West African Drums and Rhythm Grade _____ rd_______

I. Objectives How does t is lesson connect to t e unit !lan"


This is a continuation of the study of the son! "un!a Alafia #ith added instruction about the percussion of West African music$

Learners will be able to#


Describe or demonstrate the concept of a drum circle and #hat they are commonly used for$ ,mpro%e their steady beat and play a composed rhythm #ithin a 4 -uarter note beat pattern$ ,dentify differences in different %ersions of traditional son!s in melody. %o#els. dynamics. duration. etc$

co!niti%e& R ' Ap An ( )*

physical de%elopment

socio& emotional

' Ap. ) R. An

+ + +

Common Core standards $or %LCEs if not available in Common Core& addressed# ART$/$,$

$1 'se de%elopmentally appropriate sin!in! %oice. sin! melodies accurately. and physically demonstrate macro and micro beat$ ART$/$,$ $4 Sin! melodies #ith confidence in a lar!e !roup$ ART$/$,$ $0 (1pand the comple1ity of patterns$ ART$/$,$ $2 3lay instrumental parts independently #hile other students sin!$ ART$/$,,$ $1 )reate throu!h e1ploration. impro%isation. and composition. rhythmic and melodic ostinati accompaniments$ ART$/$,,,$ $0 'se music %ocabulary to e1press personal reactions for musical #or4s and styles$ ART$/$,5$ $6 Describe ho# elements of music are used in e1amples from #orld cultures. usin! music performed and presented in rd !rade$ ART$/$5$ $ Discuss the %arious rationales for usin! music in daily e1periences$ 78ote# Write as many as needed$ ,ndicate ta1onomy le%els and connections to applicable national or state standards$ ,f an objecti%e applies to particular learners #rite the name7s9 of the learner7s9 to #hom it applies$9 *remember. understand. apply. analy:e. e%aluate. create

II. 'efore (ou start Identif( !rere)uisite *nowledge and s*ills.

Students should be able to mo%e their arms up and do#n so their hands hit a drum head$
Pre-assessment (for learning):

;a%e the students tap on their laps to see #ho has a stron! beat in them and #ho needs more !uidance$ Outline assessment activities 7applicable to this lesson9
Formative (for learning):

;a%e some students transfer this onto drums #hile other students #atch and 4eep each other to!ether$
Formative (as learning): ;a%e students place a <ch= sound bet#een their bi! beats to internali:e the small beat. e%entually only drummin!$ Summative (of learning9>

;a%e students sho# their composed rhythmic pattern #ithin the 4 beat measure durin! the son!$
Provide /ulti!le /eans of 0e!resentation 3ro%ide options for perception& making information perceptible 5ideo. sound. touch. respondin! throu!h sin!in!$ Provide /ulti!le /eans of Action and E.!ression 3ro%ide options for physical action& increase options for interaction ;it drum. tap 4nees. tap the shoulder of the person ne1t to you. sin! the response 3ro%ide options for e1pression and communication& increase me ium of e!pression Sin!in!. playin!. ans#erin! -uestions. !i%in! ideas and connections$ 3ro%ide options for e1ecuti%e functions& coor inate short & long term goals, monitor progress, an mo ify strategies Provide /ulti!le /eans of Engagement 3ro%ide options for recruitin! interest& choice, relevance, value, authenticity, minimize threats )ircle. #atch others. different drums. #atch real Africans play in a drum circle$ 3ro%ide options for sustainin! effort and persistence& optimize challenge, collaboration, masteryoriente fee back Students focus on one person?s rhythm. impro%isation. compare our sound #ith the %ideo$ 3ro%ide options for self&re!ulation& e!pectations, personal skills an strategies, self-assessment & reflection

+ at barriers mig t t is lesson !resent" + at will it ta*e , neurodevelo!mentall(e.!erientiall(emotionall(- etc.- for (our students to do t is lesson"
3ro%ide options for lan!ua!e. mathematical e1pressions. and symbols& clarify & connect language )hoose a student?s rhythm to notate and ma4e sure it fits into the 4 beat pattern$ 3ro%ide options for comprehension& activate, apply & highlight

Repeatin! and re&usin! %ocabulary #ords. as4in! students to recall and try to use them throu!hout the lesson$

Short term is to learn the son! and the rhythmic patterns. lon! term is to 4eep steady beat$

The students must stay to!ether #ith the beat and focus on the son! #hile it?s bein! played$

1&1@&1

/aterials1w at materials $boo*s- andouts- etc& do (ou need for t is lesson and are t e( read( to use" How will (our classroom be set u! for t is lesson" III. 2 e Plan 2ime 6#78 Com!onents /otivation 7openin!/ introduction/ en!a!ement9

0 drums. %ideo. projector

The students #ill start in ro#s on the floor. and soon be as4ed to turn and face the screen$ The drums #ill start near the ed!es of the classroom around it. and later they #ill be mo%ed into a lar!e circle shape bet#een students$

3evelo!ment 7the lar!est component or main body of the lesson9

3escribe teacher activities A43 student activities for eac com!onent of t e lesson. Include im!ortant ig er order t in*ing )uestions and5or !rom!ts. https>//###$youtube$com/#atchA%B41l6j0j,Cd' Watch %ideo as they come in the door and 3lay %ideo$ Tell students #hat this is a drum circle$ sit in their ro# by silent teacher direction$ As4. <#hat mi!ht you use a drum circle forA= before tellin! them ho# the Africans use it$ /any African cultures participate in drum circles$ Gi%e su!!estions for the use of music in a 'ses> (-uality. enjoyment. friendship. rela1ation$ drum circle$ )ircle the students by turnin! around the front ro#. splittin! the middle ro# in the center and ha%in! each side scoot and Get in the circle as the teacher directs$ face the middle of the classroom$ De the caller for "un!a Alafia and as4 the students to be the responders$ As4 drummers to join in #ith steady beat demonstrated by the teacher #ith the hand shape of the Respond #ith <"un!aH= ,n the chant and teacher$ Ashe Ashe in the melody section$ When the <bom bom= section comes in. #arn them by Students on drums join in the beat and sayin!. <no# just listen= and play the rhythm. !esturin! for follo# the hand shape of the teacher$ the students to sin! on <Ashe Ashe=$ Then say. <try it= and do the rhythm a!ain. still 4eepin! in time #ith the son!$ "inish after the melody section and say. <8o#. #e #ill come ;it the drum as closely to the rhythm for bac4 to the chant section but the drummers #ill be doin! a this section as possible rhythm$ Coo4 up on the screen and you see 2 -uarter rests$ ;o# many beats does each rest !etA= They are one beat each$ ;a%e the drummers all 4eep a steady beat and the rest of the students clap and count 1. 6. . 4. E. F. 0. 2 repetiti%ely$ Say in tempo. <Geep the beat and count for me as , play my o#n thin!$ Stay on your o#n partH Ready here , !o. andH= The remainin! student acti%ites are 3lay a simple rhythm #ithin the 2 beat pattern once and !o described in the teacher?s ri!ht bac4 to 4eepin! the beat #ith them$ /a4e sure they don?t rush and in tempo. say. <Stay on your part and , #ill do instruction$ another oneH= De!in doin! another rhythm that fits into 6 4 beat measures$ Say in tempo. <and one. t#o. hands upH= ,f the students don?t !et that that means stop. say. <This time. #hen , say hands up that means e%eryone?s hands are up and silent on my count$ Try a!ain$= Tell students to join in the beat a!ain. say. <and one. t#o. hands upH= Don?t accept any e1tra noise$ Tell the students that the ne1t step is to !o around the circle to the drummers and ha%e each do t#o four beat measures #ith t#o more four beat measures in bet#een$ As4 them to count to 2 durin! the solos in a -uiet %oice on the beat$ As4 them to loo4 at the screen a!ain$ Say. <Iour rhythm #ill fit into these ei!ht beats. and then #e #ill all play 2 steady beats to!ether #hile , choose the ne1t person to do a rhythm$=

1&1@&1

Closure 7conclusion. culmination. #rap&up9

Tell the students to join in once they feel the steady beat$ De!in the beat$ Jnce all students on drums ha%e !otten a turn. do the Kone. t#o. hands up? endin! and ha%e the students mo%e one spot o%er to their ri!ht$ 8o# is a !ood time to mention that F students #ill be chosen at the end of class to play a special part in performance mode$ Tell the students that these special F people #ill be the best direction follo#ers and the most focused on their beats and rhythms$ Repeat the e1ercise until all students ha%e been on the drums once$ As4 the students to face the screen and put up a slide that says. "un!a Alafia "orm> )hant Tune Dom )hant "'8GAH As4 the students to sit and face the front as they try to memori:e the form$ Cet them 4no# that they can pee4 at the form as they !et to their seats. and once e%eryone is ready. they #ill sho# it by sittin! crisscross on the floor facin! the front of the room$ Sin! throu!h "un!a Alafia #ith the students in this form$ 7Dom is the same as the tune. but the drum plays the beats of <fun!a alafia= #hile the sin!in! cuts out and then <ashe. ashe.= is sun!$9 As4 the students to tap the beat on their laps and play their solo rhythms durin! the second chant portion on their laps$ Then as4 the students to stand and choose F students that ha%e been obser%ed as direction follo#ers and !ood beat and rhythm 4eepers throu!hout the class$ As4 them to come for#ard$ Tell these students they #ill be doin! #hat #as just done in the practice round. but on these drums instead$ ;a%e them face the other students$ Tell the other students they ha%e a job to do> motionsH /a4e sure they 4no# #ho is in !roups 1 and 6 by re&splittin! them in half$ De!in the beat and as4 the drummers to join in$ )ount off. 1. 6. . 4. ready. !roup. 1H Go throu!h the last "'8GAH Some students #ill pic4 up on that and follo#. but many #ill be confused$ Demonstrate. and then ha%e them copy$ Do the last chant section once more. and remind them to do their 2 beat rhythm pattern o%er and o%er durin! this section$ (nd #ith "'8GAH As4 students to applaud for the drummers and sit$ As4 the students to turn to#ard the projector screen once more and thin4 bac4 to those African people playin! in a drum circle$ As4 them #hat else #as done in "un!a Alafia besides drummin! and sin!in!$ /any ans#ers are correct$ Respond #ith. <yes. and #hat elseA= for these$ "ish for

1&1@&1

Kmotions? or Kmo%ement?$ Tell the students to #atch the %ideo on the screen and see #hat 4inds of thin!s real African dancin! has in it$ As4 them to loo4 for thin!s they ha%e done in their motions so far and for thin!s that are similar and different$ Tell the students that in a fe# #ee4s. the topic of African mo%ement #ill come up a!ain$ As4 all students to stand up and !et in line by the door$ After the clappin! pattern !i%en is repeated. all students should be facin! the door. con%ersations o%er. and ready to !o$ https>//###$youtube$com/#atchA%Bjmd(GpJGaCL

1&1@&1

You might also like