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Her contributions to "Reflex" are marked by references to art in the 20th century and can be interpreted as an indirect criticism. In the photography series Interiors, Otzko stages herself in an interior. The motifs and posing are linked to photographers like Man Ray and Alfred Stieglitz who took similar photographs in the 1920s and 30s. But Otzko, unlike the female figures of her predecessors, functions as both subject and object in one and the same image. The small formats and associated texts highlight the intimate motifs, where the mirror plays an important role. From time to time we become uncertain about what is mirroring and what is not. The figure seems to go in unison with its surroundings. Torill Østby Haaland, curatorial text for the exhibition catalogue for REFLEX.
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