Bloodchild and Other Stories
By Octavia E. Butler and Jesmyn Ward
4.5/5
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About this ebook
Like all of Octavia Butler’s best writing, these works of the imagination are parables of the contemporary world. She proves constant in her vigil, an unblinking pessimist hoping to be proven wrong, and one of contemporary literature’s strongest voices.
Octavia E. Butler
Octavia Estelle Butler (1947–2006), often referred to as the “grand dame of science fiction,” was born in Pasadena, California, on June 22, 1947. She received an Associate of Arts degree in 1968 from Pasadena City College, and also attended California State University in Los Angeles and the University of California, Los Angeles. Butler was the first science-fiction writer to win a MacArthur Fellowship (“genius” grant). She won the PEN Lifetime Achievement Award and the Nebula and Hugo Awards, among others. Her books include Wildseed, Imago, and Parable of the Sower.
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Reviews for Bloodchild and Other Stories
403 ratings23 reviews
- Rating: 4 out of 5 stars4/5
Oct 11, 2024
The first Butler I have read that I liked. - Rating: 4 out of 5 stars4/5
Jan 2, 2024
I love Octavia Butler's writing. I am in general not a short-story fan, but in this case, I thought they were interesting and thought provoking. - Rating: 5 out of 5 stars5/5
May 8, 2023
Not all of the stories were absolutely brilliant (I didn't have that much use for the writing advice), but the ones that stuck with me REALLY stuck with me. Engaging, enjoyable, interesting, intelligent, and very thoughtful = excellent science fiction. I was also intrigued by the range of sci-fi here, from plausible diseases and decisions in a reality much like our own, to alien invasions and to alien worlds.
To sum it up, I'm planning to hunt down the rest of her novels and read them ASAP. - Rating: 5 out of 5 stars5/5
Dec 24, 2023
Not a big short story reader usually but loved the combination of some fantastic short stories full of interesting concepts along with the author’s notes sharing some key ideas and intent by the author. - Rating: 5 out of 5 stars5/5
Jan 29, 2023
I love Butler's works. They show such a different perspective than the usual. Her essays also speak so well to aspiring writers. - Rating: 1 out of 5 stars1/5
Jan 15, 2023
Yeah. Um so where do I even start? I know I will probably catch flack for my review but at least I’m being honest and this is MY opinion.
I like sci-fi but I don’t have a single damned clue what this was. Maybe it wanted to be sci-fi when it grew up? I only read this…whatever it was for the 52 Books in 52 Weeks challenge as it was a prompt. #48 A Book By Octavia E. Butler.
I’m all for trying new authors and such but she’s one I won’t be reading again. Her afterwards was a joke. She may have said she didn’t intend for the story to be one of slavery but it was. Humans were slaves no matter how you spin it. Which for sci-fi has been overdone in books and movies. Soooo glad this was a short one. Would not recommend. - Rating: 4 out of 5 stars4/5
Jan 3, 2023
Thoughtful, humane, earnest. The first Butler I ever read. I loved SciFi so much as a teenager but I have really lost my taste for it. I’m not against it, it just isn’t my thing anymore. But if I ever do read more, I’ll consider picking up one of her novels. - Rating: 5 out of 5 stars5/5
Jul 13, 2022
A short story that gave me hope that your dreams can come true.
That's the simple way for me to summarize this in one sentence. This short story shows how Octavia kept her dream alive while people looked down on her and lied to her. She became the first black female sci fi writer by not giving up and continuing to perfect her craft of writing. I am not going to lie, I don't think I would continue writing if I received rejection slip after rejection slip. I look forward to reading her other work. - Rating: 5 out of 5 stars5/5
Nov 9, 2021
The collection seems to be an introduction to the author in the sense of really getting to know and value her. They are all speculative fiction examining interesting aspects of people and the human condition. Not the first Octavia Butler i have read but it seems the most personal. - Rating: 5 out of 5 stars5/5
Sep 21, 2021
"Bloodchild" was recommended to me since it is a story which is deeply immersed in its own theme, if that makes any sense, and because I am in the process of writing a story which itself is deeply immersed in a theme of its own. I tracked down this collection, and thoroughly enjoyed it. It was my first exposure to Butler's work, and I highly recommend it. - Rating: 4 out of 5 stars4/5
Feb 21, 2021
In her introduction to the second edition of this book (which includes two new stories not in the 1995 edition), Octavia E. Butler admits that she is not great at writing short stories: most of them turn out to be part of a novel, and the ideas she wants to explore in her books don't fit the length of a short story.
What follows in the seven short stories and two essays that comprise the collection, however, are excellent works - mainly of science fiction - that explore all manner of life, whether it be human interaction with alien species or the results of a terrible genetic disease that causes people to mutilate themselves. The two essays delve into Butler's thoughts on writing, one autobiographical one that describes how she became a writer and the other her advice on writing. The pieces included span her writing from 1971 to 2003 and her afterwords sometimes explain the origin of the story or her unvarnished opinion of it. I haven't read enough of Butler's work to be able to say with any authority if this is a good starting point, but it does give you a flavor for the breadth of topics and genres she'll use to explore topics that interest her and inform her writing. - Rating: 5 out of 5 stars5/5
Jan 24, 2019
I frequently reference Butler as an influential and beloved author, but have still read such a small fragment of her work! It was high time to work on that. That I ended up giving a collection of short stories (by far not my favorite format) five stars was only a slight surprise.
In addition to the stories themselves, this collection includes a brief commentary from Butler on each -- inspirations for the story, comments on how others have interpreted it, etc. I loved these insights -- especially her recommended reading list after "The Evening and the Morning and the Night" -- one of my favorite stories in the collection.
These stories are just so recognizably and uniquely Butler. The way many of them get you so twisted up you want to scream and rage at the injustice -- even as the protagonist is taking some resolute turn toward compassion. I feel like I would be a bette person if I understood them better. I'd better make sure to keep more Butler books on my shelves. - Rating: 4 out of 5 stars4/5
May 17, 2017
Bloodchild and Other Stories was my introduction to Butler’s writing, and it reflects a masterful (and masterfully-thoughtful) writer. This collection features every short story — and two essays — that Octavia Butler wrote between 1971 and 2003. At just over 200 pages, that’s not many, and she herself admits to not being a writer or fan of short stories in her comments.
### ‘Bloodchild’ (1984)
I should find the title story, ‘Bloodchild,’ cheesy, with its insect-like aliens and technological magic: It’s steeped in old-fashioned sci-fi cheese without ever getting drowned in the magic and wonder writers like Bradbury relied on.
[N.B. This review features images and formatting specific to my book site, dendrobibliography: Check it out here.]
‘Bloodchild’ is about a future where humanity has come under the control and protection of a space-faring species most akin to preying mantises and spiders. They’re benevolent, but still very clearly in charge. Humanity is, coincidentally, an ideal host species for the Tilc’s larva; human families live on vast preserves, and are free to live as long as they supply one child per family as an N’Tilc — a host of Tilc larvae.
This is an uncomfortable story, and infinitely imaginative. Humanity is conflicted about this — it is a sort of slavery, after all. The hosts form close bonds with their Tilc partners, but the host process is violent, painful, gory, and can easily lead to the host’s death if they’re not careful.
‘Bloodchild’ never quite focuses on that, however. This story is all about the bond of human boy and his Tilc partner; in forming a loving relationship despite the requisite pain and suffering.
### ‘The Evening and the Morning and the Night’ (1987)
‘The Evening and the Morning and the Night’ continues the first story’s excellence, introducing a genetic disorder that causes unpredictably violent and suicidal behavior in those affected by it. Society, being how it is, punishes those born with this genetic disorder, pushing them to the outskirts of society much as our culture silently does with special needs individuals (which, of course, exacerbates their condition, turning the violence into a cycle). Like ‘Bloodchild,’ this story is required reading.
### ‘Near of Kin’ (1979), ‘Speech Sounds’ (1983), and ‘Crossover’ (1971)
The original edition of Bloodchild and Other Stories only had three more stories, all shorter and less consistent. ‘Near of Kin’ and ‘Crossover’ aren’t sci-fi, and are brief moments in the lives of fragmenting families: In ‘Near of Kin,’ a young woman goes through her mother’s belongings after she passes away. She reflects on her poor relationship with her mom, and of her better, if timid, relationship with her living uncle — who, it’s suggested, is her dad. ‘Crossover,’ Butler’s first-published story (1971), follows a young, miserable woman struggling with an abusive boyfriend, a miserable job, and thoughts of suicide. These two aren’t bad, but didn’t leave much of an impression.
‘Speech Sounds’ is a fairly standard mid-’80s post-apocalyptic story. The world’s social order has broken down after a virus causes every living person to either lose their ability to speak or read/write. Each group — speakers and readers — is led by jealousy and trouble communicating, leading to a plot straight out of the Road Warrior. This story, about a young woman who makes a fleeting acquaintance with someone not awful, is exciting, yes, but the apocalypse was never believable, and, like the page-count, the characters are in and out of the story too quickly to be memorable.
It’s rare that I can get into short stories as it is, and these three, while good, remind me more of every other short story writer I’ve had trouble getting into despite accolades (Ray Bradbury, Amy Hempel).
### ‘Positive Obsession’ (1989) and ‘Furor Scribendi’ (1993)
The two essays that closed the original ’95 publication of Bloodchild, ‘Positive Obsession’ and ‘Furor Scribendi,’ include stories from Butler’s life as well as advice to aspiring writers. Her writing background is fascinating, publishing sci-fi at a time when Samuel Delany was the only accepted black sci-fi writer. Octavia didn’t have much in the way of role models or family encouragement: Black women shouldn’t write, especially genre fiction.
Her writing advice that accompanies her flash-biography is simple: Keep writing, keep trying — become obsessed. Butler intentionally shuns the garbage of the self-help industry to get her message across: There’s no talent — nothing innate in respected writers — there’s only their obsessions that drive them to try and try again.
These two short essays may be far more valuable than any self-help book or guide for writers.
### ‘Amnesty’ (2003)
Butler’s return to short stories is stunning, with both ‘Amnesty’ and ‘the Book of Martha’ being some of the most intellectually- and emotionally-demanding work in the collection. ‘Amnesty’ is a marriage of classic sci-fi tropes, careful characterization, and damning social commentary.
An alien civilization has landed. Like in Ted Chiang’s ‘Story of Your Life,’ the Communities landed quietly in the world’s deserts, barely interacting with us as we’re studied from a distance. People have been abducted — never with any nefarious intent, though some have suffered simply due to communication issues — and slab cities have been erected around the Communities. The Communities are peaceful, each individual actually a population in itself of plant-like entities, minds working as one.
The story revolves around a former abductee interviewing candidates from outside the Communities to work for the Communities. As the interviewer, she gets a number of questions about why she is working for the species, and her reasoning is the meat of this story, relevant particularly to political events in 2017:
After her abduction, Noah was kidnapped by her own government and tortured for years. They didn’t understand the Communities — rather feared them — and wouldn’t believe that she wasn’t an agent working on the aliens’ behalf to harm mankind. Mankind, embroiled in heated competition with itself, is hardly prepared to handle an alien species which, they assume, must be after the same thing. It’s a cycle of fear and hatred, and Noah felt no choice in escaping persecution. What the Communities offer her is a home: She’s no longer welcome among mankind, tainted by this alien experience.
Octavia Butler’s gleamed more truths about humanity than most of us ever could.
### ‘The Book of Martha’ (2005)
The final story Butler ever wrote, ‘the Book of Martha’ is another bombshell on the reader’s feelings. The idea is simple (and even cliche): God meets with Martha in her dreams. Martha’s an everywoman figure, rising from nothing to moderate success. S/he asks for her help in shaping humanity’s future, in helping dilute anger and hatred and religious persecution in favor of a paradise.
The rest of this story is their conversation, their debates on how her varying ideas would help or harm the vision of an earthly paradise: Who would benefit, who would suffer. The only way to benefit everyone — hopefully — they realize, is through that individual’s dreams.
‘The Book of Martha’ offers an interesting thought experiment, and it’s surprising that a philosophical conversation with the self makes for as entertaining a story as this is.
---
Short stories rarely appeal to me the way novels do, but Bloodchild and Other Stories is an excellent introduction to Butler’s writing. Her ideas are brilliantly creative, her social commentary sharp, the empathy of her characters deep — I can’t wait to move on to her other work. - Rating: 4 out of 5 stars4/5
Mar 31, 2017
I am not much of a science-fiction fan. I chose to read Bloodchild and Other Stories because I had read somewhere that there was a short story in it, Speech Sounds, that imagines a society (due to a virulent disease) that has lost the ability for speech comprehension, along with losing the ability to read.
Being Deaf myself, I was curious how the late author Butler would have her characters communicate. Would they learn to communicate in Sign Language? Would Deaf people from all over be seen as wise people who could teach Sign Language?
The answers to my questions: No. Instead, these people are reduced to gestures and making incomprehensible sounds.
But, still, an intriguing premise. I was especially struck by how the MC in the story once had a library of books that she could no longer read. That would devastate me.
The other stories here (and there are also a couple personal essays) were mostly good. I especially liked The Book of Martha, in which God chooses an African-American woman (Martha) to take over his duties by coming up with a way to save the world from destroying itself by the people.
Would I read more by Butler? Perhaps I'll pick up Kindred at some point. I'm intrigued by the time-travel angle of that novel. Beyond that, I don't know. I do know that Butler is highly regarded in her genre. - Rating: 5 out of 5 stars5/5
Feb 9, 2016
I think that everything Butler ever wrote deserves 5 stars.
This book is much too short (as was Butler's time on this earth).
It includes five previously published stories, an autobiographical essay, an essay on writing, and two new-to-this book stories.
As well, it includes brief 'afterwords' by Butler about each piece.
Everything in the book is superb, thought-provoking and fascinating. - Rating: 4 out of 5 stars4/5
Apr 5, 2013
Edgy, taut prose from one of my favorite Sci Fi writers. Butler says she hates writing short stories, but this collection shows that she's mastered it. Five stories, two essays, each with an afterword. Two of the stories won Hugos, and one also won the Nebula. My favorite of the stories won neither. It's called "The Evening and the Morning and the Night" and it's about genes and strength and love and steely will. Butler's characters are often all about the steely will. This is a nice taste of her style, and I recommend it as a jumping off place. - Rating: 4 out of 5 stars4/5
Oct 13, 2012
In all respect to Octavia Butler, whom I hold in the highest admiration, I can only rate this anthology 3½***. It includes "Blood Child" (one of my favorite stories PERIOD, not just a favorite sci-fi story), and it also includes the very fine "Speech Sounds," but too much else is filler, including some non-fiction essays.
By her own admission, Butler much preferred writing novels over shorter writings. Absolutely get this anthology for "Blood Child" and "Speech Sounds" but don't expect all that much else from it. - Rating: 5 out of 5 stars5/5
Apr 12, 2012
The premise: ganked from BN.com: A perfect introduction for new readers and a must-have for avid fans, this New York Times Notable Book includes "Bloodchild," winner of both the Hugo and the Nebula awards and "Speech Sounds," winner of the Hugo Award.
Appearing in print for the first time, "Amnesty" is a story of a woman named Noah who works to negotiate the tense and co-dependent relationship between humans and a species of invaders. Also new to this collection is "The Book of Martha" which asks: What would you do if God granted you the ability—and responsibility—to save humanity from itself?
Like all of Octavia Butler’s best writing, these works of the imagination are parables of the contemporary world. She proves constant in her vigil, an unblinking pessimist hoping to be proven wrong, and one of contemporary literature’s strongest voices.
My Rating: Couldn't Put It Down
Seriously. I read the first story in the collection before bed. Then I read nearly ALL OF THE REST OF THE STORIES in one sitting the next day, and finished the last story before bed that day. Butler is insanely readable, and it doesn't hurt in the slightest that her short stories are utterly and completely and totally fascinating.
One of the perks about this collection were Butler's afterwords. I liked reading a story, kind of gathering a sense of it for myself, and then seeing what Butler had to say afterword. Sometimes, I was on the same page as the author. Often, she pointed to something I completely missed, which excites me because whenever I re-read this collection (and I will), I'll have that added layer to look for in the story.
The weaker part of the collection was, unfortunately, the two essays on writing (which were interesting only because Butler wrote them, the content didn't change my life nor outlook, but they may have had a more profound effect on me had I read them earlier in my writing career) and the two original short stories, which seemed less polished than the others. That said, maybe I was more aware of the state of those particular stories just because I knew ahead of time they'd not been previously published?
Whatever the case, this collection is sheer gold. Even the above-mentioned "weaker" installments were utterly strong in comparison to other short story collections by other authors, so if you're a fan of Octavia Butler's work, don't let this collection slip through your fingers. If you haven't tried Butler's fiction yet, I'm not sure this is the best place to start UNLESS you prefer the short form over the long form, in which case, knock yourself out. But Octavia E. Butler is an author not to be missed, so if you haven't read her yet, please do.
Spoilers, yay or nay?: Nay. As with all short story collections, I don't believe in spoiling the reader, so feel free to read the full review for my thoughts on each story/essay. The full review may be found at my blog, which is linked below, and as always, comments and discussion are most welcome.
REVIEW: Octavia E. Butler's BLOODCHILD AND OTHER STORIES
Happy Reading! - Rating: 5 out of 5 stars5/5
Jan 10, 2010
Octavia Butler is one of my favorite sci-fi authors. Her short stories are a good way to ease into her novels if you've never been exposed to her. Literal thinkers might take a minute to get used to the way her mind works.
Some of the subject matter in this collection is disturbing, but her writing and unconventional stories are amazing. - Rating: 5 out of 5 stars5/5
Jul 13, 2009
A friend gave me this collection, and I have to say, it's wonderful, and a particular find for someone like me who spends so much time writing and teaching writing. Butler's prose is fluid and engaging--not a word too many or too little. Each story grabs you from the first page (as alien as it may be to what you've experienced before) and moves you through to the end, surprising you with the combination of grace and darkness that each story brings up. Some of these are darker than others, and it's a fair warning to say that the very first story in the collection is by far the most graphic, and probably the darkest of them all. Butler's newer stories (the two at the end) are as striking as the early ones, but my favorites are probably "Speech Sounds", "Amnesty", and "The Evening and the Morning and the Night".
These are primarily science fiction and fantasy, but they're also literary. The three listed above and "Near of Kin" are probably the closest to standing outside of the sci-fi genre, but even "Amnesty" is clearly sci-fi if you must label it. If you're curious about branching out, I'd recommend these.
What makes this book even more of a find is that after each story, Butler has written a brief and telling afterword to discuss her thoughts on the story--where it came from, her feelings on it or responses, etc. These are, without doubt, perfect for a creative writing class, where the group can experience the story, and later be given the afterward (assuming the instructor is copying and the students don't have the full book in front of them). Also, there are two short essays on writing, both of which are worth passing on to young writers and reading yourself.
As a whole, this was a wonderful read---entertaining, smart, and gracefully written. I recommend it highly to writers and readers of science fiction or short fiction alike. - Rating: 4 out of 5 stars4/5
Jul 1, 2009
Sat and read it through in the basement of Princeton Public Library, while avoiding a too-loud war tv broadcast upstairs. I think the tv was turned down eventually, but I was to engrossed to notice.Very gripping little stories. I didn't quite like the one about incest. And the title one - it _was_ about slavery, or something close to. And the illness ones ... didn't quite buy the pheremones. - Rating: 2 out of 5 stars2/5
Nov 18, 2008
The essay "Furor Scribendi" alone is worth the cover price. - Rating: 4 out of 5 stars4/5
Dec 26, 2007
I was very impressed by this dark and intriguing collection from Octavia Estelle Butler. These stories are well written, thought provoking, and challenging. Butler establishes character quickly and sets up some very imaginative settings.
The title story has several layers of symbolism, offering a vision of Male as Mother, and a vision of a human/alien society which is both parasitic and symbiotic. “The Morning and the Evening and the Night,” a powerful story about two young people struggling with the knowledge that they are fated to develop a disease that brings self-loathing, self-mutilation and ultimately suicide, was my favorite in the collection. “Speech Talk,” a story about a survivor of a plague that has destroyed mankind’s ability to use language, was also thought provoking, and offered interesting parallels to Robert Matheson’s I Am Legend (which like “Speech Talk” is also set in Los Angeles).
It’s not a book to read if you are depressed and looking for a lift. Except for the male who would be mom from Bloodchild, the other protagonists are all female. The characters are in some cases explicitly, and in other cases, implicitly black, but I wouldn’t categorize these as African American fiction. It is more fiction that offers insight into what it is to be human, viewed through the lens of the African American experience.
Book preview
Bloodchild and Other Stories - Octavia E. Butler
Preface
The truth is, I hate short story writing. Trying to do it has taught me much more about frustration and despair than I ever wanted to know.
Yet there is something seductive about writing short stories. It looks so easy. You come up with an idea, then ten, twenty, perhaps thirty pages later, you’ve got a finished story.
Well, maybe.
My earliest collections of pages weren’t stories at all. They were fragments of longer works—of stalled, unfinished novels. Or they were brief summaries of unwritten novels. Or they were isolated incidents that could not stand alone.
All that, and poorly written, too.
It didn’t help that my college writing teachers said only polite, lukewarm things about them. They couldn’t help me much with the science fiction and fantasy I kept turning out. In fact, they didn’t have a very high opinion of anything that could be called science fiction.
Editors regularly rejected my stories, returning them with the familiar, unsigned, printed rejection slips. This, of course, was the writer’s rite of passage. I knew it, but that didn’t make it easier. And as for short stories, I used to give up writing them the way some people give up smoking cigarettes—over and over again. I couldn’t escape my story ideas, and I couldn’t make them work as short stories. After a long struggle, I made some of them work as novels.
Which is what they should have been all along.
I am essentially a novelist. The ideas that most interest me tend to be big. Exploring them takes more time and space than a short story can contain.
And yet, every now and then one of my short stories really is a short story. The five stories in this collection really are short stories. I’ve never been tempted to turn them into novels. This book, however, has tempted me to add to them—not to make them longer, but to talk about each of them. I’ve included a brief afterword with each story. I like the idea of afterwords rather than individual introductions since afterwords allow me to talk freely about the stories without ruining them for readers. It will be a pleasure to make use of such freedom. Before now, other people have done all the print interpretations of my work: Butler seems to be saying …
Obviously, Butler believes …
Butler makes it clear that she feels …
Actually, I feel that what people bring to my work is at least as important to them as what I put into it. But I’m still glad to be able to talk a little about what I do put into my work, and what it means to me.
-Stories-
Bloodchild
My last night of childhood began with a visit home. T’Gatoi’s sister had given us two sterile eggs. T’Gatoi gave one to my mother, brother, and sisters. She insisted that I eat the other one alone. It didn’t matter. There was still enough to leave everyone feeling good. Almost everyone. My mother wouldn’t take any. She sat, watching everyone drifting and dreaming without her. Most of the time she watched me.
I lay against T’Gatoi’s long, velvet underside, sipping from my egg now and then, wondering why my mother denied herself such a harmless pleasure. Less of her hair would be gray if she indulged now and then. The eggs prolonged life, prolonged vigor. My father, who had never refused one in his life, had lived more than twice as long as he should have. And toward the end of his life, when he should have been slowing down, he had married my mother and fathered four children.
But my mother seemed content to age before she had to. I saw her turn away as several of T’Gatoi’s limbs secured me closer. T’Gatoi liked our body heat and took advantage of it whenever she could. When I was little and at home more, my mother used to try to tell me how to behave with T’Gatoi—how to be respectful and always obedient because T’Gatoi was the Tlic government official in charge of the Preserve, and thus the most important of her kind to deal directly with Terrans. It was an honor, my mother said, that such a person had chosen to come into the family. My mother was at her most formal and severe when she was lying.
I had no idea why she was lying, or even what she was lying about. It was an honor to have T’Gatoi in the family, but it was hardly a novelty. T’Gatoi and my mother had been friends all my mother’s life, and T’Gatoi was not interested in being honored in the house she considered her second home. She simply came in, climbed onto one of her special couches, and called me over to keep her warm. It was impossible to be formal with her while lying against her and hearing her complain as usual that I was too skinny.
You’re better,
she said this time, probing me with six or seven of her limbs. You’re gaining weight finally. Thinness is dangerous.
The probing changed subtly, became a series of caresses.
He’s still too thin,
my mother said sharply.
T’Gatoi lifted her head and perhaps a meter of her body off the couch as though she were sitting up. She looked at my mother, and my mother, her face lined and old looking, turned away.
Lien, I would like you to have what’s left of Gan’s egg.
The eggs are for the children,
my mother said.
They are for the family. Please take it.
Unwillingly obedient, my mother took it from me and put it to her mouth. There were only a few drops left in the now-shrunken, elastic shell, but she squeezed them out, swallowed them, and after a few moments some of the lines of tension began to smooth from her face.
It’s good,
she whispered. Sometimes I forget how good it is.
You should take more,
T’Gatoi said. Why are you in such a hurry to be old?
My mother said nothing.
I like being able to come here,
T’Gatoi said. This place is a refuge because of you, yet you won’t take care of yourself.
T’Gatoi was hounded on the outside. Her people wanted more of us made available. Only she and her political faction stood between us and the hordes who did not understand why there was a Preserve—why any Terran could not be courted, paid, drafted, in some way made available to them. Or they did understand, but in their desperation, they did not care. She parceled us out to the desperate and sold us to the rich and powerful for their political support. Thus, we were necessities, status symbols, and an independent people. She oversaw the joining of families, putting an end to the final remnants of the earlier system of breaking up Terran families to suit impatient Tlic. I had lived outside with her. I had seen the desperate eagerness in the way some people looked at me. It was a little frightening to know that only she stood between us and that desperation that could so easily swallow us. My mother would look at her sometimes and say to me, Take care of her.
And I would remember that she too had been outside, had seen.
Now T’Gatoi used four of her limbs to push me away from her onto the floor. Go on, Gan,
she said. Sit down there with your sisters and enjoy not being sober. You had most of the egg. Lien, come warm me.
My mother hesitated for no reason that I could see. One of my earliest memories is of my mother stretched alongside T’Gatoi, talking about things I could not understand, picking me up from the floor and laughing as she sat me on one of T’Gatoi’s segments. She ate her share of eggs then. I wondered when she had stopped, and why.
She lay down now against T’Gatoi, and the whole left row of T’Gatoi’s limbs closed around her, holding her loosely, but securely. I had always found it comfortable to lie that way, but except for my older sister, no one else in the family liked it. They said it made them feel caged.
T’Gatoi meant to cage my mother. Once she had, she moved her tail slightly, then spoke. Not enough egg, Lien. You should have taken it when it was passed to you. You need it badly now.
T’Gatoi’s tail moved once more, its whip motion so swift I wouldn’t have seen it if I hadn’t been watching for it. Her sting drew only a single drop of blood from my mother’s bare leg.
My mother cried out—probably in surprise. Being stung doesn’t hurt. Then she sighed and I could see her body relax. She moved languidly into a more comfortable position within the cage of T’Gatoi’s limbs. Why did you do that?
she asked, sounding half asleep.
I could not watch you sitting and suffering any longer.
My mother managed to move her shoulders in a small shrug. Tomorrow,
she said.
Yes. Tomorrow you will resume your suffering—if you must. But just now, just for now, lie here and warm me and let me ease your way a little.
He’s still mine, you know,
my mother said suddenly.
Nothing can buy him from me.
Sober, she would not have permitted herself to refer to such things.
Nothing,
T’Gatoi agreed, humoring her.
Did you think I would sell him for eggs? For long life? My son?
Not for anything,
T’Gatoi said, stroking my mother’s shoulders, toying with her long, graying hair.
I would like to have touched my mother, shared that moment with her. She would take my hand if I touched her now. Freed by the egg and the sting, she would smile and perhaps say things long held in. But tomorrow, she would remember all this as a humiliation. I did not want to be part of a remembered humiliation. Best just be still and know she loved me under all the duty and pride and pain.
Xuan Hoa, take off her shoes,
T’Gatoi said. In a little while I’ll sting her again and she can sleep.
My older sister obeyed, swaying drunkenly as she stood up. When she had finished, she sat down beside me and took my hand. We had always been a unit, she and I.
My mother put the back of her head against T’Gatoi’s underside and tried from that impossible angle to look up into the broad, round face. You’re going to sting me again?
Yes, Lien.
I’ll sleep until tomorrow noon.
Good. You need it. When did you sleep last?
My mother made a wordless sound of annoyance. I should have stepped on you when you were small enough,
she muttered.
It was an old joke between them. They had grown up together, sort of, though T’Gatoi had not, in my mother’s life-time, been small enough for any Terran to step on. She was nearly three time my mother’s present age, yet would still be young when my mother died of age. But T’Gatoi and my mother had met as T’Gatoi was coming into a period of rapid development—a kind of Tlic adolescence. My mother was only a child, but for a while they developed at the same rate and had no better friends than each other.
T’Gatoi had even introduced my mother to the man who became my father. My parents, pleased with each other in spite of their different ages, married as T’Gatoi was going into her family’s business—politics. She and my mother saw each other less. But sometime before my older sister was born, my mother promised T’Gatoi one of her children. She would have to give one of us to someone, and she preferred T’Gatoi to some stranger.
Years passed. T’Gatoi traveled and increased her influence. The Preserve was hers by the time she came back to my mother to collect what she probably saw as her just reward for her hard work. My older sister took an instant liking to her and wanted to be chosen, but my mother was just coming to term with me and T’Gatoi liked the idea of choosing an infant and watching and taking part in all the phases of development. I’m told I was first caged within T’Gatoi’s many limbs only three minutes after my birth. A few days later, I was given my first taste of egg. I tell Terrans that when they ask whether I was ever afraid of her. And I tell it to Tlic when T’Gatoi suggests a young Terran child for them and they, anxious and ignorant, demand an adolescent. Even my brother who had somehow grown up to fear and distrust the Tlic could probably have gone smoothly into one of their families if he had been adopted early enough. Sometimes, I think for his sake he should have been. I looked at him, stretched out on the floor across the room, his eyes open, but glazed as he dreamed his egg dream. No matter what he felt toward the Tlic, he always demanded his share of egg.
Lien, can you stand up?
T’Gatoi asked suddenly.
Stand?
my mother said. I thought I was going to sleep.
Later. Something sounds wrong outside.
The cage was abruptly gone.
What?
Up, Lien!
My mother recognized her tone and got up just in time to avoid being dumped on the floor. T’Gatoi whipped her three meters of body off her couch, toward the door, and out at full speed. She had bones—ribs, a long spine, a skull, four sets of limb bones per segment. But when she moved that way, twisting, hurling herself into controlled falls, landing running, she seemed not only boneless, but aquatic—something swimming through the air as though it were water. I loved watching her move.
I left my sister and started to follow her out the door, though I wasn’t very steady on my own feet. It would have been better to sit and dream, better yet to find a girl and share a waking dream with her. Back when the Tlic saw us as not much more than convenient, big, warm-blooded animals, they would pen several of us together, male and female, and feed us only eggs. That way they could be sure of getting another generation of us no matter how we tried to hold out. We were lucky that didn’t go on long. A few generations of it and we would have been little more than convenient, big animals.
Hold the door open, Gan,
T’Gatoi said. And tell the family to stay back.
What is it?
I asked.
N’Tlic.
I shrank back against the door. Here? Alone?
He was trying to reach a call box, I suppose.
She carried the man past me, unconscious, folded like a coat over some of her limbs. He looked young—my brother’s age perhaps—and he was thinner than he should have been. What T’Gatoi would have called dangerously thin.
Gan, go to the call box,
she said. She put the man on the floor and began stripping off his clothing.
I did not move.
After a moment, she looked up at me, her sudden stillness a sign of deep impatience.
Send Qui,
I told her. I’ll stay here. Maybe I can help.
She let her limbs begin to move again,
