[go: up one dir, main page]

Explore 1.5M+ audiobooks & ebooks free for days

From $11.99/month after trial. Cancel anytime.

Hummingbird Salamander: A Novel
Hummingbird Salamander: A Novel
Hummingbird Salamander: A Novel
Ebook437 pages8 hours

Hummingbird Salamander: A Novel

Rating: 3.5 out of 5 stars

3.5/5

()

Read preview
  • Mystery

  • Environmentalism

  • Survival

  • Nature

  • Paranoia

  • Haunted Protagonist

  • Mysterious Stranger

  • Secret Society

  • Chosen One

  • Femme Fatale

  • Red Herring

  • Mysterious Benefactor

  • Mysterious Mentor

  • Abandoned Building

  • Endangered Species

  • Surveillance

  • Taxidermy

  • Self-Discovery

  • Climate Change

  • Hummingbirds

About this ebook

Named one of NPR's Best Books of 2021

From the author of Annihilation, a brilliant speculative thriller of dark conspiracy, endangered species, and the possible end of all things.


Security consultant “Jane Smith” receives an envelope with a key to a storage unit that holds a taxidermied hummingbird and clues leading her to a taxidermied salamander. Silvina, the dead woman who left the note, is a reputed ecoterrorist and the daughter of an Argentine industrialist. By taking the hummingbird from the storage unit, Jane sets in motion a series of events that quickly spin beyond her control.

Soon, Jane and her family are in danger, with few allies to help her make sense of the true scope of the peril. Is the only way to safety to follow in Silvina’s footsteps? Is it too late to stop? As she desperately seeks answers about why Silvina contacted her, time is running out—for her and possibly for the world.

Hummingbird Salamander is Jeff VanderMeer at his brilliant, cinematic best, wrapping profound questions about climate change, identity, and the world we live in into a tightly plotted thriller full of unexpected twists and elaborate conspiracy.

LanguageEnglish
PublisherMacmillan Publishers
Release dateApr 6, 2021
ISBN9780374719029
Hummingbird Salamander: A Novel
Author

Jeff VanderMeer

Jeff VanderMeer is an award-winning novelist and editor. His fiction has been translated into twenty languages and has appeared in the Library of America’s American Fantastic Tales and in multiple year’s-best anthologies. He writes non-fiction for the Washington Post, the New York Times Book Review, the Los Angeles Times, and the Guardian, among others. He grew up in the Fiji Islands and now lives in Tallahassee, Florida, with his wife.

Read more from Jeff Vander Meer

Related to Hummingbird Salamander

Related ebooks

Literary Fiction For You

View More

Related categories

Reviews for Hummingbird Salamander

Rating: 3.3393939121212117 out of 5 stars
3.5/5

165 ratings19 reviews

What did you think?

Tap to rate

Review must be at least 10 words

  • Rating: 3 out of 5 stars
    3/5

    Dec 7, 2024

    Passionate environmentalism elevates a standard (and often slowish) conspiracy thriller.
  • Rating: 4 out of 5 stars
    4/5

    Jan 10, 2023

    Set in a very realistic near future in the Northwest, this is a novel of ambiguity. We don't really know who the characters are, can't understand their motivation, and can't imagine a possible outcome. What kept me reading was the richness of the main character narrator, who gave herself the pseudonym of Jane. She was damaged, unlikeable, introspective, smart, and skilled at all forms of security. When a clue came her way, she was able to decipher it and follow where it led, even though it wasn't at all clear why. When the last part of the book gave more explanation of the back story, Jane's whole journey made more sense.
  • Rating: 4 out of 5 stars
    4/5

    Dec 1, 2022

    This is really not the easiest book to review. It's a little bit different than the other things I've read from VanderMeer, but also carries a lot of the same themes and tone as The Southern Reach, for example. Everything's a little off kilter and nothing is really known until it steps upon you, but all the while you know that the narrator is telling her story after the fact.

    I personally really enjoy VanderMeer's writing style and the themes he covers. I liked the main character as a character, but not really as a person. The side characters were maybe a little undercooked sometimes, but then again this was strongly a story from our main character's point of view, and to her, other people aren't really all that important.

    The conflict resolution towards the end is pretty anti-climactic, and the actual end of the book is one that I'm sure will divide people in whether it's good or bad.

    For me, the thing that keeps this book from being five stars is just the lack of impact. I guess I need to care about the characters and the plot in addition to merely being interested in them for the book to warrant the highest rating.

    Still enjoyed it though.
  • Rating: 1 out of 5 stars
    1/5

    Apr 9, 2024

    DNF'd at 18%. Just didn't click with me at all. From the cryptic narrator seemingly ready to throw away everything because someone handed her a random postcard telling her to go to a random place to the weirdly interjected hummingbird details...not for me. Shame it's sat on my TBR for so long just to be disappointing.
  • Rating: 3 out of 5 stars
    3/5

    Feb 2, 2022

    When listening to an audiobook, I rarely go back whole chapters to listen again to something I’ve missed, but about a third of the way in, I had to go back to almost the beginning and re-listen to the first few chapters. What the hell was going on? I still couldn’t figure it, and I still don’t think I’ve figured it out. I mean, I got what was happening, but I still have no idea why any of it happened. And I don’t know why I should care about any of those people.
  • Rating: 4 out of 5 stars
    4/5

    Sep 7, 2021

    Thank you to Netgalley and the publisher and the author for the free copy, in exchange for an honest review.

    THis is the first non-speculative Vandermeer book I have read; the rest are SFF to some degree (as far as I know.) Some parts of it I loved, and some parts I struggled with, but I overall found the book a really positive and engaging read. It's beautifully written, full of paranoia and sadness and love for the natural world, and has an intriguing main character who is difficult because she is so uncompromising.

    For the areas I struggled with, I think this was largely down to expectation. The book is billed as an eco thriller, but it doesn't really meet my internal definitions of thriller, and I'm not sure it would meet industry ones either? I spent a year reading commercial thrillers to prepare for writing a thriller myself, and my understanding was that thrillers have a certain kind of structure. In HS, very few of the MC's plot goals are accomplished in the way that she hopes, put it that way, and the structure is sprawling rather than corseted.

    When I let go of the idea that this was meant to be a thriller, and read it more as a deeply literary meditation on the collapse of civilisation as part of the aftermath of humanity's destruction of the natural world, then I found I enjoyed it much more. I stopped expecting certain plot point to unfold in certain ways, and could just embrace the book for what it was trying to do, and what it was trying to say.

    In that sense, I approached Hummingbird much as I approached Dead Astronauts: by letting go of the proverbial wheel and trusting Vandermeer to present something artistic and unusual, a liminal book that defied its own supposed structure.
  • Rating: 3 out of 5 stars
    3/5

    May 31, 2021

    Parts of this book are exceptional in that beautiful, weird way that I expect from this author. Conceptually it's clever with an ending that many will hate but I completely love. However, the pacing was ass, especially with the expectation set by a book clearly intended to be a thriller. Elegant but also terribly slow. Interesting but not surprising. Last but not least was the main characters motivation for becoming entangled in the whole thing. Even with the eventual explanation, it just didn't quite ring true.
  • Rating: 2 out of 5 stars
    2/5

    Apr 21, 2021

    I’m still trying to wrap my head around this book as I finished reading it three days ago. It is the story of a woman who calls herself Jane as is an analyst for a tech security company. One day while getting her coffee, she is given an envelope with a note and key. It was from someone she didn’t know ad finds out it is from a dead eco-terrorists. And the more she investigates the more dangerous the mission becomes. Is it a game or is it more? The way the story is written, “Jane” doesn’t share with the reader the names of people as if it is some secret. She gives up her life, family, and her job to go on a perilous wild goose chase. This story was a roller coaster ride that I didn’t care for. We are left with a dystopian ending which I didn’t really care for.
  • Rating: 4 out of 5 stars
    4/5

    Jul 17, 2023

    I powered through this one, so it must have held my attention pretty tightly. I liked narrator's rough inner landscape. I enjoyed the slowly-impinging sense of eco-social doom.
  • Rating: 4 out of 5 stars
    4/5

    Jul 1, 2023

    I am a VanderMeer fan. That said, his half-sentence ambiguous style can seem like a drag on an otherwise typical mystery thriller, and I would have quit reading this if I wasn't aware of the way JV's stories go. Things pick up in the middle. Also, since VanderMeer's concerns are my own (I would say our own if I didn't occasionally turn on the TV) I was ultimately very satisfied with the whole.
  • Rating: 4 out of 5 stars
    4/5

    Dec 30, 2022

    “Jane” — not her real name — is given a curious object: a taxidermied extinct hummingbird. It’s almost impossible not to see it as a message. Jane, inevitably, begins following the breadcrumbs. And at first they really are barely breadcrumbs. But then things begin to get big. And bad. Very, very bad. And pretty soon, it’s the end of the world all over again.

    At first, this reads like William Gibson on steroids. Paranoid, rightly so, and so darn tense. I almost couldn’t continue or put it down either. Of course it’s a huge story and not entirely comprehensible, which is perfectly fine and so very Vandermeer. As ever, I’m not sure the payoff warranted the ordeal but it was delicious while it lasted.

    Definitely recommended for those who enjoy this kind of thing. (Which sometimes includes me.)
  • Rating: 4 out of 5 stars
    4/5

    Dec 17, 2022

    What is it? A hard-boiled detective novel with a vaguely apocalyptic near-future setting.

    Where is it set? Unnamed location in the Pacific Northwest, but context tells me it's mostly set in Oregon.

    What I liked: The hard-boiled detective is a middle-aged female ex-wrestler who's not that great at detecting (though she gets better). Interesting ideas about the environment and our relationship with it.

    What I didn't like: The plot was convoluted and sometimes hard to follow, but I find that's true of all hard-boiled detective novels. There were a lot of fight scenes.

    What it compares to: It didn't move me as much as either the [Southern Reach] trilogy or [Borne]. Reminded me of [12 Monkeys].
  • Rating: 5 out of 5 stars
    5/5

    Jul 29, 2022

    Jeff VanderMeer’s “Hummingbird Salamanderl (2021) certainly doesn't sound like a thriller. And with its cover showing a colorful hummingbird against a white background, it certainly doesn't look like a thriller. Aren't thrillers supposed to have black covers? And yet a thriller is what it is, and a particularly fine nail-biter and edge-of-the-seater at that.

    VanderMeer’s story takes place in the near future when the United States is near collapse because of climate change and environmental disaster.

    A large woman (six feet tall, 230 pounds) who works as a security consultant. "Jane Smith," as she calls herself, has a husband and daughter at home. One day she receives a box containing a stuffed hummingbird, possibly the last of that particular species. A cryptic note from someone named Silvina hints that there is a stuffed salamander out there somewhere that she should find.

    Jane once thought she might like to become a detective, and so she begins trying to unravel this mystery. It dominates her life, causing her to neglect both her job and her family. She and those around her are soon in grave danger. The mystery deepens, bodies pile up and eventually her quest takes her back to the beginning — her own beginning.

    By the novel's end it begins to read like science fiction, but until then it reads like a thriller, an unusually good one.
  • Rating: 2 out of 5 stars
    2/5

    Mar 21, 2022

    Not sure what to think after reading this. I’m a big fan of VanderMeer‘s Annihilation and thought the premise was interesting going into Hummingbird Salamander. However, multiple times throughout I felt this was all over the place with little to no organization to the plot. There were times scenes felt repetitive and it got to be a little tiresome trying to finish. Again, the idea was good but it just seemed the execution was lacking.

    Thank you NetGalley and FSG Books for the ARC.
  • Rating: 4 out of 5 stars
    4/5

    Nov 29, 2021

    I am concerned about habitat loss and species extinction. I take steps to limit my impact on green-house gas emissions. I support organizations such as The Nature Conservancy and the David Suzuki Foundation that advocate for a better future. Yet, I doubt I would go so far as "Jane Smith" does in this book.

    Jane Smith is a fake name for a security consultant living and working somewhere in the Pacific Northwest. She has a husband and a teenage daughter and a good job. A former college wrestler Jane is a large woman but she continues to work out at a gym and so she has retained her muscular conditioning. One day, as she leaves her favourite coffee shop, the barista hands her an envelope that someone has left for her. Inside the envelope is an address and a key with the number 7 on it. She decides to go to the address and that starts her on a path that will turn her life upside down. The address is a storage compartment facility and Number 7 is an almost empty storage compartment. The only contents are a chair with a cardboard box on it. Inside the box is a taxidermied hummingbird and a note that says "Hummingbird .. .. .. Salamander" signed by someone named Silvina. Silvina Vilcapampa has recently died and she left a series of clues that takes Jane on a quest. Silvina may or may not have been an eco-terrorist. She may or may not have trafficked in wild animals. She may or may not have hoped to establish a new order that would allow humans to interact with the ecosystem in non-destructive ways. And for some reason she has chosen Jane to carry on her work. There are people who don't want Jane to succeed. Jane is watched and followed and attacked and held captive and shot at but, although injured and separated forever from her family, she carries on. It's an epic tale.

    I haven't read anything else by this author but I'm thinking, based on this book, that I may have to read more.
  • Rating: 4 out of 5 stars
    4/5

    Aug 25, 2021

    A fast and twisty eco-thriller, Hummingbird Salamander packs a ton of story into a fast-paced read. I loved the blend of intrigue and climate/ecology-awareness, and the story kept me guessing. I'd say that reader of VanderMeer's Southern Reach trilogy will devour this, and I'm personally glad to have read it. I will say that something about the voice of this book put me off a bit--I'm not sure if it's that the voice was a little bit overdone for me, or if I just couldn't connect to the main character like I wanted to--but I still enjoyed the book and would recommend it. It's not my favorite of VanderMeer's, but since his earlier works have set a high bar for me, that only means so much.

    Recommended as a great speculative thriller.
  • Rating: 3 out of 5 stars
    3/5

    May 27, 2021

    This is the first book by Jeff VanderMeer I've read and it was quite a ride. Think of it as a Christopher Nolan script (not Batman, more Inception) narrated by Kathy Bates in Misery.
    A mysterious and unreliable narrator tells how she was given a stuffed rare hummingbird by a dead woman named Silvina. The narrator, Jane/Jill as she calls herself, investigates to find out that Silvina is an eco-terrorist or maybe just an environmental activist. Jane/Jill follows incomprehensible clues (a random set of numbers happens to be the number of her childhood home) to find the truth about Silvina. Along the way, she's beaten up, shot, tortured, and manages to lose her job, her family, and associates, some literally. But Jane/Jill is obsessed and doesn't care about her daughter or others injured or killed by her actions. She's not a nice person.
    I happen to like Nolan's movies and this was okay except it dragged on and on. The payoff at the end was meh, but the writing is very good.
  • Rating: 5 out of 5 stars
    5/5

    May 12, 2021

    What do you get when you combine equal parts noir with eco thriller? This book.

    Let's start with what I liked. The writing was fantastic. The noir tone was so well crafted that I almost heard Raymond Chandler or Dashiell Hammett calling from between the lines. And what a great character, the tough-as-nails Jane (Smith?, really?) leading us through her descent into some kind of controlled madness as she traces the clues backwards to figure out who, or what, Silvina was, starting with the titular Hummingbird. And the fact that as she followed these clues, pulled on these threads, she also gave us insights into her own life story and how inevitable her story and Silvina's overlapped. That was awesome. Parts of this story were edge-of-my-seat exciting.

    Minor spoilers ahead, just be forewarned.

    The inevitable downside to reading about a descent into madness, is you have to let go of any hope that her life, her normalcy as it was when the story began, can return. And the sooner you do that, the better off you're going to be. I spent the first half of the book hoping that she would work things out in such a way that a return to her home and her family would be possible. It would have been better (for me) if I'd let that go earlier on. The clues where there. For reasons that never get properly explained, Jane's insistence in pulling on those threads, causing the unraveling of her own life, left a scorched earth landscape behind her such that there was no going back. My advice to readers is to pay attention to the eco thriller aspects of the novel. The writing is clear on the proverbial walls. The landscape that Vandermeer is painting for us is bleak. Jane's story is a mirror of that.

    Once I let go of those hopes, I realized how all the narrative paths lead to the same logical conclusion. And when Vandermeer took me there, I wasn't surprised, but I also wasn't disappointed. The ending is a little fantastic, but just a bit. I'm willing to suspend my disbelief and cling to the glimmer of optimism embedded in the finale.

    Final thought: after struggling mightily (as I did) with Dead Astronauts, Vandermeer has completely redeemed himself. This book is another excellent example of his powers as a great writer.
  • Rating: 5 out of 5 stars
    5/5

    Feb 14, 2021

    Thanks to FSGxMCD for the advance reader copy. The ARC paperback is a beauty and so the production hardcover will be amazing no doubt. Jeremy Zerfoss contributing artwork is stellar and a real contribution to the novel just like in this past winters A Peculair Peril.

    Hummingbird Salamander is not at all, as ever in Vandermeer's work, what it seems to be. What starts out as a clear, Finch-esqe but not even that, noir thriller, transforms by of hard-edged action, heartbreaking and often tender but broken family dynamics, and always, consistently, doggedly a story - a solid story - about crime, marriage, parenting, families, parents, children, and how to live in the world; a world that in Humming Salamander seems ever more a reality that we all must face.

    Our unreliable narrator, Jane Smith, must navigate a world of intrigue and crime. Must explore her own grief and discover the grief that was welling up within her all along for the world falling apart around her. Jane Smith must follow the traces and pieces left behind by Silvina Vilcapampa and her family and her families nefarious network of companies and criminals. The book section by section and part by part whilwinds and vortexes into a tale that only Jeff Vandermeer could have told. The present moments leaks into the work in the best ways possible and demands an urgency about the failing world around us. It as ever in Vandermeer work is also about family and love and struggling to be a person in the world. In a world so full of humans but lacking in actual people.

    An epic work. As ever looking forward to the next thing from Jeff Vandermeer.

Book preview

Hummingbird Salamander - Jeff VanderMeer

PART 1

HUMMINGBIRD

DIORAMA

[1]

I went to the address in the note because I didn’t want to go to work. The car came for me, dark and chrome and sleek, its shadow leaking across the windows of fast-food places, gas stations, and tanning salons. The radio whispered panic about the elections, and my driver, unsolicited, had already imagined, in a soft voice, black drones congregating at night to listen in on our conversations. Yet I knew from my job that this was old news.

I had no reason to remember the driver. Back then, I thought I was smart, for all the details I caught, but there was so much I never saw. He had a beard. He might have had an accent. I remember I feared he came from some place we were bombing. We didn’t talk about anything important. Why would we?

The driver might have believed I was a reasonable person, a normal person. Just a little larger than most. I dressed, in those days, in custom-made gray business suits because nothing store-bought fit right. I had an expensive black down coat. I didn’t think much about where the softness came from, at what cost. My faux heels were decoys: comfortable, just worn to preserve some ritual about what women should wear.

My main indulgence was a huge purse that doubled as a satchel. Behind my back, my boss called it Shovel Pig, which was another way of calling me shovel pig. Because I frightened him.

So, what do you do? the driver asked.

Manager at a tech company, I said, because that was simple and the details were not.

I stared out the window as he began to tell me everything he knew about computers. I could tell his greatest need, or mine, was to sit alone in a park for an hour and be as silent as a stone.

The downtown fell away and, with it, skyscrapers and gentrified loft apartments, and then, after streets of counterculture, zoned haphazard and garish, the suburbs took over. The driver stopped talking. So many one-story houses with slanted roofs and flat lawns, gravel driveways glinting through thin snow. The mountain range like a premonition twisted free of gray mist, distant but gathering.

I hadn’t done a search on the address. That felt too much like being at work. Didn’t make my pulse quicken.


When we reached the gates with flaking gold paint, I knew why I had a key in addition to an address. Emblazoned over the gates, the legend Imperial Storage Palace. Because I have to give you a name. It had seen better days, so call it Better Days Storage Palace, if you like. I’m sure, by the time you found it, the sign was gone anyway.

We glided down a well-paved road lined with firs and free of holiday decoration, while the base of steep, pine-strewn foothills came close. The light darkened in that almost-tunnel. I could smell the fresh air, even through the stale cigarette smoke of the backseat. Anything could exist in the thick mist that covered the mountainside. A vast forest. A tech bro campus. But most likely a sad logged slope, a hell of old-growth stumps and gravel the farther up you went.

The lampposts in front of the entrance lent the road only a distracted sort of light. The vastness of the storage palace, that faux marble façade, collected weight and silence. The murk felt like a distracting trick. What was it covering up? The pretentious nature of the Doric columns? The black mold on the plastic grass that lined the stairs?

Nothing could disguise the exhaustion of the red carpet smothering the patio. The threadbare edges, the ways in which pine cone debris and squirrel passage had been smashed into the design.

Beyond the shadow of the two-story complex lay a wall of deep green, merging with ever-higher elevations. The pressure of that pressed against the car, quickened my pulse.

This was the middle of nowhere, and I almost didn’t get out of the car. But it was too late. Like the ritual of accepting what is offered, once you reach your destination, you get out of the car.

Too late as well because the world was flypaper: you couldn’t avoid getting stuck. Someone was already watching. Somewhere.

Should I wait for you? the driver asked.

I ignored that, lurched out of the backseat. I am six feet tall and two-thirty, never mistaken for a small woman any more than a mountain for a valley, a heavyweight boxer for a gymnast. I need time to get up and depart.

Are you sure I can’t wait? he asked across the passenger seat out the half-opened window.

I leaned down, took his measure.

Do you not understand the nature of your own business?

The driver left me there, a little extra pedal to the metal, as my grandfather would’ve said.

Sometimes I am just like him.

[2]

Inside, gold wallpaper had turned urine yellow. The red carpet perked up as it ran past two ornate antique chairs with lion paws for feet. Beyond that lay a fortress outpost in the cramped antechamber: a barred cage jutting out and a counter painted black, from behind which a woman watched me. Beyond that lay the storage units, through an archway. A legend on a sad banner overhead read Protecting your valuable since 1972.

What do you want? the woman asked, no preamble. As if I might want almost anything at all.

What do you think? I said.

Showed her the key, as I wiped my shoes on the crappy welcome mat.

Which one?

Seven.

Got ID?

I’ve got the key.

Got ID to go with that key?

I’ve got the key.

She held out her hand. Identification, please, and I’ll check the list.

I considered pushing a twenty across the counter. That idea felt strange. But it felt strange to let her know who I was, too.

I handed her my driver’s license.

She was much younger than me. She had on a lot of black, had piercings, highlighted her eyes to make them look bigger, and wore purple lipstick. Practically a uniform in some parts of town.

She might’ve been a brunette. I remember her expression. Bored. Bottled up here. Doing nothing—and I wasn’t making her life less boring.

I’ve come a long way, I said. Which would be true soon enough. I would’ve come a long way.

If you’re on the list, great, she said, finger scrolling down a single sheet of paper with names printed impossibly small.

Yes. That’d be great, I said. Struck by how meaningless language can be. Yet I remember the conversation but not her face.

The woman found a line on the page with a ballpoint pen, gave me back my ID.

So go in, then, she said.

Like I was loitering.

Where?

Over there.

She pointed to the right, where another door waited, half disguised by the same piss-pattern wallpaper.

I stared at her for a moment before I walked through, as she picked up a magazine and ignored me. Somehow, I needed a list of life choices that had led this woman to be in this place at this time. To take my ID. To ignore me. To be sullen. To be anonymous.

I wouldn’t see her on my way out. The cage would be empty, as if no one had ever been there.

As if I had emerged years later and the whole place had been abandoned.


All those rows of doors. So many doors, and not the usual roll-down aluminum. More like a sanatorium or a teen detention center: thick, rectangular, the smudged square window crisscrossed with lines and a number taped on as an afterthought. Not all the doors had been painted the same color, and teal or magenta made the institutional effect worse somehow. The smell of mold was stronger. Sound behaved oddly, as if the shifting weight of clutter behind the doors was making itself known.

What did I know about storage units? Nothing. I’d only known our mother’s, a place we’d rented to appease our father, who didn’t want to become a hoarder. But, just maybe, if you drove all the way to the outskirts of the city, to the edge of the mountains, what you kept here you wanted at arm’s length. And what you wanted kept at arm’s length could be precious or fragile as memory. Even a bad memory.

Nine through eleven followed one through three. Had I missed a passageway? It was a warren, with several crossroads. Perhaps the storage units went on forever, the space wandering beneath the mountains in some terrifyingly infinite way. A moment of panic, at the thought of getting lost, as I kept walking and didn’t find number seven.

But I found the right door.

Or the wrong door, depending on your point of view.

[3]

It was all meant to be is a powerful drug. Crossing that threshold into Unit 7, I couldn’t have told you what was preordained and what was chance. Or how long it might take to separate the two.

All I saw at first was the emptiness of some square stripped-bare cliché of an interrogation room. A modest wooden chair stood near the back, under flickering fluorescent lights in the ceiling. A medium-sized cardboard box sat on the chair.

I stood in the doorway and stared at the box on the chair for a long time. Left the door open behind me, an instinct about doors slamming shut that wasn’t paranoid. The trap could be anywhere. It was so still, so antiseptic, inside. Except for one moldy panel of the back wall. I don’t recall dust motes even. Like a crime scene wiped clean.

But I checked the far, dark corner, the ceiling, before walking up to the chair. I did that much.

Just an ordinary cardboard box. The top flaps had been folded shut. Lightweight, when I gave it an experimental nudge. No sound coming out of it, either. No airholes. Nothing like a puppy or kitten, then. Immense relief in that.

I put down my purse, pulled back first one flap and then the other.

I think I laughed, nervously.

But there was no moment of misunderstanding, of recoiling in horror. A small object lay in the bottom of the box. A curio? Like the horse figurines my mother used to collect. Which is when it struck me this might all be an elaborate joke.

A tiny bird perched down there. Sitting dead. Taxidermy.

A hummingbird in midflight, attached by thick wire from below to a small pedestal. Frozen wings. Frozen eyes. Iridescent feathers.

Beside the hummingbird, I found a single piece of paper, with two words written on it and a signature.


Hummingbird

.. .. ..

Salamander

—Silvina


Oh, Silvina, thank you for not scrawling Find me across the bottom of your note.

Thank you for knowing that wasn’t necessary.

[4]

A man who could’ve been the brother of the first driver took me home, at the wheel of a car more anonymous and darker than the first. The landscape seemed compressed, moved past more quickly, so we were back in the city sooner. Or I just wasn’t paying attention.

Hummingbird. Salamander. One there, one not, and the one not there the creature I knew so well from childhood. The overturning of rocks. The swirl of the river and the sway of the tiny river plants. The deep-green moss. All those expeditions so long ago.

I sat silent in the backseat with the box guarded by my knees, arms engulfing it gently. So I wouldn’t crush it. Dead, but somehow alive, able to be wounded. I didn’t dare open the flaps to stare at it for fear the driver would see. I had no thought. Nothing at all. Or maybe I was held by the outline of memories I’d left behind. The look of rage on my grandfather’s face. The slack, pale form of my brother by the river.

No therapist ever told me I should forget my childhood, because I hated therapists and had never seen one. But I knew that forgetting was best. Let the dead stay dead. Make dead what was still alive. Move forward.

It wasn’t the box or the storage unit. I don’t know exactly what tried to pin me back there, trap me, except the sense of not being in control.

[5]

Early afternoon. No one would be home. I had already taken care of my boss and texted in sick. I set the box on the kitchen counter, next to my purse. Tossed my coat on the living room couch, came back to the counter, hesitated … then opened the box and removed the hummingbird.

I regarded it from a precarious kitchen island stool, on the edge of that expanse of wood and marble. Spotless stainless steel, double sinks, a cutting station on wheels, a sparkling black-and-white stove, a smart refrigerator I’d deliberately fucked up so it couldn’t report back.

Somehow, the hummingbird dominated that space beyond its size. Beyond even what I could’ve thought it meant at the time.

The hummingbird had a fierce aspect, jet-black feathers, smoothed out and yet bristling. Even the beak, long and slender, made me think of a blade or a needle meant to draw blood. I imagined a dozen of its kind circling someone’s head like guardians or a crown of thorns. Hard to imagine this species sipping delicate from a flower, but I didn’t know much about hummingbirds. Our neighborhood didn’t have them, nor any school I attended, and they’d been rare on the farm. We didn’t plant a lot of flowers.

The thick wire attached to the dead bird had the look of dull silver. The stand had a glossy look, almost a deep red. On the bottom I found the letters R.S. Plain, crudely carved. By the maker or by Silvina?

Taxidermy registered strange to me. The language of taxidermy made no sense. I didn’t like bars or restaurants where they signaled macho through deer or bear trophies on the wall. Macabre. Pathological. But this—this came from a different impulse. Secretive and elusive. The bird’s body caused a disconnect. The stillness, and then the way the eyes weren’t blank but staring at me.

The distance across the counter widened, and the silence grew unbearable. Who was Silvina? And why had she given me a hummingbird? And where was the salamander? Because the salamander felt personal. As if this woman I didn’t know had done her research and understood the salamander didn’t need to be there, in the storage unit. That just the word could awaken a recognition or impulse.

Some things remain mysterious even if you think about them all the time.

Salamanders. Hiding under logs and river stones. A creature that did not want to be found.


I drank a glass of water, had an apple and then a big bowl of leftover chicken salad, rummaged for gum in my purse after. Tried to shake off whatever had gathered within me, but the hummingbird stared at me defiant. It was what I had to work with.

I resisted the idea of using my phone for an online search for Silvina and for hummingbird. A search for R.S. yielded nothing useful and, three pages down, arse. But adding Silvina’s name to R.S. concerned me. A stabbing unease at the thought of exposure. I needed context more than data. Didn’t want to open up a channel that could lead back to me. A client breach around search terms months ago didn’t help rationalize the risk.

Was the hummingbird code for something? Or just the first of two bookends? That space between them yawned like the abyss, and the space in my head felt deliberate, like Silvina wanted it to be there.

[6]

Before the school bus brought my daughter home, I put the hummingbird back in its box and hid it under a couple old blankets in the trunk of my car. I knew enough to act normal and ask my daughter about her day. To close myself off while receiving, in the usual way, the eye roll and shrug as she took off her sneakers.

Fine. Swell. Always Fine, along with something terse and sarcastic. Swell. The swell of teen angst. The swell of irritation with parents. Her chaotic grades reflected a creative child with an erratic attention span, no patience, and so much talent it hurt to think about.

Backpack tossed in a corner with the discarded shoes.

She had no sense of caution, would jump from a tree to our rooftop on a dare from the kid across the street. She’d cost me thirty-two hours of labor, a breach birth through C-section. I didn’t mind the scar; it joined the others. I just wished she’d be easier sometimes. I used to get texts from her, but not lately, except for Ready for you to pick me up.

A grunt. That’s how my daughter acknowledged the mound of gifts we’d snuck under the tree after she’d left for school. She scrambled up the stairs to her cave. I’d barely gotten a glimpse of her wide, open face and the thick dark eyebrows I loved so much.

Soon enough, my husband would pull up in a late-model tan sedan. A car chosen to be tidy and respectable and solid if seen by his real estate clients. But he was fooling himself. I had married a shambolic mountain in human form. He always made me feel I was a reasonable size.

No matter how often he shaved, he would always have a shadow of a beard. He smelled fantastic. He had hardly ever raised his voice to me.


Once upon a time, I could still imagine he’d burst through the door at the end of the day and I’d greet him with a smile. He’d bring me close, one mountain to another. Plant a rough kiss on my neck, my cheek, my mouth, pull away to stare at my face. Then, reassured, barrel through the house in search of our daughter, making a production of not knowing where she is, so when he finds her she will be exasperated with his theatrics, his need to track her down for a mighty hug even as her scowl dissolves into a half-grin.

Then he will make dinner, like he always made dinner. Because I could just about cook an egg. Had taken steps never to get better at cooking, throughout my long, bumpy career as a woman.

My husband in the kitchen never looked like anything other than a cheerful Kodiak trained in the glories of French cuisine, a glass of Malbec held careless in one hairy paw and a knife in the other. I always felt he would knock over everything that I hadn’t and maybe start a fire and burn the house down. But instead he just used every plate and utensil in the kitchen and made a mess.

After the mess, I will sit down at the kitchen table to a meal of something delicious—pork chops with asparagus and roasted potatoes? We will talk about our day, me, my husband, our daughter. Or I would and he would. Together we will tease out of my daughter the things that were important to her. Or some version of them. After, I do the dishes and maybe help my daughter with her homework. Before bed, we play a board game or watch something stupid on TV.

I still remember. When there was a time that was still plausible. The bigness of that.

The sheer expanse of that.


You’ll never get their names. I can’t bring myself to, not even surrogates. The moment I type their names, they’ll be lost to me, belong to you. I think I know when you’ll read this, but I can’t be sure.

Even then, there was too much neither of them knew about me. Only the cast-off interference, the things that caused distance or created it. A kind of shadow or smudge. Not a clear view.

The face that stares back at you from the mirror later in life is so different than when you’re young. There’s a winnowing away and a shutting down. A sense of something having been taken from you and you don’t know exactly what it is, just that it isn’t there anymore. What opens up to you instead is experience, is cunning, is foreknowledge. Nothing you sought.

How much a mind could take in before it began to resort to metaphor or to turn away from the truth. That was how you measured privacy: by how you became lost in the torrent.

I couldn’t see the future, but it was hard not to bring my work home with me. To anticipate surveillance. To foretell that I might have to confuse the watchers, distract and fool them, to pursue this mystery. I knew what made us visible. But, even careful, I was too naïve to see what spilled out from us into the night.

I made it through the end of dinner without confessing to a hummingbird, a salamander, or a storage unit. Maybe because Silvina wasn’t the first secret I’d kept from my husband.

[7]

I rarely drove myself to work, but some paranoid impulse made me loath to call a service. I left before the family woke up. They were used to it, and I felt I might crack if I had to be home for breakfast. The hummingbird seemed to weigh down the trunk as I drove. The elevator up bucked, complained, but that was probably more about me than the bird.

Everything in our offices had been designed to project security or secureness. A lobby as inoffensive as the inside of a drone. Sound-muffling gray carpet with glints of sparkle. Cubicle partitions that gleamed obsidian. Abstract art providing muted color on the white outer walls. Passion? No threat of that. It remained wrapped up in plastic in a closet somewhere. We were purely of the mind. Except when we weren’t.

I meant to let that seamless place neutralize the box on my desk. Smother it. Or I thought it a lark, a diversion, a way to stave off boredom. Can’t remember—that’s the scary thing. I can’t remember what I thought back then.

No one commented on the box as I walked to my office. It looked like the size that could house a table lamp. I’d brought lamps in before, to push back against the generic feel of the workplace. That would be reasonable, ordinary. Turn what was in the box into something else. Even if I didn’t know what was in the box yet. Not really.

My boss stuck his head in the doorway a few minutes later. Let’s call him Alex because he resembled an Alex. Reasonable and solid. Flickers of humor a few times a year. A lightbulb that couldn’t quite remember how to turn on. Nothing memorable about his blue suits, white shirts, and red ties, but nothing shabby, either. He should’ve looked like a human flag, but chose faded tones. So instead Alex looked like a flag that had seen better days.

I knew of his arrival moments beforehand due to strong aftershave. Glasses were an affectation or he left them off most times because he was self-conscious. Before security, Alex had founded a VR company that had gone bankrupt.

Feeling better? he asked/said.

Great! Much better! I knew what slop he wanted shoveled at him and with what energy.

Hit the gym this morning?

Still a little under the weather.

Fair enough, he said. That and No worries he used to hide a multitude of sins. I forgive you. You are forgiven. Don’t let it happen again.

Did you go? I knew he wanted me to ask.

I did, Alex said. Benched a shit-ton. Pull-ups and…

I zoned out. Ever since he’d found out I’d been a bodybuilder, I’d gone from the going-to-fat creature to the gym-rat anomaly. Maybe he thought I was a freak. Or maybe he just couldn’t let go of one of the only personal things he knew about me.

Sounds great! I said when he’d finished. Months later.

All right—see you around. Strategy meeting late Pee Em.

Punched the doorway like a jock, I guess, then gone. The doorway always got abuse from him.

But I wasn’t free yet.

What’s in the box?

Larry, from the office just around a dead-end bend. We had a free-floating hierarchy. Equals, except Alex always invited Larry to go fishing in the spring on his boat. Ruddy Larry. Red-faced Larry, with the mane of brown hair that didn’t fit his face. Larry, who’d stood too close at the Christmas party last year, so I’d had to pull away. Just by accident. A well-calculated collision with my shoulder.

What’s in the box?

Because I hadn’t replied and Larry was like a crappy can opener.

A dead body.

Larry laughed. Looks too small for that.

I shrugged. Didn’t offer more. Stared at him. Never once thought the hummingbird was an office prank, and I didn’t now. Not their SOP.

Another lamp? Larry asked.

I said nothing.

When Larry got flustered, his face looked like someone had strapped an invisible cage full of rats to his head.

Gradually, his form receded from my doorway.


I never much understood the point of the world of men. How they fed off each other. How they motivated themselves. I mean, I got the purpose, but I navigated that world the way an astronaut would an alien landscape. Trying not to breathe the same air. Which was impossible, of course.

When I started out, I had been one of only two women in the company who were not on a secretary track. The idea I’d be a manager seemed absurd, but the money was good. I had no experience.

For a long time, I thought of myself as a secret agent, embedded there, in the company, except the only handler I reported back to was my other self. In the conversations of my fellow employees, I would gather intel to get a sense of whether I was in the loop or being left out of the loop, and whether it mattered. A new catchphrase from Alex I’d not been in the room to hear. Or perhaps my peers had talked about some new management strategy while on a hunting trip together. I would never know what information they conveyed at the urinal, but had no interest in piss-stained

Enjoying the preview?
Page 1 of 1