The Rise and Fall of D.O.D.O.: A Novel
By Neal Stephenson and Nicole Galland
3.5/5
()
Time Travel
Magic
Witchcraft
Diachronic Operations
Betrayal
Secret Government Agency
Fish Out of Water
Mad Scientist
Magical Society
Power of Knowledge
Time Police
Found Family
Secret Society
Betrayal of Trust
Time Loop
Historical Fiction
Power Dynamics
Historical Events
Adventure
Loyalty
About this ebook
A New York Times Bestseller
From bestselling author Neal Stephenson and critically acclaimed historical and contemporary commercial novelist Nicole Galland comes a captivating and complex near-future thriller combining history, science, magic, mystery, intrigue, and adventure that questions the very foundations of the modern world.
When Melisande Stokes, an expert in linguistics and languages, accidently meets military intelligence operator Tristan Lyons in a hallway at Harvard University, it is the beginning of a chain of events that will alter their lives and human history itself. The young man from a shadowy government entity approaches Mel, a low-level faculty member, with an incredible offer. The only condition: she must sign a nondisclosure agreement in return for the rather large sum of money.
Tristan needs Mel to translate some very old documents, which, if authentic, are earth-shattering. They prove that magic actually existed and was practiced for centuries. But the arrival of the scientific revolution and the Age of Enlightenment weakened its power and endangered its practitioners. Magic stopped working altogether in 1851, at the time of the Great Exhibition at London’s Crystal Palace—the world’s fair celebrating the rise of industrial technology and commerce. Something about the modern world "jams" the "frequencies" used by magic, and it’s up to Tristan to find out why.
And so the Department of Diachronic Operations—D.O.D.O. —gets cracking on its real mission: to develop a device that can bring magic back, and send Diachronic Operatives back in time to keep it alive . . . and meddle with a little history at the same time. But while Tristan and his expanding operation master the science and build the technology, they overlook the mercurial—and treacherous—nature of the human heart.
Written with the genius, complexity, and innovation that characterize all of Neal Stephenson’s work and steeped with the down-to-earth warmth and humor of Nicole Galland’s storytelling style, this exciting and vividly realized work of science fiction will make you believe in the impossible, and take you to places—and times—beyond imagining.
Neal Stephenson
NEAL STEPHENSON is the author of: Fall or, Dodge in Hell; The Rise and Fall of D.O.D.O. (with Nicole Galland); Seveneves, Reamde, Anathem; the three-volume historical epic The Baroque Cycle (Quicksilver, The Confusion, and The System of the World); Cryptonomicon, The Diamond Age, Snow Crash and Zodiac, and the groundbreaking nonfiction work In the Beginning . . . Was the Command Line.
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Reviews for The Rise and Fall of D.O.D.O.
683 ratings52 reviews
What our readers think
Readers find this title to have beautiful writing filled with humor and interesting ideas. The story is wonderful and the technical terms and clever usage of science to describe the powers of witches are liked. However, some readers feel that the characters could have been fleshed out more and that the book could have been shorter. Overall, it is a good book with potential for improvement.
- Rating: 3 out of 5 stars3/5
Jul 25, 2018
Interesting ideas with weak characters. Could have been half as long. Do publishers hire editors these days? I don’t think I will read the sequel. - Rating: 4 out of 5 stars4/5
Jul 24, 2019
Beautiful writing filled with humor. Pieces written from the POVs of different characters makes me wonder how difficult it must be to imagine each character’s state of mind. - Rating: 4 out of 5 stars4/5
Mar 4, 2022
It's good. I liked the technical terms and other clever usage of science to describe the powers of witches. Although I feel certain characters aren't fleshed out enough. - Rating: 5 out of 5 stars5/5
Apr 20, 2021
Wonderful story. If you have some great stories like this one, you can publish it on Novel Star, just submit your story to hardy@novelstar.top or joye@novelstar.top - Rating: 5 out of 5 stars5/5
Sep 24, 2025
Reader, I loved it.
Dead languages, academics, history, technology, witches, Elizabethan drama, serious weapons, take out Chinese food, and grossly contorted names for things just to get a good acronym. I would marry this book if it was old enough. Definitely going to have to check out Galland's other books.
Library copy - Rating: 4 out of 5 stars4/5
Jan 26, 2023
This book was a lot of fun! I'm a longtime Stephenson fan and think co-author Galland has lightened his tone a bit and made the story more accessible. My one complaint (okay, one of sort of two) is that this book is a lot longer than it needs to be. I'd have enjoyed it more at half the length, especially since it ends with a cliffhanger anyway. Or at least a lead-in to a sequel.
I might not have picked this one up if I had realized it was an alternate-universe and/or time travel story. I've been disgruntled with those in general because (1) you can kind of change anything you want to make the story work out, and (2) changes in the timeline eventually mean that the world the characters in are not my world, and finally (3) I lose track of the sequence of events. However, I was quite pleased by the way they circumvented #2 by with the Pentagon angle: no, this really IS a spoiler starting out in a world that is NOT our world and the changes move it closer to our world . - Rating: 4 out of 5 stars4/5
Jan 23, 2023
After a brief hiatus due to frustration, I returned to the book and found I had set it aside just before the story got really good again. It ended up a solid 4 stars for me. It’s over-the-top and a bit crazy, and lots of fun. If you press on through the boring, bloated bureaucracy part, that is ;) - Rating: 4 out of 5 stars4/5
Feb 28, 2023
The multiverse concept has been really popular lately, from books like The Long Earth and The Kaiju Preservation Society to blockbuster Marvel movies, and Everything Everywhere All At Once. This book plays with the idea of the multiverse, but presents it at first as time travel. The main government organization, D.O.D.O, is trying to bring magic back into the world after its departure in the mid 19th century. But of course, magic is really just physics that haven't been explored widely in the modern world. So this government organization figures out a way to perform magic in the modern world, but mostly use it as a way to send people backwards in time, in order to try to alter the past slightly to give them an advantage in the future. However, its not just one timeline they have to affect, its multiple "strands" of similar worlds. If you can affect change in multiple similar threads of time, than you're more likely to get the outcome you are looking for. This was an interesting concept, and I liked the way it all played out.
This book is also funny. Like a lot of other Stephenson books, there are jokes, and this one is filled with puns and funny acronyms. I feel like this book could have been a little more subtle with the jokes, but they were still funny, nonetheless. The characters were probably the weakest part of this book. Tristan is your typical military go-getter, with not much personality other than rah-rah-go-military. Melisande has slightly more personality but is still kind just there. Erzsebet is interesting, somewhat tragic, but she is written as largely one note, which is obstinate. Some of the other side characters could be interesting, but they are introduced towards the end, so we don't get enough time with them.
Overall, I liked this concept and the story, but I feel like the magic use could have been a little more diverse(hopefully in book 2), and the characters could have been written with more depth. - Rating: 4 out of 5 stars4/5
Nov 27, 2022
Excellent book! I love the combination of sci-fi and magic...time travel and witches! A well-written page turner. - Rating: 2 out of 5 stars2/5
Aug 25, 2022
I absolutely love it when magic becomes science and this book did it so well. The second half of the book however did not do it for me, it felt like it was dragging on a bit, as if it was pre-emptively being written for a TV series adaptation. I think owuld enjoy the second half of the book much more as a TV series. - Rating: 3 out of 5 stars3/5
Jan 20, 2022
While it certainly had some gems, this was by far Neal's worst. Seems like he used the theme to ramble on about all his historical grievances, like Kit Marlowe - Rating: 3 out of 5 stars3/5
Jan 10, 2022
I couldn't actually get through it - Rating: 4 out of 5 stars4/5
Dec 11, 2021
I love time travel, and books about quirky time time travel organizations, so this seemed right up my alley. There's a neat concept about how it all works, and the gradual reveal of what's going on is exciting. In the late middle it bogs down a bit, and I found some of the parts with Blevins pretty harrowing to read (because he's just a skin-crawlingly awful, manipulative dude). But then the plot picks up again, and it's got a nice satisfying ending. The main romance reminds me a bit of [[[The Chronicles of St. Mary's]]], actually. There's a bit of weird vintage sexism here and there, but for the most part the protagonists are a great bunch of people and I always want them to succeed. - Rating: 4 out of 5 stars4/5
Aug 20, 2021
Absolutely delightful fun. - Rating: 4 out of 5 stars4/5
Jun 2, 2021
Fun story. Witchcraft, time travel, intrigue, all mixed with some classic military thinking snafus.
Time travel and all of its inconsistencies is not my favorite form of speculative fiction, but this is well done. It doesn't completely make 'sense', but the logic at least hangs together on its own terms.
Neal Stephenson's books are always full of interesting ideas, and this one is no exception. - Rating: 3 out of 5 stars3/5
Apr 26, 2021
This was fun. If you liked Connie Willis' Oxford Time Travel books, you will probably enjoy this. And vice versa. - Rating: 4 out of 5 stars4/5
Mar 8, 2021
Another amazing concept; another great story. Not his best, but Neal Stephenson always gives a good read. The performance of the audio book was also well done. - Rating: 3 out of 5 stars3/5
May 27, 2019
Rambly and fun time travel romp set in Cambridge. Some of the storytelling formats didn't work well in audiobook format (transcripts of conversations were the most painful) - Stephenson's ninja habit was fulfilled by Vikings this time.1 person found this helpful
- Rating: 3 out of 5 stars3/5
Jan 24, 2019
I'm a fan of Neal Stephenson, and got this book without really checking it out. I found two concerning facts - it is only co-written by Stephenson, and and it is about magic and time travel.
I have now finished the book, and am glad I persisted in spite of my initial reservations. I don't know how the two authors split the creative process, but the end result is a page turner. There is a good narrative thread, enough suspense, some good humour, and an array of characters - what's not to like?
And my second qualm - the witches and magic? Well, quantum physic is mind-boggling and time travel is a fantasy, so weaving witches and magic into the plot isn't such an imposition.
A good fun read.1 person found this helpful
- Rating: 4 out of 5 stars4/5
Oct 22, 2018
Beginning as a diary, this tome uses a variety of voices via letters, wikis, diaries, reports, etc. to weave a story of time travel . Magic and time travel are made obsolete by scientific technology, most specifically photography, but Tristan believes he can create a space that will allow both to return in a limited way. Aided by a discredited scientist, Dr. Oda, and a historical linguist, Melisande, the three begin to experiment with the concepts and their potential for national security.1 person found this helpful
- Rating: 2 out of 5 stars2/5
Sep 12, 2018
D.O.D.O. is a mess. There is way, way too much in this book, and none of it is explored in depth. The novel suffers from a superficial exploration of . . . well, everything. The movement of information, alternative narratives, agency, politics, banking, and more: they all play a part, but there's no overall sense of how they play against each other to shape the narrative. This is no modern-day epistolatory pastiche; it's a just a mess.
As I said, the narrative lacks basic coherence. For lack of a better way of putting it, there's nothing to sink your teeth into. For those familiar with Stephenson's writing, this will come as a surprise.* I certainly didn't expect an ending with a clear-cut resolution and moral of the story, but I also didn't expect complete frustration with careless juggling of concepts, any of which alone, explored more throughly, occupy an entire series of novels.
There's a casual misogyny running through the novel. All of the characters are one-dimensional, and many are stereotypes, but the way female characters are portrayed and discussed stands out as particularly problematic. Just as the novel yields no substantive conclusions about any of the concepts discussed, so I also cannot make a substantive comment about this misogyny. It just is, and I don't know why.
Be prepared for slogging through anything and everything related to bloated bureaucracy. Certainly, it does illustrate one of the novel's major themes. However, it's so heavy-handed that it becomes a (fictitious) example of that which it seeks to lampoon.
The parts of the novel that focused on time travel missions (DEDEs, in the parlance of the book) were my favorite parts by far. I skimmed some of the middle, frustrated with narrative repetition.
I knew I wouldn't be reading a book with a traditional narrative and a tidy ending, and that's not even something I seek out in books. There's a difference in postmodern pastiche (or whatever this is supposed to be) and a book that is just poorly written. It appears to end with a set-up for a sequel: send in the editors before that goes to press!
*Note: I have only read one of Galland's novels and cannot comment on how this work relates to her body of writing.1 person found this helpful
- Rating: 3 out of 5 stars3/5
May 22, 2018
There better be a DODO book 2 in the works. If this is part of a series, I'll raise the rating to 4 stars. Entertaining read about time travel, witches and bureaucracy. BUT angry at the ending after having spent 750 pages engaged in a story with no ending.1 person found this helpful
- Rating: 2 out of 5 stars2/5
Sep 19, 2020
This latest effort from Neal Stephenson suffers from his usual issues. The story ends just as I start seeing the tale I really want. You don't go into Stephenson works hoping for good character development (and you won't find it here). Not to mention the sex feels tacked-on and unnecessary... - Rating: 4 out of 5 stars4/5
Aug 30, 2020
Hilarious caper. "The Lay of Walmart" is excellent. But eventually the book somehow becomes overextended and ends up a bit trivial. On the way, there is some good satire, and some good history. - Rating: 4 out of 5 stars4/5
Jul 22, 2020
Somehow they managed to avoid the elephant in the room. Yes, I'm talking about Jesus. They handle the Hitler question (sort of), but somehow fail to mention going back in time to do research on Jesus. That would probably be my first trip, assuming that you could do the research to find him. He seemed to be saying that they got around the butterfly effect with an in-depth analysis of strands, but I don't buy it. People were killed. Major events were changed. In most of these time-travel stories there are major consequences for these actions. I preferred the first part of the book before it all became government controlled and full of acronyms. Still, I thought it was well thought out for the most part. A bit of a cop out at the end as it set itself up for a sequel. - Rating: 3 out of 5 stars3/5
Apr 17, 2020
Neal Stephenson is a favorite author but this book is not a favorite. I liked the idea of the story which was to take science fiction and fantasy and squeeze them together in this book about time travel and how the US government attempts to use this to slowly change history through slight changes in the past. It is a good lesson on why we probably should never have time travel. It certainly shows how bureaucracy and politics mess up things.
What I did not like; the book was long and employed several narrative techniques such as diaries, text messages, phone calls, beside the usual narration. I was okay with the narration to some extent but it was the parts that could make this book drag on and on. I also totally saw no reason for the frequent use of swear words, especially the one that everyone seems to think is so fun to say. They were entirely unnecessary in the telling of the story. - Rating: 3 out of 5 stars3/5
Mar 19, 2020
I'm a sucker for time-travel novels. I like the attempt in this book to pseudo-science an explanation for both magic and time-travel. Honestly, like every Stephenson novel that I've read, it is too long. It is fine but feels like it could have been tightened up some. Still worth the read. - Rating: 4 out of 5 stars4/5
Oct 9, 2019
Neal Stephenson and Nicole Galland combine to author The Rise and Fall of D.O.D.O, a science fiction/fantasy novel. The basic premise (spoiler, but you find it out in the first few pages) is that through history, witchcraft has waned as science advanced. A government research agency finds a way to restore power to witches, and is soon using them to alter history. There’s an underlying romance between two of the characters.
The story is told as a series of journal entries, memos, letters, meeting minutes, etc. This style works for the science fiction part, but isn’t very effective at conveying romance, and the romance is such a minor part of things that it almost seems like an afterthought – hey, let’s put some love interesting in here just in case somebody wants to buy the movie rights. The descriptions of bureaucracy ring very true, though – having worked for various bureaucratic organizations I recognized many of the characters. The villains, such as they are, are old white men who are so convinced of their rightness that they don’t recognize disaster until it’s too late.
Funny in most spots, tragic in a few. A quick read. Like almost all Neal Stephenson novels, it has an abundance of interesting ideas and an unsatisfying ending. I don’t know anything about the second author (Galland) but I didn’t see anything that was obviously her contribution. - Rating: 4 out of 5 stars4/5
Sep 23, 2019
I've been pretty down on Stephenson since Cryptonomicon as characters, story and plausibility seem to radically diminish in importance next to his ideas . . . which aren't really *that* good.
I had high hopes of his working beside a single collaborator, especially one who shown a keen interest in things like character development and motivation (see I, Iago). And for the most part I got what I'd hoped for. The tone is different than old Stephenson, and the nature of a lot of the whimsical bits is different, but we get a story and characters that exist as something other than a vehicle for concept.
There's also, I think, an element of hommage/parody of Kage Baker's company series here. Which is worth half a star from me.
Not great, by any means, but eminently readable even by folks who aren't absolutely convinced of the need to hear what Neal Stephenson thinks about whatever he's thinking about at the moment, even at the cost of pointless verbosity, characters who are mere puppets and awful, tone-deaf mixtures of contemporary slang and period English. (All of which are mostly absent here. Thank you, Nicole) - Rating: 4 out of 5 stars4/5
Aug 30, 2019
Fun read. Stephenson's books are best consumed as audio, I'm finding. Lessens the frustration of his digressions.
Book preview
The Rise and Fall of D.O.D.O. - Neal Stephenson
DEDICATION
FOR LIZ DARHANSOFF
CONTENTS
COVER
TITLE PAGE
DEDICATION
AUTHORS’ NOTE
PART ONE
PART TWO
PART THREE
PART FOUR
PART FIVE
ACKNOWLEDGMENTS
AN EXCERPT FROM MASTER OF THE REVELS
FOREWORD
PROLOGUE
CAST OF CHARACTERS
GLOSSARY
ABOUT THE AUTHORS
ALSO BY NEAL STEPHENSON
ALSO BY NICOLE GALLAND
COPYRIGHT
ABOUT THE PUBLISHER
AUTHORS’ NOTE
To the reader:
For your convenience we have included a list of characters as well as a glossary of acronyms and terms that are unique to the D.O.D.O. world. Because the lists contain many spoilers, we have placed them at the back of the book.
N. S. and N. G.
PART
ONE
Diachronicle
(PREAMBLE, JULY 1851)
MY NAME IS MELISANDE STOKES and this is my story. I am writing in July 1851 (Common Era, or—let’s face it—Anno Domini) in the guest chamber of a middle-class home in Kensington, London, England. But I am not a native of this place or time. In fact, I am quite fucking desperate to get out of here.
But you already knew that. Because when I’m done writing this thing—which, for reasons that will soon become clear, I’m calling Diachronicle—I am going to take it to the very discreet private offices of the Fugger Bank, Threadneedle Street, lock it up in a safe deposit box, and hand it over to the most powerful banker in London, who is going to seal it in a vault, not to be opened for more than one hundred and sixty years. The Fuggers, above all people in this world, understand the dangers of Diachronic Shear. They know that to open the box and read the document sooner would be to trigger a catastrophe that would wipe London’s financial district off the map and leave a smoking crater in its place.
Actually, it would be much worse than a smoking crater . . . but a smoking crater is how history would describe it, once the surviving witnesses had been sent off to the madhouse.
I’m writing with a steel-nibbed dip pen, model number 137B, from Hughes & Sons Ltd. of Birmingham. I requested the Extra Fine Tip, partly to save money on paper, and partly so that I could jab my thumb with it and draw blood. The brown smear across the top of this page can be tested in any twenty-first-century DNA lab. Compare the results to what is on file in my personnel record at DODO HQ and you will know that I am a woman of your era, writing in the middle of the nineteenth century.
I intend to write everything that explains how I came to be here, no matter how far-fetched or hallucinatory it may sound. To quote Peter Gabriel, a singer/songwriter who will be born ninety-nine years from now: This will be my testimony.
I DO ATTEST that I am here against my will, having been Sent here from September 8, 1850, and from the city of San Francisco, California (the day before California was granted statehood).
I do attest that I belong in Boston, Massachusetts, in the first quarter of the twenty-first century. There, and then, I am part of the Department of Diachronic Operations: a black-budget arm of the United States government that has gone rather badly off the rails due to internal treachery.
In the time in which I write this, 1851, magic is waning. The research that DODO paid me to perform indicates that magic will cease to exist at the end of this month (July 28). When that happens, I will be trapped here in a post-magic world for the rest of my days. The only way anyone will ever know what became of me is through this deposition. While I have managed to land myself in comfortable (by 1851 standards) quarters with access to pen, ink, leisure time, and privacy, it has been at the expense of freedom; my hosts would not consider allowing me out of the house alone for an evening constitutional, let alone to seek out witches who might help me.
One comment before I begin. If anyone from DODO ever reads this, for the love of God please add corset-makers to the list of abettors we need to recruit in any Victorian DTAPs. Corsets are intended to be custom-made to conform to the actual shape of a lady’s body, and it’s uncomfortable to have to borrow one or buy one off the rack,
although servants and poorer women generally do that (but do not lace them tightly, as they must engage in manual labor). Being here entirely on charity, I prefer not to ask my hosts to extend credit for a custom-fit one, but wearing this one (borrowed from my hostess) is just awful. It makes a Renaissance bodice feel like a bikini, I’m not even kidding.
Diachronicle
DAY 33 (LATE AUGUST, YEAR 0)
In which I meet Tristan Lyons and immediately agree to get into more trouble than I could possibly realize at the time
I MET TRISTAN LYONS IN the hallway outside the faculty offices of the Department of Ancient and Classical Linguistics at Harvard University. I was a lecturer, which means that I was given the most unpopular teaching assignments with no opportunity for university-supported research and no real job security.
On this particular afternoon, as I was walking down the hallway, I heard voices raised within the office of Dr. Roger Blevins, Department Chair. His door was slightly ajar. Usually it gaped open, so that anyone walking by might glance at his ego-wall, upon which hung every degree, honor, and accolade he’d ever collected, honestly or otherwise. When not yawning thus, the door was tightly closed, advising Do Not Disturb
in 48-point Lucida Blackletter to make sure we all understood how exclusive his company was.
But here it was, uncharacteristically a quarter open. Intrigued, I glanced in, just as a clean-cut man was making a decisive exit, looking back at Blevins with an expression somewhere between disgust and bemusement. His biceps smacked into my shoulder as he ploughed into me with enough force to throw me off balance. I pivoted backward and landed sprawled on the floor. He retreated instinctively, his backpack smacking into the doorjamb with a hard thump. From within the office, Blevins’s voice was hurling a stream of invective.
Apologies,
the man said at once, turning red. He was about my age. He slipped out into the hallway and began to reach toward me to help me up.
The door swung farther open, quite forcefully—right into my shin. I made a noise of pained protest and the pompous voice from within the room went silent.
Blevins—thick grey hair perfectly immobile, dressed as if he expected at any moment to be sworn in to give expert testimony—emerged from his office and peered down at me disapprovingly. What are you doing there?
he asked, as if he’d caught me spying.
My fault, I’m sorry, miss,
said the young man, again holding his hand toward me.
Blevins grabbed the edge of the door and began pulling it closed. Watch where you’re going,
he said to me. "If you’d been in the middle of the hall you’d have avoided a collision. Please collect yourself and move on."
He gave the young man a look I could not make out from where I was, then turned back into his office, closing the door hard behind him.
After a second of stunned silence, the young man extended his hand closer to me and I took it, with a nod of thanks, to rise. We were standing quite close to each other.
I am . . .
he began again. I am so very sorry—
It’s fine,
I said. If you’ve annoyed Roger Blevins, how bad can you be?
At that he looked startled—as if he’d come from someplace where speaking ill of the brass simply wasn’t done. We kept staring at each other. It seemed a perfectly normal thing to do. He was nice to look at in an ROTC sort of way, and his expression implied he didn’t mind looking at me either, although I am not the sort the ROTC boys ever took an interest in.
Suddenly he held out his hand. Tristan Lyons,
he said.
Melisande Stokes,
I rejoined.
You’re in the Ancient and Classical Linguistics Department?
I am,
I said. I’m an exploited and downtrodden humanities lecturer.
Once again, that startled, wary look. I’m treating you to coffee,
he said.
That was presumptuous, but I was so pleased with him for upsetting Blevins that it would have been churlish to turn him down.
He wanted to take me to the Apostolic Café in Central Square, which was perhaps ten minutes by foot down Mass Ave. It was that time of year in Boston when the summer feels definitely over, and the city’s seventy-odd colleges and universities are coming back to life. Streets were jammed with parental minivans from all over the Northeast, moving their kids into their apartments and dorm rooms. Sidewalks were clogged with discarded sofas and other dump-bound furniture. Add that to the city’s baseline traffic—people, cars, bikes, the T—and it was all very loud and bustling. He used that as an excuse to cup my elbow in one hand, keeping me close to him as we walked. Presumptuous. As was the very idea that you could walk two abreast in such a crowded place. But he kept making a path through the crowd with expectant looks and crisp apologies. Definitely not from around here.
Can you hear me clearly?
he said almost directly into my ear, my being half a step ahead of him. I nodded. Let me tell you a couple of things while we’re walking. By the time we get to the café, if you think I’m a creep or a nutcase, just tell me, and I’ll simply buy you a coffee and be on my way. But if you don’t think I’m a creep or a nutcase, then we’re going to have a very serious conversation that could take hours. Do you have dinner plans?
In the society I inhabit currently, such an approach would be considered so outrageous that when I think on it, it is hard to believe I did not instantly excuse myself and walk away from him. On the contrary, at the time I found his awkward inappropriateness, his bluntness, rather compelling. And I confess, I was curious to hear what he had to say.
I might,
I said. (Confession: I did not.)
All right, listen,
he began. I work for a shadowy government entity, you’ve never heard of it, and if you try to Google it, you won’t find any reference to it, not even from conspiracy-theory nuts.
Conspiracy-theory nuts are the only ones who would use a term like ‘shadowy government entity,’
I pointed out.
That’s why I use it,
he retorted. "I don’t want anyone to take me seriously, it would get in the way of my efficiency if people were paying attention to me. Here’s what we need. Tell me if you’re interested. We have a bunch of very old documents—cuneiform, in one case—and we need them translated, at least roughly, by the same person. You’ll be paid very well. But I can’t tell you where we got the documents, or how we got them, or why we’re interested in them. And you cannot ever tell anyone about this. You can’t even say to your friends, ‘Oh, yeah, I did some classified translating for the government.’ Even if we publish your translation of it, you can’t take ownership of it. If you learn something extraordinary from translating the material, you can’t share it with the world. You’re a cog in a piece of machinery. An anonymous cog. You’d have to agree to that before I say another word."
That’s why Blevins threw you out,
I said.
Yes, he’s strongly committed to academic freedom.
Dear reader, give me credit for not going LOL on mocking him. No he isn’t.
This startled Tristan, who looked at me like a puppy after you’ve stepped on his tail. On second thought, given his ROTC bearing, let’s make that a mature German shepherd.
He was pissed off that he’d never get any glory or royalties,
I explained. But he knew he couldn’t say that. So, academic freedom or whatever.
Tristan seemed to actually think about this as we crossed Temple Street. His type are trained to respect authority. Blevins was nothing if not authoritative. So, this was a little test. Was his straight-arrow brain going to explode?
Through all the bustle, in the golden light of early autumn, I could see the entrance to the Central Square T stop. What’s your position?
he asked me.
On academic freedom? Or getting paid?
You haven’t kicked me to the curb yet,
he said. So, I guess we’re talking about the latter.
Depends on the paycheck.
He named an amount that was twice my annual salary, with the caveat . . . once you convince me you’re the right person for the job.
What will the translations be used for?
Classified.
I tried to think of reasons not to pursue this lucrative diversion. Could they somehow be justification for unethical actions, or physical violence, on the part of your shadowy government entity?
Classified.
That’s a yes, then,
I said. Or at least a possibly. You’d have just said no otherwise.
"That amount I just mentioned? It’s for a six-month contract. Renewable by mutual agreement. Benefits negotiable. Are we having coffee together or not?" We were nearing the turn to the Apostolic Café.
No harm in coffee,
I said. Stalling for time, trying to wrap my head around the math: four times my current take-home pay, which would never include benefits. Not to mention that I’d be trading up in the supervisor department.
We entered the café, a beautiful old desanctified brick church with high vaulted ceilings, stained glass windows, and incongruously modern wood tables and chairs sprinkled across the marble floor. There was a state-of-the-art espresso station to one side and—most disconcertingly, as much as I’d overcome my upbringing—a counter set just about where the altar would once have been, and a complete wet bar curving around the inner wall of the apse. The place had only recently opened but was already very popular with the techno-geek crowd from both Harvard and MIT. It was my first time in. I felt a brief pang of envy that there weren’t enough linguists in Cambridge to warrant a designated polyglot-hangout as lovely as this.
What’s your pleasure?
asked the barista, a young Asian-American woman with interesting piercings, tattoos in place of eyebrows, and a demeanor that blended I’m sooo interesting and this job sucks with I have a really cool secret life and this job is an awesome front. Her nametag read Julie Lee: Professional 聪明的驴子•双簧管
(which I understood, roughly, as Smart-ass Oboist
).
We ordered drinks—Tristan, black coffee; myself, something I would never normally have, a complicated something-latte-something with lots of buzzwords I picked out at random from the menu over the bar, and which prompted a brief smirk from our barista. The agents of shadowy government entities, I reasoned, were likely to be trained in psychological evaluation of potential recruits, and I did not want him getting an accurate read on me until I decided whether or not I wished to pursue his offer. (Also he was rather handsome, which made me jittery a bit, so I decided to hide behind an affected eccentricity.) The result being that he sat down with a lovely-smelling cup of dark roast and I sat down with something almost undrinkable.
You ordered that to try to throw me off the scent, in case I was doing some sort of ninja psych-eval of you,
he said casually, as if just trying the idea on for size. Ironically, that tells me more about you than if you’d just ordered your usual.
I must have looked shocked, because he grinned with almost savage self-satisfaction. There was something disturbingly thrilling about being seen so thoroughly, so quickly, and so stealthily. I felt myself flush.
How?
I demanded. How did you do that?
He leaned in toward me, large, strong hands clasped before him on the café table. Melisande Stokes—may I call you Mel?
I nodded. Mel.
He cleared his throat in a very official-sounding, preparatory manner. If we’re going to pursue this,
he said, there are three parts to it. First, before anything else, you have to sign the nondisclosure form. Then I need you to do some sample translations so we can get a sense of your work, and then we have to run a background check on you.
How long will all that take?
I asked.
Four times my salary. With possible dental.
And no Blevins.
He had set his backpack on a chair beside him. Now he patted it. Nondisclosure form is right here. If you sign it now, I can text your name and social to DC.
He paused then, and reconsidered. Never mind. They already know your social. Point is, they’ll have finished the background check before you’re done choking down whatever the hell it is you ordered. So it’s just how long it takes you to translate the test samples and have our guys look over your translations. But
—he waved a warning finger at me—"no fooling around here. Once you sign the form, you’re committing to do this. Unless we reject you. You can’t reject us. You’re stuck with me, for six months minimum, as soon as you sign the form. Got it? No half-assedness on your part. So maybe we just talk tonight and then you take the form with you and give it to me tomorrow when you’ve had a chance to sleep on it."
Where would I find you tomorrow?
I asked.
Classified,
he said. I’d find you.
I don’t like being stalked. I’d better sign it now,
I said.
He stared at me a moment. It wasn’t quite like that first moment, when we had stared and it had felt so strangely normal. This felt charged. But I wasn’t exactly sure why. I would like to think I was simply delighted to be ridding myself of Blevins and quadrupling my income all in one go. But if I am honest with myself I confess there was a definite pleasure in being Chosen by someone with such agreeable features.
Right,
he said, after we had been staring for a couple of heartbeats. Here.
He reached for his bag.
I read the form, which said precisely what Tristan had described, making it at once boilerplate and singular. I held out my hand, and Tristan offered me a government-issue ballpoint pen. A far cry from the slightly blood-smeared Hughes & Sons Ltd. model number 137B, Extra Fine, with which I am writing this.
As I signed the form, he leaned in closer to me and said quietly, sounding delighted with himself, I have some of the cuneiform in my bag if you want to take a look at it.
I believe I gaped at that. You’re carrying a cuneiform artifact around in your backpack!?
He shrugged. If it could survive the fall of Ugarit . . .
There was a boyish gleam in his eye. He was showing off now. Want to see it?
I nodded mutely. He opened his bag and drew out a lump of clay, roughly the size and shape of a Big Mac. So that’s what had banged against the doorjamb of Blevins’s office. Marked into it in tiny, neat rows . . . was cuneiform text. Tristan handled it as if it were a football. I stared at it for a moment, disoriented by seeing something I had only encountered while wearing gloves in the workroom of a museum, now casually sitting on the table next to my coffee-like beverage. I was almost afraid to touch it; that seemed disrespectful. But within moments I had tossed such a delicate thought aside, and my fingers were caressing it. I studied the script.
This isn’t Ugaritic,
I said. It’s Hittite. There are some Akkadian-style markings.
He looked pleased. Nice,
he said. Can you read it?
"Not offhand, I said patiently. Some people have a very romanticized notion of what it means to be a polyglot. But not wanting to appear lacking, I added quickly,
The light in here is too low, it will be hard to make out the forms."
Soon enough,
he said, and pushed it back into his bag with the same casual roughness. Once it was out of sight I began to wonder if I’d really seen it.
Tristan reached back into the bag and pulled out something else now: a sheaf of papers. He pushed them across the table to me. You still have the pen,
he said. Want to get started on these?
I looked at the papers. There were seven blocks of writing, almost none of them in the Roman alphabet—even the Old Latin passage used Etruscan. At a glance I also recognized biblical Hebrew and classical Greek. The Hebrew I knew best, so I looked more closely at this one.
And blinked several times to make sure I was not imagining what I was seeing. I took a look at the Greek and then the Latin to make sure. Then I looked up at Tristan. I already know what all of these say.
You’ve taken this test before?
he asked, surprised.
No,
I said tartly. "I created it. At his confused look, I explained:
I chose these specific samples and I wrote the translation key against which to check the students’ work. I felt my cheeks grow hot.
I did it as a project under Blevins when I was a graduate student."
He sold it to us,
Tristan said simply. For a lot of money.
It was for a graduate seminar on syntax patterns,
I said.
Mel,
he said, "he sold it to us. There was never a graduate seminar on syntax patterns. We—that is, people high up in my shadowy government entity—have been working with him for a long time. We have contracts with him."
I would happily sign that nondisclosure form seventeen times over,
I said, to express the depth of my sentiments toward Roger Blevins at this moment.
Julie Lee, Professional Smart-ass Oboist, swept by us, bussing our cups without asking, as Tristan’s phone made a noise and he glanced down at the screen.
He typed something into the phone and then pocketed it. I just told them you passed with flying colors,
he said, and they just told me you passed the background check.
Of course I passed the background check,
I said. What do you take me for?
You’re hired.
Thank you,
I said, "but whoever they are, please let them know I’m the creator of the test I just passed."
He shook his head no. Then we get into an IP inquiry with the university and things get messy and public, and shadowy government entities can’t go there. Sorry. If this project falls apart, though, feel free to take it up with Blevins.
His phone beeped again and he checked the new incoming message. Meanwhile, let’s get to work.
He pocketed the phone and held out his hand for me to shake. You have an agreeably uninteresting existence. Let’s see if we can change that.
Diachronicle
DAYS 34–56 (SEPTEMBER, YEAR 0)
In which magic is brought to my attention
TRISTAN DETERMINED TO BEGIN the translations immediately—that very evening—and so he ordered carry-out Chinese, asked for my address, and said that he would show up in an hour with the first of several documents. I was, please know, outraged that he was driving around with ancient artifacts in the backseat of his beat-up Jeep.
At that time, I dwelt alone in a one-bedroom walk-up flat in North Cambridge (without being considered a spinster or a loose woman, as would be the case in my current environment). It was walking distance from the Porter Square T stop and an easy bicycle ride down Massachusetts Avenue, cutting through Harvard Yard, to the department (although I would no longer be making that ride). Tristan appeared punctually with bags of Chinese and a six-pack of Old Tearsheet Best Bitter, which as I was to learn was the only beer he would consider drinking. He casually commandeered the living/dining/cooking area, placing the food on the counter, far from the coffee table, where he laid out four documents and the cuneiform tablet, a notepad, and several pens. He looked around the space, zeroed in on my personal reference library, pulled out four dictionaries, and set them on the table.
Let’s eat first,
he said. I’m starving.
For the first time, we made small talk. It was only brief, for he eats too fast, although I did not comment on it that first time. Tristan had studied physics at West Point but ended up assigned to the Military Intelligence branch of the Army, which—in roundabout ways he constantly deflected with the term classified
—led to his recruitment by his shadowy government entity.
For my part, since nothing was classified, I divulged the source of my polyglot tendencies, that being: my agnostic parents having been raised Catholic and Jewish, my two sets of grandparents competed for my faith from my earliest years. At the age of seven I proposed to my Catholic grandparents that I learn to read the New Testament in Latin, in lieu of attending Sunday school. Thinking I would never attain this, they agreed—and I was functionally fluent in classical Latin within six months. Emboldened by this, shortly before my thirteenth birthday I similarly evaded being bat mitzvahed by testing out at college level for classical Hebrew. My Jewish grandparents offered to fund one semester of university education per each ancient language I mastered at college level. That was how I afforded my first three years of school.
Tristan was very pleased with this story—almost as pleased with himself as with me, as if patting himself on the back for having chosen such a prodigy. When we finished our meal, he collected the disposable containers, rinsed them, and packed them neatly back in their bag. All right, let’s start!
he said, and we moved to the couch so I might examine the documents.
In addition to the cuneiform tablet there was something in Guānhuà (Middle Mandarin) on rice paper, about five hundred years old—Tristan to his credit at least knew to handle this with gloves on. There was also, on vellum, a piece written in a mixture of medieval French and Latin, I would say at least eight hundred years old. (It was fucking insane to see these things sitting casually on my coffee table.) Finally there was a fragment of a journal, this written in Russian on paper that looked positively brand-new in comparison, and was dated 1847. The librarian in me noticed that all of them had been marked with the same stamp—a somewhat ill-defined family crest, surrounded by blurry words in a blend of Latin and Italian. They had, in other words, been acquired by a library or a private collection, and been duly stamped and cataloged at some point.
As he had warned, Tristan would not tell me where he had obtained these artifacts, nor why it was such a (seemingly) random collection. After several hours with them, however, I saw the common theme . . . although it was hard to believe what I was reading.
In short, each of these documents referred to magic—yes, magic—as casually as a court document refers to the law, or a doctor’s report refers to medical tests. Not magician-trick magic, but magic as we know it from myths and fairy tales: an inexplicable and supernatural force employed by witches—for they were, per these documents, all women. I don’t mean the belief in magic, or a mere weakness for magical thinking. I mean the writer of each document was discussing a situation in which magic was a fact of life.
For example, the cuneiform tablet was a declaration laying down what a witch at the royal court of Kahta was due in recompense for her services, and regulated the uses of magic that courtiers were allowed to ask of her. The Latin/French one was written by the Abbess of Chaalis regarding the struggles that one of her nuns faced, trying but failing to renounce her magic powers, and the abbess wondered if she herself was to blame, as she was not truly wholehearted in her own prayers for the sister to be relieved of her powers, since those powers often made life easier at the abbey. The Guānhuà took a little more work—I had but a cursory relationship to Asian language groups by then. It was itself a recipe from the provinces for a dish involving various hard-to-find aromatic herbs, as described to the writer (a circuit-riding Mandarin magistrate) by self-reported witches (whose activities were referred to as a footnote on the side of the recipe). Finally, the nineteenth-century Russian was written by a self-identified (aging) witch and lamented the fading powers of her sister witches and herself. This one also made a passing reference to the desirability of finding certain herbs.
These were rough, almost off-the-cuff translations. When I had finished the fourth one, there was a silence between us for a moment. Then Tristan gave me a disarmingly sly grin, and spoke:
What if I told you we had more than a thousand such documents. All eras, from six continents.
All bearing this family crest?
I asked, pointing to the blurry stamp.
That is the core of the collection. Others we collected on our own.
Well, that would challenge certain assumptions about the nature of reality that I did not even know I had.
We want you to translate all of them and extract the common core of data,
said Tristan.
I looked at him. I assume there’s a military purpose.
Classified,
he said.
If I have a context for translating, I can do a better job of it,
I protested.
My shadowy government entity has been collecting documents of this nature for many years.
By what means?
I sputtered, both fascinated and dismayed to learn that a well-funded black ops organization was competing against academic researchers in such a manner. That sure explained a few things.
The core of the collection, as you’ve been noticing, is from a private library in Italy.
The WIMF.
Beg pardon?
The Weird Italian Mother Fucker,
I said.
Yeah. We acquired it some time ago.
His face twitched and he broke eye contact. That’s not true. I was just being polite. We stole it. Before other people could steal it. Long story. Anyway, it gave us plenty of leads that we could follow to acquire more in the same vein. By all means fair and foul. We now feel we have a critical mass that, upon translation, might yield a sense of what precisely ‘magic’ was, how it worked, and why there are no references to it anywhere after the mid-1800s.
And you wish to have this information for some kind of military purpose,
I pressed.
We wish to have one person do all the translations,
Tristan said, firmly not answering my query. For three reasons. First, budget. Second, the fewer eyes, the safer. Third and most important, if the same person processes all the material, there is a greater chance of gleaning subtle consistencies or patterns.
And you are interested in those consistencies or patterns why, exactly?
The current hypothesis,
Tristan continued as before—that is, without actually answering me—is that perhaps there was a worldwide epidemic of a virus that affected only witches, and magic was literally killed off. I don’t think that’s it, but I need to know more before I offer an alternate hypothesis. I have my suspicions, though.
Which are classified, right?
Whether or not they are classified is classified.
The documents were many, but brief; most were fragmentary. Within three weeks, working alone at my coffee table, I had produced at least rough translations of the first batch of material. During that time I also gave notice, apologized to my students for abandoning them before they’d even gotten to know me, moved out of my Harvard office, and managed to reassure my parents that I was still working, without telling them exactly what it was I was doing. Meanwhile, Tristan was in communication with me at least twice a day, usually appearing in person, occasionally calling and talking to me in the most oblique terms. Never did we email or text; he did not want anything said between us to be on record. There was something rather swashbuckling, if unsettling, about the need for such secrecy. I had no idea what he did with the rest of his time. (Naturally, I asked. You can guess what his answer was.)
Our dynamic was singular, unprecedented in my life certainly. It was as if we had always been working together, and yet there was an undercurrent of something else, a kind of charge that only comes at the beginning of things. Neither of us ever acted on it—and while I am the sort who rarely acts on such things, he is (while extremely disciplined and upright) the sort who immediately acts on such things. So I attributed the buzz to the excitement of a shared endeavor. The intellectual intimacy of it was far more satisfying than any date I’d ever been on. If Tristan had a lover, she wasn’t getting the real goods. I was.
At the end of the three weeks, when he came to my apartment to receive the last (or so I innocently thought) of my translations, Tristan glanced around until he saw my coatrack. He studied it a moment, then took my raincoat off of its peg. It was late September by this point and the weather was starting to turn.
Come on, we’re going to talk at the office,
he said. I’ll buy you dinner.
"There’s an office? I said.
I assumed your shadowy government entity had you working out of your car."
It’s near Central Square. Carlton Street, about fifteen minutes’ walk from the Apostolic Café. How’s Chinese sound?
Depends on the dialect.
Ha,
he said without smiling. Linguist humor. Pretty lame, Stokes.
He held my coat out. I reached for it. He shook his head and glanced down at it. Giving me to understand that he was not handing it to me, but offering to help me put it on—a gesture much more common in 1851 London than it was in that time and place. Some low-grade physical comedy ensued as I turned my back on him and tried to find the armholes with my hands. What a weirdo.
Carlton Street was the poor stepchild in an extended family of alleys and byways near MIT, where scores of biotech companies fledged. Most of the neighborhood had been rebranded into slick office complexes, with landscaped parks, mini-campuses, double-helix-themed architectural flourishes, and abstract steel sculptures abounding. Tristan’s building, however, had not yet been reclaimed. It was utterly without character: a block-long two-story mid-twentieth-century building thrown together of tilt-up concrete slabs painted a dingy grey that somehow managed to clash with the sidewalk. There were a few graffiti tags. The windows were without adornment, all of them outfitted with vertical vinyl blinds, all dusty and askew. There was no roster of tenants, no signs or logos, no indication at all of what was within.
Laden with bags of Chinese food and beer, we approached the glass entrance door at dusk. This building was one of the few places on earth that not even twilight could improve upon. Tristan slapped his wallet against a black plate set into the wall, and the door lock clicked, releasing. Inside, we moved between buzzing fluorescent lights and matted industrial carpeting, down a corridor past several windowless doors—slabs of wood, dirty around the knobs, blazoned with signs bearing names of what I assumed were tech start-ups. Some of these had actual logos, some just cutesy names printed in block letters, and one was just a domain name scrawled on a sticky note. We walked the entire length of the building and came to a door next to a stairwell. Its only distinguishing feature was a crude Magic Marker drawing of a bird, seen in profile, drawn on the back of a Chinese menu blue-taped to the wood. The bird was somewhat comical, with a prominent beak and big feet.
Dodo?
I guessed.
Tristan made no answer. He was unlocking the door.
I’ll take that as a yes—you’d have jumped all over me if I’d guessed the wrong species.
He gave me an inscrutable raised-eyebrow look over his shoulder as he pushed the door open and reached for the light switch. You have a gift for caricature,
I told him as I followed him in.
DODO welcomes you,
he said.
Department of . . . something?
Of something classified.
The room was at most ten feet by fifteen feet. Two desks were shoved into opposite corners, each with a flat-panel monitor and keyboard. The walls were lined with an assortment of used IKEA bookshelves that I suspected he’d pulled out of Dumpsters a few weeks ago, and a couple of tall skinny safes of the type used to store rifles and shotguns. Perched on top of these were military-looking souvenirs that I assumed dated from some earlier phase of Tristan’s career. The shelves were filled with ancient books and artifacts I recognized very well. In the middle of the room was a long table. Beneath it was a bedroll: just a yoga mat wrapped around a pillow and secured with a bungee cord.
I pointed at the bedroll. How long have you—
I shower at the gym if that’s your worry.
He pointed to the closer of the two desks, by the door. This one will be yours.
Oh,
I said, not sure what else to say. Do you have . . . guns in here?
Would that be a problem for you?
he inquired, setting the Chinese food on the table in the middle. If so, I need to know sooner rather than later because—
How much firepower were you expecting to need?
Oh, you noticed the gun safes?
he asked, tracking my gaze. No.
he turned to one of them and punched a series of digits onto the keypad on its front. It beeped, and he swung the door open to reveal that it was stuffed from top to bottom with documents. I keep the most sensitive material in these.
My gaze had wandered to my desk. I was looking at the flat-panel display, which was showing a few lines of green text on a black background, and a blinking cursor where it was apparently expecting me to type something in. Where did you get these computers? A garage sale from 1975?
They are running a secure operating system you’ve never heard of,
he explained. It’s called Shiny Hat.
Shiny Hat.
Yes. The most clinically paranoid operating system in the world. Since you have an overdeveloped sense of irony, Stokes, you might like to know that we acquired it from hackers who were specifically worried about being eavesdropped on by shadowy government entities. Now they work for us.
Have they got the memo about the invention of the computer mouse? Because I don’t see one on my desk.
Graphical user interfaces introduce security holes that can be exploited by black hat hackers. Shiny Hat is safe against that kind of malware, but the user interface is . . . spartan. I’ll bring you up to speed.
His desk was crowded with copies of everything I had been translating for him over the past weeks. My notes were marked up with colored-pencil notes of his own. He transferred some of those to the central table while I set up the Chinese food. He read over my day’s work as we ate.
Then we reviewed all the material to date. It took us until sunrise.
In all the documents I’d deciphered, there was almost no useful information to be gleaned regarding the how
of magic, which is what I assumed Tristan’s bosses had been hoping for. We discovered some examples of magic, in that we learned what was valued by both the witches themselves and those who employed them. Of highest value was what Tristan called psy-ops (psychological operations—mind control, essentially) and shape-shifting (themselves or others). This was considered a weapon of considerable significance, whether it meant turning oneself into a lion or turning an enemy into a lower form of life. In homage to Monty Python, we employed newt
as shorthand. Of middling value was the transubstantiation of materials and the animating of inanimate objects. Of low value was space/time-shifting, such as teleportation, which was viewed as a laborious leisure-time diversion across all witch populations. Much of what I had associated with magic
in my bookish youth was disappointingly absent—there were few references to the mastering of natural forces, for instance. And there was absolutely nothing about the mechanics of making any of it happen.
We did, however, glean something significant about magic’s decline, and this is what led to our next stage of inquiry.
Diachronicle
DAYS 57–221 (WINTER, YEAR 0)
In which Tristan determines to fix magic
AT DAWN, TRISTAN DROVE ME home to collect my library, which had been taking up a significant section of my living room since I’d moved out of my faculty office. He plied me with coffee and croissants until I felt able to start a new day without having completed the previous one. Back at the office, he smiled broadly and presented me with the combination to one of the gun safes. It was full of photocopies of manuscripts, documents, and artifacts I had not yet seen. At the rate you’ve been working, this box will probably take you about a month.
I had no idea there was this much still to do,
I said.
He was pulling documents out of the safe, arranging them on the table. Why would I hire you for a six-month contract if I only had one month’s work for you? There’s a lot more where this came from. But it should be easier now that we’ve sketched out the general picture. You know what you’re looking for now.
I still don’t know why I’m looking for it,
I said.
You know that’s classified,
he said, almost paternal. Have a seat. Want some more coffee? Working on a shoestring budget here, but I can spring for Dunkin’ Donuts.
DODO,
I said. Department of . . . Donuts?
Do you like sprinkles?
he asked.
While he got donuts, I unpacked my dictionaries and lexica and got to work.
IF MY TRANSLATIONS were to be believed, at the start of the Scientific Revolution (Copernicus in the 1540s, etc.), magic was a ubiquitous and powerful force in human affairs, and witches were both revered and feared members of most societies every bit as much as military leaders or priest-mystics (although they were rarely written about, their work being so often the equivalent of classified
). However, once the Renaissance gave way to the Enlightenment, magic became less omnipresent and less powerful, especially in institutions of learning and government. Judging by the hundreds of references in the texts, it paled increasingly through the Industrial Revolution—remaining most potent in artistic circles and least potent in philosophical ones (these two populations diverging after many generations of entwining), more potent in societies not blessed with booming industrialization, and slightly more potent too in Islamic cultures—and then it vanished altogether in the nineteenth century. The latest text was dated from July 1851. DODO had not been able to find any references to magic after that, except as something that once was but is no more.
I translated the box of photocopied documents in less time than Tristan had anticipated, but there was no letup. I began to dream in dead languages as ancient books, scrolls, and tablets kept coming, delivered to the drab office building almost every morning by unidentified couriers in unmarked vehicles. Department of—Dusty Objects? There were plenty of documents in English or modern Western languages—mostly these were transcripts of early anthropologists interviewing the elders of indigenous peoples. I translated the ones that Tristan couldn’t read for himself, and he built a database. Reader, if you don’t know what a database is, rest assured that an explanation of the concept would in no way increase your enjoyment in reading this account. If you do know, you will thank me for sparing you the details. A dreary enough task even with modern user interfaces, it was a mind-numbing death march when implemented on Shiny Hat. Tristan had to write little computer programs to automate some of the data entry tasks.
One of the things we kept track of was the provenance of each document: Had it come from the Library of Congress? Was it simply downloaded from the Internet? Or was it a rare, perhaps unique original? Did it bear any stamps or markings from library collections? In that vein, a disproportionate number had that mysterious stamp on the title page, an image I’d come to know well: the coat of arms of some aristocratic family, with extra bits of decorative gingerbread all around it. Lacking any other information, I just entered this into the database with the code WIMF. Quite a few of the WIMF documents bore older stamps from no less than the Vatican Library, raising the question of whether the WIMF had stolen them? Or borrowed them and never brought them back? Tristan wasn’t talking.
Almost as fast as they could be translated, more books showed up. We would empty out a new crate and then fill it right up again with books that had already been translated, and the bland couriers would haul them away. To where? Many of the boxes were stenciled with a logo I did not recognize at the time, but which I now know to be a modernized, streamlined version of the brand used since time immemorial by the banking family known as the Fuggers.
This phase ate up most of my six-month contract, as a fierce New England winter yielded muddily to spring. Other tenants in the building—scruffy start-up companies, mostly—failed or got funded and moved out. Whenever they did, Tristan made a couple of phone calls and ended up with a key to the space they’d just vacated. In this way, DODO’s footprint in the building expanded. We inherited cheap plastic chairs, duffed-up coffeemakers, and crumpled filing cabinets from the former neighbors. Clean-cut technicians showed up in unmarked cars and put card readers on all the doors, expanding and sealing what Tristan called the perimeter.
The database grew like a dust bunny under the bed. Tristan thought of ways to query it, to search for patterns. We printed things out, stuck them to the walls, tore them down and did it again, stretched colored yarn between pushpins. We went down blind alleys, then backed out of them; we constructed huge Jenga towers of speculation and then, almost gleefully, knocked them over.
But there was never any doubt as to the gist: some manner of cause-and-effect relationship existed between the rise of scientific knowledge and the decline of magic. The two could not comfortably coexist. To the extent that the database could be cajoled into spitting out actual numbers, it was clear that magic had declined gradually but steadily starting in the middle of the 1600s. It was still holding its own in the opening decades of the 1800s, but plunged into a nosedive during the 1830s. From then through the 1840s, magic declined precipitously. As our store of documents—many written by witches themselves—grew to fill a phalanx of used filing cabinets and gun safes that Tristan scored on Craigslist, we were able to track the decline from year to year, and then from month to month. These poor women expressed shock at the dwindling of their powers, in some cases mentioning specific spells that had worked a few weeks ago but no longer had effect.
As it turns out, in 1851—the year in which I find myself as I scribble these words—all of the world’s technologies were brought together for the Great Exhibition at the newly constructed, magnificent Crystal Palace in Hyde Park, London. Tristan’s hypothesis therefore held that this coming together, this conscious concentration of technological advancement all in one point of space-time, had dampened magic to the point where it fizzled out for good. Like a doused fire, it had no power to re-kindle itself once extinguished.
The causal relationship between the two eluded us for a time. I suggested that magic’s flourishing required people to believe in it, but Tristan dismissed this mentality as belonging more to children’s literature than to reality. He was certain there was a mechanical or physical causality, that there was something about the technological worldview, or technology itself, that somehow jammed the frequencies
magic used. We both began to read whatever we could about the Great Exhibition in the hopes that it might illuminate something.
(You may notice that I was exceeding by far my responsibilities as a translator. Translating, especially of obscure texts written in extinct tongues, often resembles the solving of a riddle. Here was a riddle to put all others to shame! Tristan’s enthusiasm was infectious and I could not divest myself from it. Having no other responsibilities, I became as preoccupied with his project as he was himself.)
Per Tristan’s suggestions, I took out stacks of books from Widener Library (Harvard had not figured out yet that I’d quit—I suppose Blevins wanted to hide the fact lest it reflect poorly on him). These included tomes on everything from heliography to Queen Victoria’s private life to Baruch Spinoza’s sexual proclivities to Frederick Bakewell to the Tempest Prognosticator to Strouhal numbers. I would bring these to Tristan, and we would divide our time between perusing them and Internet searches.
We soon knew more about the Great Exhibition and its thirteen-thousand-odd exhibits than Prince Albert ever did. We knew more about its showcase, the Crystal Palace, than even Joseph Paxton, the gardener who’d designed the fucking blessed thing. We learned little that was helpful. However, one evening in March, as I sat on the consignment-store couch I’d insisted on bringing in to spruce up the place, and Tristan lolled on the rug (provenance ditto) beside a low table with a beer, each of us bleary-eyed from reading, I encountered a passage in an obscure booklet entitled Arresting and Alluring Astronomical Anecdotes, published in 1897. Here I learned that while the Great Exhibition of 1851 was in process (it lasted for several months), an event of relative interest occurred elsewhere in Europe, to be precise, in Königsberg, Prussia: for the first time in history, a solar eclipse was successfully photographed.
I read this statement aloud. It set Tristan on fire with excitement. He had already suspected that photography in particular, of all technological developments, was the likeliest to have somehow impeded magic. Now, somehow, he was certain. It took me a while to calm him down to the point where he could explain himself.
I’ll be honest with you: as a physicist, I am a hack,
he admitted. I majored in it, yes, but I was never employed in that capacity. But if you cut me I still bleed physicist blood. I’ll go to my grave believing that, if magic existed, there’s a scientific explanation for it.
That sounds like a contradiction to me,
I said, since our whole working hypothesis is that science broke it somehow.
He held up a hand. Work with me here. Have you ever heard of the many-worlds interpretation of quantum mechanics?
Only in cocktail party discourse that would make you roll your eyes and heave deep sighs.
"Well, there are certain experiments where the results only make sense if the system that’s being observed actually exists in more than one state until the moment when the scientist makes the observation."
Is this Schrödinger’s cat? Because even I have heard of that.
That’s the classic example. It’s just a thought experiment, by the way. No one ever actually did it.
That’s good. PETA would be all over them.
Do you know what it is?
Without waiting for me to answer, Tristan went on: You put a cat in a sealed box. There’s a device inside of the box that is capable of killing the cat, by breaking open a vial of poison gas or something. That device is triggered by some random event generator, like a sample of some radioactive material that either decays—producing a bit of radiation—or doesn’t. You close the lid. The cat and the poison gas and the radioactive sample become a sealed system—you cannot predict or know what has happened.
You don’t know if the cat is alive or dead,
I said.
"It’s not just that you don’t. You can’t. There is literally no way of knowing, Tristan said.
Now, in a classical physics way of thinking, it’s either one or the other. The cat is either alive or dead for real. You just don’t happen to know which. But in a quantum physics way of thinking, the cat really is both alive and dead. It exists in two mutually incompatible states at the same time. Not until you open the lid and look inside does the wave function collapse."
Whoa, whoa, you had me until the very end!
I protested. When did we start talking about—what did you call it? A wave function? And how does that—whatever it is—collapse?
My bad,
he said. It’s just physicist lingo for what I was saying. If you were to express the Schrödinger’s cat experiment mathematically, you’d write down an equation that is called a wave function. That function has multiple terms that are superimposed—it’s not just one thing.
Multiple terms,
I repeated bleakly.
Yeah. A term here means a fragment of math—it is to an equation what a phrase is to a sentence.
So you’re saying there is one term for ‘cat is alive’ and another for ‘cat is dead’? Is that what you mean in this usage?
Yes, O linguist.
And when you say they are superimposed—
Mathematically it just means that they are sort of added to each other to make a combined picture of the system.
Until it ‘collapses’ or whatever.
He nodded. Multiple terms superimposed is a quantum thing. It is the essence of quantum mechanics. But there is this interesting fact, which is that that kind of math only works—it only provides an accurate description of the system—until you open the lid and look inside. At that point, you see a live cat or a dead cat. Period. It has become a classical system.
Department of . . . Deadly Observations?
I asked.
He rolled his eyes.
Anyway, that’s what you mean by the collapse of the wave function.
Yes, it’s just physicist-speak for the thing that happens when all of the superimposed terms—the descriptions of different possible realities—resolve into a single, classical outcome that our brains can understand.
Our scientific, rational brains, you mean,
I corrected him.
A look of mild satisfaction came onto his face. Exactly.
But now we’ve circled back to my theory!
I complained.
He looked mildly confused. Which theory is that?
The one that belongs more to children’s literature than to reality—remember?
Oh, yeah. People have to believe in magic.
Yes!
That’s not exactly what I’m saying,
he said. "Yes, human consciousness is in the loop. But hear me out. If you buy the many-worlds interpretation of quantum mechanics, it means that all possible outcomes are really happening somewhere."
There’s one world with a live cat and another with a dead cat.
Exactly. No kidding. Complete, fully independent realities that are the same except that in one of them, the cat’s dead, and in the other, it’s alive. And the quantum superposition? That just means that the scientist standing there with his hand on the lid of the box is at a fork in the road. Both paths—both worlds—are open to him. He could shunt into one, or the other. And when he hauls the lid open, the decision gets made. He is now in one world or the other and there’s no going back.
Okay,
I said. Not in the sense of I agree with you but of I am paying attention.
The scientist can’t control which path he or she takes,
Tristan continued.
I saw that he was trolling me—waiting for me to pick up the bait.
No, it was more than that. He wanted me to mention a possibility that he could think about, but never say out loud—because he was all Mr. Science.
So I did. Let’s switch it up a little, then,
I said. "And swap out the white lab coat and the clipboard for, I don’t know, a pointy black hat and a broom. And lose a pronoun. If she did somehow have the ability to choose which world she was going to be shunted to when she opened the lid—if she could control the outcome—"
It would look like magic.
"What do you mean ‘look like’? It would be magic."
Just saying,
Tristan said, that it’s about choosing possible outcomes that already exist—slipstreaming between closely related alternate realities—as opposed to bringing those realities into existence.
But that’s a distinction without a difference.
As far as normal observers are concerned? People who haven’t studied quantum physics? Sure,
he agreed.
Put it however you like,
I said. A witch may summon the desired effect from a parallel-slash-simultaneous reality. Thus the historical references of witches’ magic as ‘summoning’—that is quite literally what they were doing.
My hypothesis,
Tristan said—pronouncing the word with exaggerated care, since he had a few Old Tearsheet Best Bitters in him—is that photography disables this summoning, as you called it. Photography breaks magic by embalming a specific moment—one version of reality—into a recorded image. Once that moment is so recorded, then all other possible versions of that moment are excluded from the world that contains that photograph.
I get it,
I said. There is no wiggle room left in which to function magically.
He nodded. He seemed relieved to have got all of this off his chest. And that I hadn’t laughed him out of the room.
You’ve been thinking about this for a while,
I said.
He nodded.
But it wasn’t until we saw the daguerreotype of the solar eclipse that the penny dropped.
That’s right.
That was only about the bazillionth daguerreotype ever made,
I pointed out. People had been taking photographs for sixteen years by that point. What’s so special about that one?
The scope of it, I think,
Tristan said. The number of minds, and worlds, affected. If I’m Louis Daguerre screwing around in my lab in Paris, taking pictures of whatever is handy, then I’ve collapsed the waveform, yes. But only inasmuch as it encompasses my brain and a few little objects in my lab. If I show the daguerreotype to my wife or my friend, then the effect—the collapsing of the waveform—spreads to them as well. And we can guess that witches who live in the neighborhood might sense a dampening of their magical abilities, without understanding why. But the total eclipse of the sun on July 28, 1851, was probably witnessed by more human beings than any other event in the history of the world up to that point.
Of course,
I said. Everyone in Europe could see it—
"Just by looking up into the sky. Hundreds of millions of people, Mel. That event captured more eyeballs, at the same moment, than any Beyoncé video on YouTube. And to the extent
