Russell Banks is a socially engaged writer, and one of those contemporary American authors whom Philip Roth has defined as fully dedicated to " trying to understand, and then describe, and then make credible, much of the American reality...
moreRussell Banks is a socially engaged writer, and one of those contemporary American authors whom Philip Roth has defined as fully dedicated to " trying to understand, and then describe, and then make credible, much of the American reality " , which is interlinked with global imperialism and processes of class and racial oppression (Roth quoted in O'Donnell 2010: 34). 1 In his works, Russell Banks, not surprisingly, 1 Gender oppression is also inherent to the system but Rule of the Bone leaves it out of the picture. Despite its progressive and illuminative take on class and race, Rule of the Bone remains a traditional male-centred bildungsroman. All of the human bonds and forms of social engagement Russell Banks's Rule of the Bone (1995) is a rare instance of a contemporary socially engaged American novel of development and maturation that rests, as this paper argues, on a systemic analysis of post-industrial Western reality and contemporary forms of Western-led imperialism. Grasping this reality and not coming to terms with it constitutes an essential part of the adolescent's trajectory of growth and maturation. Rule of the Bone is America's post-industrial working-class novel of maturation, the understanding of which lies at the intersection of Marxist and postcolonial theory. The novel addresses these complex social issues on a more basic but still insightful level accessible to teenagers and at the same time on a more intricate level that easily engages a more informed adult readership. In this sense, Rule of the Bone stands for what can be termed a crossover novel. Targeted primarily at an adult readership, it can prove to be of huge benefit to adolescents seeking to break out of the generic confines of contemporary, mainstream adolescent literature.