The work of Jewish Moroccan writer Edmond Amran El Maleh (1917–2010) explores the coextensive experience of Muslims and Jews in Morocco and the larger Arab-Mediterranean region, tracing a continuum of Judeo-Arab-Muslim affiliation. This...
moreThe work of Jewish Moroccan writer Edmond Amran El Maleh (1917–2010) explores the coextensive experience of Muslims and Jews in Morocco and the larger Arab-Mediterranean region, tracing a continuum of Judeo-Arab-Muslim affiliation. This notion of affiliation is reflected in a highly dynamic, fluid poetics, fed by a secular engagement with Jewish and Islamic mystical traditions and with a range of modernist and postcolonial writers. El Maleh found deep inspiration in Walter Benjamin’s work on the ethical dimension of allegory as informed by kabbalistic notions of language. The chaotic profusion of events and images in El Maleh’s third novel, Mille ans un jour (“A Thousand Years One Day”) reflects Benjamin’s “Kabbalistic shard” and his valorization of the “scraps of history.” This discursive mode challenges the totalizing narratives and racialized binaries undergirding forms of violence that El Maleh identifies in colonialism and fascism, as well as in contemporary Zionism. His work thus aims to dissolve the false oppositional binary through which the identities of Jew and Arab have come to be understood.
