The field of travel writing studies is of a recent emergence which must be understood in the context of globalization and the rise of postcolonial studies. Therefore, in India, it has tended to focus largely on ‘West-East’ encounters and...
moreThe field of travel writing studies is of a recent emergence which must be understood in the context of globalization and the rise of postcolonial studies. Therefore, in India, it has tended to focus largely on ‘West-East’ encounters and the politics of representing the colonized in colonial ‘Imperial Eyes’ or the other way round. It is yet to engage extensively with the significance of travel writing in non-English modern Indian languages like Marathi about other regions on the subcontinent. This essay discusses the depiction of Calcutta in the travel writings of C. V. Joshi, Pu.La Deshpande and Neelima Bhave .These three texts dealing with Kolkata written at three different moments in history, though all of them written before Calcutta became Kolkata, help us to map the changing image of Kolkata in Marathi travel writings. All the three writers come from the elite upper-caste, middle class location, a location that is commensurable with the ‘bhadralok’ of Bengal, but also different in significant ways due to historical and cultural processes. A critical reading of the representation of Kolkata in the three travel writing texts in Marathi, written at three different moments of history, not only reveals the cultural history of Kolkata but also discloses the cultural history of Marathi. While such reading complicates the conventional ‘East-West’ comparisons that inform the understanding of modernity as well as travel writing studies in India, they also divulge the subnational identitarian politics that colour the representation of the self and the other within the larger nationalist imaginings. Such depictions are also inflected by the ideologies of caste, class, and gender.
This analysis also reveals the construction of the Bangla cosmopolis through translations and other mediations like Bengali cinema and music. Travel writings of Pu. La Deshpande and Neelima Bhave also reveal the construction of Bangla cosmopolis through nostalgia and memory which is in tension with violent and often disagreeable social and political realities of contemporary Bengali society