fluid matters, grounded bodies: decolonizing ecological encounters Room 1. Beyond the Coloniality of Place Beatriz Cortez Glacial Pothole, 2020 Steel 27 x 29.5 x 26 inches Courtesy of Commonwealth and Council, Los Angeles, CA Himali Singh Soin and David Soin Tappeser Chapter 3: Antarctica was a queer rave before it got busted by colonial white farts, 2020 from the ongoing interdisciplinary work, we are opposite like that, 2017-2022 Digital audio, 13 minutes and 59 seconds Commissioned and produced by Thyssen-Bornemisza Art Contemporary (TBA21) Courtesy of the artists Joiri Minaya Siren #2 from Postcards series, 2015 Archival print on paper 5 x 7 inches Joiri Minaya Recomposition #5 from Postcards series, 2015 Archival print on paper 7 x 5 inches Joiri Minaya Sex Tourist and White Local Predator Painting in Art History #2 (After Gauguin #2) from Postcards series, 2015 Archival print on paper 7 x 5 inches The Gallatin Galleries | July 22-August 17, 2022 1 fluid matters, grounded bodies: decolonizing ecological encounters Room 1. Continued Joiri Minaya Vacation Stories from Online Dating Catalogues #1 from Postcards series, 2015 Archival print on paper 5 x 7 inches Ada M. Patterson Yuh Too Sweet, 2018 Digital video, 3 minutes and 54 seconds Courtesy of the artist Tessa Grundon Plastic Tides, 2018-Ongoing Photographic monoprint 12 x 8 inches Courtesy of the artist Tessa Grundon Plastic Tides, 2018-Ongoing Photographic monoprint 12 x 8 inches Courtesy of the artist Tessa Grundon Plastic Tides, 2018-Ongoing Photographic monoprint 11 x 8.5 inches Courtesy of the artist Tessa Grundon Plastic Tides, 2018-Ongoing Photographic monoprint 11 x 8.5 inches Courtesy of the artist The Gallatin Galleries | July 22-August 17, 2022 2 fluid matters, grounded bodies: decolonizing ecological encounters Room 1. Continued Tessa Grundon Plastic Tides, 2018-Ongoing Photographic monoprint 12 x 8 inches Courtesy of the artist Tessa Grundon Plastic Tides, 2018-Ongoing Photographic monoprint 12 x 8 inches Courtesy of the artist Farah Al Qasimi Um Al Naar (Mother of Fire), 2019 Digital video, 42 minutes and 7 seconds Courtesy of the artist Room 2. Bodily Presence and Absence Joiri Minaya Containers performance documentation, 2017 from Containers series, 2015-2020 HD video, 1 minute Courtesy of the artist Joiri Minaya Container #1, 2015 from Containers series, 2015-2020 Archival pigment print on Epson Legacy photography paper 60 x 40 inches Courtesy of the artist Joiri Minaya Container #6, 2020 from Containers series, 2015-2020 Archival pigment print on Epson Legacy photography paper 40 x 60 inches Courtesy of the artist The Gallatin Galleries | July 22-August 17, 2022 3 fluid matters, grounded bodies: decolonizing ecological encounters Room 2. Continued micha cárdenas, in collaboration with Marcelo Viana Neto, Kara Stone, Abraham Avnisan, Morgan Thomas, Dorothy Santos, Wynne Greenwood and Adrian Phillips Sin Sol/No Sun, 2018 Recording of a segment from the augmented reality game, 9 minutes and 25 seconds Courtesy of the artists Room 3. Counter-Histories and Mythologies of Places Himali Singh Soin and Alexis Rider Satellite and Chandelier from Brow of a God/Jaw of a Devil: Unsettling the Source of the Nile, 2021 Giclée print on Somerset Velvet paper, 19 x 24 inches Courtesy of the artists Himali Singh Soin and Alexis Rider Mirror and Palette from Brow of a God/Jaw of a Devil: Unsettling the Source of the Nile, 2021 Giclée print on Somerset Velvet paper, 20 x 24 inches Courtesy of the artists Himali Singh Soin and Alexis Rider Mountain and Deathbed from Brow of a God/Jaw of a Devil: Unsettling the Source of the Nile, 2021 Giclée print on Somerset Velvet paper, 19 x 24 inches Courtesy of the artists Himali Singh Soin and Alexis Rider Opaque Topography from Brow of a God/Jaw of a Devil: Unsettling the Source of the Nile, 2021 Giclée print on Somerset Velvet paper, 17 x 22 inches Courtesy of the artists Himali Singh Soin and Alexis Rider Map and Body from Brow of a God/Jaw of a Devil: Unsettling the Source of the Nile, 2021 Giclée print on Somerset Velvet paper, 27 x 31 inches Courtesy of the artists The Gallatin Galleries | July 22-August 17, 2022 4 fluid matters, grounded bodies: decolonizing ecological encounters Room 3. Continued Himali Singh Soin and Alexis Rider Silt and Blood from Brow of a God/Jaw of a Devil: Unsettling the Source of the Nile, 2021 Giclée print on Somerset Velvet paper, 10 x 12 inches Courtesy of the artists Himali Singh Soin and Alexis Rider Spiritual Glitch from Brow of a God/Jaw of a Devil: Unsettling the Source of the Nile, 2021 Giclée print on Somerset Velvet paper, 10 x 12 inches Courtesy of the artists Himali Singh Soin and Alexis Rider Snowline and Crag from Brow of a God/Jaw of a Devil: Unsettling the Source of the Nile, 2021 Giclée print on Somerset Velvet paper, 17 x 22 inches Courtesy of the artists Brow of a God… is also accompanied by a semi-improvisational violin piece created as a response by the artist and composer Blaize Henry. Blaize Henry Beyond the River, 2021 Violin composition audio recording, 3 hours, 12 minutes, and 7 seconds Courtesy of the artist Joiri Minaya Woman-Landscape (On Opacity) #4, 2020 Archival print on Hahnemühle FineArt Pearl paper 10 x 8 inches Courtesy of the artist The Gallatin Galleries | July 22-August 17, 2022 5 fluid matters, grounded bodies: decolonizing ecological encounters Room 3. Continued Joiri Minaya Continuum II, 2021 Archival print on Hahnemühle FineArt Pearl paper 14 x 11 inches Courtesy of the artist Joiri Minaya Continuum, 2020 Archival print on Hahnemühle FineArt Pearl paper 14 x 11 inches Courtesy of the artist Joiri Minaya Ayoowiri (Girl with poinciana flowers), 2020 Archival print on Hahnemühle FineArt Pearl paper 17 x 11 inches Courtesy of the artist Tessa Grundon Residuum (Wave Hill) series, 2015 Plant material, raw beeswax, earth and charcoal from Wave Hill on handmade paper 19 x 19 inches Courtesy of the artist Tessa Grundon Residuum (Wave Hill) series, 2015 Plant material, raw beeswax, earth and charcoal from Wave Hill on handmade paper 14 x 14 inches Courtesy of the artist The Gallatin Galleries | July 22-August 17, 2022 6 fluid matters, grounded bodies: decolonizing ecological encounters Room 3. Continued Tessa Grundon Strata (Fremington), 2015 Earth pigments from Fremington Cliff on handmade paper 14 x 14 inches Courtesy of the artist Tessa Grundon Tinctures of Place and Library of Lost Places series, Ongoing Tincture of (lost) places and objects on wire bookcase Dimensions variable Courtesy of the artist Room 4. Kinship as Remediation Ada M. Patterson The Whole World is Turning, 2019 Digital video, performance, 21 minutes and 1 second Courtesy of the artist Tessa Grundon Contours series, 2015 Mud and beeswax on handmade paper 18 x 18 inches Courtesy of the artist Tessa Grundon Contours series, 2015 Mud and beeswax on handmade paper 18 x 18 inches Courtesy of the artist The Gallatin Galleries | July 22-August 17, 2022 7 fluid matters, grounded bodies: decolonizing ecological encounters Room 4. Continued Tessa Grundon Contours series, 2015 Mud and beeswax on handmade paper 18 x 18 inches Courtesy of the artist Tessa Grundon Contours series, 2015 Mud and beeswax on handmade paper 18 x 18 inches Courtesy of the artist Tessa Grundon Contours series, 2015 Mud and beeswax on handmade paper 18 x 18 inches Courtesy of the artist Tessa Grundon Personal Objects Dimensions variable Courtesy of the artist Tessa Grundon Invasive Species, 2018-2021/2022 Asiatic bittersweet root systems and border fencing Dimensions variable Courtesy of the artist David Nasca Bleached Out Reef (Cynarina lacrymalis; Favia spp.; Pennaria tiarella primary polyp), 2022 Pillows printed with drawings Dimensions variable The Gallatin Galleries | July 22-August 17, 2022 8