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This study investigates the origins of the interpretation in our contemporary times of the Greek term enarxis (lit. beginning) as synonymous with a celebratory macro-structure prior to the entry with the Gospel in the Byzantine Divine Liturgy. The examination of the manuscript sources of the 10 th-11 th centuries shows that this interpretation is arbitrary. According to the current state of research, it seems that the first author to make the semantic expansion from beginning to initial macro-structure was Frank E. Brightman.
KISMIF CONFERENCE - BOOK OF ABSTRACTS, 2022
Cultural heritage is made whether of tangible assets – physical places and natural environments – as well as intangible assets, such as languages, music, religions, folklore, manual skills. It’s something that can be offered to everyone as a resource, as an area of study, a temporal and spatial point of reference in understanding human collectivity and their cultural and environmental contexts. For this reason, it is a significant and essential element to be included in educational processes, for the purpose of adding human and social meaning to knowledge, consistency to research and study methods, and effectiveness to the planning and implementation strategies. This communication aims to stress how street art can be considered a specific kind of cultural heritage, through which is possible to combat and reduce social exclusion. The project that will be presented is: Artisti in Piazza – International Performing Arts Festival. Hosted since 1997 by the Italian city of Pennabilli, this art-based project focus on the promotion and development of the territory through cultural and artistic production. It represents a unique event that integrates the play and cultural aspects, driving towards authentic educational actions, carried out to encourage equal and widespread opportunities for access, participation, and representation, without creating cultural confines that generate or legitimize inequality, within the communities and among the individuals.
2023
Between 2016 and 2021 the Slovak National Museum-Historical museum, together with the National Bank of Slovakia-Museum of coins and medals, acquired 392 numismatic objects from Muráň Castle. A hoard of 360 Hungarian Ferdinand I denarii, hidden around 1554, was found directly on castle grounds. Ottoman penetration into the area may have precipitated the creation of the hoard. Besides the cache, finds at Muráň also include 21 other numismatic artefacts such as Hungarian denarii and their forgeries, Czech and Polish-Silesian coins, two interesting Nuremberg counting tokens and one reliquary with the letters MAR.
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