This article deals with the problem of the lack of talented employees across industries, from the low-tech to the high-tech, as well as across countries, from the developed to the developing ones.The author includes among the key causes the increase in "intangible assets', ageing populations, exhausted and demoralized workforce, the mismatch between education and corporate needs, and errors in talent management.The author sees possible solutions to this situation for corporations in searching for talents in "unexplored' areas, for example among women and immigrants, approaching talents as soon as possible, employing more part-time and older workers, and finally offering employees more than just good salary - an interesting and demanding job, open two-way communication between the subordinate and the bosses and opportunities for employees' growth and development.

This article deals with the problem of the lack of talented employees across industries, from the low-tech to the high-tech, as well as across countries, from the developed to the developing ones.The author includes among the key causes the increase in "intangible assets', ageing populations, exhausted and demoralized workforce, the mismatch between education and corporate needs, and errors in talent management.The author sees possible solutions to this situation for corporations in searching for talents in "unexplored' areas, for example among women and immigrants, approaching talents as soon as possible, employing more part-time and older workers, and finally offering employees more than just good salary - an interesting and demanding job, open two-way communication between the subordinate and the bosses and opportunities for employees' growth and development.

The aim of this study is to proof the hypothesis that virtual art may be considered to be a provider of a specific form of synesthetic experience and that weak synesthesia serve as a basis for artistic practice. These assumptions are based on the thought that synesthetic experience evoked by a piece of art (especially by multisenzoric installations, but not only by those) and experience of a synesthetes are connected by one basic element, which is creating new connections between the senses, evoking and stimulation of one of these senses by acting on another – therefore their cooperation. Based on the analysis of the practical examples of current virtual artwork it will be shown that virtual art can provide synesthetic experience even for non-synesthetes – thanks to its binary code-based constitution, which allows the translation among different types of media. At the theoretical level, it will be proved that weak form of synesthesia can truly be considered to be the basis of artist...