9
Life at the End
of Time
A Note on Comparison, ‘Pentecost’
and the Trobriands
Bjørn Enge Bertelsen
This book, and the fundamentally experimental basis of the project
from whence it emerged, has gradually managed to convey – or, rather,
conjure – ‘Pentecost’. And once conveyed, conjured and stabilized,
‘Pentecost’ endures and provides an optics, a hermeneutical layer that
is infective and that, as a disease or as a prophetic vision, accords a
novel vista onto human settlements across the globe. As someone that
has been a (sometime) fellow traveller with the équipe of this book,
this optics of ‘Pentecost’ recently aided me in a very literal sense when
embarking in 2016 on exploratory fieldwork in Accra, Ghana: here, I
was struck by the saturation of the urban domain of what one could call
the semiotics of ‘Pentecost’ as, among others, Birgit Meyer (e.g. 2004a)
has so eloquently shown. Accraan images ranged from posters of the
medical doctor in Oxford Street, who claimed, ‘I medicate but God
cures’ to the bank on which it is written – in 10-meter-high letters – ‘To
God alone the glory’ (see also Quayson 2014). In addition, I have also
been to ‘Pentecost’ in rural and peri-urban Mozambique, where pastors
and churches mushroom, thrive and then die and by doing so reinscribe
the social with semiotics of ‘Pentecost’ (see also Bertelsen 2016; Kamp
2016; Premawardhana 2018). And informed precisely by my recently
acquired ‘Pentecost’ specs, I would like to draw attention to two aspects
of possibility in this commentary; one very brief on comparison and one
specific regarding life in/of ‘Pentecost’ as most explicitly elaborated in
Chapter 2 but also in other sections of the book.
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194
Going to Pentecost
Comparison
As should be apparent for the reader, the figure of ‘Pentecost’ may be
approached as a non-institutional space or place, terrain or territory – as
a working holism. And it is precisely its slippery character and ability
to evade the sometimes intellectually stifling theological definitions
that, first, accords it with anthropological and comparative value and,
second, as a concept emulates ethnographically observable features as
‘Pentecost’ mutates, morphs, moves, shapeshifts, migrates, doubles and
oscillates within and across domains. This mobility and agility is what
makes ‘Pentecost’ apt as open to anthropological experimentation with
holism, as well as non-place-based anthropological theoretization (see
also Englund and Yarrow 2013; Otto and Bubandt 2010). After all,
when anthropologists deploy their intellectual curiosity to the infinite
possibilities of the ethnographic, novel concepts such as ‘Pentecost’ arise
akin to figures and objects from Tehom – that deep, primordial, Christian
realm of possibility – to unsettle stable categories of, for instance, religion and gender (see also Helmreich 2017).
Now, comparison can be conceived in myriad ways – most simply by
letting the characteristics or format of single or multiple entities stand
out when juxtaposed with single or multiple other entities. This is, of
course the vision of comparison that blindsides the necessary triangulation of comparison – i.e. that which presupposes a third component,
namely the gaze of the comparer. A gaze from a singular methodological, disciplinarily, definitional or theoretical point effectuates an ontological flattening of the landscape in its purview. This gaze produces
non-messy figurations and assemblages of certain entities that may, in
neat fashion, be juxtaposed while other features recede into the haze or
ground. For this very reason, such a form of comparison may be quite
rewarding, as it produces (seemingly) crystal-clear units of comparison.
However, we all know that vision – even purportedly singular ones as in
this example – is paradoxically and problematically both impartial and
partial. In fact, flattening visions in the form of radiant definitional or
disciplinary beams that level the ontological ground, save for predefined
features, are highly problematic given their biases towards certain epistemologies, modes of representation or ontological presuppositions
(see, e.g., Bertelsen and Bendixsen 2016; Holbraad and Pedersen 2016;
Viveiros de Castro 2015).
I take precisely this problem – that of the radiant, flattening beam –
to be what this experiment-as-book aims to move away from. Instead,
it seeks – in a playful and somewhat productively messy fashion – to
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Life at the End of Time
195
resituate or, perhaps better, decentre the authority of that which is
compared to ethnography. It does so, however, not following the
calls for a new naturalism or neo-positivism that has often comprised the response to, for instance, experimentation in anthropological comparison inherent to what has been called the ontological
turn. Rather, ‘Pentecost’ arises from the depths of Tehom and travels,
like a ghost, between various registers that are compared, between
various spatialized domains of its (mythical) land and, lastly, between
‘Pentecost’ and the discipline of anthropology. Travel has always
served anthropological comparison well, and the multidimensional
journeys undertaken to perpetually discover and relocate ‘Pentecost’
is no exception to this.
Life
Now, let me, after this brief and general comment on comparison, delve
into one of the actual neighbourhoods of Pentecost that is consistently
explored in the project, the Trobriands. Being based largely on Kiriwina
material, Chapter 2 addresses the reconfiguration of life and death and
tackles dominant ideas of ‘Pentecost’ as being integral to, shaped by or
comprising a corollary of neoliberal capitalism – also in the guise of
health and wealth gospel. The chapter does an excellent job at critically probing such approaches (including the Comaroffs’ well-known
readings) as well as showing how such tendencies may be identified in
Papua New Guinea, particularly through various fast-money schemes.
Crucially, an argument is made that such a redirection towards capitalist values of wealth and an orientation around Ponzi schemes and
frauds have eclipsed the many generative processes that emerge in the
wake of ‘Pentecost’. The chapter highlights a few of these generative
processes, starting with a very interesting point on temporality, where it
is claimed that ‘Pentecost’ involves a distinct transformation of visions
of life and death – from a predominance of cyclical time towards a
more binary notion. Moreover, in this neighbourhood of ‘Pentecost’ this
increased significance of the binary seems also to introduce a hierarchization where new import is given to life to the detriment of death. This
reorientation also manifests itself, as demonstrated in the chapter, in
new ‘production’ and ‘produce’-oriented notions of reciprocal returns
from tithes and offerings: ‘…focusing on living a good life and directing
resources for the wellbeing of one’s family in the here and now, rather
than orienting production and exchange towards the deceased’. Several
points can be made here.
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196
Going to Pentecost
For one, I believe this argument about life can be taken much further,
and, in a sense, one might say that in ‘Pentecost’ one is not only moving
from cyclicity to a (hierarchized) life-death binary: Instead, death
recedes more permanently into the background and becomes impotent,
unimportant, more of a non-event than a crucial point in energizing
cyclical and reproductive cosmologies. Put differently, life trumps death
to such a large degree that the notion of a life-death binary is misleading.
The glow of life also has a temporal dimension, as its radiance and towering presence seems to generate an eclipse of the past and a privileging
of the present and, perhaps, also of a certain vision of the future. Struck
by this sense of immediacy of the present/life over the past/death, I see
it as an expression of what one could call Pentecostal vitalism – a stubborn assertion of boundless human possibility. But there is, of course,
a paradox here: life is to be cultivated, cherished purified and used to
the full, as life is short and will end – even though death’s importance
seems diminished and despite contexts arguably defined by poverty and
marginalization (see also Wilhelm-Solomon 2017). Further, life itself
contains within it the possibilities of everything: riches, happiness and
love. Thus, as there is no constitutive outside to a life that is infused with
God, the Holy Spirit or Jesus – as a totalizing force – life transgresses and
transcends the needs for strict self-cultivation and/or economizing with
time. ‘Pentecost’ has, in some sense, cosmogenetic and vitagenetic properties and points to possibilities for (perpetual) rejuvenation and, hence,
the obviation or stopping of time. Furthermore, and Chapter 2 shows
us this, life is collective and not merely individual. In the coexistence
of these two visions, however, there seems to be a tension that is not
wholly articulated in Chapter 2 nor in other sections of the book: that
between life as boundless and post-temporal or atemporal – pure and
immanent possibility – and life as an entity that needs to be contained,
disciplined, controlled and put to productive use. This difference could
also be framed as that between an open horizon of possibility and the
strictures of sequence, production and causality on the other. In redeploying the figure of ‘Pentecost’ elsewhere – analytically, theoretically as
well as ethnographically – this tension between life’s boundlessness and
the strictures imposed by production can be pursued to flesh out life in/
of ‘Pentecost’ more clearly.
Second, and at another level, as it is treated in Chapter 2 and also
alluded to in the introduction, life in the global south is somehow portrayed as teeming with life and generative of its novel configurations.
And, indeed, as we know, the global south has been the object of massive
experimentation with life in the form of the combined violences of colonialism, imperialism and, in many ways, development schemes – as well
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Life at the End of Time
197
as its many possible futures (see also Goldstone and Obarrio 2017; Sarr
2016). Arguably integral to the capitalist transformation and its perpetual incursion – briefly mentioned in Chapter 2 in relation to revaluation
of productivity, time and wealth – nonetheless what I find particularly
intriguing is that in ‘Pentecost’, as conjured for us here, such past and
ongoing imperialist and capitalist experimentation with life is thrown
open: vast domains of the social order, ritual and, even, cosmological
domains related to cyclicity, generativity and, indeed, life itself are challenged, undercutting reductionist conclusions as to the (allegedly) unidirectional and detrimental workings of empire, capital or state.
Third, ‘Pentecost’ seems to be populated by an exuberant and instable figure of the human that one can only glimpse the contours of in
Chapter 2 and in other parts of the book, and I will only allude further
to the salience of this for ‘Pentecost’ here. Crucial to such exuberance is
the feature the grotesque: as exemplified beautifully in Achille Mbembe’s
work (e.g. 1992), the postcolonial subject in his view, of course, does
not only submit to power and make available his or her body and self to
such power. Instead, the ludic subject wilfully connives and toys with
various forms of power and potentiality and, indeed, seeks to access,
appropriate and reconfigure its very force and direction. In a sense this is
a figure of life that is antagonistic to the beautiful and serene being saved
and purified by the Holy Spirit but rather one that is grotesque and
inflated – that is, disfigured yet powerful. When visiting ‘Pentecost’ – in
this book, in Accra, in Mozambique – I see the contours of such grotesques, as well. And it is particularly clear, perhaps, also in the semiotics of growth, wealth and prosperity represented visually in posters in
cities and online – and in narratives of exuberant growth and wealth in a
present rid of the past or cyclicity, as Chapter 2: life is here distorted and
inflated, transgresses boundaries, while death is nowhere to be found.
Another context for such human exuberance in ‘Pentecost’ that I see
emerging is, and here I am very much informed, of course, by my own
work on urban situations – in particular, Mozambique – the figure of the
poor subject as an entity to be contained, formatted and kept in check.
Informed by the strictures imposed by what I see as the politics of the
Anthropocene – including questioning human expansive development –
this translates in development settings to the poor needing to become
and consume less and be restrained in their growth and resources. In
other words, the figure of human life shaped by such anthropocenic
politics in many development settings is now the lesser human being;
the human that does not expand, the subject that is resilient, pliable and
poor. This is an idea where growth and wellbeing has been abandoned,
given a future that is, in a sense, always already collapsed precluding
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198
Going to Pentecost
any (universal) possibility of expansion. Against this bleak configuration
of post-development politics, ‘Pentecost’ seems to offer another vision
of life rejecting such strictures in insisting on growth that celebrates
exuberance and non-containment. Potentially, ‘Pentecostal’ life, then,
provides an argument against resilience, smartness and the containment of the poor – a liberationist script of expansion, growth and life’s
unboundedness.
Creation, Generativity, Opposition
The above comments on, particularly, life but also on comparison invite
the question: what cosmological or religious edifice powers ‘Pentecost’
and what domains are integral to it? As suggested in the book’s introduction, religion – and by default Pentecostalism – has to be approached
both as non-territorial and as non-separate from other spheres, such
as the social. Thus, if we cannot approach it as a religion in a classical
sense, should we then – and here I am drawing on extending my comments above about the opulence, exuberance and unruliness characterizing this Pentecostal vitalism – extend this argument to reframe it
as an alter-globalization movement or alternative cosmopolitan orientation
generating novel forms of subjectivity and personhood?
The book project seems (helpfully) conflicted on this issue: on the
one hand, in Chapter 4 one finds, among a host of other fine analyses, an argument relating abjective individualism to Deleuzian notions
of control society (Deleuze 1992) as part of a comment on powerful
and important contributions to understanding relations between individualism and Pentecostalism (e.g. Meyer 2004b; Robbins 2004). On
the other, Chapter 2 does not convey a subject that is dividualized – a
subject that has been violently forged into an open source assemblage
to be mined, capitalized on and, indeed, abjected. Instead, I perceive –
and perhaps as a response to such processes and the spectre of control
society – a dynamic that undermines the logic of control society: it
erects boundaries, sure; it generates institutions and stricture, certainly;
it emulates the logic of capitalism though imposing notions of productivity, generativitiy and wealth, no doubt. But simultaneously ‘Pentecost’
comprises a composite and cosmologically mutating site of perpetual
creation and destruction, generativity and opposition, conformity and
transgression undercutting abjection, dividuation and control. In a
sense, my emphasis on life and ‘Pentecost’s’ sometimes grotesque and
celebrative exuberance and transgressive character is, of course, a caricature. But it is one that seems pertinent to make, as it has been too
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Life at the End of Time
199
facile to be caught in the idea of ‘Pentecost’ as radiating cancerous beams
disfiguring the social, as a form of virus deadening and flattening cosmologies, as a para-state or proto-state instituting stricture, discipline
and obedience, or as the theological apparatus of neoliberal capital.
The figure of ‘Pentecost’ alerted me to instead appreciate the creative,
generative and oppositional traits – unevenly realized or lurking as mere
potential – and its global relevance.
Bjørn Enge Bertelsen is a professor in the Department of Social
Anthropology, University of Bergen, Norway. His research includes political anthropology, egalitarianism, cosmology and urban Africa. Recent
publications include the monograph Violent Becomings: State Formation,
Sociality, and Power in Mozambique (Berghahn, 2016) and the edited
works Crisis of the State: War and Social Upheaval (with Bruce Kapferer,
Berghahn, 2009); Navigating Colonial Orders: Norwegian Entrepreneurship
in Africa and Oceania, ca. 1850 to 1950 (with Kirsten Kjerland, Berghahn,
2015); Violent Reverberations: Global Modalities of Trauma (with Vigdis
Broch-Due, Palgrave Macmillan, 2016); Critical Anthropological
Engagements in Human Alterity and Difference (with Synnøve Bendixsen,
Palgrave Macmillan, 2016); and Mozambique on the Move: Challenges and
Reflections (with Sheila P. Khan and Maria Paula Meneses, Brill, 2019).
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