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2011 •
In this paper, we present 17 taxa that Josif Pančić discovered and published during investigations of flora of Serbia, Montenegro and Bulgaria in the period 1846-1888. For each species distribution maps are given based on our own field research, rich herbarium collections (BEOU, BEO, SOM) and literature sources. Classification of plant taxa into floristic elements and basic information about the habitat and ecology of each taxon are also presented. The following 17 species and subspecies are presented: Picea omorika (Pančić) Purk., Parietaria serbica Pančić, Cerastium rectum Friv. subsp. petricola (Pančić) H. Gartner, Heliosperma macranthum Pančić, Heliosperma pusillum (Waldst. & Kit.) Rchb. subsp. monachorum (Vis. & Pančić) Niketić & Stevan., Heliosperma pusillum (Waldst. & Kit.) Rchb. subsp. moehringiifolium (Uechtr. ex Pančić) Niketić & Stevan., Dianthus moesiacus Vis. & Pančić, Consolida uechtritziana (Pančić ex Huth) Soó, Erysimum commatum Pančić, Malcolmia orsiniana (Ten.) Ten...
Модерна археологија се бави „реконструкцијом живота“ у прошлости. Један од важних сегмента прошлости представља однос људи према природном окружењу и начин на који су га они обликовали према својим потребама. Археоботаничка башта Музеја Војводине посвећена је обичним људима, жељним да упознају све оне биљне врсте које су некадашњи житељи, углавном праисторијских насеља на подручју данашње АП Војводине, користили у свакодневном животу. У њој своје место налазе само оне врсте чији су фосилизовани (угљенисани) остаци документовани археоботаничким анализама на археолошким локалитетима у покрајини, али и централној Србији. Оно што издваја Археоботаничку башту од осталих башта сличног типа у Европи је доступност њеног садржаја на интернету 24 сата дневно, 365 дана у години. Циљ виртуалне баште није само да се забележи и документује раст и развој биљака „од сетве до жетве“, већ да се посетиоцима музеја пружи информације за сваку биљну врсту, прилагођене речнику шире публике. The Archaeobotanical Garden of the Museum of Vojvodina was founded in 2011. It is dedicated to people who are eager to learn about the plant species which were used in everyday life by the inhabitants, who lived mainly in prehistoric settlements of today's Province of Vojvodina and Central Serbia. Only the species whose fossilized (primarily charred) remains were archaeobotanically documented at archaeological sites in the country can be grown here. Archaeobotanical gardens and common botanical gardens can be distinguished, not as much by their content, but rather by their purposes. The role of the archaeobotanical garden is to present – through main crops and gathered fruits of the last eight millennia – the cultural heritage of a certain region. Although they exist for more than two decades (there are several archaeobotanical gardens in the Central Europe), none of them is "visible" on the internet. Their existence can be traced in the articles of local newspapers, in the advertisements within websites of some museums, archaeological parks or local tourist organizations. Mostly, the attention is paid on the expert guidance during the growing season. Archaeobotanical gardens are still regarded as something "just interesting" that usually accompanies more "insightful things" at archaeological parks, e.g. reconstructed house from Neolithic period. The Archaeobotanical Garden of the Museum of Vojvodina is "virtually visible" at any time of the year. The website of the Museum provides basic information about plant species. Through photo slide shows, one can also follow the growth of the plants as well as the development "from sowing to harvesting". This is a unique example how to present archaeobotanical gardens in the Central Europe. Also, new technologies allow easier information accessibility to the visitors. Placed within the garden, QR Codes offer information of a particular plant species to smart phone users as well. Since it is located in the centre of the city, the Archaeobotanical Garden of the Museum of Vojvodina allows easier access to a large number of visitors.
2020 •
Users of the National and University Library of Bosnia and Herzegovina; for the purpose of various researches; often look for material that contains national; local heritage; history; material about politics and culture. In addition to the obligatory copy; NUBBIH replenishes its funds with exchanges and gifts. One such gift is the legacy of historian Prof. Dr. Hamdija Kapidžić. The Library got this gift in 2008. Part of this gift – correspondence; letters; postcards; old books; maps; etc.; are located in the Department of Special Collections. The material has been undocumented for a long time and we decided to present to the public the archives of this famous Bosnian cultural and scientific worker through this brief overview and list. We hope that this brief review of the legacy of the historian Hamdija Kapidžić will bring new views on his life and scientific work and serve as a source for new research.
From documents in the Ottoman Archives of Office of the Prime Minister it has been determined that many European researchers made scientific examinations of plants in the Ottoman Lands of the nineteenth and twentieth centuries. There, many important archival documents belonging to these researchers and related fields have been examined. Those to be discussed in this paper were researchers who worked extensively on the flora in the Balkans. The paper will focus on their botanical studies in Crete, Ioannina, Albania, Salonica, Kosovo and Bitola. The focus of this study will be on the travels of an Italian, Antonia Baldacci, a lecturer at the University of Bologna, who made a study of plants in the Balkans between 1892 and 1905; and on the Austrian botanist, Edward Formanik, who appears to have undertaken research on the flora of the regions of Salonica, Bitola and Kosovo between the years 1895 and 1899.
2023 •
Tekst był publikowany w: "Format" 2023, nr 91, s. 18-29. Piotr Zawojski: Minęło ponad pięćdziesiąt lat od czasu, kiedy zrealizowałeś swoje pierwsze trzy autorskie filmy w Szkole Filmowej w Łodzi w 1972 roku, czyli "Skład 6800", "Take Five" i "Kwadrat". Czy pamiętasz, którą z tych realizacji zrealizowałeś pierwszą? Zbigniew Rybczyński: "Kwadrat" był pierwszy, choć wszystkie filmy zrealizowałem w podobnym czasie z tymi samymi aktorami – Markiem Kreuschem i Aleksandrą Król. "Skład 6800" nie został ukończony, nie widziałem tego filmu od czasu szkoły. PZ: Chodzi mi przede wszystkim o "Kwadrat", można go bowiem potraktować jako rodzaj prefiguracji całej twojej dalszej twórczości. Po pierwsze, to eksperyment, po drugie, poszukiwanie własnych narzędzi, a po trzecie, rodzaj refleksji na temat tego, czym w ogóle jest obraz. Jak patrzysz dzisiaj, z perspektywy lat, na "Kwadrat"? ZR: Prawdziwą dla mnie tajemnicą są te bardzo krótkie momenty, w których powstawały pomysły moich filmów albo różnych technologicznych usprawnień, nazwijmy to: moich wynalazków.
Qualitative Inquiry
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2018 •
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2000 •
2014 •
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A comprehensive review of the strategies to improve oral drug absorption with special emphasis on the cellular and molecular mechanisms2021 •