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2009
Catalog of the exhibition "The New York Graphic Workshop, 1964–1970," September 28, 2008–January 18, 2009. The New York Graphic Workshop was an innovative and experimental group of artists from Latin America working in New York to push the boundaries of printmaking. Its primary members were Luis Camnitzer (Uruguayan), José Guillermo Castillo (Venezuelan), and Liliana Porter (Argentine). This exhibition catalog provides the first in-depth look at the production of the workshop from its foundation in 1964 to its ending in 1970. The catalog details the history of the workshop, revealing it as a fascinating episode in printmaking and Conceptual art in both the United States and Latin America. [The attached file contains the catalog's table of contents, the catalog essay I wrote, and the chronology, which I co-authored. The entire book can be purchased through Amazon.com.]
“To Develop Images from Thoughts. The South American Travels of the New York Graphic Workshop”, en Gabriel Pérez-Barreiro (ed.), The New York Graphic Workshop (1964-1970), Austin, The Blanton Museum of Art-The University of Texas at Austin, 2009, pp. 30-41.
caiana. Revista de Historia del Arte y Cultura Visual del Centro Argentino de Investigadores de Arte Centro Argentino de Investigadores de Arte
Prospectiva 74 & Poéticas Visuais: The International Horizon of 'Anartistic' Print Experimentation2017 •
2017 •
Considering abstractly and interpreting the essence of ideas and communicating them through visual language is the origin and objective of illustration, an activity that is becoming more and more important in the world of publishing and anywhere that images speak for themselves. But it has not always been that way: at the beginnings of modern illustration in Mexico at the end of the nineteenth century, this activity was a craft carried out by painters and engravers as something that complemented their art, with a few exceptions like José Guadalupe Posada. Illustrations were only conceived of as an adornment for whatever was said with words, as though the only discourse capable of communicating was the written word. Even today there are those who see illustrations as a series of lines and forms that enliven the text. Fortunately, however, fewer and fewer voices defend the hegemony of one discourse over the other. Actually, the two ways of transmitting ideas, sensations, and emotions ...
Working images: visual research and …
New Graphics for old Stories, illustrations for Ana Isabel Afonso's chapter in Working Images2004 •
2003 •
Table of contents: "Introduction" by Maria Berbara, Roberto Conduru and Vera Beatriz Siqueira | 1. "The pre-Hispanic tradition in Ricardo Rojas’ Americanist proposal: an analysis of El Silabario de la Decoración americana (The Syllabary of American Decoration)" by María Alba Bovisio | 2. "Katú Kama-rãh: friendship, image and text according to Algot Lange" by Raphael Fonseca | 3. "The construction of a discourse based on the drawings in the archaeological albums of Manuel Martínez Gracida (Oaxaca, 1910) and Liborio Zerda (Bogota, ca. 1895)" by Carolina Vanegas Carrasco and Hiram Villalobos Audiffred | 4. "The poetic ethnography of Correia Dias: a tour of indigenous traditions from Dias’ mythical pool" by Amanda Reis Tavares Pereira | 5. "The modernist experience in travels: some possibilities" by Renata Oliveira Caetano | 6. "Under the Designs of Gods: Il Guarany and Atzimba" by Jaime Aldaraca Ferrao | 7. "Sculpture and indianism(s) in 19th century Brazil" by Alberto Martín Chillón | 8. "New World Portraits" by Jacqueline Medeiros | 9. "Figari, Goeldi, Africanity - contexts" by Roberto Conduru | 10. "The others. Oriental, Afro-American and Indigenous presence in the representation of women in the Argentine illustrated periodical press of the early 20th century" by Julia Ariza | 11. "Lola Mora’s Fuente de las Nereidas (Fountain of the Nereids): a new look at an old controversy" by Georgina G. Gluzman | 12. "Modern experimentation with images in gaucho literary publications: Luis Perez’ and Hilario Ascasubi’s newspapers" por Juan Albin
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