- Austin, TX.
- New Media Art, Musical Instrument Technology, Art and technology, Experimental Music, Electronics, Art, and 30 moreMedia Archaeology, Audio Production, Music, Sound Art, Sound, Contemporary Art, Human Computer Interaction, DIY culture, Film Studies, Max/MSP/Jitter, Cinema, Media Studies, Media Arts, Experimental Media Arts, Arts-based methodologies, Circuit Bending, Education, Noise, Glitch studies, Noise (Experimental Music), Alfred Hitchcock, Cinema Studies, Hardware Hacking, Realtime Audiovisual Performance, Glitch Art, Planned Obsolescence, Glitch Aesthetics, Video Art, Dirty New Media, and Cathode ray tubeedit
- Kyle Evans (MFA, The School of the Art Institute of Chicago) is a new media artist, sound designer, educator, and per... moreKyle Evans (MFA, The School of the Art Institute of Chicago) is a new media artist, sound designer, educator, and performer. Focusing on the intersection of art and technology, his work commonly explores concepts of hacking, technological failure, and digital media artifacts. He has produced and presented a wide range of tech-art performance and new media installation work throughout North America and Europe at venues such as MUTEK San Francisco, Transmediale in Berlin, the International Computer Music Conference at Columbia University, The Dallas Museum of Art, the Blanton Museum of Art in Austin, Vancouver New Music Festival, and the GLI.TC/H festival in Chicago. He is a founding board member, Managing Director, and instructor at the tech-art educational non-profit dadageek, board member and composer of the sound-art collective Rolling Ryot, co-founder of the immersive art studio dadaLab, and Assistant Professor of Immersive Media in the Department of Arts and Entertainment Technologies at the University of Texas in Austin. His writings and artworks have been presented in several academic and popular publications including the Leonardo Music Journal, Computer Music Magazine, Neural Magazine, and Popular Science Magazine.edit
This paper investigates the aesthetic potentials of analog and digital hybridized systems to generate genuinely new sonic and visual experiences. The authors discuss their use of the cathode ray tube as a technological and cultural... more
This paper investigates the aesthetic potentials of analog and digital hybridized systems to generate genuinely new sonic and visual experiences. The authors discuss their use of the cathode ray tube as a technological and cultural platform for real-time performance in the context of digital screen culture and the digital glitch.
Research Interests:
This paper investigates the aesthetic potentials of analog and digital hybridized systems to generate genuinely new sonic and visual experiences. The authors discuss their use of the cathode ray tube as a technological and cultural... more
This paper investigates the aesthetic potentials of analog and digital hybridized systems to generate genuinely new sonic and visual experiences. The authors discuss their use of the cathode ray tube as a technological and cultural platform for real-time performance in the context of digital screen culture and the digital glitch.
Research Interests:
Increased online accessibility to information in mathematics, genetics, acoustics and myriad other scientific fields has resulted in the blurring of lines between art and science. An example of this evolution can be seen in artists and... more
Increased online accessibility to information in mathematics, genetics, acoustics and myriad other scientific fields has resulted in the blurring of lines between art and science. An example of this evolution can be seen in artists and composers creating music utilizing quantified DNA and protein information through the process of data sonification.
Research Interests:
The contemporary use of the turntable as a sound creation device makes it a quintessential post-modern musical instrument, and the destruction of the technology has allowed artists to explore concepts ranging from it historical... more
The contemporary use of the turntable as a sound creation device makes it a quintessential post-modern musical instrument, and the destruction of the technology has allowed artists to explore concepts ranging from it historical socioeconomic value to the exploitation of its current representation as a virtuosic musical instrument in hip-hop and DJ culture.
