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  • Dieter Fuchs works at the University of Vienna. He has taught widely in the fields of 16th ct. - contemporary literat... moreedit
With its penchant for dissecting rehearsed attitudes and subverting expectations, Flann O’Brien’s writing displays an uncanny knack for comic doubling and self-contradiction. Focusing on the satirical energies and anti-authoritarian... more
With its penchant for dissecting rehearsed attitudes and subverting expectations, Flann O’Brien’s writing displays an uncanny knack for comic doubling and self-contradiction. Focusing on the satirical energies and anti-authoritarian temperament invested in his style, Flann O'Brien: Problems with Authority interrogates the author's clowning with linguistic, literary, legal, bureaucratic, political, economic, academic, religious and scientific powers in the sites of the popular, the modern and the traditional.

By taking O’Brien’s riotous clashes with diverse manifestations of authority as an entry point, the volume draws together disparate elements of the writer's work. Each chapter reflects on some aspect of his iconoclastic impulses; on the impertinent send-ups of pretension and orthodoxy to be found in his fiction, columns, and writing for stage and screen; on the very nature of his comedic inspiration.... Among the topics addressed are O’Brien’s satirical use of the pseudonym, the cliché and the Irish language; his irreverent repackaging of inherited myths, sacred texts and formative canons; and his refusal of literary and ideological closure.

The emerging picture is of a complex literary project that is always, in some way, a writing against the weight of received wisdoms and inherited sureties. Together, these essays invite us to reconsider O’Brien’s profile as, at once, a local comedian, a critic of provincial attitudes, a formal innovator and an inimitable voice in the twentieth-century avant-garde. Most pressingly, Flann O'Brien: Problems with Authority compels us to consider the many ways in which O’Brien’s texts bring into sharp relief the kinship between comic genius and an anti-authoritarian temperament.
Contents

Editors’ introduction RUBEN BORG, PAUL FAGAN, JOHN MCCOURT

PART I

‘neither popular nor profitable’: O’Nolan vs. The Plain People

‘irreverence moving towards the blasphemous’: Brian O’Nolan, Blather and Irish popular culture CAROL TAAFFE

‘No more drunk, truculent, witty, celtic, dark, desperate, amorous paddies!’: Brian O’Nolan and the Irish stereotype MAEBH LONG

Lamhd láftar and bad language: bilingual cognition in Cruiskeen Lawn MARIA KAGER

‘the half-said thing’: Cruiskeen Lawn, Japan and the Second World War CATHERINE FLYNN

Physical comedy and the comedy of physics in The Third Policeman, The Dalkey Archive and Cruiskeen Lawn KATHERINE EBURY


PART II.

Mixed inks: O’Nolan vs. his peers

‘widening out the mind’: Flann O’Brien’s ‘wide mind’ between Joyce’s ‘mental life’ and Beckett’s ‘deep within’ DIRK VAN HULLE

Phwat’s in a nam?: Brian O’Nolan as a Late Revivalist RONAN CROWLEY

Fantastic economies: Flann O’Brien and James Stephens R. W. MASLEN

The ideal and the ironic: incongruous Irelands in An Béal Bocht, No Laughing Matter and Ciarán Ó Nualláin’s Óige an Dearthár IAN Ó CAOIMH

More ‘gravid’ than gravitas: Collopy, Fahrt and the Pope in Rome JOHN MCCOURT

PART III.

Gross impieties: O’Nolan vs. the sacred texts

‘a scholar manqué’?: further notes on Brian Ó Nualláin’s engagement with Early Irish literature LOUIS DE PAOR

In defence of ‘gap-worded’ stories: Brian O’Nolan on authority, reading and writing ALANA GILLESPIE

Reading Flann with Paul: modernism and the trope of conversion RUBEN BORG

The Dalkey Archive: a Menippean satire against authority DIETER FUCHS

‘walking forever on falling ground’: closure, hypertext and the textures of possibility in The Third Policeman TAMARA RADAK
... 185–94. Hanford, JH, «Plutarch and Dean Swift», Modern Language Notes XXV (1910), pp. 181–4. Knowles, Ronald, Gulliver's Travels. The Politics of Satire (New York, 1996). ... University of California, San Diego, 1973). Lucian,... more
... 185–94. Hanford, JH, «Plutarch and Dean Swift», Modern Language Notes XXV (1910), pp. 181–4. Knowles, Ronald, Gulliver's Travels. The Politics of Satire (New York, 1996). ... University of California, San Diego, 1973). Lucian, «Dialogues of the Dead» in Lucian Vol. VII, transl. ...
James Joyce's Ulysses rewrites the Homeric Odyssey in such a way that the ancient myth provides a structural pattern, which gives order and meaning to a seemingly chaotic and meaningless contemporary world-an aspect which T. S. Eliot... more
James Joyce's Ulysses rewrites the Homeric Odyssey in such a way that the ancient myth provides a structural pattern, which gives order and meaning to a seemingly chaotic and meaningless contemporary world-an aspect which T. S. Eliot called the "mythical method". As the characters of Ulysses are ignorant of this ordering device, they function as Jungian archetypes rather than individuals: Their deeds correspond to a mythical framework which is not actively remembered but provides a collective unconsciousness that guides their lives as a principle of order and continuity. What they do is meaningful although they consider themselves as insignificant agents thrown into a seemingly chaotic world. Whereas scholars have focused on Homer's Odyssey as an archetypal (i.e. collective unconscious) key to the cultural memory of the mythical roots of Western culture, they have turned a comparatively blind eye to the fact that Homer's corresponding work of the Iliad has a si...
With its penchant for dissecting rehearsed attitudes and subverting expectations, Flann O’Brien’s writing displays an uncanny knack for comic doubling and self-contradiction. Focusing on the satirical energies and anti-authoritarian... more
With its penchant for dissecting rehearsed attitudes and subverting expectations, Flann O’Brien’s writing displays an uncanny knack for comic doubling and self-contradiction. Focusing on the satirical energies and anti-authoritarian temperament invested in his style, Flann O'Brien: Problems with Authority interrogates the author's clowning with linguistic, literary, legal, bureaucratic, political, economic, academic, religious and scientific powers in the sites of the popular, the modern and the traditional.
This article considers the German Grammar School Novel from the first half of the twentieth century an all but forgotten Germanophone prototype of campus fiction. Whereas the Anglo-American campus novel of the 1970s, 80s and 90s features... more
This article considers the German Grammar School Novel from the first half of the twentieth century an all but forgotten Germanophone prototype of campus fiction. Whereas the Anglo-American campus novel of the 1970s, 80s and 90s features university professors as future-related agents of Western counterculture and free thought, the Grammar School Novel satirizes the German grammar school teacher known as Gymnasialprofessor as a representative of the past-related order of the autocratic German state apparatus from the beginning of the twentieth century. As Heinrich Mann's 1905 novel Professor Unrat / Small Town Tyrant (the source text of Marlene Dietrich's debut movie The Blue Angel) may be considered a foundational work of the German Grammar School Novel corpus, the main part of the article offers a sample analysis of this text.
This article fuses a survey of the play’s most important standard interpretations with those aspects which may be considered particularly fascinating about this text: the conflict of England’s catholic past with the rise of protestant... more
This article fuses a survey of the play’s most important standard interpretations with those aspects which may be considered particularly fascinating about this text: the conflict of England’s catholic past with the rise of protestant culture in the early modern period; the meta-dramatic dimension of the play; the theatricality of Renaissance court life; the play’s reflection of the emerging modern subject triggered off by the rise of reformation discourse. To elucidate some aspects which tend to be overlooked in the scholarly discussion of Hamlet, the article will bring two important topics into focus: the courtly discovery of perspective and the dying Hamlet’s request to tell his story to the afterworld at the end of the play.
This article focuses on Wilfried Steiner’s 2003 novel Der Weg nach Xanadu / The Way To Xanadu which appears to be an Austrian campus novel owing to the setting of the Austrian world of academia in its first part. Owing to its lack of... more
This article focuses on Wilfried Steiner’s 2003 novel Der Weg nach Xanadu / The Way To Xanadu which appears to be an Austrian campus novel owing to the setting of the Austrian world of academia in its first part. Owing to its lack of local coloring, however, the Vienna-based plot of the first part does not feature a (stereo)typically ‘Austrian’ genius loci. Although this part of the text echoes features of the international campus novel tradition, it may be definitely not considered an Austrian campus novel. The second part of the novel is set in the Lake District, focuses on Coleridge’s Romantic poetry and the Doppelgänger-motif. Whereas the first part may be vaguely contextualized within the international campus novel tradition, the second part is deeply imbued with the Romantic tradition of the Künstlerroman or artist’s novel.
... 25. Not only the Austrian Lloyd's founding father Baron von Bruck and the Archduke Max Ferdinand but also the Austrian steamship company and its vessels have left Triestine footprints in Ulysses. Joyce became familiar with ...
Research Interests:
Research Interests: