Recovery collective memory of place.The Cirio industry in Paestum, in Less/More Architecture, Design, Landscape, a cura di C. Gambardella, Le vie dei Mercanti, X forum internazionale di studi, Aversa 31 maggio-Capri 1-2 giugno 2012, La scuola di pitagora editrice, 2012, ISBN 978-88-6542-128-4
The fabric “ex-Cirio” abandoned by 1987, placed in the archaeological area of Paestum in front of... more The fabric “ex-Cirio” abandoned by 1987, placed in the archaeological area of Paestum in front of the
ancient Justice Gate, represents a great potential for the area.
Inserted within the feasibility study for the creation of the “Archaeological Site of Paestum” (realized from
CIPE with funds from the Ministry of Heritage and Culture), in which prefigures a restoration and new
functions of the factory with the excavation of the Sanctuary St. Venera placed beneath one of the sheds.
The proposed contribution to knowledge, throught the historical and bibliographical reserches directly related
with the direct study of the architectural structure, aims primarily at providing a contribution of a cognitive
type of architectural structure.
This is part of a series of early industrial architecture of the 900 lots in Campania at the behest of Cirio, but is
unique not only for the value of collective historical memory, which represents the area, even for of the
relationship with the archaeological pre-existence of the Sanctuary of Santa Venera.
Secondly, it aims to show how the recovery of material values (architectural and archaeological) and
intangible (a collective memory of historical production site), rappresented an inseparable and preparatory
poles for the recovery activity aim to the conservation and the development of the architecture.
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Into the urban ridesign of Messina sea front, started with the project of the Palazzata won by a group of young architects with the motto post fata resurgo in 1929, the INAIL building, occupies a central position marking the passage between the new curtain and the ancient city.
The building, designed by architect Giuseppe Samonà and engineer Guido Viola, was concluded only after the second world war, in 1948, and has undergone recently a redevelopment and renovation plan aimed at the restoration and regulatory updates of the INAIL offices, that still maintain its original function. Into the frame of scientific collaboration aimed at defining methodological guidelines for the restoration of the Messina building, was defined a conservation plan that defined the cultural and technical choices aimed at preserving the authenticity and authorship of the building, interesting example of the modern architecture of twentieth century.
The first stage of knowledge, which started from the review of archival documents that detailing the pre and post-war phases of design and implementation of stone coverings and masonry structures, was supported by a diagnostic campaign that allowed to verify directly the variations done during the construction site and the state of conservation of the surfaces of the facades. Following this preliminary data, it was possible to define, in line with the criteria of compatibility and respect of the material and formal integrity, the methodological guidelines for the conservation of the architecture analized, aimed at guarantee its preservation through time.
La Mostra costituisce un importante momento di divulgazione di una ampia ricerca scientifica condotta sul centro storico della città a partire dal 1963 dal professore Bruno Maria Apollonj Ghetti all’interno del corso di disegno e rappresentazione della Facoltà di Ingegneria del Politecnico di Bari.
A partire da una ricerca metodologicamente rigorosa, Apollonj Ghetti insieme al personale docente del proprio istituto e agli allievi del corso, organizza la raccolta sistematica di materiale documentario, inteso alla connotazione dell’ambiente urbano per il tramite dei complessi monumentali e delle tipologie più caratteristiche del centro antico.
La contestualizzazione di tale ricerca all’interno del dibattito sui centri storici degli anni settanta, costituisce un valido esempio metodologico di studio approntato alla ricerca del carattere ‘corale’ dell’edilizia minore, studiata nei sui valori umani oltre che storici e formali.
Tecniche costruttive, singole emergenze architettoniche, ambienti urbani monumentali e tessuto ‘anonimo’ del centro storico vengono rappresentati con la stessa attenzione in un lavoro di analisi e conoscenza che restituisce una immagine della città in tutti i suoi valori, inclusi quelli umani, che definiscono insieme a quelli storici, architettonici e culturali i fattori imprescindibili di ogni forma esaustiva di conoscenza volta alla conservazione del patrimonio costruito.
The paper aims to emphasize the contribution to the study and knowledge of the of Bari historical center made throught the exhibition of “Bari Vecchia” hold in June 1967 at the swevian castle.
The exhibition represent an important moment of disclosure of a broad scientific research conducted on the historical center of the city since 1963 by Professor Bruno Ghetti Maria Apollonj within the course of drawing and representation of the Faculty of the Politecnico di Bari.
In a research methodologically defined by the experiences acquired over the years of teaching and practice in the field of restoration, Apollonj Ghetti along with your institution's teaching staff and students of the course, organizing the systematic collection of documentary material including the architectural surveys, photographic and news archive.
The contextualization of this kind of research into the debate around the historical centers of the seventies, represent an example of a methodological study focalized on the knowledge of the values than defined the built heritage to preserve and enhance.
Construction techniques, individual architectural buildings, monumental urban environments and minor and anonymous buildigs of the old town are represented with the same attention in analytical work that returns an image of the city in all its historical, architectural and human values that represents the peculiarity of Bari’s built heritage.
The paper aims to illustrate the conservation project of architectural surfaces of the facades, conducted in 2012, tracing the methodological design process and criteria behind the project, up to the operational phase of execution on site to the results of the restoration.
The essay discusses the techniques used in the course of the restoration, the operational methodologies and the main choices made since the first step of investigation in situ on the historic materials (plaster, marble, stone, etc.).
Starting from the shared criteria in the field of conservation, such as the material compatibility, the respect of all the historical layers, the preservation of the surface’s values of the monument, the case dealt with an opportunity to experience these principles in operating practice case.
maintain its integrity. This area offers a different opportunity of case studies of preservation, ranging from abandoned villages to the coastal landscape. The paper aims to focusng on the issue area of Cilento, often been overlooked in research field in favor of the coastal strip. It’s just inland, where vernacular traditions still persist, which are the most recognizable characters of the villages, characterized by its peculiar and distinctive morphological buoyancy that represent the matrices of the local architectures. The paper aims to bring out the evolution and the changes that occurred in these landscapes over the last two centuries, through a perspective that seeks knowledge for the preservation of a unique heritage which today is highly at risk because of the progressive depopulation that for the past two decades has hit the area, increasing growth of the coastal areas.
All’interno di questo clima culturale, il contributo proposto mira ad evidenziare, attraverso i progetti redatti dall’architetto Bruno Maria Apollonj Ghetti in occasione delle Mostre di sistemazioni urbanistiche tenutesi presso il centro di Studi di Storia dell’architettura, l’importanza assunta dall’Ente, fondato da Gustavo Giovannoni nel 1939, nel favorire il confronto ed il dibattito critico sui temi della città storica.
I progetti proposti (Progetto di liberazione del Portico di Ottavia e delle sue adiacenze, Progetto per la liberazione della visuale di Palazzo Farnese dal Lungotevere, Sistemazione di un tratto di Porta Pinciana e per la strada pedonale di collegamento con Trinità dei Monti,Progetto di isolamento del Palazzo di Montevecchio,Progetto per la sistemazione di Piazza Aracoeli, Progetto per la sistemazione dell’area dei Fiorentini, Progetto per la sistemazione di via del Nazzareno), redatti dall’allievo ed assistente di Gustavo Giovannoni, oltre ad assumere un valore conoscitivo e descrittivo di parti della città storica e quindi in alcuni casi un concreto esempio di passaggio da una condizione di “invisibilità” di parti Roma ad una condizione di “visibilità”, rappresentano una concreta estrinsecazione del rapporto tra le teorie sviluppate all’interno dell’associazione e le effettive proposte progettuali di intervento sull’assetto urbano.
ancient Justice Gate, represents a great potential for the area.
Inserted within the feasibility study for the creation of the “Archaeological Site of Paestum” (realized from
CIPE with funds from the Ministry of Heritage and Culture), in which prefigures a restoration and new
functions of the factory with the excavation of the Sanctuary St. Venera placed beneath one of the sheds.
The proposed contribution to knowledge, throught the historical and bibliographical reserches directly related
with the direct study of the architectural structure, aims primarily at providing a contribution of a cognitive
type of architectural structure.
This is part of a series of early industrial architecture of the 900 lots in Campania at the behest of Cirio, but is
unique not only for the value of collective historical memory, which represents the area, even for of the
relationship with the archaeological pre-existence of the Sanctuary of Santa Venera.
Secondly, it aims to show how the recovery of material values (architectural and archaeological) and
intangible (a collective memory of historical production site), rappresented an inseparable and preparatory
poles for the recovery activity aim to the conservation and the development of the architecture.
Salerno’s historical port, the possibilities of development and growth of the city
characterized by the construction of new touristic port of Marina d’ Arechi. Moreover,
comparing the configuration of the historical port from the beginning of the ‘900 at
today, with the new architecture of the Port of Marina d' Arechi, the paper intend to
analyze the relationship between old and new architecture port, and how these
architecture relating to the city.
Despite being a city overlooking the sea historically, Salerno has made this
resources for tourism development and economic reason. From an old adage that "if
Salerno could have the port Naples would be dead", it’s possible to understands the
unspoken high potential of the city.
The coastline and the current trading port built in the early '900 in a broader plan to
redesign the city's urban, did not ensure economic growth in the years that could be
create through the use of port resources.
The ongoing construction of the new touristic port of Marina Arechi - Port Village ,
located in the south of Salerno, between the Amalfitan Coast and the Cilento ’s
Coast, could open important setting for the touristic and economical growth of the
city.
architectural as well as landscape and pristine environment. The difficulty of crossing, represented by
the communication routes that unravel between the hills and the curved coast, and the establishment
of the National Park of Cilento and Vallo di Diano, has meant that this region has been able to
maintain its integrity. This area offers a different opportunity of case studies of preservation, ranging
from abandoned villages to the coastal landscape. The paper aims to focusng on the issue area of
Cilento, often been overlooked in research field in favor of the coastal strip. It’s just inland, where
vernacular traditions still persist, which are the most recognizable characters of the villages,
characterized by its peculiar and distinctive morphological buoyancy that represent the matrices of the
local architectures. The paper aims to bring out the evolution and the changes that occurred in these
landscapes over the last two centuries, through a perspective that seeks knowledge for the
preservation of a unique heritage which today is highly at risk because of the progressive depopulation
that for the past two decades has hit the area, increasing growth of the coastal areas.
Into the urban ridesign of Messina sea front, started with the project of the Palazzata won by a group of young architects with the motto post fata resurgo in 1929, the INAIL building, occupies a central position marking the passage between the new curtain and the ancient city.
The building, designed by architect Giuseppe Samonà and engineer Guido Viola, was concluded only after the second world war, in 1948, and has undergone recently a redevelopment and renovation plan aimed at the restoration and regulatory updates of the INAIL offices, that still maintain its original function. Into the frame of scientific collaboration aimed at defining methodological guidelines for the restoration of the Messina building, was defined a conservation plan that defined the cultural and technical choices aimed at preserving the authenticity and authorship of the building, interesting example of the modern architecture of twentieth century.
The first stage of knowledge, which started from the review of archival documents that detailing the pre and post-war phases of design and implementation of stone coverings and masonry structures, was supported by a diagnostic campaign that allowed to verify directly the variations done during the construction site and the state of conservation of the surfaces of the facades. Following this preliminary data, it was possible to define, in line with the criteria of compatibility and respect of the material and formal integrity, the methodological guidelines for the conservation of the architecture analized, aimed at guarantee its preservation through time.
La Mostra costituisce un importante momento di divulgazione di una ampia ricerca scientifica condotta sul centro storico della città a partire dal 1963 dal professore Bruno Maria Apollonj Ghetti all’interno del corso di disegno e rappresentazione della Facoltà di Ingegneria del Politecnico di Bari.
A partire da una ricerca metodologicamente rigorosa, Apollonj Ghetti insieme al personale docente del proprio istituto e agli allievi del corso, organizza la raccolta sistematica di materiale documentario, inteso alla connotazione dell’ambiente urbano per il tramite dei complessi monumentali e delle tipologie più caratteristiche del centro antico.
La contestualizzazione di tale ricerca all’interno del dibattito sui centri storici degli anni settanta, costituisce un valido esempio metodologico di studio approntato alla ricerca del carattere ‘corale’ dell’edilizia minore, studiata nei sui valori umani oltre che storici e formali.
Tecniche costruttive, singole emergenze architettoniche, ambienti urbani monumentali e tessuto ‘anonimo’ del centro storico vengono rappresentati con la stessa attenzione in un lavoro di analisi e conoscenza che restituisce una immagine della città in tutti i suoi valori, inclusi quelli umani, che definiscono insieme a quelli storici, architettonici e culturali i fattori imprescindibili di ogni forma esaustiva di conoscenza volta alla conservazione del patrimonio costruito.
The paper aims to emphasize the contribution to the study and knowledge of the of Bari historical center made throught the exhibition of “Bari Vecchia” hold in June 1967 at the swevian castle.
The exhibition represent an important moment of disclosure of a broad scientific research conducted on the historical center of the city since 1963 by Professor Bruno Ghetti Maria Apollonj within the course of drawing and representation of the Faculty of the Politecnico di Bari.
In a research methodologically defined by the experiences acquired over the years of teaching and practice in the field of restoration, Apollonj Ghetti along with your institution's teaching staff and students of the course, organizing the systematic collection of documentary material including the architectural surveys, photographic and news archive.
The contextualization of this kind of research into the debate around the historical centers of the seventies, represent an example of a methodological study focalized on the knowledge of the values than defined the built heritage to preserve and enhance.
Construction techniques, individual architectural buildings, monumental urban environments and minor and anonymous buildigs of the old town are represented with the same attention in analytical work that returns an image of the city in all its historical, architectural and human values that represents the peculiarity of Bari’s built heritage.
The paper aims to illustrate the conservation project of architectural surfaces of the facades, conducted in 2012, tracing the methodological design process and criteria behind the project, up to the operational phase of execution on site to the results of the restoration.
The essay discusses the techniques used in the course of the restoration, the operational methodologies and the main choices made since the first step of investigation in situ on the historic materials (plaster, marble, stone, etc.).
Starting from the shared criteria in the field of conservation, such as the material compatibility, the respect of all the historical layers, the preservation of the surface’s values of the monument, the case dealt with an opportunity to experience these principles in operating practice case.
maintain its integrity. This area offers a different opportunity of case studies of preservation, ranging from abandoned villages to the coastal landscape. The paper aims to focusng on the issue area of Cilento, often been overlooked in research field in favor of the coastal strip. It’s just inland, where vernacular traditions still persist, which are the most recognizable characters of the villages, characterized by its peculiar and distinctive morphological buoyancy that represent the matrices of the local architectures. The paper aims to bring out the evolution and the changes that occurred in these landscapes over the last two centuries, through a perspective that seeks knowledge for the preservation of a unique heritage which today is highly at risk because of the progressive depopulation that for the past two decades has hit the area, increasing growth of the coastal areas.
All’interno di questo clima culturale, il contributo proposto mira ad evidenziare, attraverso i progetti redatti dall’architetto Bruno Maria Apollonj Ghetti in occasione delle Mostre di sistemazioni urbanistiche tenutesi presso il centro di Studi di Storia dell’architettura, l’importanza assunta dall’Ente, fondato da Gustavo Giovannoni nel 1939, nel favorire il confronto ed il dibattito critico sui temi della città storica.
I progetti proposti (Progetto di liberazione del Portico di Ottavia e delle sue adiacenze, Progetto per la liberazione della visuale di Palazzo Farnese dal Lungotevere, Sistemazione di un tratto di Porta Pinciana e per la strada pedonale di collegamento con Trinità dei Monti,Progetto di isolamento del Palazzo di Montevecchio,Progetto per la sistemazione di Piazza Aracoeli, Progetto per la sistemazione dell’area dei Fiorentini, Progetto per la sistemazione di via del Nazzareno), redatti dall’allievo ed assistente di Gustavo Giovannoni, oltre ad assumere un valore conoscitivo e descrittivo di parti della città storica e quindi in alcuni casi un concreto esempio di passaggio da una condizione di “invisibilità” di parti Roma ad una condizione di “visibilità”, rappresentano una concreta estrinsecazione del rapporto tra le teorie sviluppate all’interno dell’associazione e le effettive proposte progettuali di intervento sull’assetto urbano.
ancient Justice Gate, represents a great potential for the area.
Inserted within the feasibility study for the creation of the “Archaeological Site of Paestum” (realized from
CIPE with funds from the Ministry of Heritage and Culture), in which prefigures a restoration and new
functions of the factory with the excavation of the Sanctuary St. Venera placed beneath one of the sheds.
The proposed contribution to knowledge, throught the historical and bibliographical reserches directly related
with the direct study of the architectural structure, aims primarily at providing a contribution of a cognitive
type of architectural structure.
This is part of a series of early industrial architecture of the 900 lots in Campania at the behest of Cirio, but is
unique not only for the value of collective historical memory, which represents the area, even for of the
relationship with the archaeological pre-existence of the Sanctuary of Santa Venera.
Secondly, it aims to show how the recovery of material values (architectural and archaeological) and
intangible (a collective memory of historical production site), rappresented an inseparable and preparatory
poles for the recovery activity aim to the conservation and the development of the architecture.
Salerno’s historical port, the possibilities of development and growth of the city
characterized by the construction of new touristic port of Marina d’ Arechi. Moreover,
comparing the configuration of the historical port from the beginning of the ‘900 at
today, with the new architecture of the Port of Marina d' Arechi, the paper intend to
analyze the relationship between old and new architecture port, and how these
architecture relating to the city.
Despite being a city overlooking the sea historically, Salerno has made this
resources for tourism development and economic reason. From an old adage that "if
Salerno could have the port Naples would be dead", it’s possible to understands the
unspoken high potential of the city.
The coastline and the current trading port built in the early '900 in a broader plan to
redesign the city's urban, did not ensure economic growth in the years that could be
create through the use of port resources.
The ongoing construction of the new touristic port of Marina Arechi - Port Village ,
located in the south of Salerno, between the Amalfitan Coast and the Cilento ’s
Coast, could open important setting for the touristic and economical growth of the
city.
architectural as well as landscape and pristine environment. The difficulty of crossing, represented by
the communication routes that unravel between the hills and the curved coast, and the establishment
of the National Park of Cilento and Vallo di Diano, has meant that this region has been able to
maintain its integrity. This area offers a different opportunity of case studies of preservation, ranging
from abandoned villages to the coastal landscape. The paper aims to focusng on the issue area of
Cilento, often been overlooked in research field in favor of the coastal strip. It’s just inland, where
vernacular traditions still persist, which are the most recognizable characters of the villages,
characterized by its peculiar and distinctive morphological buoyancy that represent the matrices of the
local architectures. The paper aims to bring out the evolution and the changes that occurred in these
landscapes over the last two centuries, through a perspective that seeks knowledge for the
preservation of a unique heritage which today is highly at risk because of the progressive depopulation
that for the past two decades has hit the area, increasing growth of the coastal areas.