Page 1. Let there be hypermedia ... SHAKESPEARE, MCLUHAN AND ELECTRONIC CONSCIOUSNESS KEYANG TOMA... more Page 1. Let there be hypermedia ... SHAKESPEARE, MCLUHAN AND ELECTRONIC CONSCIOUSNESS KEYANG TOMASELLI As McLuhan grew in academic stature, he transmogrified himself into a religion - the 'Massagers', on the Routledge and Kegan Paul label. ...
... What ap-proaches develop will, as Ntongela Masilela (1988) emphasises, derive from "hist... more ... What ap-proaches develop will, as Ntongela Masilela (1988) emphasises, derive from "historicization": the recovery of African scholarship from all peri-ods and societies within the frames of reference provided by various ap-proaches within the field as a whole. ...
... What ap-proaches develop will, as Ntongela Masilela (1988) emphasises, derive from "hist... more ... What ap-proaches develop will, as Ntongela Masilela (1988) emphasises, derive from "historicization": the recovery of African scholarship from all peri-ods and societies within the frames of reference provided by various ap-proaches within the field as a whole. ...
Page 1. Let there be hypermedia ... SHAKESPEARE, MCLUHAN AND ELECTRONIC CONSCIOUSNESS KEYANG TOMA... more Page 1. Let there be hypermedia ... SHAKESPEARE, MCLUHAN AND ELECTRONIC CONSCIOUSNESS KEYANG TOMASELLI As McLuhan grew in academic stature, he transmogrified himself into a religion - the 'Massagers', on the Routledge and Kegan Paul label. ...
... distinctness. It is our hope that this journal issue will contribute to the evolution of both... more ... distinctness. It is our hope that this journal issue will contribute to the evolution of both African cultural studies as well as transnational cultural studies. Ntongela Masilela's nativization and other conceptions of African cultural studies. ...
ReaGilès are pre-fabricated, self-contained, education and entertainment complexes situated on 40... more ReaGilès are pre-fabricated, self-contained, education and entertainment complexes situated on 400m² sites at local schools or public open spaces consisting of a 60-seat cinema, 30-seat computer and Internet facility, community care and policing centre. These complexes are intended to service historically underserviced peri-urban black dormitory townships of South Africa and to help create jobs, especially amongst the youth, women and the disabled. The ReaGilè concept, on roll-out, has the potential to revolutionise exhibition and distribution in local film industries in ways mirroring the ground-breaking Nollywood straight-to-DVD model. The article discusses the potential of the ReaGilè concept to offer solutions to the twin crises of 1) representation stemming from existing film distribution networks that limit micro-budget filmmakers, and 2) of government departments and local municipalities’ tendency towards dividing practices that objectivise the subject through frustrating development via delays, paperwork, never-ending meetings, fees, endless formalities and legalities, and red tape. The authors posit that ReaGilè has the potential to creatively disrupt and redesign formal distribution models and to fracture the narrow modernisation paradigm they deploy, replacing them with a responsive communication re/ordering and flexible distribution that restore subjectivity to the disenfranchised South African subject (the filmmaker and audience from the township).
Http Dx Doi Org 10 1080 02500160802144611, Jul 1, 2008
... Paradigms in South African cinema research: Modernity, the New Africa Movement and beyond Com... more ... Paradigms in South African cinema research: Modernity, the New Africa Movement and beyond Communicatio.indd 135 6/24/08 11:40:40 AM Page 7. 136 Where Rompel's Afrikaner compatriots wanted sound cinema for both commercial and language-ideological purposes ...
Page 1. Let there be hypermedia ... SHAKESPEARE, MCLUHAN AND ELECTRONIC CONSCIOUSNESS KEYANG TOMA... more Page 1. Let there be hypermedia ... SHAKESPEARE, MCLUHAN AND ELECTRONIC CONSCIOUSNESS KEYANG TOMASELLI As McLuhan grew in academic stature, he transmogrified himself into a religion - the 'Massagers', on the Routledge and Kegan Paul label. ...
... What ap-proaches develop will, as Ntongela Masilela (1988) emphasises, derive from "hist... more ... What ap-proaches develop will, as Ntongela Masilela (1988) emphasises, derive from "historicization": the recovery of African scholarship from all peri-ods and societies within the frames of reference provided by various ap-proaches within the field as a whole. ...
... What ap-proaches develop will, as Ntongela Masilela (1988) emphasises, derive from "hist... more ... What ap-proaches develop will, as Ntongela Masilela (1988) emphasises, derive from "historicization": the recovery of African scholarship from all peri-ods and societies within the frames of reference provided by various ap-proaches within the field as a whole. ...
Page 1. Let there be hypermedia ... SHAKESPEARE, MCLUHAN AND ELECTRONIC CONSCIOUSNESS KEYANG TOMA... more Page 1. Let there be hypermedia ... SHAKESPEARE, MCLUHAN AND ELECTRONIC CONSCIOUSNESS KEYANG TOMASELLI As McLuhan grew in academic stature, he transmogrified himself into a religion - the 'Massagers', on the Routledge and Kegan Paul label. ...
... distinctness. It is our hope that this journal issue will contribute to the evolution of both... more ... distinctness. It is our hope that this journal issue will contribute to the evolution of both African cultural studies as well as transnational cultural studies. Ntongela Masilela's nativization and other conceptions of African cultural studies. ...
ReaGilès are pre-fabricated, self-contained, education and entertainment complexes situated on 40... more ReaGilès are pre-fabricated, self-contained, education and entertainment complexes situated on 400m² sites at local schools or public open spaces consisting of a 60-seat cinema, 30-seat computer and Internet facility, community care and policing centre. These complexes are intended to service historically underserviced peri-urban black dormitory townships of South Africa and to help create jobs, especially amongst the youth, women and the disabled. The ReaGilè concept, on roll-out, has the potential to revolutionise exhibition and distribution in local film industries in ways mirroring the ground-breaking Nollywood straight-to-DVD model. The article discusses the potential of the ReaGilè concept to offer solutions to the twin crises of 1) representation stemming from existing film distribution networks that limit micro-budget filmmakers, and 2) of government departments and local municipalities’ tendency towards dividing practices that objectivise the subject through frustrating development via delays, paperwork, never-ending meetings, fees, endless formalities and legalities, and red tape. The authors posit that ReaGilè has the potential to creatively disrupt and redesign formal distribution models and to fracture the narrow modernisation paradigm they deploy, replacing them with a responsive communication re/ordering and flexible distribution that restore subjectivity to the disenfranchised South African subject (the filmmaker and audience from the township).
Http Dx Doi Org 10 1080 02500160802144611, Jul 1, 2008
... Paradigms in South African cinema research: Modernity, the New Africa Movement and beyond Com... more ... Paradigms in South African cinema research: Modernity, the New Africa Movement and beyond Communicatio.indd 135 6/24/08 11:40:40 AM Page 7. 136 Where Rompel's Afrikaner compatriots wanted sound cinema for both commercial and language-ideological purposes ...
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model. The article discusses the potential of the
ReaGilè concept to offer solutions to the twin crises of 1) representation stemming from existing film distribution networks that limit micro-budget filmmakers, and 2) of government departments and local municipalities’ tendency
towards dividing practices that objectivise the subject through frustrating development via delays, paperwork, never-ending meetings, fees, endless formalities and legalities, and red
tape. The authors posit that ReaGilè has the potential to creatively disrupt and redesign formal distribution models and to fracture the narrow modernisation paradigm they deploy, replacing them with a responsive communication re/ordering and flexible distribution that restore subjectivity to the disenfranchised South African subject (the filmmaker and audience from the township).
model. The article discusses the potential of the
ReaGilè concept to offer solutions to the twin crises of 1) representation stemming from existing film distribution networks that limit micro-budget filmmakers, and 2) of government departments and local municipalities’ tendency
towards dividing practices that objectivise the subject through frustrating development via delays, paperwork, never-ending meetings, fees, endless formalities and legalities, and red
tape. The authors posit that ReaGilè has the potential to creatively disrupt and redesign formal distribution models and to fracture the narrow modernisation paradigm they deploy, replacing them with a responsive communication re/ordering and flexible distribution that restore subjectivity to the disenfranchised South African subject (the filmmaker and audience from the township).