Lilian R McCarthy
Trinity College Dublin, Comparative Literature, Graduate Student
- Smith College, Comparative Literature, Undergraduateadd
- Visual Arts, Philosophy, Education, Troubadour Studies, Medieval French Literature, Troubadour and Trouvère Song, and 52 moreMedieval Occitan Literature, Filologia romanza, Romance philology, Medieval Literature, History of the Troubadours, Manuscripts (Medieval Studies), Troubadours, Literary Theory, Queer Theory, Translation, Literary translation, Renaissance Humanism, French Literature, Letteratura italiana moderna e contemporanea, Italian Literature, 20th Century Literature, 20th Century Philosophy, Culture and the Anthropocene, Anthropocene studies, Literature and anthropocene, Bruno Latour, Rosi Braidotti, Donna Haraway, Postcolonial Studies, Mythology And Folklore, Ursula K. Le Guin, Antiracism, Jean Paul Sartre, Gilles Deleuze, Amitav Ghosh, Karen Barad, New Materialism, Medieval Philosophy, Dante Studies, Italian Studies, Gender Studies, Cultural Studies, Environmental Sustainability, Philosophy of Science, Comparative Literature, Renaissance literature, Capitalism, Genre Theory, Gothic Literature, English Romanticism, Gothic Fiction, Modernist Literature (Literary Modernism), Languages and Linguistics, Media Studies, Critical Animal Studies, Animals and Animality, and Feminismedit
- Incoming PhD student (Italian Studies) at Trinity College Dublin in the School of Languages, Literatures, and Cultural Studiesedit
- Igor Candidoedit
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BIEIRIS DE ROMANS et la diversification des voix féminines au Moyen-Âge Dame Marie, prix et fine valeur, Joie et bon sens et beauté raffinée, Votre charmant accueil qui fait honneur, Votre langage et votre compagnie Votre visage et vos... more
BIEIRIS DE ROMANS et la diversification des voix féminines au Moyen-Âge Dame Marie, prix et fine valeur, Joie et bon sens et beauté raffinée, Votre charmant accueil qui fait honneur, Votre langage et votre compagnie Votre visage et vos mines joyeuses, votre regard et toutes qualités Qu'on voit en vous et n'ont pas leurs pareils Me font pencher vers vous mon coeur sans feinte. Je vous prie donc afin que Fin' Amour Et allégresse et tendre humilité Puissent m'être envers vous d'un tel secours Pour que vous me donniez, s'il vous agrée, Ce dont j'espère avoir le plus de joie, Car en vous est mon coeur et mon désir Et c'est de vous que je tire ma joie, Et c'est pour vous que souvent je soupire. Car beauté et mérite vous élèvent Sur toutes et pas une ne vous vainc : Je vous prie donc-et c'est là votre honneur Pour que vous n'aimez pas un coeur perfide.
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Though perhaps not as well known for its environmental reflections as the Romantic period, much of Victorian literature features multifaceted philosophical approaches to nature and mankind, a relationship which is best explored through... more
Though perhaps not as well known for its environmental reflections as the Romantic period, much of Victorian literature features multifaceted philosophical approaches to nature and mankind, a relationship which is best explored through the lens of the gothic. Two of the most well-known gothic Victorian texts are Jane Eyre (1847) by Charlotte Brontë and Dracula (1897) by Bram Stoker. Both stories are ripe for analysis in their gothic presentations of a subset of the natural world-vertical landscapes-and how the main characters' contact with these scenes influences their interior life. However, though Jane Eyre and Dracula are both Victorian Gothic texts, they feature substantial differences; Jane Eyre leans more towards Romantic tradition in Brontë's crafting of Jane's relationship with vertical nature by depicting Jane's experiences in vertical landscapes as moments of selfdiscovery and safety. By contrast, Dracula, fifty years farther away from the Romantics than Jane Eyre, inverts the Romantic approach to nature and turns vertical landscapes from places of generative introspection to sites of deep horror in a typically gothic fashion.