Ben Dibley and Michelle Kelly, ‘Governing the Affective Atmosphere: Morale and Mass Observation’, Museum and Society, 13:1, 22-41., 2015
This paper focuses on Mass Observation (MO)’s morale work, commissioned by the British Government... more This paper focuses on Mass Observation (MO)’s morale work, commissioned by the British Government over the period 1939–41. It examines the ways in which MO’s earlier collecting practices were recomposed through its research into civilian morale, and linked up with national centres of calculation, in particular the Ministry of Information (MoI). We explore the associations through which civilian morale was established, simultaneously, as an autonomous object of knowledge and as a particular field of intervention. As an object of knowledge, morale posited the existence of a dynamic affective ‘atmosphere’ associated with collective everyday life, which could be calibrated through various social scientific methods. As a particular field of intervention, technicians of morale postulated that this atmosphere might be regulated through various policy instruments. This paper traces the ways in which MO practices were implicated along these two axes in the emergence of civilian morale as a domain warranting the state’s ‘constant attention and supervision’.
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We consider the critical reception of Kath Walker’s We Are Going (1964) and Colin Johnson’s Wild Cat Falling (1965), in particular how the values and conventions of literary reading failed to furnish conditions in which Aboriginal literature might be framed in terms of creativity. In the governmental domain, the AAB was committed to an agenda which endorsed traditionalism and – like other federal agencies at the time – sought to protect imperilled Indigenous cultural practices in the face of assimilation policy. This traditionalism was strongly associated with ‘tribal’ areas, which presented a challenge for the Board’s support of ‘urban’ Aboriginal arts. Literature was uniquely positioned, as an artform which might be figured with reference to ‘traditional’ and ‘non-traditional’ Aboriginal culture. The AAB’s literary activities, in the ten years preceding the 1983 paper, showed that while the Board was supportive of ‘creative’ work by individuals, it was also re-configuring literary models of authorship in service of its objectives to enhance communication within Indigenous communities, and between Indigenous and non-Indigenous Australia.
The library is an institution and a work: it has developed functions and processes which constitute aspects of textual experience. For readers, students, and researchers, objects and practices such as library patronage, library books, and library classification are often familiar. They are also unique: there is no other textual site or institution which produces them in the way the library does. Brought into being by the work of the library, these objects and practices are also wrought forms available to abstraction and interpretation. Prevalent and regularised, the forms are consequential for the activities of reading and writing, producing singular textual phenomena.
Library patronage facilitates, administers, and orchestrates the reading experience. The library is often associated with textual complexity and heterogeneity, and is regularly represented as having a tendency to overwhelm its users. Patronage’s experience, however, need not be as passive as this. Richard Brautigan’s 'The Abortion: An Historical Romance 1966' and Mark Swartz’s 'Instant Karma' are unusual representations of library patronage which show it to be involved in a textual phenomenology of its own right. These two novels indicate how patronage opens up a critical space of reflection for reading. Involved in a cycle of borrowing, patronage in fact gestures towards the interminable in textual experience, its weave in life.
The character of O in Pauline Réage’s 'Story of O' is a model of circulation: inducted into an institution which sees her shared between its members, she is tagged, processed, circulated, and always returned. I take O as an allegory in order to undertake a descriptive phenomenology of the circulating library book. The library book can be differentiated from others: books which are privately owned, for instance, or books which have been found, given, or borrowed from friends. I describe critical aspects of the ontology of library books, such as the transformative process they undergo at the behest of the institution. The most significant of these aspects, however, is the way that library books can be understood to be oriented towards strangers, and as a consequence incarnate significantly defamiliarised elements within the reading experience.
Classification is explored in relation to library holdings of fiction. Using Carlos María Domínguez’s novella 'The Paper House' and Jorge Luis Borges’s short story 'The Library of Babel,' as well as work from anthropology and library science on classification, the tensions between these two kinds of practice are investigated. Not only are there substantial difficulties involved in successfully deploying fiction arrangement practices in libraries, there seems to be a cardinal difference between fiction and classification as regards their mode of emphasis. Classification often prefers and prioritises subject – and yet librarians consistently report it is the concept of “subject” which proves most recalcitrant for the organisation of fictional material. Fiction seems to work within a model of exemplarity, and this distinction is significantly consequential. Classification’s expression is a kind of language that operates in a way which is not congruent with fictional expression, and thus classification proves resistant to reading as it is theorised in literary studies.
Intervention is the theme which unites all of these encounters. Ian Hacking holds intervention to be akin to experimentation in scientific practice, and he proposes that one of intervention’s functions is the creation of phenomena. The involvement of the library in producing particular kinds of textual phenomena is considerably under-researched. At each of these locations – patronage, library books, and classification – intervention is a tool with which the library’s role in textual experience can be conceived and reconfigured. In Hacking’s work, intervention is also related to experiment. In the final chapter I conceive of interpretative practice around fiction as a kind of experiment: an activity which requires a stable context, like a laboratory or a library, to proceed.
Full citation: Kelly, Michelle (2014) ‘Classifying fictions: Libraries and information sciences and the practice of complete reading’, in ‘Libraries, Literatures, and Archives’, ed. Sas Mays, New York and London: Routledge, pp. 130-49.
Series: Routledge Studies in Library and Information Science
ISBN 780415843874
Fiction
We consider the critical reception of Kath Walker’s We Are Going (1964) and Colin Johnson’s Wild Cat Falling (1965), in particular how the values and conventions of literary reading failed to furnish conditions in which Aboriginal literature might be framed in terms of creativity. In the governmental domain, the AAB was committed to an agenda which endorsed traditionalism and – like other federal agencies at the time – sought to protect imperilled Indigenous cultural practices in the face of assimilation policy. This traditionalism was strongly associated with ‘tribal’ areas, which presented a challenge for the Board’s support of ‘urban’ Aboriginal arts. Literature was uniquely positioned, as an artform which might be figured with reference to ‘traditional’ and ‘non-traditional’ Aboriginal culture. The AAB’s literary activities, in the ten years preceding the 1983 paper, showed that while the Board was supportive of ‘creative’ work by individuals, it was also re-configuring literary models of authorship in service of its objectives to enhance communication within Indigenous communities, and between Indigenous and non-Indigenous Australia.
The library is an institution and a work: it has developed functions and processes which constitute aspects of textual experience. For readers, students, and researchers, objects and practices such as library patronage, library books, and library classification are often familiar. They are also unique: there is no other textual site or institution which produces them in the way the library does. Brought into being by the work of the library, these objects and practices are also wrought forms available to abstraction and interpretation. Prevalent and regularised, the forms are consequential for the activities of reading and writing, producing singular textual phenomena.
Library patronage facilitates, administers, and orchestrates the reading experience. The library is often associated with textual complexity and heterogeneity, and is regularly represented as having a tendency to overwhelm its users. Patronage’s experience, however, need not be as passive as this. Richard Brautigan’s 'The Abortion: An Historical Romance 1966' and Mark Swartz’s 'Instant Karma' are unusual representations of library patronage which show it to be involved in a textual phenomenology of its own right. These two novels indicate how patronage opens up a critical space of reflection for reading. Involved in a cycle of borrowing, patronage in fact gestures towards the interminable in textual experience, its weave in life.
The character of O in Pauline Réage’s 'Story of O' is a model of circulation: inducted into an institution which sees her shared between its members, she is tagged, processed, circulated, and always returned. I take O as an allegory in order to undertake a descriptive phenomenology of the circulating library book. The library book can be differentiated from others: books which are privately owned, for instance, or books which have been found, given, or borrowed from friends. I describe critical aspects of the ontology of library books, such as the transformative process they undergo at the behest of the institution. The most significant of these aspects, however, is the way that library books can be understood to be oriented towards strangers, and as a consequence incarnate significantly defamiliarised elements within the reading experience.
Classification is explored in relation to library holdings of fiction. Using Carlos María Domínguez’s novella 'The Paper House' and Jorge Luis Borges’s short story 'The Library of Babel,' as well as work from anthropology and library science on classification, the tensions between these two kinds of practice are investigated. Not only are there substantial difficulties involved in successfully deploying fiction arrangement practices in libraries, there seems to be a cardinal difference between fiction and classification as regards their mode of emphasis. Classification often prefers and prioritises subject – and yet librarians consistently report it is the concept of “subject” which proves most recalcitrant for the organisation of fictional material. Fiction seems to work within a model of exemplarity, and this distinction is significantly consequential. Classification’s expression is a kind of language that operates in a way which is not congruent with fictional expression, and thus classification proves resistant to reading as it is theorised in literary studies.
Intervention is the theme which unites all of these encounters. Ian Hacking holds intervention to be akin to experimentation in scientific practice, and he proposes that one of intervention’s functions is the creation of phenomena. The involvement of the library in producing particular kinds of textual phenomena is considerably under-researched. At each of these locations – patronage, library books, and classification – intervention is a tool with which the library’s role in textual experience can be conceived and reconfigured. In Hacking’s work, intervention is also related to experiment. In the final chapter I conceive of interpretative practice around fiction as a kind of experiment: an activity which requires a stable context, like a laboratory or a library, to proceed.
Full citation: Kelly, Michelle (2014) ‘Classifying fictions: Libraries and information sciences and the practice of complete reading’, in ‘Libraries, Literatures, and Archives’, ed. Sas Mays, New York and London: Routledge, pp. 130-49.
Series: Routledge Studies in Library and Information Science
ISBN 780415843874