Tourism Guidance

‫دينار‬ ‫عباسى‬ ‫نادر‬ ‫ضرب‬ ‫مصر‬ ‫سنة‬ 412 ‫ه‬ ‫ــ‬ ‫باسم‬ ‫أبو‬ ‫إسحق‬ ‫محمد‬ ‫بن‬ ‫هارون‬ ‫الرشيد‬ ‫ودالالته‬ ‫السياسية‬ ‫حسٍ‬ ‫حساو‬ / ‫د‬ ‫ػثذانفضيم‬ ‫حًيذج‬ ‫انسياحي‬ ‫اإلرشاد‬ ‫تقسى‬ ‫يذرص‬-‫ٔانفُادق‬ ‫انسياحح‬ ‫كهيح‬-‫يذيُح‬ ‫جايؼح‬ ‫انساداخ‬ hossam.hassan@fth.usc.edu.eg. ‫انثحث‬ ‫يهخض‬ : ‫إٍؾك‬ ‫أثٛ‬ ‫ثبهلل‬ ‫اٌّؼزُٖ‬ (812-882 ‫٘ـ/‬ 288-288 َ) ‫اٌلٌٚخ‬ ‫فٍفبء‬ ‫أُ٘‬ ِٓ ٛ٘ ‫وبْ‬ ‫ثأٔٗ‬ ‫اٌّؤهفْٛ‬ ‫ٕٚفٗ‬ ‫ثً‬ , ‫اٌؼجبٍ١خ‬ ‫٠ىٓ‬ ٌُ ‫أٔٗ‬ ‫ل١ً‬ ‫ؽ١ش‬ ‫اٌؼجبً‬ ‫ثٕٝ‬ ِٓ ‫اٌؼظبَ‬ ‫اٌقٍفبء‬ ‫آفو‬ ‫لجٍٗ‬ ِٓ ‫اٌؼجبً‬ ‫ثٕٝ‬ ‫فٟ‬ ‫أ‬ ‫ٚال‬ ِٕٗ ‫ّغغ‬ ‫أ‬ ‫ٚال‬ ِٕٗ ‫ٌٍؾوة‬ ‫ر١مظب‬ ‫ّل‬ ‫أ‬ ‫ػٕل‬ ‫ِٕيٌزٗ‬ ٌٗ ‫فىبٔذ‬ ‫لٛح,‬ ‫ّل‬ ‫ٚاٌقبٕخ‬ ‫اٌؼبِخ‬ ‫ثبٌلهاٍخ‬ ‫ٔؼوٗ‬ ‫ٍٛف‬ ‫اٌجؾش‬ ‫٘نا‬ ‫ٚفٝ‬. ‫ٚاٌزؾٍ١ٍ١خ‬ ‫إٌٛف١خ‬ ‫ٌل٠ٕبه‬ ‫رنوبهٞ‬ ‫ٔبكه‬ ‫ثبٍُ‬ (‫٘بهْٚ‬ ‫ثٓ‬ ‫ِؾّل‬ ‫أٍؾك‬ ‫أثٛ‬ ‫اٌوّ١ل‬) ‫ٚ٠ٖجؼ‬ ‫اٌقالفخ‬ ‫٠زٌٛٝ‬ ‫أْ‬ ‫لجً‬ ‫ثبهلل‬ ‫(اٌّؼزُٖ‬ ‫ٍٕخ‬ ‫الؽمب‬ 812 ‫٘ـ)‬ (‫ٍٕخ‬ ‫ٙوثٗ‬ ‫رُ‬ ‫اٌل٠ٕبه‬ ‫٘نا‬. 812 ‫اٌّؼزُٖ‬ ‫أثٛإٍؾك‬ ‫وبْ‬ ‫ػٕلِب‬ ‫ثّٖو‬ ‫٘ــ)‬ ‫اٌضٛهاد‬ ‫أؽل‬ ‫ػٍٝ‬ ‫ٌ١مٚٝ‬ ‫اٌّأِْٛ‬ ‫اٌقٍ١فخ‬ ‫أفٖٛ‬ ‫ٚأهٍٍٗ‬ ‫ِٖو‬ ‫ػٍٝ‬ ‫فقو٠ب‬ ‫ٚاٌ١ب‬ ‫اٌزٟ‬ ‫ثٙب‬ ‫لبِذ‬ ‫لجبئً‬ ‫ٚاٌ١ّبٔ١خ‬ ‫اٌم١َ١خ‬ ‫اٌ‬ ‫اٌقالفخ‬ ‫ػٍٝ‬ ‫إٕلاه‬ ‫ٚرُ‬ ‫ػٍ١ٙب‬ ‫اٌمٚبء‬ ‫إٍؾك‬ ‫أثٛ‬ ‫ٚاٍزطبع‬ ‫ثّٖو‬ ‫ؼجبٍ١خ‬ ‫اٌل٠ٕبه‬ ‫٘نا‬ ‫ٍٚغً‬ ‫ثبهلل‬ ‫اٌّؼزُٖ‬ ‫ػٍ١ٗ‬ ً ‫ٚرقٍ١لا‬ ‫ٌّٖو,‬ ‫اٌفقوٞ‬ ‫اٌٛاٌٟ‬ ‫ثبػزجبهٖ‬ ‫اٍؾك"‬ ‫"أثٛ‬ ‫وٕ١زٗ‬ ‫اٌؼبَ‬ ‫٘نا‬ ‫فٟ‬ ‫ٌّٖو‬ ‫ٌي٠بهرٗ‬. ‫يقذي‬ ‫ـــ‬ ‫ح:‬ ‫رؼل‬ ‫اٌزبه٠ـ‬ ‫ِٖبكه‬ ‫أُ٘‬ ِٓ ‫اإلٍالِ١خ‬ ‫إٌمٛك‬ ‫اإلٍالِٟ‬ , ‫ٚصبئك‬ ‫رؼل‬ ‫أٔٙب‬ ‫ؽ١ش‬ ٌ١ٌ ‫٘بِخ‬ ‫ف١ٙب‬ ‫اٌْه‬ ‫أٚ‬ ‫اٌطؼٓ‬ ‫اًٌَٙ‬ ِٓ 1. ‫اٌؾ١بح‬ ‫ِظب٘و‬ ‫ػٓ‬ ‫اٌزؼج١و‬ ‫فٟ‬ ‫٘بِب‬ ‫كٚها‬ ‫إٌمٛك‬ ‫ٌؼجذ‬ ‫ٚلل‬ ‫االعزّبػ١خ‬ ‫فٟ‬ ‫ؽ١ش‬ ‫اإلٍالِٟ‬ ‫اٌؼٖو‬ ‫فٟ‬ ‫اإلػالَ‬ ‫ٍٚبئً‬ ‫اُ٘‬ ‫اؽل‬ ‫ثبػزجبه٘ب‬ ‫اإلٍالِٟ‬ ‫اٌؼٖو‬ ‫اٌز‬ ‫اٌٙبِخ‬ ‫ٚإٌّبٍجبد‬ ‫ا٤ؽلاس‬ ِٓ ‫ٌٍؼل٠ل‬ ‫رقٍ١ل‬ ‫إٌمٛك‬ ‫رَه‬ ‫وبٔذ‬ ‫رأٍ١ٌ‬ ‫ِضً‬ ‫اٌجالك:‬ ‫رْٙل٘ب‬ ٟ ‫اٌؼٙل,‬ ‫ثٛال٠خ‬ ‫اٌّجب٠ؼخ‬ , ‫ٌٍؼوُ‬ ‫اٌؾىبَ‬ ‫اػزالء‬ ‫ىٚاٌٙب,‬ ‫أٚ‬ ‫اٌجالك‬ ‫اٌل٠ٕ١خ‬ ‫ٚاالؽزفبالد‬ ‫إٌّبٍجبد‬ ‫هِٚبْ,‬ ‫ثملَٚ‬ ‫االؽزفبي‬ ‫ِضً‬ ‫اٌَ١ئخ‬ ‫إٌّبٍجبد‬ ‫ٚونٌه‬ ‫اٌؼَىو٠خ‬ ‫االٔزٖبهاد‬ ‫اٌضٛهاد‬ ‫ِضً‬ ٚ ‫ثب‬ ‫إٌمٛك‬ ‫٘نٖ‬ ‫ػوفذ‬ ‫ٚلل‬ ‫اٌجالك,‬ ‫رْٙل٘ب‬ ‫اٌزٟ‬ ‫االٙطواثبد‬ ‫اٌزنوبه٠خ.‬ ‫إٌمٛك‬ ٍُ ‫إٌمٛك‬ ‫ٚوبٔذ‬ ‫ٚاٌيفبهف‬ ‫ٚاٌىزبثبد‬ ‫اٌؼبَ‬ ‫اٌْىً‬ ‫ؽ١ش‬ ِٓ ‫ٚمٌه‬ ‫ٌٍزلاٚي‬ ‫اٌّقٖٖخ‬ ‫إٌمٛك‬ ‫ػٓ‬ ‫رقزٍف‬ ‫اٌزنوبه٠خ‬ ‫إٌّبٍجخ‬ ‫إٔؾبة‬ ‫اٌٛالح‬ ‫أٚ‬ ‫اٌؾىبَ‬ ‫أٍّبء‬ ‫رؾًّ‬ ‫ٚوبٔذ‬ ‫ٚاٌمطو,‬ ‫ٚاٌٛىْ‬ ‫رىٓ‬ ٌُ ‫اٌزنوبه٠خ‬ ‫ٚإٌمٛك‬ , ‫ٚإٔؼبِبد‬ ‫وٙلا٠ب‬ ‫رٛى٠ؼٙب‬ ‫ٌٚىٓ‬ ‫ٌٍزلاٚي‬ ‫ِقٖٖخ‬ ٌ ‫٠ؼوف‬ ‫ثّب‬ ‫إٌمٛك‬ ِٓ ‫إٌٛع‬ ‫٘نا‬ ‫ػوف‬ ‫نٌه‬ ‫اٌٍٖخ‬ ‫ثٕمٛك‬ ‫اٌلٌٚخ‬ ‫هعبي‬ ‫ٚوجبه‬ ‫ٚاٌمٛاك‬ ‫ٚا٤ِواء‬ ‫ا٤لبهة‬ ‫ػٍٝ‬ ‫وٙلا٠ب‬ ‫رٛىع‬ ‫وبٔذ‬ ‫٤ٔٙب‬ 8 ‫ٚػٍٝ‬ , ‫ثً‬ ‫رلاٌٚٙب‬ ِٓ ‫٠ّٕغ‬ ‫ِب‬ ‫ٕ٘بن‬ ‫٠ىٓ‬ ٌُ ‫أٔٗ‬ ‫إال‬ ‫ٌٍزلاٚي‬ ‫ِقٖٖخ‬ ‫رىٓ‬ ٌُ ‫اٌزنوبه٠خ‬ ‫إٌمٛك‬ ‫أْ‬ ِٓ ‫اٌوغُ‬ 1 ‫هأفذ‬ ‫اٌٙغوٞ,‬ ‫اٌزبٍغ‬ ‫اٌموْ‬ ‫ٔٙب٠خ‬ ‫ؽزٝ‬ ‫اٌٙغوٞ‬ ‫اٌَبكً‬ ‫اٌموْ‬ ‫ثلا٠خ‬ ‫ِٕن‬ ‫اإلٍالِ١خ‬ ‫إٌمٛك‬ ‫إٌجواٚٞ,‬ ‫ِؾّل‬ ‫اٌمب٘وح,‬ ‫اٌْوق,‬ ‫ى٘واء‬ ‫ِىزجخ‬ 8222 ٓ , 5. 2

The buildings of Mallawy City at the first half of the 02 th Century comprise a lot of different styles of architecture that appeared in Egypt at this period. In this period Egypt has received a lot of architectural styles like Italian, French, English and Greek style which spread in architecture of Egypt. The City of Mallawy has a large number of historical palaces that contain many beautiful and fantastic architectural and decorative elements. These palaces have been established by high class families, big landowners, merchants and senior officials. The researcher will study in this paper with description and analysis of Architectural styles to some historical buildings which are designed in various styles, as well as the architectural and artistic elements that appeared in these buildings during the first half of 02 th century. At the first the researcher talks briefly about the City of Mallawy, then he speaks also briefly about the architectural and artistic styles of Mallawy in the first half of Twentieth Century and shows the styles which Mallawy , s palaces were built on. The researcher also talked in this paper about the present status of Mallawy , s palaces and increased his study with some suggestions to develop these buildings and to reserve its artistic value. Then he concluded this paper by the results of the study.