[go: up one dir, main page]

Winkler, 1998 - Google Patents

Composing interactive music

Winkler, 1998

View HTML
Document ID
7005420710608155774
Author
Winkler T
Publication year
Publication venue
Techniques and ideas using Max

External Links

Snippet

about the technical and aesthetic possibilities of interactive music; a music composition or improvisation where software interprets a live performance to affect music generated or modified by computers. It describes musical concepts and programming techniques, and …
Continue reading at vbook.pub (HTML) (other versions)

Classifications

    • G—PHYSICS
    • G10—MUSICAL INSTRUMENTS; ACOUSTICS
    • G10H—ELECTROPHONIC MUSICAL INSTRUMENTS
    • G10H1/00—Details of electrophonic musical instruments
    • G10H1/0033—Recording/reproducing or transmission of music for electrophonic musical instruments
    • G10H1/0041—Recording/reproducing or transmission of music for electrophonic musical instruments in coded form
    • G10H1/0058—Transmission between separate instruments or between individual components of a musical system
    • G—PHYSICS
    • G10—MUSICAL INSTRUMENTS; ACOUSTICS
    • G10H—ELECTROPHONIC MUSICAL INSTRUMENTS
    • G10H1/00—Details of electrophonic musical instruments
    • G10H1/0008—Associated control or indicating means
    • G—PHYSICS
    • G10—MUSICAL INSTRUMENTS; ACOUSTICS
    • G10H—ELECTROPHONIC MUSICAL INSTRUMENTS
    • G10H2210/00—Aspects or methods of musical processing having intrinsic musical character, i.e. involving musical theory or musical parameters or relying on musical knowledge, as applied in electrophonic musical tools or instruments
    • G10H2210/101—Music Composition or musical creation; Tools or processes therefor
    • G10H2210/151—Music Composition or musical creation; Tools or processes therefor using templates, i.e. incomplete musical sections, as a basis for composing
    • G—PHYSICS
    • G10—MUSICAL INSTRUMENTS; ACOUSTICS
    • G10H—ELECTROPHONIC MUSICAL INSTRUMENTS
    • G10H1/00—Details of electrophonic musical instruments
    • G10H1/36—Accompaniment arrangements
    • G10H1/40—Rhythm
    • G—PHYSICS
    • G10—MUSICAL INSTRUMENTS; ACOUSTICS
    • G10H—ELECTROPHONIC MUSICAL INSTRUMENTS
    • G10H2240/00—Data organisation or data communication aspects, specifically adapted for electrophonic musical tools or instruments
    • G10H2240/171—Transmission of musical instrument data, control or status information; Transmission, remote access or control of music data for electrophonic musical instruments
    • G10H2240/281—Protocol or standard connector for transmission of analog or digital data to or from an electrophonic musical instrument
    • G10H2240/295—Packet switched network, e.g. token ring
    • G10H2240/305—Internet or TCP/IP protocol use for any electrophonic musical instrument data or musical parameter transmission purposes
    • G—PHYSICS
    • G10—MUSICAL INSTRUMENTS; ACOUSTICS
    • G10H—ELECTROPHONIC MUSICAL INSTRUMENTS
    • G10H2210/00—Aspects or methods of musical processing having intrinsic musical character, i.e. involving musical theory or musical parameters or relying on musical knowledge, as applied in electrophonic musical tools or instruments
    • G10H2210/031—Musical analysis, i.e. isolation, extraction or identification of musical elements or musical parameters from a raw acoustic signal or from an encoded audio signal
    • G—PHYSICS
    • G10—MUSICAL INSTRUMENTS; ACOUSTICS
    • G10H—ELECTROPHONIC MUSICAL INSTRUMENTS
    • G10H2240/00—Data organisation or data communication aspects, specifically adapted for electrophonic musical tools or instruments
    • G10H2240/075—Musical metadata derived from musical analysis or for use in electrophonic musical instruments
    • G—PHYSICS
    • G10—MUSICAL INSTRUMENTS; ACOUSTICS
    • G10H—ELECTROPHONIC MUSICAL INSTRUMENTS
    • G10H2240/00—Data organisation or data communication aspects, specifically adapted for electrophonic musical tools or instruments
    • G10H2240/171—Transmission of musical instrument data, control or status information; Transmission, remote access or control of music data for electrophonic musical instruments
    • G10H2240/201—Physical layer or hardware aspects of transmission to or from an electrophonic musical instrument, e.g. voltage levels, bit streams, code words or symbols over a physical link connecting network nodes or instruments
    • G—PHYSICS
    • G10—MUSICAL INSTRUMENTS; ACOUSTICS
    • G10H—ELECTROPHONIC MUSICAL INSTRUMENTS
    • G10H7/00—Instruments in which the tones are synthesised from a data store, e.g. computer organs
    • G10H7/08—Instruments in which the tones are synthesised from a data store, e.g. computer organs by calculating functions or polynomial approximations to evaluate amplitudes at successive sample points of a tone waveform
    • G10H7/10—Instruments in which the tones are synthesised from a data store, e.g. computer organs by calculating functions or polynomial approximations to evaluate amplitudes at successive sample points of a tone waveform using coefficients or parameters stored in a memory, e.g. Fourier coefficients
    • G—PHYSICS
    • G10—MUSICAL INSTRUMENTS; ACOUSTICS
    • G10H—ELECTROPHONIC MUSICAL INSTRUMENTS
    • G10H2250/00—Aspects of algorithms or signal processing methods without intrinsic musical character, yet specifically adapted for or used in electrophonic musical processing
    • G10H2250/471—General musical sound synthesis principles, i.e. sound category-independent synthesis methods
    • G—PHYSICS
    • G10—MUSICAL INSTRUMENTS; ACOUSTICS
    • G10H—ELECTROPHONIC MUSICAL INSTRUMENTS
    • G10H2250/00—Aspects of algorithms or signal processing methods without intrinsic musical character, yet specifically adapted for or used in electrophonic musical processing
    • G10H2250/025—Envelope processing of music signals in, e.g. time domain, transform domain or cepstrum domain
    • G—PHYSICS
    • G10—MUSICAL INSTRUMENTS; ACOUSTICS
    • G10H—ELECTROPHONIC MUSICAL INSTRUMENTS
    • G10H5/00—Instruments in which the tones are generated by means of electronic generators
    • G—PHYSICS
    • G10—MUSICAL INSTRUMENTS; ACOUSTICS
    • G10H—ELECTROPHONIC MUSICAL INSTRUMENTS
    • G10H2220/00—Input/output interfacing specifically adapted for electrophonic musical tools or instruments
    • G—PHYSICS
    • G10—MUSICAL INSTRUMENTS; ACOUSTICS
    • G10H—ELECTROPHONIC MUSICAL INSTRUMENTS
    • G10H2230/00—General physical, ergonomic or hardware implementation of electrophonic musical tools or instruments, e.g. shape or architecture
    • G10H2230/045—Special instrument [spint], i.e. mimicking the ergonomy, shape, sound or other characteristic of a specific acoustic musical instrument category

Similar Documents

Publication Publication Date Title
Winkler Composing interactive music
Winkler Composing interactive music: techniques and ideas using Max
Dean The Oxford handbook of computer music
US10854180B2 (en) Method of and system for controlling the qualities of musical energy embodied in and expressed by digital music to be automatically composed and generated by an automated music composition and generation engine
Boulanger The Csound book: perspectives in software synthesis, sound design, signal processing, and programming
Wessel et al. Problems and prospects for intimate musical control of computers
Dean Hyperimprovisation: computer-interactive sound improvisation
Burns The history and development of algorithms in music composition, 1957-1993
Ilsar The AirSticks: a new instrument for live electronic percussion within an ensemble
De Poli Sound models for synthesis: a structural viewpoint
Menzies New performance instruments for electroacoustic music
Nakra Constructing music: Musical explorations in creative coding
McGlynn Interaction design for digital musical instruments
Brümmer Using a digital synthesis language in composition
Polfreman Modalys-ER for OpenMusic (MfOM): virtual instruments and virtual musicians
Page Virtual Materiality: Simulated Mediation in the Eurorack Synthesizer Format
Crystal Exploration of Sonic Interaction Design in Virtual Space
Gutierrez Martinez Instrumentalizing Imagination: The Interdependence of Technique and Imagination in the Compositional Process
Martínez Instrumentalizing Imagination: The Interdependence of Technique and Imagination in the Compositional Process
Olney Computational Thinking through Modular Sound Synthesis
Murphy Methodology for the production and delivery of generative music for the personal listener: systems for realtime generative music production
Erspamer AI-assisted composition: A unified development framework for rule-informed music composition
García Computer Science Department
Wetzel Analysis, reconstruction, and performance of interactive electroacoustic works for clarinet and obsolete technology: Selected works by Musgrave, Pennycook, Kramer, and Lippe
Nikolopoulos A collection of musical works composed by the use of computer music applications and technology