Zhou et al., 2009 - Google Patents
Research Article A Computationally Efficient Method for Polyphonic Pitch EstimationZhou et al., 2009
View PDF- Document ID
- 4845234392175368550
- Author
- Zhou R
- Reiss J
- Mattavelli M
- Zoia G
- Publication year
External Links
Snippet
Polyphonic pitch estimation plays an important role in music signal analysis. It can be essentially used for the detection of musically relevant features such as melody and harmony [1]. In the case of content-based music retrieval, the “automatic” extraction of …
- 238000001228 spectrum 0 abstract description 69
Classifications
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10H—ELECTROPHONIC MUSICAL INSTRUMENTS
- G10H2210/00—Aspects or methods of musical processing having intrinsic musical character, i.e. involving musical theory or musical parameters or relying on musical knowledge, as applied in electrophonic musical tools or instruments
- G10H2210/031—Musical analysis, i.e. isolation, extraction or identification of musical elements or musical parameters from a raw acoustic signal or from an encoded audio signal
- G10H2210/066—Musical analysis, i.e. isolation, extraction or identification of musical elements or musical parameters from a raw acoustic signal or from an encoded audio signal for pitch analysis as part of wider processing for musical purposes, e.g. transcription, musical performance evaluation; Pitch recognition, e.g. in polyphonic sounds; Estimation or use of missing fundamental
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10H—ELECTROPHONIC MUSICAL INSTRUMENTS
- G10H1/00—Details of electrophonic musical instruments
- G10H1/0033—Recording/reproducing or transmission of music for electrophonic musical instruments
- G10H1/0041—Recording/reproducing or transmission of music for electrophonic musical instruments in coded form
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10H—ELECTROPHONIC MUSICAL INSTRUMENTS
- G10H2250/00—Aspects of algorithms or signal processing methods without intrinsic musical character, yet specifically adapted for or used in electrophonic musical processing
- G10H2250/131—Mathematical functions for musical analysis, processing, synthesis or composition
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10H—ELECTROPHONIC MUSICAL INSTRUMENTS
- G10H2240/00—Data organisation or data communication aspects, specifically adapted for electrophonic musical tools or instruments
- G10H2240/121—Musical libraries, i.e. musical databases indexed by musical parameters, wavetables, indexing schemes using musical parameters, musical rule bases or knowledge bases, e.g. for automatic composing methods
- G10H2240/131—Library retrieval, i.e. searching a database or selecting a specific musical piece, segment, pattern, rule or parameter set
- G10H2240/141—Library retrieval matching, i.e. any of the steps of matching an inputted segment or phrase with musical database contents, e.g. query by humming, singing or playing; the steps may include, e.g. musical analysis of the input, musical feature extraction, query formulation, or details of the retrieval process
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10H—ELECTROPHONIC MUSICAL INSTRUMENTS
- G10H1/00—Details of electrophonic musical instruments
- G10H1/0008—Associated control or indicating means
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10L—SPEECH ANALYSIS OR SYNTHESIS; SPEECH RECOGNITION; SPEECH OR VOICE PROCESSING; SPEECH OR AUDIO CODING OR DECODING
- G10L25/00—Speech or voice analysis techniques not restricted to a single one of groups G10L15/00-G10L21/00
- G10L25/90—Pitch determination of speech signals
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10H—ELECTROPHONIC MUSICAL INSTRUMENTS
- G10H1/00—Details of electrophonic musical instruments
- G10H1/36—Accompaniment arrangements
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10L—SPEECH ANALYSIS OR SYNTHESIS; SPEECH RECOGNITION; SPEECH OR VOICE PROCESSING; SPEECH OR AUDIO CODING OR DECODING
- G10L19/00—Speech or audio signal analysis-synthesis techniques for redundancy reduction, e.g. in vocoders; Coding or decoding of speech or audio signal, using source filter models or psychoacoustic analysis
- G10L19/04—Speech or audio signal analysis-synthesis techniques for redundancy reduction, e.g. in vocoders; Coding or decoding of speech or audio signal, using source filter models or psychoacoustic analysis using predictive techniques
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10L—SPEECH ANALYSIS OR SYNTHESIS; SPEECH RECOGNITION; SPEECH OR VOICE PROCESSING; SPEECH OR AUDIO CODING OR DECODING
- G10L21/00—Processing of the speech or voice signal to produce another audible or non-audible signal, e.g. visual or tactile, in order to modify its quality or its intelligibility
- G10L21/02—Speech enhancement, e.g. noise reduction or echo cancellation
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10H—ELECTROPHONIC MUSICAL INSTRUMENTS
- G10H7/00—Instruments in which the tones are synthesised from a data store, e.g. computer organs
- G10H7/08—Instruments in which the tones are synthesised from a data store, e.g. computer organs by calculating functions or polynomial approximations to evaluate amplitudes at successive sample points of a tone waveform
- G10H7/10—Instruments in which the tones are synthesised from a data store, e.g. computer organs by calculating functions or polynomial approximations to evaluate amplitudes at successive sample points of a tone waveform using coefficients or parameters stored in a memory, e.g. Fourier coefficients
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10H—ELECTROPHONIC MUSICAL INSTRUMENTS
- G10H3/00—Instruments in which the tones are generated by electromechanical means
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10L—SPEECH ANALYSIS OR SYNTHESIS; SPEECH RECOGNITION; SPEECH OR VOICE PROCESSING; SPEECH OR AUDIO CODING OR DECODING
- G10L17/00—Speaker identification or verification
Similar Documents
Publication | Publication Date | Title |
---|---|---|
Klapuri | Automatic music transcription as we know it today | |
Maher et al. | Fundamental frequency estimation of musical signals using a two‐way mismatch procedure | |
Brossier | Automatic annotation of musical audio for interactive applications | |
Duan et al. | Multiple fundamental frequency estimation by modeling spectral peaks and non-peak regions | |
Holzapfel et al. | Three dimensions of pitched instrument onset detection | |
Mauch et al. | Timbre and Melody Features for the Recognition of Vocal Activity and Instrumental Solos in Polyphonic Music. | |
Bello et al. | Automatic piano transcription using frequency and time-domain information | |
Marolt | A mid-level representation for melody-based retrieval in audio collections | |
KR20130108391A (en) | Method, apparatus and machine-readable storage medium for decomposing a multichannel audio signal | |
Zhou et al. | Music onset detection based on resonator time frequency image | |
JP5127982B2 (en) | Music search device | |
Benetos et al. | Automatic transcription of pitched and unpitched sounds from polyphonic music | |
Brossier et al. | Fast labelling of notes in music signals. | |
İzmirli et al. | Understanding Features and Distance Functions for Music Sequence Alignment. | |
Su et al. | Exploiting Frequency, Periodicity and Harmonicity Using Advanced Time-Frequency Concentration Techniques for Multipitch Estimation of Choir and Symphony. | |
JP2007041234A (en) | Key estimation method and key estimation apparatus for music acoustic signal | |
Elowsson et al. | Modeling the perception of tempo | |
Zhou et al. | A computationally efficient method for polyphonic pitch estimation | |
Wu et al. | Multipitch estimation by joint modeling of harmonic and transient sounds | |
Argenti et al. | Automatic transcription of polyphonic music based on the constant-Q bispectral analysis | |
Waghmare et al. | Analyzing acoustics of indian music audio signal using timbre and pitch features for raga identification | |
Barbancho et al. | Transcription of piano recordings | |
Shiu et al. | Musical structure analysis using similarity matrix and dynamic programming | |
Gurunath Reddy et al. | Predominant melody extraction from vocal polyphonic music signal by time-domain adaptive filtering-based method | |
Zhou et al. | Research Article A Computationally Efficient Method for Polyphonic Pitch Estimation |