Pringle, 2005 - Google Patents
Seeing NothingPringle, 2005
View PDF- Document ID
- 449960732660915284
- Author
- Pringle P
- Publication year
External Links
Snippet
[article extract] Magic shows used to attract enthusiastic audiences to theatres and music halls. The simultaneous decline in their popularity and the expansion of cinema are well documented. Trick photography and later the movie camera were able to recreate visual …
- 238000000034 method 0 abstract description 6
Classifications
-
- G—PHYSICS
- G09—EDUCATION; CRYPTOGRAPHY; DISPLAY; ADVERTISING; SEALS
- G09F—DISPLAYING; ADVERTISING; SIGNS; LABELS OR NAME-PLATES; SEALS
- G09F19/00—Miscellaneous advertising or display means not provided for elsewhere
- G09F19/12—Miscellaneous advertising or display means not provided for elsewhere using special optical effects
Similar Documents
| Publication | Publication Date | Title |
|---|---|---|
| Huhtamo | Elements of screenology: Toward an archaeology of the screen | |
| Gunning | The whole town's gawking: Early cinema and the visual experience of modernity | |
| Chateau et al. | Screens: from materiality to spectatorship-A historical and Theoretical readdeddment | |
| Huhtamo | The Pleasures of the Peephole: An Archaeological Exploration of Peep Media | |
| Huhtamo | Elements of screenology: Toward an archaeology of the screen | |
| Giddings | Drawing without light: Simulated photography in videogames | |
| Huhtamo | Screenology; or, media archaeology of the screen | |
| Strauven | Early cinema’s touch (able) screens–From Uncle Josh to Ali Barbouyou | |
| Braun et al. | Cubism: The Leonard A. Lauder Collection | |
| Pringle | Seeing Nothing | |
| O'Healy | Revisiting the belly of Naples: the body and the city in the films of Mario Martone. | |
| Pringle | Seeing Nothing', MESH, vol. 18 | |
| Pethő | The photo-filmic diorama | |
| Pethő | Intermediality as metalepsis in the “cinécriture” of Agnès Varda | |
| Kattelman | Spectres and spectators: The poly-technologies of the Pepper’s Ghost illusion | |
| Pringle | The space of stage magic: A study of the application of optical, mechanical, and psychological principles in classic stage illusions and their possible relation to 20th-/21st-century experiences of interior architectural space | |
| Wyllie | Nabokov's Cinematic Sensibility and Film Strategy in The Defense | |
| Oppermann | Méliès' moon is a late 19th-century colonial moon..." my lunar landscape is just outside Johannesburg | |
| Fix | Challenging digital and mediatic binarity. Post-cinematographic experience in LuYang’s work | |
| Chittenden | ‘You cannot be serious!’: McEnroe’s Ghost causes a scene at the Wimbledon Lawn Tennis Museum | |
| Kang | The Immersive Interior: From Vuillard to VR | |
| Brewer | VIRTUAL VESUVIUS. | |
| Kang | THE IMMERSIVE INTERIOR | |
| Whissel | 14. Uncanny Visual Effects, Postwar Modernity, and House of | |
| Whissel | Uncanny Visual Effects, Postwar Modernity, and House of Wax 3D |