Nishime, 2014 - Google Patents
Undercover Asian: multiracial Asian Americans in visual cultureNishime, 2014
- Document ID
- 17828447073531751391
- Author
- Nishime L
- Publication year
External Links
- 230000000007 visual effect 0 title description 63
Classifications
-
- G—PHYSICS
- G06—COMPUTING; CALCULATING; COUNTING
- G06F—ELECTRICAL DIGITAL DATA PROCESSING
- G06F17/00—Digital computing or data processing equipment or methods, specially adapted for specific functions
- G06F17/30—Information retrieval; Database structures therefor; File system structures therefor
-
- G—PHYSICS
- G06—COMPUTING; CALCULATING; COUNTING
- G06F—ELECTRICAL DIGITAL DATA PROCESSING
- G06F17/00—Digital computing or data processing equipment or methods, specially adapted for specific functions
- G06F17/20—Handling natural language data
-
- G—PHYSICS
- G06—COMPUTING; CALCULATING; COUNTING
- G06K—RECOGNITION OF DATA; PRESENTATION OF DATA; RECORD CARRIERS; HANDLING RECORD CARRIERS
- G06K9/00—Methods or arrangements for reading or recognising printed or written characters or for recognising patterns, e.g. fingerprints
- G06K9/00221—Acquiring or recognising human faces, facial parts, facial sketches, facial expressions
-
- G—PHYSICS
- G06—COMPUTING; CALCULATING; COUNTING
- G06K—RECOGNITION OF DATA; PRESENTATION OF DATA; RECORD CARRIERS; HANDLING RECORD CARRIERS
- G06K9/00—Methods or arrangements for reading or recognising printed or written characters or for recognising patterns, e.g. fingerprints
- G06K9/36—Image preprocessing, i.e. processing the image information without deciding about the identity of the image
- G06K9/46—Extraction of features or characteristics of the image
Similar Documents
Publication | Publication Date | Title |
---|---|---|
Nishime | Undercover Asian: multiracial Asian Americans in visual culture | |
Steinbock | Shimmering images: Trans cinema, embodiment, and the aesthetics of change | |
Thornham | Women, feminism and media | |
Frow et al. | Australian cultural studies: A reader | |
Hutchings | The criminal spectre in law, literature and aesthetics: Incriminating subjects | |
Sears | Stephen King's gothic | |
Rumble | Allegories of contamination: Pier Paolo Pasolini's Trilogy of life | |
Eileraas | Reframing the colonial gaze: Photography, ownership, and feminist resistance | |
Chung | Hollywood Asian: Philip Ahn and the politics of cross-ethnic performance | |
Armitage et al. | Living with cyberspace: Technology and society in the 21st century | |
Nayar | Reading culture: Theory, praxis, politics | |
Caine et al. | Perversion now! | |
Van Marle | Sex, gender, becoming: Post-apartheid reflections | |
Bryde et al. | RuPedagogies of Realness: Essays on Teaching and Learning with RuPaul's Drag Race | |
Alexander et al. | Theoretical concepts of film studies in Cinema Art journal: XXI century | |
Isenberg | Not" anyone's daughter": Patty Hearst and the postmodern legal subject | |
Morrison | Classical Hollywood cinema, sexuality, and the politics of the face | |
Heller | A passion for extremes: Hollywood's Cold War romance with Russia | |
Ricciardi | Rethinking Salò After Abu Ghraib | |
Choudhary | Celebration and rescue: Mass media portrayals of Malala Yousafzai as Muslim woman activist | |
Park | Orientalism in United States cyberpunk cinema from" Blade Runner" to" The Matrix" | |
Kato | The Discourse of Feminization: Effeminate Characters in Japanese Cinema (1945-1969) | |
Almaleki | Scrutinizing along with Visual Persuasion of Movie Billboards in Egypt from the 1930s to the 2010s/Qualitative Content Analysis Study | |
Smith | Now Long Ago: Anachronism in Edo and Contemporary Japanese Literature | |
Barokka | Annah, Infinite and Ablenormativity As Imperial Duress: Relations, Assumptions, Power and Abuse in Cripping Annah la Javanaise |