Favell, 2015 - Google Patents
The contemporary art market in Galapagos: Japan and the Global Art WorldFavell, 2015
View PDF- Document ID
- 16909021655198617770
- Author
- Favell A
- Publication year
- Publication venue
- Cosmopolitan canvases: The globalization of markets for contemporary art
External Links
Snippet
At Art Fair Tokyo in March 2010—Japan's premier contemporary art fair—a panel was convened to debate the “Galapagosization” of Japanese contemporary art. The Galapagos Islands, of course, were the exotic place that gave rise to Charles Darwin's theory of …
- 235000019892 Stellar 0 abstract description 2
Classifications
-
- G—PHYSICS
- G06—COMPUTING; CALCULATING; COUNTING
- G06F—ELECTRICAL DIGITAL DATA PROCESSING
- G06F17/00—Digital computing or data processing equipment or methods, specially adapted for specific functions
- G06F17/30—Information retrieval; Database structures therefor; File system structures therefor
- G06F17/30861—Retrieval from the Internet, e.g. browsers
- G06F17/30873—Retrieval from the Internet, e.g. browsers by navigation, e.g. using categorized browsing, portals, synchronized browsing, visual networks of documents, virtual worlds or tours
-
- G—PHYSICS
- G06—COMPUTING; CALCULATING; COUNTING
- G06F—ELECTRICAL DIGITAL DATA PROCESSING
- G06F3/00—Input arrangements for transferring data to be processed into a form capable of being handled by the computer; Output arrangements for transferring data from processing unit to output unit, e.g. interface arrangements
- G06F3/01—Input arrangements or combined input and output arrangements for interaction between user and computer
- G06F3/048—Interaction techniques based on graphical user interfaces [GUI]
- G06F3/0481—Interaction techniques based on graphical user interfaces [GUI] based on specific properties of the displayed interaction object or a metaphor-based environment, e.g. interaction with desktop elements like windows or icons, or assisted by a cursor's changing behaviour or appearance
-
- G—PHYSICS
- G06—COMPUTING; CALCULATING; COUNTING
- G06F—ELECTRICAL DIGITAL DATA PROCESSING
- G06F17/00—Digital computing or data processing equipment or methods, specially adapted for specific functions
- G06F17/30—Information retrieval; Database structures therefor; File system structures therefor
- G06F17/30286—Information retrieval; Database structures therefor; File system structures therefor in structured data stores
-
- G—PHYSICS
- G06—COMPUTING; CALCULATING; COUNTING
- G06F—ELECTRICAL DIGITAL DATA PROCESSING
- G06F17/00—Digital computing or data processing equipment or methods, specially adapted for specific functions
- G06F17/20—Handling natural language data
-
- G—PHYSICS
- G06—COMPUTING; CALCULATING; COUNTING
- G06Q—DATA PROCESSING SYSTEMS OR METHODS, SPECIALLY ADAPTED FOR ADMINISTRATIVE, COMMERCIAL, FINANCIAL, MANAGERIAL, SUPERVISORY OR FORECASTING PURPOSES; SYSTEMS OR METHODS SPECIALLY ADAPTED FOR ADMINISTRATIVE, COMMERCIAL, FINANCIAL, MANAGERIAL, SUPERVISORY OR FORECASTING PURPOSES, NOT OTHERWISE PROVIDED FOR
- G06Q50/00—Systems or methods specially adapted for a specific business sector, e.g. utilities or tourism
- G06Q50/01—Social networking
-
- G—PHYSICS
- G09—EDUCATION; CRYPTOGRAPHY; DISPLAY; ADVERTISING; SEALS
- G09B—EDUCATIONAL OR DEMONSTRATION APPLIANCES; APPLIANCES FOR TEACHING, OR COMMUNICATING WITH, THE BLIND, DEAF OR MUTE; MODELS; PLANETARIA; GLOBES; MAPS; DIAGRAMS
- G09B19/00—Teaching not covered by other main groups of this subclass
- G09B19/06—Foreign languages
-
- G—PHYSICS
- G09—EDUCATION; CRYPTOGRAPHY; DISPLAY; ADVERTISING; SEALS
- G09B—EDUCATIONAL OR DEMONSTRATION APPLIANCES; APPLIANCES FOR TEACHING, OR COMMUNICATING WITH, THE BLIND, DEAF OR MUTE; MODELS; PLANETARIA; GLOBES; MAPS; DIAGRAMS
- G09B5/00—Electrically-operated educational appliances
- G09B5/02—Electrically-operated educational appliances with visual presentation of the material to be studied, e.g. using film strip
Similar Documents
Publication | Publication Date | Title |
---|---|---|
Phillips et al. | Japanese cinema: Texts and contexts | |
Schneider | Alternative art and anthropology: global encounters | |
Lunenfeld | Snap to grid: a user's guide to digital arts, media, and cultures | |
Chow | Primitive passions: Visuality, sexuality, ethnography, and contemporary Chinese cinema | |
Moxey | Visual time: The image in history | |
de Santana Pinho | Mapping diaspora: African American roots tourism in Brazil | |
Henderson | The I and the we: Individuality, collectivity, and Samoan artistic responses to cultural change | |
Van Heuckelom | Polish Migrants in European Film 1918-2017 | |
Pereyra | Universal principles of UX: 100 timeless strategies to create positive interactions between people and technology | |
Favell | The contemporary art market in Galapagos: Japan and the Global Art World | |
Bunz | School Will Never End: On Infantilization in Digital Environments—Amplifying Empowerment or Propagating Stupidity? | |
Wolfe | Blogging: how our private thoughts went public | |
McKeon | Making Art Public: Musicality & the Curatorial | |
Elkins | First introduction: starting points | |
West | ‘within the reach of all’: Bringing Art to the People in Interwar Britain | |
Saunders | Master Narratives | |
Greenberg | Drawing The Line: Archiving Feminist Animation | |
Fernández Carbajal | Hipsters End: Queer Time, and Imitation versus Authenticity, in Matthew Lopez’s the Inheritance | |
Sone | Technology and spirituality in Etsuko Ichihara's ludic media art | |
Isiaka | “No, we jus’ dey gist”: Polylanguaging, Metrolingualism and African Youth Languages | |
Maxey | Bharati Mukherjee and the Politics of the Anthology | |
Dillard | Space, representation, and realism in contemporary European art cinema | |
Bixler | Performing Culture (s): Extras and Extra-Texts in Sabina Berman's eXtras | |
Kelly | The globalized and the local: Theatre in Australia and Aotearoa/New Zealand enters the new millennium | |
Woods et al. | Reframing, embodying and in-betweening: A conversation about experiences of doing practice-based research and research-creation |