Barron, 1988 - Google Patents
Subjective study of British symphony concert hallsBarron, 1988
View PDF- Document ID
- 16186394952229737860
- Author
- Barron M
- Publication year
- Publication venue
- Acta Acustica united with Acustica
External Links
Snippet
Following an extensive objective acoustic measurement programme, eleven major British concent halls have been sampled subjectively by expert listeners at public concerts. A questionnaire with only nine scales was used. The technique has proved reliable. Subjects …
- 238000000034 method 0 abstract description 20
Classifications
-
- H—ELECTRICITY
- H04—ELECTRIC COMMUNICATION TECHNIQUE
- H04S—STEREOPHONIC SYSTEMS
- H04S7/00—Indicating arrangements; Control arrangements, e.g. balance control
- H04S7/30—Control circuits for electronic adaptation of the sound field
- H04S7/301—Automatic calibration of stereophonic sound system, e.g. with test microphone
-
- H—ELECTRICITY
- H04—ELECTRIC COMMUNICATION TECHNIQUE
- H04S—STEREOPHONIC SYSTEMS
- H04S7/00—Indicating arrangements; Control arrangements, e.g. balance control
- H04S7/30—Control circuits for electronic adaptation of the sound field
- H04S7/305—Electronic adaptation of stereophonic audio signals to reverberation of the listening space
Similar Documents
Publication | Publication Date | Title |
---|---|---|
Barron | Subjective study of British symphony concert halls | |
Vilkamo et al. | Directional audio coding: Virtual microphone-based synthesis and subjective evaluation | |
Bradley et al. | A just noticeable difference in C50 for speech | |
Lokki et al. | Concert hall acoustics: Repertoire, listening position, and individual taste of the listeners influence the qualitative attributes and preferences | |
Barron | The Gulbenkian Great Hall, Lisbon, II: an acoustic study of a concert hall with variable stage | |
Gabrielsson et al. | Judgments and dimension analyses of perceived sound quality of sound‐reproducing systems | |
Barron | The effect of early reflections on subjective acoustical quality in concert halls | |
Eaton et al. | Subjective evaluations of three-dimensional, surround and stereo loudspeaker reproductions using classical music recordings | |
Okano | Judgments of noticeable differences in sound fields of concert halls caused by intensity variations in early reflections | |
Bauer et al. | Binaural headphone monitoring to enhance musicians’ immersion in performance | |
Edwards | A subjective assessment of concert hall acoustics | |
Lachenmayr et al. | Chamber music hall acoustics: Measurements and perceptual differences | |
Hughes et al. | The room-in-room effect and its influence on perceived room size in spatial audio reproduction | |
Plenge et al. | New methods in architectural investigations to evaluate the acoustic qualities of concert halls | |
Clark et al. | The ‘stereosonic’recording and reproducing system. a two-channel system for domestic tape records | |
Eisenberg et al. | Tonal range and volume level preferences of broadcast listeners. | |
Michaud et al. | Objective characterization of perceptual dimensions underlying the sound reproduction of 37 single loudspeakers in a room | |
Kleczkowski et al. | Multichannel sound reproduction quality improves with angular separation of direct and reflected sounds | |
Griesinger | Laboratory reproduction of binaural concert hall measurements through individual headphone equalization at the eardrum | |
Ueno et al. | Perceptual optimization of stereo width shrinkage method in headphone reproduction | |
Howie | Capturing orchestral music for three-dimensional audio playback | |
Olive | Some new evidence that teenagers may prefer accurate sound reproduction | |
Vigeant | Investigations of incorporating source directivity into room acoustics computer models to improve auralizations | |
Scott | Foundations in Aural Architecture of Jazz Venues: An Examination of Room Acoustics & Multidimensional Analysis of Musician Preference | |
Hidaka et al. | Favorable clarity, sound strength, and spaciousness as well as overall acoustical quality of concert halls measured in a 3D synthesized sound field |