Shvarts, 2015 - Google Patents
BLACK WEDDING.Shvarts, 2015
- Document ID
- 15709699217208519324
- Author
- Shvarts A
- Publication year
- Publication venue
- Brooklyn Rail
External Links
Snippet
The author discusses the importance of metal music in feminism and women's rights. She claims that the usual topics contained in such music include degradation, brutality and degeneracy about women as seen in the songs of the drone metal band Sunn O))) like" …
- 239000002184 metal 0 abstract 2
Classifications
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10H—ELECTROPHONIC MUSICAL INSTRUMENTS
- G10H3/00—Instruments in which the tones are generated by electromechanical means
- G10H3/12—Instruments in which the tones are generated by electromechanical means using mechanical resonant generators, e.g. strings or percussive instruments, the tones of which are picked up by electromechanical transducers, the electrical signals being further manipulated or amplified and subsequently converted to sound by a loudspeaker or equivalent instrument
- G10H3/14—Instruments in which the tones are generated by electromechanical means using mechanical resonant generators, e.g. strings or percussive instruments, the tones of which are picked up by electromechanical transducers, the electrical signals being further manipulated or amplified and subsequently converted to sound by a loudspeaker or equivalent instrument using mechanically actuated vibrators with pick-up means
- G10H3/18—Instruments in which the tones are generated by electromechanical means using mechanical resonant generators, e.g. strings or percussive instruments, the tones of which are picked up by electromechanical transducers, the electrical signals being further manipulated or amplified and subsequently converted to sound by a loudspeaker or equivalent instrument using mechanically actuated vibrators with pick-up means using a string, e.g. electric guitar
- G10H3/186—Means for processing the signal picked up from the strings
- G10H3/187—Means for processing the signal picked up from the strings for distorting the signal, e.g. to simulate tube amplifiers
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10H—ELECTROPHONIC MUSICAL INSTRUMENTS
- G10H1/00—Details of electrophonic musical instruments
- G10H1/0033—Recording/reproducing or transmission of music for electrophonic musical instruments
- G10H1/0083—Recording/reproducing or transmission of music for electrophonic musical instruments using wireless transmission, e.g. radio, light, infrared
Similar Documents
| Publication | Publication Date | Title |
|---|---|---|
| Weiss | Experimental sound and radio | |
| Coggins | Transforming detail into myth: indescribable experience and mystical discourse in drone metal | |
| Shvarts | BLACK WEDDING. | |
| Eshghi et al. | Vowel nasalization might affect the envelop of the vowel signal by reducing the magnitude of the rising and falling slope amplitude | |
| Wang et al. | Soundscape: in the view of music | |
| Tagaq et al. | Animism | |
| Etmektsoglou | Soundscapes we live in: Europe 2019 | |
| JP1706470S (en) | Audio interface with preamplifier | |
| JP1706453S (en) | Audio interface with preamplifier | |
| JP1706451S (en) | Audio interface with preamplifier | |
| JP1706472S (en) | Audio interface with preamplifier | |
| JP1706452S (en) | Audio interface with preamplifier | |
| JP1706471S (en) | Audio interface with preamplifier | |
| JP1706473S (en) | Audio interface with preamplifier | |
| JP1706454S (en) | Audio interface with preamplifier | |
| Eddins et al. | Psychometric functions for rough voice quality. | |
| Parkinson | Sonic departures: the dramaturgy of fade-outs | |
| Schalles et al. | EEG study of attention on an auditory target detection task in dolphins and humans | |
| Wolfe | Isoluminance | |
| JP1741141S (en) | audio interface | |
| JP1741231S (en) | audio interface | |
| JP1741140S (en) | audio interface | |
| Isnard et al. | Acoustic and auditory sketches: Recognition of severely simplified natural sounds by human listeners | |
| Vanden Bosch der Nederlanden et al. | Development of music-specific pitch processing | |
| Podlubny | Musical mind control: Acoustic convergence to background music in speech production |