[go: up one dir, main page]

Stadel, 2015 - Google Patents

Television as a Sound Medium, 1922-1994

Stadel, 2015

Document ID
15017818046218102336
Author
Stadel L
Publication year

External Links

Snippet

Media historians have long understood television as a medium that is essentially visual, a form of electronic communication that is defined as distinct from other media in its ability to transmit live images at a distance. Existing work on television sound generally tends to invert …
Continue reading at search.proquest.com (other versions)

Classifications

    • H—ELECTRICITY
    • H04—ELECTRIC COMMUNICATION TECHNIQUE
    • H04N—PICTORIAL COMMUNICATION, e.g. TELEVISION
    • H04N7/00—Television systems
    • H04N7/14—Systems for two-way working
    • H04N7/15—Conference systems
    • H—ELECTRICITY
    • H04—ELECTRIC COMMUNICATION TECHNIQUE
    • H04N—PICTORIAL COMMUNICATION, e.g. TELEVISION
    • H04N21/00—Selective content distribution, e.g. interactive television, VOD [Video On Demand]
    • H04N21/40—Client devices specifically adapted for the reception of or interaction with content, e.g. set-top-box [STB]; Operations thereof
    • H04N21/47—End-user applications
    • H04N21/478—Supplemental services, e.g. displaying phone caller identification, shopping application
    • H04N21/4788—Supplemental services, e.g. displaying phone caller identification, shopping application communicating with other users, e.g. chatting
    • H—ELECTRICITY
    • H04—ELECTRIC COMMUNICATION TECHNIQUE
    • H04N—PICTORIAL COMMUNICATION, e.g. TELEVISION
    • H04N7/00—Television systems
    • H04N7/14—Systems for two-way working
    • H04N7/141—Systems for two-way working between two video terminals, e.g. videophone
    • H04N7/147—Communication arrangements, e.g. identifying the communication as a video-communication, intermediate storage of the signals
    • H—ELECTRICITY
    • H04—ELECTRIC COMMUNICATION TECHNIQUE
    • H04N—PICTORIAL COMMUNICATION, e.g. TELEVISION
    • H04N21/00—Selective content distribution, e.g. interactive television, VOD [Video On Demand]
    • H04N21/20—Servers specifically adapted for the distribution of content, e.g. VOD servers; Operations thereof
    • H04N21/23—Processing of content or additional data; Elementary server operations; Server middleware
    • H04N21/234—Processing of video elementary streams, e.g. splicing of content streams, manipulating MPEG-4 scene graphs
    • H04N21/2343—Processing of video elementary streams, e.g. splicing of content streams, manipulating MPEG-4 scene graphs involving reformatting operations of video signals for distribution or compliance with end-user requests or end-user device requirements
    • H—ELECTRICITY
    • H04—ELECTRIC COMMUNICATION TECHNIQUE
    • H04N—PICTORIAL COMMUNICATION, e.g. TELEVISION
    • H04N7/00—Television systems
    • H04N7/16—Analogue secrecy systems; Analogue subscription systems
    • H04N7/173—Analogue secrecy systems; Analogue subscription systems with two-way working, e.g. subscriber sending a programme selection signal
    • H04N7/17309—Transmission or handling of upstream communications
    • H—ELECTRICITY
    • H04—ELECTRIC COMMUNICATION TECHNIQUE
    • H04N—PICTORIAL COMMUNICATION, e.g. TELEVISION
    • H04N21/00—Selective content distribution, e.g. interactive television, VOD [Video On Demand]
    • H04N21/40—Client devices specifically adapted for the reception of or interaction with content, e.g. set-top-box [STB]; Operations thereof
    • H04N21/43—Processing of content or additional data, e.g. demultiplexing additional data from a digital video stream; Elementary client operations, e.g. monitoring of home network, synchronizing decoder's clock; Client middleware
    • H—ELECTRICITY
    • H04—ELECTRIC COMMUNICATION TECHNIQUE
    • H04N—PICTORIAL COMMUNICATION, e.g. TELEVISION
    • H04N21/00—Selective content distribution, e.g. interactive television, VOD [Video On Demand]
    • H04N21/80—Generation or processing of content or additional data by content creator independently of the distribution process; Content per se
    • H—ELECTRICITY
    • H04—ELECTRIC COMMUNICATION TECHNIQUE
    • H04N—PICTORIAL COMMUNICATION, e.g. TELEVISION
    • H04N5/00—Details of television systems
    • H04N5/76—Television signal recording
    • H—ELECTRICITY
    • H04—ELECTRIC COMMUNICATION TECHNIQUE
    • H04N—PICTORIAL COMMUNICATION, e.g. TELEVISION
    • H04N9/00—Details of colour television systems
    • H—ELECTRICITY
    • H04—ELECTRIC COMMUNICATION TECHNIQUE
    • H04L—TRANSMISSION OF DIGITAL INFORMATION, e.g. TELEGRAPHIC COMMUNICATION
    • H04L65/00—Network arrangements or protocols for real-time communications
    • H04L65/40—Services or applications
    • G—PHYSICS
    • G06—COMPUTING; CALCULATING; COUNTING
    • G06F—ELECTRICAL DIGITAL DATA PROCESSING
    • G06F17/00—Digital computing or data processing equipment or methods, specially adapted for specific functions
    • G06F17/30—Information retrieval; Database structures therefor; File system structures therefor
    • G06F17/30017—Multimedia data retrieval; Retrieval of more than one type of audiovisual media

Similar Documents

Publication Publication Date Title
Croteau et al. Media/Society: Technology, industries, content, and users
Bignell et al. A European television history
Lax Media and communications technologies: a critical introduction
Van Tassel Digital TV over broadband: Harvesting bandwidth
Bignell Performing the identity of the medium: Adaptation and television historiography
Scannell Television and history: Questioning the archive
Hill Media audiences and reception studies
Bore Laughing together?: TV comedy audiences and the laugh track
Herbert Black British women filmmakers in the digital era: New production strategies and re-presentations of Black womanhood
Stadel Television as a Sound Medium, 1922-1994
Tanaka Telematic music transmission, resistance and touch
Shyles The art of video production
Dey et al. A study on OTT content versus Theatrical released cinema preferences among the urban population of Guwahati
Salvati et al. A Commemoration of Memory: HBO’s “Band of Brothers Podcast,” Authenticity, and Fan-Based Intimate Publics
Triyono et al. Banyuwangi TV Media Convergence In Broadcasting Local Cultural Content In The Digital Media Era
Chirume et al. A Little Creative with the Broadcast History of Zimbabwe: A Metaphilosophical Approach
Hewett Acting in the new World: studio and location realism in survivors
Wood et al. Tomorrow's Media: Essays in Honour of Aleksandar Louis Todorović
Kackman Television Before the Classic Network Era: 1930s–1950s
Thurmann-Jajes et al. Radio as Art: Concepts, Spaces, Practices
Grandinetti Streaming Locality: Mobile Streaming and the Production of Space and Subjectivity
Tucker et al. Scheduling for Christmas: How an ‘ordinary’piece of television became extraordinary
Kahraman The factors that influence the transformation of a regular user to a youtube celebrity
Zorrilla et al. Experimenting with distributed participatory performing art experiences
Jeong A Comparative Study on the Characteristics of Interactivity between Virtual Reality (VR) and Interactive Cinema