Davis, 2024 - Google Patents
The eTube project: Researching human-computer interaction through an interdisciplinary collaboration with improvising musical agentsDavis, 2024
View PDF- Document ID
- 15015724473408018117
- Author
- Davis T
- Publication year
External Links
Snippet
This research project outlines the development of a simple augmented wind instrument called the eTube which is played in performance with improvising musical software. An interdisciplinary team including digital luthiers, programmers, composers, and improvisers …
- 230000003993 interaction 0 title description 58
Classifications
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10H—ELECTROPHONIC MUSICAL INSTRUMENTS
- G10H1/00—Details of electrophonic musical instruments
- G10H1/0033—Recording/reproducing or transmission of music for electrophonic musical instruments
- G10H1/0041—Recording/reproducing or transmission of music for electrophonic musical instruments in coded form
- G10H1/0058—Transmission between separate instruments or between individual components of a musical system
-
- G—PHYSICS
- G09—EDUCATION; CRYPTOGRAPHY; DISPLAY; ADVERTISING; SEALS
- G09B—EDUCATIONAL OR DEMONSTRATION APPLIANCES; APPLIANCES FOR TEACHING, OR COMMUNICATING WITH, THE BLIND, DEAF OR MUTE; MODELS; PLANETARIA; GLOBES; MAPS; DIAGRAMS
- G09B5/00—Electrically-operated educational appliances
- G09B5/06—Electrically-operated educational appliances with both visual and audible presentation of the material to be studied
- G09B5/065—Combinations of audio and video presentations, e.g. videotapes, videodiscs, television systems
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10H—ELECTROPHONIC MUSICAL INSTRUMENTS
- G10H1/00—Details of electrophonic musical instruments
- G10H1/0008—Associated control or indicating means
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10H—ELECTROPHONIC MUSICAL INSTRUMENTS
- G10H2240/00—Data organisation or data communication aspects, specifically adapted for electrophonic musical tools or instruments
- G10H2240/171—Transmission of musical instrument data, control or status information; Transmission, remote access or control of music data for electrophonic musical instruments
- G10H2240/281—Protocol or standard connector for transmission of analog or digital data to or from an electrophonic musical instrument
- G10H2240/295—Packet switched network, e.g. token ring
- G10H2240/305—Internet or TCP/IP protocol use for any electrophonic musical instrument data or musical parameter transmission purposes
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10H—ELECTROPHONIC MUSICAL INSTRUMENTS
- G10H2210/00—Aspects or methods of musical processing having intrinsic musical character, i.e. involving musical theory or musical parameters or relying on musical knowledge, as applied in electrophonic musical tools or instruments
- G10H2210/101—Music Composition or musical creation; Tools or processes therefor
-
- G—PHYSICS
- G09—EDUCATION; CRYPTOGRAPHY; DISPLAY; ADVERTISING; SEALS
- G09B—EDUCATIONAL OR DEMONSTRATION APPLIANCES; APPLIANCES FOR TEACHING, OR COMMUNICATING WITH, THE BLIND, DEAF OR MUTE; MODELS; PLANETARIA; GLOBES; MAPS; DIAGRAMS
- G09B5/00—Electrically-operated educational appliances
- G09B5/04—Electrically-operated educational appliances with audible presentation of the material to be studied
-
- G—PHYSICS
- G06—COMPUTING; CALCULATING; COUNTING
- G06F—ELECTRICAL DIGITAL DATA PROCESSING
- G06F17/00—Digital computing or data processing equipment or methods, specially adapted for specific functions
- G06F17/20—Handling natural language data
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10L—SPEECH ANALYSIS OR SYNTHESIS; SPEECH RECOGNITION; SPEECH OR VOICE PROCESSING; SPEECH OR AUDIO CODING OR DECODING
- G10L13/00—Speech synthesis; Text to speech systems
-
- G—PHYSICS
- G09—EDUCATION; CRYPTOGRAPHY; DISPLAY; ADVERTISING; SEALS
- G09B—EDUCATIONAL OR DEMONSTRATION APPLIANCES; APPLIANCES FOR TEACHING, OR COMMUNICATING WITH, THE BLIND, DEAF OR MUTE; MODELS; PLANETARIA; GLOBES; MAPS; DIAGRAMS
- G09B15/00—Teaching music
-
- G—PHYSICS
- G09—EDUCATION; CRYPTOGRAPHY; DISPLAY; ADVERTISING; SEALS
- G09B—EDUCATIONAL OR DEMONSTRATION APPLIANCES; APPLIANCES FOR TEACHING, OR COMMUNICATING WITH, THE BLIND, DEAF OR MUTE; MODELS; PLANETARIA; GLOBES; MAPS; DIAGRAMS
- G09B7/00—Electrically-operated teaching apparatus or devices working with questions and answers
-
- G—PHYSICS
- G09—EDUCATION; CRYPTOGRAPHY; DISPLAY; ADVERTISING; SEALS
- G09B—EDUCATIONAL OR DEMONSTRATION APPLIANCES; APPLIANCES FOR TEACHING, OR COMMUNICATING WITH, THE BLIND, DEAF OR MUTE; MODELS; PLANETARIA; GLOBES; MAPS; DIAGRAMS
- G09B19/00—Teaching not covered by other main groups of this subclass
-
- G—PHYSICS
- G06—COMPUTING; CALCULATING; COUNTING
- G06F—ELECTRICAL DIGITAL DATA PROCESSING
- G06F3/00—Input arrangements for transferring data to be processed into a form capable of being handled by the computer; Output arrangements for transferring data from processing unit to output unit, e.g. interface arrangements
- G06F3/16—Sound input; Sound output
Similar Documents
Publication | Publication Date | Title |
---|---|---|
Waters | Performance Ecosystems: Ecological approaches to musical interaction | |
Waters | Touching at a distance: Resistance, tactility, proxemics and the development of a hybrid virtual/physical performance system | |
Klein | Feigning Humanity: Virtual Instruments, Simulation and Performativity | |
Davis et al. | eTu {d, b} e: Case studies in playing with musical agents | |
Sdraulig et al. | Recent audio scores: Affordances and limitations | |
Gullö et al. | Innovation in music: Technology and creativity | |
Mooney et al. | Instrumental, hermeneutic, and ontological indeterminacy in Hugh Davies’s live electronic music | |
Davis | The eTube project: Researching human-computer interaction through an interdisciplinary collaboration with improvising musical agents | |
Furduj | Virtual orchestration: a film composer's creative practice | |
Meneses | Iterative design in DMIs and AMIs: expanding and embedding a high-level gesture vocabulary for T-Stick and GuitarAMI | |
Hoffman | On Performing Electroacoustic Musics: a non-idiomatic case study for Adorno's theory of musical reproduction | |
Ingebritsen | Auditory kinesthesia: A framework to facilitate the design and performance of interactive music systems | |
Yoder | Performance practice of interactive music for clarinet and computer with an examination of five works by American composers | |
Di Donato et al. | HarpCI, empowering performers to control and transform harp sounds in live performance | |
Vinet | Science and technology of music and sound: The IRCAM roadmap | |
Sarkar | Tablanet: a real-time online musical collaboration system for indian percussion | |
Ballan | Capturing the Buzuq’s Sonic Landscape: An Expedition Through Synthesis Processes from Soundboard to Digital Music Interface | |
Lexer | Live Electronics In Live Performance: A Performance Practice Emerging from the Piano+ Used in Free Improvisation | |
Hambleton | Analyzing with Compositional Static Artifacts of Midi-Mediated Mixed-Media Music | |
Lucas | Issues of performance and synchronisation in music for piano and fixed media | |
Kilroy | Posthuman Musical Contexts: Live Processing's Impact on Performance Practice in Electroacoustic Music | |
Ávila | Embodied Interaction with Guitars: Instruments, Embodied Practices and Ecologies | |
Lacroix | Deus Ex Machina: Synchronization Strategies in Mixed Music | |
Fowler | Cue Next Scene: An Album of New Works for Trumpet and Interactive Electronics for the Intermediate Trumpeter | |
du Preez | Listener-Based Analysis of Electroacoustic Music: A Selected Chronology of Methods as Applied to Amproprification# 1 and Sorstalanság |