Sormus, 2015 - Google Patents
'I could scream my truth right through your lies if I wanted': Bikini Kill's sound-collage and the subversive rhetoric of grrrlhoodSormus, 2015
- Document ID
- 13549321255384654714
- Author
- Sormus M
- Publication year
- Publication venue
- Punk & Post Punk
External Links
Snippet
This article investigates how riot grrrl, a movement pinned to punk pedagogy, used music and its components (lyrics and sound) to manipulate the marketed images of girlhood. This was in order to offend the sensibilities of the mediatized and commodified landscape of girl …
- 230000000007 visual effect 0 abstract description 24
Classifications
-
- G—PHYSICS
- G06—COMPUTING; CALCULATING; COUNTING
- G06F—ELECTRICAL DIGITAL DATA PROCESSING
- G06F17/00—Digital computing or data processing equipment or methods, specially adapted for specific functions
- G06F17/20—Handling natural language data
- G06F17/21—Text processing
- G06F17/22—Manipulating or registering by use of codes, e.g. in sequence of text characters
- G06F17/2247—Tree structured documents; Markup, e.g. Standard Generalized Markup Language [SGML], Document Type Definition [DTD]
-
- G—PHYSICS
- G06—COMPUTING; CALCULATING; COUNTING
- G06F—ELECTRICAL DIGITAL DATA PROCESSING
- G06F17/00—Digital computing or data processing equipment or methods, specially adapted for specific functions
- G06F17/30—Information retrieval; Database structures therefor; File system structures therefor
- G06F17/30943—Information retrieval; Database structures therefor; File system structures therefor details of database functions independent of the retrieved data type
- G06F17/30946—Information retrieval; Database structures therefor; File system structures therefor details of database functions independent of the retrieved data type indexing structures
- G06F17/30958—Graphs; Linked lists
Similar Documents
Publication | Publication Date | Title |
---|---|---|
Larson | Understanding Suzan-Lori Parks | |
Cousins et al. | The Cambridge Companion to the Sonnet | |
Hopps | Morrissey: the pageant of his bleeding heart | |
Cook | Language play in English | |
Sormus | ‘I could scream my truth right through your lies if I wanted’: Bikini Kill’s sound-collage and the subversive rhetoric of grrrlhood | |
Bernhard-Jackson | ‘Sometimes I feel like the whole human race’: Lord Byron and David Bowie Consider the Question of Identity | |
Riches | Use your mind?: Embodiments of protest, transgression, and grotesque realism in British Grindcore | |
Murphy | Sabrina and the making of English history in Poly-Olbion and A Maske Presented at Ludlow Castle | |
Hook | An autoethnography of Scottish hip-hop: identity, locality, outsiderdom and social commentary | |
Carfoot | Deleuze and music: a creative approach to the study of music | |
Townsend | Meter and Modernist Prose: Verse Fragments in Woolf's The Years | |
Nicholson | Beyond quotation: intertextuality in popular music since 1990 | |
Haas | Performing folk punk: agonistic performances of intersectionality | |
Peacock | The poetics of affect in contemporary feminist poetry | |
Zeb et al. | LEXICONS OF LUST: LINGUISTIC OBJECTIFICATION OF WOMEN IN BOLLYWOOD ITEM SONGS THROUGH FEMINIST STYLISTICS | |
Johnson | The Interplay of Authority, Masculinity, and Signification in the" Grunge Killed Glam Metal" Narrative | |
Creswell | ‘Touch Me I’m Sick’: Contagion as Critique in Punk and Performance Art | |
Carter | All Day in the Trey-Fold: Sound, Objecthood, and Place in the Mixtapes of DJ Screw | |
Zimmerman | Fitzgerald as Prose Technician: A Short Catalog of Rhetorical Devices | |
Weinman | Write Great Dialogue: How to write convincing dialogue, conversation and dialect in your fiction | |
Fradj | L’écriture féminine in Morrison’s The Bluest Eye: Questioning the social and literary standards through the use of colours, sounds, and shapes | |
Fradj | Colors, Sounds and Shapes: A Study of Toni Morrison’s The Bluest Eye | |
Fitriani et al. | Otaku Subculture Character in Japanese Poetry Anthology Otaku Senryu | |
Palmer | Mayakovsky's Voices: Futurist | |
Haidar | Satirical Intermedialities in'Springtime for Hitler'(1967) and'If You Could See Her'(1972): a Comparative Study |