QUEEN, 2013 - Google Patents
Working with performed language: Movies, television, and musicQUEEN, 2013
- Document ID
- 13275725866177645836
- Author
- QUEEN M
- Publication year
- Publication venue
- Data collection in sociolinguistics
External Links
Snippet
As I write this chapter, a language story is circulating concerning “vocal fry.” Tied to a paper to be published in the Journal of Voice, one of the central claims of the paper is that the use of vocal fry (or creak) has become more prevalent among younger (college-aged) women in …
- 230000001755 vocal 0 abstract description 7
Classifications
-
- G—PHYSICS
- G11—INFORMATION STORAGE
- G11B—INFORMATION STORAGE BASED ON RELATIVE MOVEMENT BETWEEN RECORD CARRIER AND TRANSDUCER
- G11B27/00—Editing; Indexing; Addressing; Timing or synchronising; Monitoring; Measuring tape travel
- G11B27/10—Indexing; Addressing; Timing or synchronising; Measuring tape travel
- G11B27/102—Programmed access in sequence to addressed parts of tracks of operating record carriers
- G11B27/105—Programmed access in sequence to addressed parts of tracks of operating record carriers of operating discs
-
- G—PHYSICS
- G11—INFORMATION STORAGE
- G11B—INFORMATION STORAGE BASED ON RELATIVE MOVEMENT BETWEEN RECORD CARRIER AND TRANSDUCER
- G11B27/00—Editing; Indexing; Addressing; Timing or synchronising; Monitoring; Measuring tape travel
- G11B27/02—Editing, e.g. varying the order of information signals recorded on, or reproduced from, record carriers
- G11B27/031—Electronic editing of digitised analogue information signals, e.g. audio or video signals
- G11B27/034—Electronic editing of digitised analogue information signals, e.g. audio or video signals on discs
-
- G—PHYSICS
- G06—COMPUTING; CALCULATING; COUNTING
- G06F—ELECTRICAL DIGITAL DATA PROCESSING
- G06F17/00—Digital computing or data processing equipment or methods, specially adapted for specific functions
- G06F17/30—Information retrieval; Database structures therefor; File system structures therefor
- G06F17/30017—Multimedia data retrieval; Retrieval of more than one type of audiovisual media
- G06F17/30023—Querying
- G06F17/30038—Querying based on information manually generated or based on information not derived from the media content, e.g. tags, keywords, comments, usage information, user ratings
-
- G—PHYSICS
- G11—INFORMATION STORAGE
- G11B—INFORMATION STORAGE BASED ON RELATIVE MOVEMENT BETWEEN RECORD CARRIER AND TRANSDUCER
- G11B27/00—Editing; Indexing; Addressing; Timing or synchronising; Monitoring; Measuring tape travel
- G11B27/10—Indexing; Addressing; Timing or synchronising; Measuring tape travel
- G11B27/34—Indicating arrangements
-
- G—PHYSICS
- G11—INFORMATION STORAGE
- G11B—INFORMATION STORAGE BASED ON RELATIVE MOVEMENT BETWEEN RECORD CARRIER AND TRANSDUCER
- G11B27/00—Editing; Indexing; Addressing; Timing or synchronising; Monitoring; Measuring tape travel
- G11B27/10—Indexing; Addressing; Timing or synchronising; Measuring tape travel
- G11B27/19—Indexing; Addressing; Timing or synchronising; Measuring tape travel by using information detectable on the record carrier
-
- G—PHYSICS
- G09—EDUCATION; CRYPTOGRAPHY; DISPLAY; ADVERTISING; SEALS
- G09B—EDUCATIONAL OR DEMONSTRATION APPLIANCES; APPLIANCES FOR TEACHING, OR COMMUNICATING WITH, THE BLIND, DEAF OR MUTE; MODELS; PLANETARIA; GLOBES; MAPS; DIAGRAMS
- G09B5/00—Electrically-operated educational appliances
- G09B5/06—Electrically-operated educational appliances with both visual and audible presentation of the material to be studied
- G09B5/065—Combinations of audio and video presentations, e.g. videotapes, videodiscs, television systems
-
- G—PHYSICS
- G06—COMPUTING; CALCULATING; COUNTING
- G06F—ELECTRICAL DIGITAL DATA PROCESSING
- G06F17/00—Digital computing or data processing equipment or methods, specially adapted for specific functions
- G06F17/20—Handling natural language data
-
- H—ELECTRICITY
- H04—ELECTRIC COMMUNICATION TECHNIQUE
- H04N—PICTORIAL COMMUNICATION, e.g. TELEVISION
- H04N21/00—Selective content distribution, e.g. interactive television, VOD [Video On Demand]
- H04N21/40—Client devices specifically adapted for the reception of or interaction with content, e.g. set-top-box [STB]; Operations thereof
- H04N21/47—End-user applications
-
- G—PHYSICS
- G09—EDUCATION; CRYPTOGRAPHY; DISPLAY; ADVERTISING; SEALS
- G09B—EDUCATIONAL OR DEMONSTRATION APPLIANCES; APPLIANCES FOR TEACHING, OR COMMUNICATING WITH, THE BLIND, DEAF OR MUTE; MODELS; PLANETARIA; GLOBES; MAPS; DIAGRAMS
- G09B19/00—Teaching not covered by other main groups of this subclass
- G09B19/06—Foreign languages
-
- H—ELECTRICITY
- H04—ELECTRIC COMMUNICATION TECHNIQUE
- H04N—PICTORIAL COMMUNICATION, e.g. TELEVISION
- H04N21/00—Selective content distribution, e.g. interactive television, VOD [Video On Demand]
- H04N21/80—Generation or processing of content or additional data by content creator independently of the distribution process; Content per se
-
- H—ELECTRICITY
- H04—ELECTRIC COMMUNICATION TECHNIQUE
- H04N—PICTORIAL COMMUNICATION, e.g. TELEVISION
- H04N21/00—Selective content distribution, e.g. interactive television, VOD [Video On Demand]
- H04N21/20—Servers specifically adapted for the distribution of content, e.g. VOD servers; Operations thereof
- H04N21/23—Processing of content or additional data; Elementary server operations; Server middleware
Similar Documents
| Publication | Publication Date | Title |
|---|---|---|
| QUEEN | Working with performed language: Movies, television, and music | |
| Scolari et al. | The case of the top Spanish YouTubers: Emerging media subjects and discourse practices in the new media ecology | |
| Franco et al. | Voice-over translation: An overview | |
| Cintas | Technological strides in subtitling | |
| Keddie | Bringing online video into the classroom: BRINGING CLASSROOM | |
| Halligan et al. | The music documentary: acid rock to electropop | |
| Lindgren et al. | Not dead yet: Emerging trends in radio documentary forms in Australia and the US | |
| Hoffmann et al. | Telecinematic stylistics | |
| Graham | From “Ugh” to Babble (or Babel) Linguistic Primitivism, Sound-Blindness, and the Cinematic Representation of Native Amazonians | |
| Adachi | A study of Japanese animation as translation: A descriptive analysis of Hayao Miyazaki and other anime dubbed into English | |
| Hemmasi | Iran's daughter and mother Iran: Googoosh and diasporic nostalgia for the Pahlavi modern | |
| Casarini | The perception of American adolescent culture through the dubbing and fansubbing of a selection of US teen series from 1990 to 2013 | |
| Slootweg | Resistance, disruption and belonging: Electronic video in three amateur modes | |
| Lee | Konglish? or multilingual practice? An investigation of subtitles in Korean TV shows | |
| Dey et al. | A study on OTT content versus Theatrical released cinema preferences among the urban population of Guwahati | |
| Madsen | Illuminated radio: Imagination and affect in the tradition of the audio ‘feature,’‘acoustic film’and radio documentaire de creation | |
| Lopriore | Being there: Travel documentaries | |
| Kuosmanen | Getting Your Daily Flix: A Reception Study of Netflix and Its Subtitles | |
| Hooffacker | Presentation Forms and Multimodal Formats | |
| Queen | 13 Working with Performed | |
| Zoulek | Analyzing the Intersections of Saxophone and Digital Media Through Media Theory | |
| Tomascikova | On narrative construction of television news | |
| Pek-Dorji | Opening the gates in Bhutan: Media gatekeepers and the agenda of change | |
| TCHEPIKOVA-TREON | FROM DEAF TO CULT FILM: DEAFULA'S UNAUTHORIZED TRANSFER. | |
| Gupta | A descriptive analysis of cultural references in the Spanish subtitling and dubbing of Indian cinema |