仿真工艺油画的生产加工工艺 Production process of simulation process oil painting
技术领域 Technical field
本发明涉及仿真油画加工技术,特别是指一种新颖的仿真工艺油画产品的 生产加工工艺。 ' 发明背景 The invention relates to a simulated oil painting processing technology, in particular to a novel production process of a simulated oil painting product. 'Invention background
众所周知, 油画艺术作品因其鲜明的色彩和强烈的艺术表现力, 为人们所 喜爱, 但高昂的价格使它成为贵族艺术的代表, 难以面对最为广大的群众。 于 是, 出现了各种各样价格低廉的油画印刷物衍生的工艺产品,但是这类产品存 在一些缺点: ① 由于印刷过程中色彩的衰减和装裱工艺的单调、 呆板, 全然 失去了油画艺术的魅力。 ②印刷油画工艺产品的生产加工工艺落后, 仅仅是将 图片贴压在底板上, 再稍加装裱便供应市场, 难以引起消费者的关注。 As we all know, oil painting art works are loved by people because of its vivid color and strong artistic expression, but the high price makes it a representative of aristocratic art, and it is difficult to face the vast majority of the masses. Therefore, there have been various low-priced crafts derived from oil paintings, but there are some disadvantages in this type of products: 1 Due to the color decay during printing and the monotony and rigidness of the decoration process, the charm of oil painting art is completely lost. 2 The production and processing technology of printing oil painting technology products is backward. It is only to press the picture on the bottom plate, and then it will be supplied to the market with a little installation. It is difficult to attract consumers' attention.
还有一类工艺品是在某种硬庸材料如石料上绘图作画,这是绘画艺术的一 种延伸。 但因石材等基料本身特性的限制, 至今已有的做法主要有: 一种是利 用石块或卵石粘接成型, 再在上面绘制一些简单、 抽象图案类型的单体作品, 如变形的动物和卡通人物等, 不能真实地表现大自然的万千气象; 而且, 由于 要求加工者必须具有一定艺术功底,这类工艺品基本不能形成工业化的规模型 生产。 另一种是利用石料为基材形成仿真浮雕、 仿古化石、 粘接石片画和天然 石屏等等,但这类产品的表现范围狭窄, 大多只能表现一些特定的物体和抽象 的图案,如出土文物、远古化石、古代的民族文字符号、抽象的山水图案等等。 There is also a type of crafts that draws on certain hard materials such as stone, which is an extension of the art of painting. However, due to the limitations of the properties of the base materials such as stone, there are mainly the following practices: One is to use stone or pebbles to form a single piece, and then draw some simple, abstract pattern type of single works, such as deformed animals. And cartoon characters, etc., can not truly represent the vastness of nature; and, because the processor must have a certain artistic foundation, such crafts can not form industrialized scale production. The other is the use of stone as a substrate to form simulated relief, antique fossils, bonded stone paintings and natural stone screens, etc., but these products have a narrow range of performance, most of which can only represent some specific objects and abstract patterns, such as Unearthed artifacts, ancient fossils, ancient national symbols, abstract landscapes, and so on.
目前, 还没有一种工业生产工艺能将油画艺术与天然的硬质材料如石材、 木材等结合在一起, 形成具有强烈艺术表现力的、 消费者关注的工艺产品。 发明内容 At present, there is no industrial production process that combines oil painting art with natural hard materials such as stone and wood to form a craft product with strong artistic expression and consumer attention. Summary of the invention
有鉴于此, 本发明的主要目的在于提供一种仿真工艺油画的生产加工工
艺, 能规模化生产具有逼真油画效果的、 丰富多彩的精美工艺品, 而且价格低 廉。 In view of this, the main object of the present invention is to provide a production and processing worker for a simulated process oil painting. Art, can produce large-scale exquisite handicrafts with realistic oil painting effects on a large scale, and the price is low.
为达到上述目的, 本发明的技术方案是这样实现的: In order to achieve the above object, the technical solution of the present invention is achieved as follows:
一种仿真工艺油画的生产加工工艺, 关键在于: 将选定的图片贴压在选好 的硬质材料上,再根据选定图片的色彩进行加彩增艳处理, 然后使用透明胶盾 材料对经过加彩增艳处理的硬质材料表面进行油画笔触涂层。 The key to the production process of the simulation process oil painting is: press the selected picture on the selected hard material, and then add color and brighten according to the color of the selected picture, and then use the transparent plastic shield material The surface of the hard material treated with the color enhancement is subjected to oil brush touch coating.
其中, 所述的硬质材料为: 石材、 木质材料、 水晶、 玻璃、 琉璃、 瓷质材 料、 漆具材料。 所述贴压在硬质材料上的图片为: 印制在薄型、 韧性较好的胶 膜或纸质材料上的图片。 Wherein, the hard material is: stone, wood material, crystal, glass, glass, porcelain material, paint material. The picture pressed on the hard material is: a picture printed on a thin, tough film or paper material.
上述方案中, 所述加彩增艳工艺流程具体为: 在硬质材料的边缘部分用油 画颜料依据图片原有的色调涂色; 包括以下三个工序步骤: 暗部工艺处理、 灰 调工艺处理以及亮调工艺处理。所述进行油画笔触涂层具体为: 用油画笔将透 明胶质材料涂抹在经过加彩增艳处理的硬质材料表面。其中, 所述透明胶质材 料为: 环氧树脂、 透明胶、 指曱油、 玻璃胶、 硅胶。 In the above solution, the process of adding color and brightening is specifically: painting the oil color according to the original color tone of the picture on the edge portion of the hard material; the following three process steps are included: dark process, gray process, and Bright process processing. The oil brush touch coating is specifically: applying a transparent gel material to the surface of the hard material subjected to the color enhancement treatment with an oil brush. Wherein, the transparent gel material is: epoxy resin, transparent rubber, finger oil, glass glue, silica gel.
上述方案中,在将选定图片贴压于硬质材料上之前, 该加工工艺进一步包 括: 打磨选好的硬质材料的表面和 /或边沿。 In the above solution, the processing further includes: sanding the surface and/or the edge of the selected hard material prior to applying the selected image to the hard material.
上述加工工艺还可以进一步包括: 在硬质材料的背面钻孔和 /或在硬质材 料的背面下方中间位置加工卡座槽。 . The above processing may further include: drilling the back surface of the hard material and/or processing the card slot at an intermediate position below the back surface of the hard material. .
本发明所提出的仿真工艺油画的生产加工工艺,通过基材选择、图片贴压、 封边固化、 加彩增艳、 仿真油画工艺效果处理等基本工序, 可以将多种多样、 色彩各异的图片贴压在硬质材料上,使其产生出逼真的油画效果, 形成精美的 仿真工艺油画产品。 由于这种产品能附着在各种硬质材料上, 并以油画艺术的 方式来表现大自然的万事万物, 如此, 不仅便于就地取材, 使产品更具地方乡 土特色, 而且能大大降低成本, 增强市场竟争力。 由于本发明的产品能够具有 各地的乡土特色, 又具有一定艺术含量, 还能在满足旅游者消费需求的同时,
为各个地方增加经济效益和利益。 另外, 本发明与现有技术的生产加工方式、 加工工艺、 产品表现对象和工艺特征都不同, 将本发明用于工业化生产, 还具 有工艺筒单、 投资少、 成本低、 不污染环境、 产品安全无毒无害、 便于携带、 易于清洗等诸多优点。 The production and processing technology of the simulated process oil painting proposed by the invention can be various and varied in color through basic processes such as substrate selection, picture pressing, edge sealing curing, color enhancement, and simulation oil painting process treatment. The picture is pressed against the hard material to create a realistic oil painting effect, forming a beautiful simulation process oil painting product. Because this product can be attached to a variety of hard materials, and the natural art of everything in the art of oil painting, so that it is not only convenient to take materials locally, but also to make the products more local, and can greatly reduce costs. Enhance market competitiveness. Since the product of the invention can have the local characteristics of various places and has a certain artistic content, it can also meet the consumer demand of the tourists, Increase economic benefits and benefits for various places. In addition, the present invention is different from the prior art production processing methods, processing techniques, product performance objects, and process characteristics, and the invention is applied to industrial production, and has a process cartridge, low investment, low cost, no pollution to the environment, and products. Safe, non-toxic, easy to carry, easy to clean and many other advantages.
采用本发明加工工艺生产出来的仿真工艺油画产品,可以将基础材料原有 的质感和起伏错落的天然纹理与图片蕴含的山水风光神韵、层次, 油画艺术明 快的色彩、 笔触融为一体, 让静态的、 固化的材质成为极具地方特色的、 栩栩 如生的、 极具油画艺术魅力的精美工艺产品。 无论是远观还是近瞧, 无论视觉 效果还是触摸感觉, 都与油画艺术是一致的。 本发明加工工艺生产出的仿真工 艺油画产品不同于现有的油画印刷工艺产品, 不仅仅因为产品附着的基材不 同, 更在于它具有更为直接的凹凸立体感和几可乱真的油画笔触效果。 The simulation process oil painting product produced by the processing technology of the invention can integrate the original texture and the undulating natural texture of the base material with the landscape, the level, the bright color and the brush stroke of the oil painting art, and let the static The solidified material becomes a beautiful craftsmanship with local characteristics, lifelike and oil painting art charm. Whether it is far-sighted or close-knit, whether it is visual or touch, it is consistent with the art of oil painting. The simulation process oil painting product produced by the processing technology of the invention is different from the existing oil painting printing process product, not only because the substrate attached to the product is different, but also because it has a more direct three-dimensional effect and a few oily brush stroke effects. .
进一步的, 本发明的工艺产品基座可以采用不同的材质和形状, 如: 采用 象牙塑料、 骨料、 木料等进行雕刻, 也可以不用基座而改用木质或有机玻璃的 板材、 工艺漆盘等为底衬, 使产品更加精美、 品种式样更加丰富、 可选择性更 强。 并且, 可根据材质的不同形成高、 中、 低不同的价格产品系列, 以满足不 同消费者的消费和选择需求。 Further, the base of the process product of the present invention can be made of different materials and shapes, such as: using ivory plastic, aggregate, wood, etc., or using a wooden or plexiglass plate or a process lacquer plate without using a pedestal. The bottom lining makes the product more beautiful, the variety is more abundant, and the selectivity is stronger. Moreover, high, medium and low price series can be formed according to different materials to meet the consumption and selection needs of different consumers.
更进一步的,本发明可以增加工艺流程中的艺术含量,在经过精细加工的 石片、 木片或木盘、 瓷盘、 漆盘上根据消费者需要增加更加个性化的效果, 比 如: 绘制人物肖像、 生活图片等等。 附图简要说明 Furthermore, the invention can increase the artistic content in the process flow, and add more personalized effects on the finely processed stone pieces, wood chips or wooden plates, porcelain plates and paint plates according to the needs of the consumers, for example: drawing portraits , life pictures, and more. BRIEF DESCRIPTION OF THE DRAWINGS
图 1为本发明中选择基材并进行取型打磨工艺步驟的示意图; 1 is a schematic view showing a process of selecting a substrate and performing a patterning and polishing process in the present invention;
图 2为本发明中在基材背面加工基座槽和挂钩孔工艺步骤的示意图; 图 3为本发明中将所选彩色图片熨贴粘压在基材上的工艺步骤示意图; 图 4为本发明中封边工艺处理步骤的示意图; 2 is a schematic view showing a process step of processing a base groove and a hook hole on a back surface of a substrate according to the present invention; FIG. 3 is a schematic view showing a process step of pressing and pressing a selected color picture on a substrate in the present invention; Schematic diagram of the processing steps of the edge sealing process in the invention;
图 5为本发明中加彩增艳工艺处理步骤的示意图;
图 6为本发明中仿真油画效果工艺处理步骤的示意图; Figure 5 is a schematic view showing the processing steps of the color increasing process in the present invention; 6 is a schematic view showing a process step of simulating an oil painting effect process according to the present invention;
图 7为经过本发明加工工艺制成的工艺产品示意图; Figure 7 is a schematic view of a process product produced by the processing technique of the present invention;
图 8为本发明工艺处理的整体流程图。 实施本发明的方式 Figure 8 is an overall flow chart of the process of the present invention. Mode for carrying out the invention
为使本发明的目的、技术方案和优点表达得更加清楚明白 , 以下结合附图 及具体实施例对本发明作进一步详细的说明。 The present invention will be further described in detail below with reference to the drawings and specific embodiments.
本发明所述的仿真工艺油画加工工艺如图 8所示, 包括几个基本的工序: 基材选择、 图片贴压、 封边固化、 加彩增艳、 仿真效果处理, 其中, 基材选择 是选择合适的硬质材料作为工艺产品的基料,使选择好的图片能粘贴在所选基 料上; 封边固化是指对粘贴好的图片边缘做封边处理; 加彩增艳是指对粘贴好 的图片的四周位置采用油画颜料分别进行亮调、 灰调、 暗调的处理; 仿真效果 处理是指采用油画的笔触技术对经过加彩增艳的工艺产品进行处理,使最终生 产出的工艺产品具有逼真的油画效果和表现力。 The simulation process oil painting processing process of the present invention is shown in FIG. 8 and includes several basic processes: substrate selection, image pressing, edge sealing curing, color enhancement, and simulation effect processing, wherein the substrate selection is Choosing a suitable hard material as the base material of the process product, so that the selected picture can be pasted on the selected base material; the edge sealing curing refers to the edge sealing treatment of the pasted picture edge; The surrounding positions of the pasted pictures are treated with oil paints for bright, gray and dark adjustments. The simulation effect processing refers to the processing of the processed products with the color enhancement by the brush stroke technique of oil painting, so that the final production is carried out. Craft products have realistic oil painting effects and expressiveness.
这里,所述硬质材料是指没有弹性、没有伸缩力的各种材料, 比如: 石材、 木质材料、 水晶、 玻璃、 琉璃、 瓷质材料、 漆具材料等等。 下面仅以石材为例, 具体说明本发明加工工艺的实现, 其它材质的加工工艺步骤与石材类似。 Here, the hard material refers to various materials having no elasticity and no stretching force, such as: stone, wood material, crystal, glass, glass, porcelain material, paint material, and the like. In the following, only the stone material is taken as an example to specifically explain the realization of the processing technology of the present invention, and the processing steps of other materials are similar to those of the stone material.
图 1至图 6分别为本发明加工工艺中每个处理工序的操作示意图,下面按 工序流程——详细说明。 1 to 6 are respectively schematic views of the operation of each processing step in the processing process of the present invention, and the following is a detailed description of the process flow.
图 1为本发明仿真工艺油画加工工艺中基材选择的示意图,本实施例中选 择石片为仿真工艺油画石工艺产品的基料, 所选石片的形状如标号 11所示, 石片 11可以选用天然石片或人造石片, 尺寸大小不限。 石片的边沿形态可以 根据需要通过敲击、 打磨等方式进行加工, 使其形成自然的起伏状态, 如标号 12 所示。 由于石片表面的石纹起伏与图片表达的景物主题相协调时, 能够增 强和突出图片表达的层次感, 故此, 为使石片表面形成较为平整、 自然的褶皱 13和 /或使石片厚度 14达到一定的要求, 比如: 使石片厚度 14不超过 8毫米,
需要打磨石片的正面, 当然, 如果所选的石片本身已符合要求, 对石片的打磨 可以省略。 1 is a schematic view showing the selection of a substrate in a simulated process oil painting process of the present invention. In this embodiment, a stone piece is selected as a base material of a simulated process oil painting stone product product, and the shape of the selected stone piece is indicated by reference numeral 11, stone piece 11 Natural stone or artificial stone can be used, regardless of size. The edge shape of the stone piece can be processed by tapping, sanding, etc. as needed to form a natural undulating state, as indicated by reference numeral 12. Since the stone undulation on the surface of the stone is coordinated with the subject matter of the picture, it can enhance and highlight the layering of the picture, so that the surface of the stone is formed into a relatively flat, natural fold 13 and/or the thickness of the stone 14 to meet certain requirements, such as: make the thickness of the stone 14 not more than 8 mm, The front side of the stone piece needs to be polished. Of course, if the selected stone piece itself meets the requirements, the grinding of the stone piece can be omitted.
经过基材选择和处理后,为了能将油画石工艺产品放置在合适的底座上或 挂置, 可以在所选石片 11上钻孔或设置卡座槽。 具体来说, 如图 2所示, 一 般在所选石片 11的背面位置 21处钻孔,位置 21通常可以在石片 11中上部合 适的位置, 比如: 对于左右而言居中的位置, 当然, 位置 21可以设置在任何 适当的位置, 只要方便挂置即可。 所钻孔的大小根据需要而定, 可以是直径为 4-5毫米、 深度不超过 4毫米的小孔。 同时, 在石片 11背面下方中间位置通过 石材切割机加工卡座槽 22, 卡座槽 22的尺寸大小与要选用的底座相匹配。 如 果所生产的仿真工艺油画石工艺产品不需要底座放置或挂置,钻孔、加工卡座 槽的处理工序可以省略。 After the substrate has been selected and processed, in order to place the masonry process product on a suitable base or to be hung, a hole can be drilled or provided on the selected stone piece 11. Specifically, as shown in Fig. 2, the hole 21 is generally drilled at the back position 21 of the selected stone piece 11, and the position 21 can usually be at a suitable position in the upper part of the stone piece 11, for example: a centered position for the left and right, of course , position 21 can be set in any suitable position, as long as it is convenient to hang. The size of the hole to be drilled may be a small hole having a diameter of 4-5 mm and a depth of not more than 4 mm, depending on the need. At the same time, the card slot 22 is machined through the stone cutter at the bottom of the back of the stone piece 11, and the size of the card slot 22 matches the base to be used. If the simulated process oil painting stone product produced does not require the base to be placed or hung, the processing of drilling and processing the card slot can be omitted.
接下来,选定所要贴压的图片,所选图片最好是印刷、影印、拓印在薄型、 韧性较好的胶膜或其它不会渗油的纸质材料上的彩色或黑白图片,以防 J£¾图 片质地太厚贴压不紧、纸质图片不能进行油彩处理等问题出现, 图片内容可以 是专业艺术家的油画作品图片, 也可用一般摄影图片。 选定图片后, 从图 3、 图 4可知, 在己经初步加工的石片 11上, 均匀涂抹上胶水 31 , 将图片 32在 加压的条件下粘合在石片 11上, 使之平整并显现出石片 11上的底纹。 这里, 所述的胶水 31可以采用各种胶水, 所述加压是指在一定压力下, 比如用液压 或自动、 半自动的压力机械装置。 当贴有图片的石片 41略为干燥后, 可用锋 利的小刀 42沿石片 41边缘将多余的图片角料 43切下, 然后用快干胶水 44 沿石片 41的边缘作封边处理, 由此使图片能紧紧贴在石片 41上。 Next, select the image to be pressed. The selected image is preferably printed, photocopied, or printed on a thin, tough film or other non-oily paper color or black and white image. The image of the anti-J£3⁄4 picture is too thick and the pressure is not tight, and the paper picture cannot be processed by the oil color. The picture content can be a picture of a professional artist's oil painting, or a general photography picture. After selecting the picture, it can be seen from Fig. 3 and Fig. 4 that on the stone piece 11 which has been initially processed, the glue 31 is evenly applied, and the picture 32 is bonded to the stone piece 11 under pressure to make it flat. And the shading on the stone piece 11 is revealed. Here, the glue 31 may be made of various glues, which are under a certain pressure, such as a hydraulic or automatic, semi-automatic pressure mechanism. When the stone piece 41 with the picture is slightly dry, the excess picture material 43 can be cut along the edge of the stone piece 41 with a sharp knife 42 and then edge-sealed along the edge of the stone piece 41 with the quick-drying glue 44. This allows the picture to be closely attached to the stone piece 41.
本发明中, 最重要的加工工序是加彩增艳和仿真效果处理。 本实施例中, 所述加彩增艳如图 5所示,用油画笔 51将与图片色彩相似的油画颜料 52涂抹 在已经贴好图片的石片 41四周的相应位置 53上, 比如: 图 5中石片 41表面 斜线部分的全部或部分。 而且,在涂抹时要注意保留油画颜料在涂抹过程中的
自然笔触和色调的过渡。 具体来说, 所谓加彩增艳的工序实际就是: 在硬质材 料的边缘部分用油画颜料依据图片原有的色调涂色, 包括三个子工序处理: 顺 序对贴好图片的石片 41四周进行暗部工艺处理、 灰调工艺处理、 亮调工艺处 理。 具体对哪部分进行暗部处理、哪部分进行灰调处理、 哪部分进行亮调处理 需才艮据选定图片的色彩来确定, 在具体生产过程中, 可通过电脑调色机调色, 再由工人组成生产流水线来进行生产加工。 In the present invention, the most important processing steps are color enhancement and simulation effect processing. In this embodiment, the color enhancement is as shown in FIG. 5, and the oil paint 52 similar in color to the picture is applied to the corresponding position 53 around the stone piece 41 to which the picture has been pasted, for example: 5 All or part of the diagonal portion of the surface of the stone piece 41. Moreover, pay attention to retaining the oil paint during the application process. Natural brush strokes and tonal transitions. Specifically, the so-called process of adding color and brightening is actually: using oil paint on the edge of the hard material to paint according to the original color of the picture, including three sub-processes: sequentially ordering the stone pieces 41 around the picture Dark process, gray process, and bright process. Which part of the dark part processing, which part of the gray tone processing, which part of the light adjustment process need to be determined according to the color of the selected picture, in the specific production process, can be colorized by the computer color machine, and then Workers form production lines for production and processing.
仿真油画效果处理是决定工艺产品质量的关键, 具体操作如图 6所示,在 已经过图 1至图 5工艺处理且充分干燥的油画石片 41上,用画笔 61将稠度较 大的、 透明胶质材料 62涂抹在贴压有选定图片的石片 41表面上, 即: 进行仿 真油画笔触涂层; 经再次干燥后, 油画石工艺产品基本完成, 可以进一步为美 丽的仿真工艺油画石安装底座和挂钩。这里, 所述的油画笔触也属于油画艺术 中的常用手法; 所用到的透明胶质材料可以是各种透明的胶质化工材料,根据 规格、 型号、 配方的不同会使石工艺产品具有不同的外观质量和保质期, 可以 根据性能、 价格比来选择。 通常可釆用的透明胶质材料有: 指曱油、 硅胶、 透 明胶、 环氧树脂、 玻璃胶等等。 The simulation oil painting effect processing is the key to determine the quality of the process product. The specific operation is shown in Fig. 6. On the oil painting stone piece 41 which has been processed and fully dried by the process of Fig. 1 to Fig. 5, the brush 61 will be thicker and transparent. The colloidal material 62 is applied on the surface of the stone piece 41 which is pressed with the selected picture, that is, the simulated oil brush touch coating is applied; after drying again, the oil painting stone product is basically completed, and can be further installed for the beautiful simulation process oil painting stone. Base and hook. Here, the oil brush touch is also a common method in the art of oil painting; the transparent colloid material used may be various transparent colloidal chemical materials, and the stone craft products may have different according to different specifications, models and formulas. Appearance quality and shelf life can be selected based on performance and price ratio. Commonly available transparent colloidal materials are: finger oil, silicone, transparent gel, epoxy, glass glue, and the like.
在实际生产中, 不论在所选基材形态或材料上作任何变化, 凡是利用在硬 质材料上覆膜,再用油画颜料作适当艺术加工, 并用透明胶体进行油画笔触仿 真处理,使一般图片具有油画艺术效果的生产加工工艺均属于本发明方法的保 护范围。 此外, 将仿真工艺油画工艺产品的底座或底衬进行改进, 无论是材料 的改用还是材料形态的变化都属于本发明实施方式的一种变形。 In actual production, no matter what changes are made in the shape or material of the selected substrate, the film is coated on the hard material, and then the oil paint is used for appropriate artistic processing, and the transparent brush is used for the simulation of the oil brush to make the general picture. Production and processing processes with oil painting artistic effects are all within the protection scope of the method of the present invention. In addition, the modification of the base or underlay of the simulated process oil painting process product, whether it is a material change or a change in material form, is a variant of the embodiment of the present invention.
以上所述仅为本发明的较佳实施例而已, 并非用于限制本发明的保护范 围。
The above is only the preferred embodiment of the present invention and is not intended to limit the scope of the present invention.