AU676433B2 - An improved form of music notation - Google Patents

Description

S'NTS ACT 1990 COMPLETE SPECIFICATION FOR OFFICE USE Short Title: Int. Cl: Application Number Lodged: Complete Specification-Lodged: Accepted: Lapsed: Published: Priority: PM5807 dated 24 May, 1994 Related Art: TO BE COMPLETED BY APPLICANT Name of Applicant: Beris Ivy Quinn Address of Applicant: 138 Ellesmere Road, GYMEA BAY NSW 2227 Actual Inventor: Address for Service: AS ABOVE ANDERSON-TAYLOR ASSOCIATES, Registered Patent Attorneys of 10 Harrison Avenue BONNET BAY N.S.W. 2226 Complete Specification for the invention entitled: AN IMPROVED FORM OF MUSIC NOTATION The following statement is a full description of this invention, including the best method of performing it known to me: -1-

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This invention relates to an improved form of musical score which assists in the teaching of students to read music and to play instruments with greater accuracy.

In conventional music scores the key signature is placed at the beginning of each staff so that the studerlt has to play without further prompting the necessary sharps and flats as required throughout the piece. Variations from the specified key are indicated by accidentals adjacent to particular notes. Such existing presentation results in considerable visual clutter especially where there is a large number of accidentals. Moreover, it has been estimated that only those students with abilities in about the top 5% are able to easily follow a key signature throughout a composition without error.

It is therefore an object of this invention to ameliorate the aforementioned disadvantage and accordingly a musical score is disclosed in which the key and any accidentals are indicated by colour or other visual coding of specific individual notes and associated components as they appear throughout the composition.

Preferably said individual notes are coded by printing the heads thereof in contrasting colours in accordance with whether they are inflected with a sharp or flat.

Alternatively the visual coding may be obtained by altering the shape of the note heads.

-1A- The invention in its currently preferred forms will now be described with reference to the following figures in which the letter indicates notes or associated components coloured green and the letter indicates such items as coloured red.

Figure la illustrates the conventional method of writing F# and Db in crotchets, or any other filled in note e.g. quaver etc.

Alongside is a preferred method according to this invention where colour is used to indicate that these notes 1 and 2 are on the black keys, red indicating a s-mitone to the r.ght of the note, and green a semitone to the left of the note, thus eliminating accidentals.

Figure Ib illustrates the conventional method of writing F# and Db as minims, or semibreves. Alongside is shown the preferred method according to this invention where colour is used to indicate that these notes 3 and 4 are on the black keys: red indicating a semitone to the right of the note, green a semitone to the left of the note, thus eliminating accidentals.

Figure 2a shows a guideline which may be coloured red to facilitate the reading of notes above or below the treble staff.

The third line 5 above the treble clef uses E as a reference point relating to the first line E of the standard treble clef E G B D F. The third line 5a below the treble relates to the first space of treble clef F A C E. These lines and spaces are very familiar to music students as they form the basic treble staff.

Figure 2b shows a guideline which may be coloured red according to this invention above and below the bass staff. The third line 6 above uses G as a reference point relating to the first line G in the bass clef G B D F A. The third line 6a below relates to A the first space in the bass clef, A C E G. These lines and spaces are very familiar to music students as they form the basic bass staffs.

With conventional music notation the excessive number of leger lines often used to illustrate the highest and lowest notes on the keyboard can easily be dispensed with by the use of the octave sign, 8va above the treble clef, Sa.. which tells the student or performer to play the written notes one octave higher. The same sign or 8va bassa..., can be used in the bass clef and means that the notes are ,n to be played one octave lower than written.

In accordance with this invention a red coloured line may divide the essential leger lines so that with the octave signs the (performer) student only has to identify a maximum of two leger lines above or below this reference point in both treble and bass clefs.

Figure 3 illustrates the preferred method according to this invention of highlighting changes of clef to alert a student to altered tonality. With this example a red coloured line 7 is placed around the treble clef and a green coloured line 8 is placed around the bass clef.

Figure 4 is the preferred method according to this invention of indicating ties where the second note is not repeated but is held for its full value. This avoids unnecessary repetition and also confusion between a tie and a slur which are identical. The tied note 9 is preferably written in grey with a diagonal stroke.

Figure 5a illustrates the preferred method according to this invention of writing notes inflected with double sharps and double flats as the actual note on the keyboard. For example F double sharp is written as G and B double flat is written emoe as A. For analytical purposes it is further preferred to indicate the double sharp as a diagonal line 10 in white when the inflected note is a crotchet, quaver etc. (filled in black note). Similarly it is preferred to indicate the double flat as a vertical white line 11 when the inflected note is a crotchet, quaver etc.

0.."2 Figure 5b shows the currently preferred method for analytical purposes o of writing the double sharp and double flat as minims or open notes.

In this case the diagonal line 12 for the double sharp and the vertical line 13 for the double flat will be black.

Alternatively the double sharp or flat may be represented as a triangular note head 14 with the apex pointing upward (figure 5c) or downward 15 (figure 5d) respectively.

There are two sharps which occur on the white keys of the keyboard, being- E# which is the actual note F; and B# which is the actual note C.

There are also two flats which occur on the white notes, being- Fb which is the actual note E; and

C

b which is the actual note B.

As shown in figures 6a and 6b it is preferred in accordance with this invention to write these notes 16, 17, 18 and 19 as the actual notes to be played and to indicate their origin by shading the right side in grey to show that the note has been moved to the right in the case of sharps and by shading the left side in grey to show that the note has been moved to the left in the case of the flats.

Alternatively as shown in figures 6c and 6d the actual oo note may be printed with the addition of a small tag of colour on the note head. For example a red dot 20 underneath the note head may be used for sharps and a green dot21 above the note head for flats so as to indicate the original o• inflected notes.

ooe ero For instruments other than keyboard e.g. strings, wind the notation shown in figures 6a and 6b would not apply as there would not be the problem of the black and white key pattern. In this case E# would preferably be written as a red E B# would preferably be written as a red B Fb would preferably be written as a green f; and Cb would preferably be written as a green C.

Figure 7a shows part of a score (Allemande) presented in conventional prior art fashion. The key signature at the beginning of each staff shows B b and Eb. In addition there are sharp and natural accidentals appearing adjacent to various individual notes throughout the composition. For most students such presentation is difficult if not confusing due to the visual clutter and also the necessity of picking up each Eb and Eb of the key signature without further prompting.

In figure 7b this same score is printed in accordance with the present 1 invention. The notes Bb and Eb are colour coded green in place of the key signature and A flat accidentals are also coloured green. Notes F are colour coded red in place of the sb-rp accidentals. Ties 22 are distinctly shaded lighter with a diagonal stroke through to show this note is not to be played again. This novel arrangement produces a remarkably easy to read score in which all sharps and flats are immediately recognisable even to beginners or students of limited ability.

The omission of accidentals throughout also reduces visual clutter.

Figure 8a as a second example shows a portion of a score (Scherzo by Chopin) presented in conventional prior art fashion.

Figure 8B shows this same portion prinued in accordance with the present invention. In this case the third leger line highlight 23 is used to show a reference point above and below both the treble and bass staffs. In the treble clef

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the highlight appears on the third leger line above the staff indicating the position of E, and the third line below indicating the position of F. Correspondingly in the bass clef indicating the position G and A on the third line above and below respectively.

Changes in clef occurring throughout the piece are indicated by a red coloured line 24 around the treble clef and a green line around the bass clef.

Double sharps and double flats are indicated as the actual note (e.g.

999 ~F double sharp equals Preferably this is indicated by a white 99.9 diagonal line 26 in a filled in black note e.g. crotchet, and a black diagonal line in an open note e.g. minim. The double flat is indicated with a white vertical line in a filled in black note and a black vertical line in an open note (as appearing in figure 5a and 9." Where notes are tied, indicating that the subsequent note is not to be sounded (as appearing in figure 7b), a paler 9.

shade is preferably used for the tied note with a diagonal line through the note head.

As shown in figure 8b the tonality of a piece will also be preferably shown at the beginning or at specified key changes by coloured squares 27 to replace a given key signature.

To facilitate the transition from the current system of musical score to the proposed method an intermediate step would preferably be implemented. The key signatures and accidentals would be maintained and the inflected notes (sharps and flats) would be coloured red and green respectively in accordance with this invention. In this intermediate form B F b and Cb flat would remain in their original form, e.g. E would be written as a black note preceded by a sharp (figure 7c).

In accordance with a further embodiment of this invention there is also the option of having the key signature and all accidentals in one colour only. For example if a piece has a key signature of three flats Bb, Eb and oo Aband made use of some sharp accidentals throughout, these accidentals could be written enharmonically as flats, e.g. F# (a red F) would be written as Gb (a green S" The reverse would apply in a piece which had a key signature of three sharps and used flat accidentals throughout.

It will thus be appreciated that this invention at least oo in the form of the embodiments described provides a novel go and unique form of musical score which greatly assists students in attaining greater accuracy and fluency in performance. Clearly however the example disclosed is only the currently preferred fbrm of this invention and modifications may be made which would be apparent to a person skilled in music. For example other contrasting colour combinations or visual identification means may be used. Furthermore the application of this invention I I is not limited to the printed sheet and extends to any other form of reproduction such as computer displays, computer generated scores and any other electronic or mechanical device.

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Claims (8)

1. 2. The musical score as claimed in claim 1 wherein any ••co note inflected with a double sharp or double flat appears as the actual white note on the keyboard.
2. 3. The musical score as claimed in claim 2 wherein said Sany note which is inflected with a double sharp includes a diagonal line within or through the head thereof and .any note which is inflected with a double flat includes S.. a vertical line within or through the head thereof.
3. 4. The musical score as claimed ill claim 2 wherein said any note inflected with a double sharp comprises a triangular head with the apex pointing upward and any note inflected with a double flat comprises a triangular head with the apex pointing downward. The musical score as claimed in claim 1 wherein I, I I any note inflected with a sharp or flat which appears on a white key of the keyboard is indicated on said score by a grey shading of the right side of the note head in the case of a sharp and a grey shading of the left side of the note head in the case of a flat.
4. 6. The musical score as claimed in claim 1 wherein any note inflected with a sharp or flat which appears on a white key of the keyboard is indicated by a dot in one of said set of contrasting colours in the case of a sharp and a dot in another of said contrasting colours in the case of a flat.
5. 7. The musical score as claimed in any one of the preceding claims wherein any tied note appears in grey shading with S a diagonal line through the head thereof.
6. 8. The musical score as claimed in any one of the preceding claims wherein any change to a treble clef is indicated with a line around said treble clef in one of said set of indicated with a line around said base clef in another of said set of contrasting colours.
7. 9. The musical score as claimed in any one of the preceding claims wherein guidelines to facilitate the reading of notes above and below the treble or bass clef are in one of said set of contrasting colours. -11- A musical score substantially as described herein with reference to figures la to 6d, 7b and 8b.
8. 11. A method of teaching music which includes the step of instructing a student to recognise the key of a musical score by the visual coding of individual notes as they appear throughout said score, said visual coding including a set of contrasting colours, one of said set being applied to those indiv jual notes inflected with a sharp and another of said set being applied to those individual notes inflected with a flat. *4 Dated Thia 22nd Day Of May, 1995 Beris Ivy Qujnn By Her Patent Attorney MICHAEL ANDERSON-TAYLOR S S -12- I