Claus Tieber
Principle investigator of several research projects. Habilitation (post-doc thesis) about the history of the American screenplay. Publications about storytelling in silent cinema, Hindi cinema and film music. Teaches film studies at universities in Vienna, Brno, Kiel and Salamanca. Recent publications: When Music Takes Over in Film (ed. with Anna K. Windisch and Phil Powrie) Palgrave 2023 and The Palgrave Handbook of Screenwriting Studies (ed. with Rosamund Davies and Paolo Russo) Palgrave 2023.
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Ästhetik, Dramaturgie und Produktionsweise des Hindi-Films nehmen den zweiten Teil des Buchs ein. Historische Darstellung, formale und dramaturgische Analysen sowie die ökonomische Basis des Hindi-Films bieten solcherart mehrere Wege zum besseren Verständnis von Filmen, "Made in Bollywood".
Ästhetik, Dramaturgie und Produktionsweise des Hindi-Films nehmen den zweiten Teil des Buchs ein. Historische Darstellung, formale und dramaturgische Analysen sowie die ökonomische Basis des Hindi-Films bieten solcherart mehrere Wege zum besseren Verständnis von Filmen, "Made in Bollywood".
film period have received an increasing attention from the academic
community, both in film studies and musicology. The emergence of
interdisciplinary networks, such as “The Sounds of Early Cinema in
Britain” (Brown and Davison 2013) and the “Cabiria Research
Project” in Italy (Colturato 2014), have contributed to widen the
frame of this field, revealing the importance of national, regional and
local specificities in the construction of early cinema as an auditory
experience. In the context of the thematic issue on “Music, sound
and cinema”, Aniki interviewed Claus Tieber and Anna K. Windisch.
of “silent” film sound, this article explores the deployment of the singing voice
in Vienna’s movie theaters, discussing the city’s specific preconditions for cinema
sound and the resulting proliferation of vocal performances in film exhibition focusing
on the years 1913 to 1923.