Suparman, former student in Rotterdam; unemployed Harsini, Suparman’s fiancée; teacher Kartono, H... more Suparman, former student in Rotterdam; unemployed Harsini, Suparman’s fiancée; teacher Kartono, Harsini’s younger brother; student at the Netherlands Indies School for the Arts (Nerderlands Indische Artsen School) Martono, volunteer at a government office Suratman, graduate of Holland’s Islands Kweekschool (Hoogere Inlandsche Kweekschool); unemployed Sarti, Harsini’s friend Abu Talib, Sarti’s husband Puspohadi, father of Harsini and Kartono Mrs. Puspohadi, mother of Harsini and Kartono Sumardjo, Sarti’s father; doctor Manservant
This article details the development of Indonesian national art theatre in Makassar, South Sulawe... more This article details the development of Indonesian national art theatre in Makassar, South Sulawesi from the 1950s to the present. It argues that through a commitment to modernity and modern aesthetics strong bonds to the idea of the nation were formed by Makassar theatre workers. Furthermore, in charting the relationship between local Makassar theatre and national trends often pioneered in Jakarta, I argue that beginning in the New Order and continuing to the present, through several formal and stylistic changes, the deployment of local cultural elements in modern Indonesian national theatre has deepened. Yet this development represents both a renewed pride in local identity and a continuing commitment to the national community.
... include Sanusi Pane's last play, Manusia Baru (The new humanity, 194... more ... include Sanusi Pane's last play, Manusia Baru (The new humanity, 1940), Armin Pané 's Lukisan Masa (A portrait of the times, 1937), and Saadah Alim's Pembalasannya ... Akhir-akhir ini saya memang selalu mengajak kita semua untuk mem-pancasilakan segala kehidupan kita. ...
... 33 Page 11. FRONTIERS, VOL. XVI, NO. 2/3 archically-oriented systems including the creative d... more ... 33 Page 11. FRONTIERS, VOL. XVI, NO. 2/3 archically-oriented systems including the creative dramatics methods of Viola Spolin, Jearnine Wagner, and Kitty Baker, as well as the co-intentional, problem-posing educational practices of Paolo Freire. ...
Djenar Maesa Ayu's collection of short stories, Mereka Bilang, Saya Monyet is the account of... more Djenar Maesa Ayu's collection of short stories, Mereka Bilang, Saya Monyet is the account of marital infidelity, high class prostitution and neglected and damaged teenage girls. Her writing expresses longing for a more stable and loving domestic environment.
Suparman, former student in Rotterdam; unemployed Harsini, Suparman’s fiancée; teacher Kartono, H... more Suparman, former student in Rotterdam; unemployed Harsini, Suparman’s fiancée; teacher Kartono, Harsini’s younger brother; student at the Netherlands Indies School for the Arts (Nerderlands Indische Artsen School) Martono, volunteer at a government office Suratman, graduate of Holland’s Islands Kweekschool (Hoogere Inlandsche Kweekschool); unemployed Sarti, Harsini’s friend Abu Talib, Sarti’s husband Puspohadi, father of Harsini and Kartono Mrs. Puspohadi, mother of Harsini and Kartono Sumardjo, Sarti’s father; doctor Manservant
This article details the development of Indonesian national art theatre in Makassar, South Sulawe... more This article details the development of Indonesian national art theatre in Makassar, South Sulawesi from the 1950s to the present. It argues that through a commitment to modernity and modern aesthetics strong bonds to the idea of the nation were formed by Makassar theatre workers. Furthermore, in charting the relationship between local Makassar theatre and national trends often pioneered in Jakarta, I argue that beginning in the New Order and continuing to the present, through several formal and stylistic changes, the deployment of local cultural elements in modern Indonesian national theatre has deepened. Yet this development represents both a renewed pride in local identity and a continuing commitment to the national community.
... include Sanusi Pane's last play, Manusia Baru (The new humanity, 194... more ... include Sanusi Pane's last play, Manusia Baru (The new humanity, 1940), Armin Pané 's Lukisan Masa (A portrait of the times, 1937), and Saadah Alim's Pembalasannya ... Akhir-akhir ini saya memang selalu mengajak kita semua untuk mem-pancasilakan segala kehidupan kita. ...
... 33 Page 11. FRONTIERS, VOL. XVI, NO. 2/3 archically-oriented systems including the creative d... more ... 33 Page 11. FRONTIERS, VOL. XVI, NO. 2/3 archically-oriented systems including the creative dramatics methods of Viola Spolin, Jearnine Wagner, and Kitty Baker, as well as the co-intentional, problem-posing educational practices of Paolo Freire. ...
Djenar Maesa Ayu's collection of short stories, Mereka Bilang, Saya Monyet is the account of... more Djenar Maesa Ayu's collection of short stories, Mereka Bilang, Saya Monyet is the account of marital infidelity, high class prostitution and neglected and damaged teenage girls. Her writing expresses longing for a more stable and loving domestic environment.
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